Anonymous §H¦W
  • A Farewell to the Faeries §O¥P¤l (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 8-9.
  • A Farewell to the Faeries §O¥P¤l (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 4.
  • A Legendary Sword River Carpenter ¦³¦Wªº¼C¤t¤ì¦K (Lucien Miller), No. 51, pp. 122-125.
  • A Man of Ruyin ¤Ó¥­¼s°O¡G¦¼³±¤H (Glen Dudbridge), No. 32, pp. 16-19.
  • A Supplement to Jiang Zong's Biography of A White Ape ¸É¦¿Á`¥Õ·á¶Ç (Jue Chen), No. 49, pp. 76-85.
  • Along the Highway ¿í¤j¸ô (Michael E. Farman), No. 66, p. 14.
  • An Appeal to the Hunan Public (Tam Pak Shan), Nos. 53 & 54, pp. 250-256.
  • Audience at Golden Gate ¿Öª÷ªù (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 16-17.
  • Audience at Golden Gate ¿Öª÷ªù (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 6.
  • Barge-hauler's Song ¶¦·Õ«Ò®É®¾¦àªÌºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 80-81.
  • Barge-hauler's Song ¶¦·Õ«Ò®É®¾¦àªÌºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 25.
  • Bluebottles «CÃÇ (Michael E. Farman), No. 66, p. 22.
  • Border Songs ®ç¤Ô (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 78-79.
  • Border Songs ®ç¤Ô (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 3.
  • Courtship Song ·ã²x¤ýºq¡þ¥ø³ëºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 32-33.
  • Courtship Song ·ã²x¤ýºq¡þ¥ø³ëºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 24.
  • Cypress Boat ¬f¦à (Michael E. Farman), No. 66, p. 10.
  • Disappointment ÖaÄõ¾Þ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 40-41.
  • Disappointment ÖaÄõ¾Þ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 5.
  • Eight Verses of a Girl ©h®Q¤K°Û (Ian Chapman), No. 50, pp. 53-54.
  • Far in the Skies Is the Cowherd Star ­|­|²o¤û¬P (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 58-59.
  • Far in the Skies Is the Cowherd Star ­|­|²o¤û¬P (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 8.
  • Fifteen Parables from The Suntra of One Hundred Parables ¦Ê¿Ù¸g , No. 37, pp. 69-76.
  • Five Cantonese Love Songs ¸fðÝ (Sir Cecil Clementi), Nos. 29 & 30, pp. 25-30.
  • Four Examination Essays of the Ming Dynasty ©ú¥N¬ìÁ|¥|®Ñ¤å¿ïĶ (Andrew Lo), Nos. 33 & 34, pp. 167-181.
  • Frantic Quails ÄL¤§©b©b (Michael E. Farman), No. 66, p. 13.
  • From the Chinese of Wang Wei (Albert Faurot), The Translation of Art, Renditions Books, pp. 92-94.
  • From the Chinese of Wang Wei (Albert Faurot), No. 6, pp. 92-94.
  • From a Thesaurus of Chinese Laughs (Retold by George Kao), No. 9, pp. 37-42.
  • Gathering Plantain ªæ? (David Lunde), No. 66, p. 23.
  • Gentle Breezes ³Í­· (Michael E. Farman), No. 66, p. 12.
  • Ghost-busting Song ·À°­ºq (Eva Hung), Nos. 53 & 54, pp. 250-256.
  • Ghost of the Pot ¬Ö¨à°­ (George A. Hayden), No. 3, pp. 32-52.
  • Heavenly Barbarian (No. 1) µÐÂÄÆZ¡]¤@¡^ (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 10-11.
  • Heavenly Barbarian (No. 1) µÐÂÄÆZ¡]¤@¡^ (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 5.
  • Heavenly Barbarian (No. 2) µÐÂÄÆZ¡]¤G¡^ (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 12-13.
  • Heavenly Barbarian (No. 2) µÐÂÄÆZ¡]¤G¡^ (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 5.
  • Joyful Autumn Days ³ß¬î¤Ñ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 6-7.
  • Joyful Autumn Days ³ß¬î¤Ñ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 3.
  • Life That's Scarce a Hundred Years ¥Í¦~¤£º¡¦Ê (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 60-61.
  • Life That's Scarce a Hundred Years ¥Í¦~¤£º¡¦Ê (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 15.
  • Lifting my Skirt ër»n (Michael E. Farman), No. 66, p. 15.
  • Long-song Lay ªøºq¦æ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 56-57.
  • Long-song Lay ªøºq¦æ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 8.
  • Mountain Hawthrone ¥Í¬d¤l (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 14-15.
  • Mountain Hawthrone ¥Í¬d¤l (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 6.
  • Picking Ferns ªöÁ¨ (Michael E. Farman), No. 66, pp. 19-20.
  • Riverbank Faery Á{¦¿¥P (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 18-19.
  • Riverbank Faery Á{¦¿¥P (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 7.
  • Selections from Jin Ping Mei ª÷²~±ö¿ïĶ (David T. Roy), No. 24, pp. 13-62.
  • Sheepskin Coat ¯Ì¸Ê (Michael E. Farman), No. 66, p. 18.
  • Snow and Plum ³·±ö (Arthur Cooper), Nos. 21 & 22, p. 186.
  • Sun and Moon ¤é¤ë (Michael E. Farman), No. 66, p.11.
  • Sun in the East ªF¤è¤§¤é (Michael E. Farman), No. 66, p. 17.
  • That Gentle Maid ÀR¤k (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 34-35.
  • That Gentle Maid ÀR¤k (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 2.
  • The Bamboo Grove ¦Ë¨½À] (Louise Ho), No. 66, P. 29.
  • The Book of Lü Buwei: excerpts §f¤ó¬K¬î¿ïĶ (Chi-Chen Wang), Nos. 33 & 34, pp. 9-23.
  • The Dew That on Shallot-leaves Lies íüÅS (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 54-55.
  • The Dew That on Shallot-leaves Lies íüÅS (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 7.
  • The East Gate ¥X¨äªFªù (Michael E. Farman), No. 66, p. 16.
  • The Imperial Guardsman ¤T½Ã (Glen Dudbridge), No. 32, pp. 10-12.
  • The Jewel Bag (Scene xvii) ¨Ê¼@¡GÂêÅïÅn (Josephine Hung), No. 3 pp. 91-101.
  • The Nagas of Udyana ¤j­ð¦è°ì°O (Glen Dudbridge), No. 32, pp. 13-15.
  • The Phoenix Returns to the Clouds »ñÂk¶³ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 2-3.
  • The Phoenix Returns to the Clouds »ñÂk¶³ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 2.
  • The Pleasures of Playing Ball ©ß²y¼Ö (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 4-5.
  • The Pleasures of Playing Ball ©ß²y¼Ö (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 3.
  • The Sands at Silk-washing Creek ÒF·Ë¨F (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 20-21.
  • The Sands at Silk-washing Creek ÒF·Ë¨F (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 7.
  • The Story of the Great Protector, the Dog King Å@¤ý¥X¨­¬°°O (P. K. Leung), Nos. 29 & 30, pp. 13-16.
  • The Westerner's Ten Laments: excerpts ¥~°ê¬v¤H¹Ä¬BÁn (Ian Chapman), Nos. 53 & 54, pp. 247-249.
  • Thunder Crashes ®ï¨ä¹p (Michael E. Farman), No. 66, p. 9.
  • Title Missing To the Tune of Spring Is Here ¥¢ÃD ³ß¨Ó¬K (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, pp. 216 & 223.
  • Title Missing To the Tune of Wild Swans at Autumn ¥¢ÃD ¶ëÂE¬î (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 226.
  • Toward a Refutation of the Voices of Evil ¯}´cÁn½× (J. E. Kowallis), No. 26, pp. 108-119.
  • Twelve Hakka Folksongs «È®a¤sºq¤Q¤G­º (C. H. Kwock), Nos. 29 & 30, pp. 17-24.
  • Two Yunnan Tales ¶³«n¯«¸Ü¨â«h (Guo Xu, Xu Kun and Lucien Miller), No. 31, pp. 48-66.
  • Valley Winds ¨¦­· (Michael E. Farman), No. 66, p. 21.
  • Wang Zhaojun bianwen: excerpts ¤ý¬L§gÅܤå (Eugene Eoyang), Nos. 59 & 60, pp. 136-144.
  • Wedding Song ®ç¤Ô (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 36-37.
  • Wedding Song ®ç¤Ô (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 3.
  • While Locusts Sang ¯óÂÎ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 38-39.
  • While Locusts Sang ¯óÂÎ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 4.
  • Wow-Wow the Bean Baby °­¨§¤l (Lucien Miller), No. 51, pp. 126-130.
  • Xingshi Hengyan: How Hailing of the Jurchens was Destroyed through Unbridled Lust ¿ô¥@«í¨¥¡Gª÷®ü³®Áa±ý¤`¨­ (Eva Hung), Nos. 27 & 28, pp. 253-269.

    Adler, Ruth W. ¦wÅSµ·

  • Confucian Gentleman and Lyric Poet: Romanticism and Eroticism in the Ci of Ou-yang Hsiu, Song Without Music: Chinese Tz'u Poetry, Renditions Books, pp. 121-142.
  • Confucian Gentleman and Lyric Poet: Romanticism and Eroticism in the Ci of Ou-yang Hsiu, Nos. 11 & 12, pp. 121-142.

    Ah Lian ªü¾ü

  • If I Had Roots Too ¦pªG§Ú¤]¦³®Ú (D. E. Pollard), Nos. 29 & 30, pp. 155-156.
  • If I Had Roots Too ¦pªG§Ú¤]¦³®Ú (D. E. Pollard), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 113-114.

    Ah Sheng ªü²±

  • On a Tiled Courtyard I Pick Up the Years ¬B·³¿j®x (Eva Hung), Nos. 35 & 36, pp. 1-7.

    Ai Nanying ¦ã«n­^

  • The People are of Supreme Importance ¡u¥Á¬°¶Q¡v¤@³¹ (Andrew Lo), Nos. 33 & 34, pp. 176-178.

    Ai Wu ¦ã¿¾

  • One Night in Hong Kong ­»´äªº¤@©] (Zhu Zhiyu), Nos. 29 & 30, pp. 59-62.
  • Return by Night ©]Âk (Raymond S. W. Hsu), No. 7, pp. 39-44.

    Aina Jushi ¦ãÓÔ©~¤h

  • Idle Talk Under the Bean Arbour: excerpts ¨§´×¶¢¸Ü (Yenna Wu), No. 44, pp. 17-32.

    An Zanlun ¦wÃÙ­Û

  • Stepping Boldly into the Kitchen »¨±¡º¡Ãh¤WÁç¥x (Chu Chiyu), No. 50, pp. 22-23.

    An Zhiyuan ¦w­P»·

  • The Spring of'43: A Record ¤Ð¬Ñ¥V¬K¬ö¨Æ (Allan H. Barr), No. 70, pp. 29-34.

    Atkinson, Brooks

  • Mei Lan-fang in America, No. 3, p. 174.

    Ba Jin ¤Úª÷ (Pa Chin)

  • Earliest Memories ³Ìªìªº¦^¾Ð (Sally Taylor Lieberman), No. 38, pp. 27-55.
  • Hong Kong Night ­»´ä¤§©] (Zhu Zhiyu), Nos. 29 & 30, pp. 54-55.
  • To a Cousin—Preface to the Tenth Edition of Family ¡u®a¡v²Ä¤Qª©¥N§Ç (Shang-lan Mui Yeh), No. 4, pp. 73-82.

    Bady, Paul ¤Ú­}

  • Death and the Novel—On Lao She's 'Suicide', Two Writers and the Cultural Revolution, Renditions Books, pp. 5-14.
  • Death and the Novel—On Lao She's 'Suicide', No. 10, pp. 5-14.
  • Rehabilitation: A Chronological Postscript, Two Writers and the Cultural Revolution, Renditions Books, pp. 15-20.
  • Rehabilitation: A Chronological Postscript, No. 10, pp. 15-20.

    Bai Hua ¬f¾ì

  • Autumn's Weapon ¬î¤ÑªºªZ¾¹ (Li Fukang with Eva Hung), No. 37, p. 107.
  • Summer is Still Far Away ®L¤ÑÁÙ«Ü»· (Li Fukang with Eva Hung), No. 37, p. 105.
  • The Summer of 1966 ¤@¤E¤»¤»¦~®L¤Ñ (Li Fukang with Eva Hung), No. 37, p. 102.
  • Wheat—in memory of Hai Zi ³Á¤l—¬ö©À®ü¤l (Li Fukang with Eva Hung), No. 37, pp. 100-101.

    Bai Juyi ¥Õ©~©ö (Pai Chu-i, also Bo Juyi, Po Chü-i)

  • A Leisurely Visit East of the City «°ªF¶¢¹C (Stephen Owen), Nos. 21 & 22, pp. 176-177.
  • Arriving at My Old Home on the Wei Again ­«¨ì´ô¤W©~ (Burton Watson), No. 49, pp. 54-55.
  • Early Morning Impressions ¦­¿³ (Burton Watson), No. 49, pp. 72-73.
  • Feeling for Myself ¦Û·P (Stephen Owen), Nos. 21 & 22, pp. 154-155.
  • Having passed the examination, I go home to visit parents, leaving this poem in parting for my fellow students ¤Î²Ä«áÂkÂÑ¡A¯d§O½Ñ¦P¦~ (Burton Watson), No. 49, pp. 44-45.
  • In Drunkenness Confronting Red Leaves ¾K¤¤¹ï¬õ¸­ (Burton Watson), No. 49, pp. 64-65.
  • In the Midst of Illness, Grieving for Golden Bells ¯f¤¤­úª÷Æq¤l (Burton Watson), No. 49, pp. 56-57.
  • In the Rear Palace «á®cµü (Geoffrey R. Waters), No. 64, p. 26.
  • Inscribed on My Pine Study ªQÂN¦ÛÃD ®É¬°¿«ªL¾Ç¤h (When I became a Hanlin scholar) (Burton Watson), No. 49, pp. 42-75.
  • I've collected and arranged my poems in a work in fifteen chapters. I'm inscribing this at the end of the work and as a joke sending copies to Yuan Nine and Li Twenty ½s¶°©å¸Ö¡A¦¨¤@¤Q¤­¨÷¡A¦]ÃD¨÷¥½¡AÀ¸Ãؤ¸¤E¡B§õ¤G¤Q (Burton Watson), No. 49, pp. 62-63.
  • Letter to Yuan Zhen »P¤¸·L¤§®Ñ (Stephen Owen), Nos. 41 & 42, pp. 51-55.
  • Looking at Fishes Æ[´å³½ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 184-185.
  • Looking at Fishes Æ[´å³½ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 64.
  • Newly-Planted Bamboo ·s®â¦Ë (Burton Watson), No. 49, pp. 46-47.
  • On Night Duty at the Palace, I Dreamt I was Visiting Xianyou Temple ¸T¤¤´Jª½¡A¹Ú¹C¥P¹C¦x (Burton Watson), No. 49, pp. 50-51.
  • On Releasing a Migrant Goose ©ñ®È¶­ (Arthur Cooper), Nos. 21 & 22, pp. 182-183.
  • On Releasing Fish ©ñ³½ (Arthur Cooper), Nos. 21 & 22, pp. 180-181.
  • Outlandish Music ÅY°ê¼Ö¡]¸`¿ý¡^(John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 166-167.
  • Outlandish Music ÅY°ê¼Ö¡]¸`¿ý¡^(John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 62.
  • Planting Flowering Trees on Eastern Slope ªF©YºØªá (Burton Watson), No. 49, pp. 68-69.
  • Reading Deng Fang's Poems Ū¾HèÛ¸Ö (Burton Watson), No. 49, pp. 52-53.
  • Remembering Jiangnan ¾Ð¦¿«n (A. C. Graham), No. 25, p. 105.
  • Remembering the South River Land ¾Ð¦¿«n (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 188-189.
  • Remembering the South River Land ¾Ð¦¿«n (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 66.
  • Satisfied in Mind ¾A·N (Burton Watson), No. 49, pp. 58-59.
  • Snow & Plum ³·±ö (Arthur Cooper), Nos. 21 & 22, p. 186.
  • Spending the Night at the Yangs ±J·¨®a (Stephen Owen), Nos. 21 & 22, pp. 164-165.
  • Spring Theme: Above the Lake ¬KÃD´ò¤W (A. C. Graham), No. 25, p. 104.
  • The Grave of Li Bai §õ¥Õ¹Ó (Burton Watson), No. 49, pp. 66-67.
  • The Song of Enduring Woe ªø«ëºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 168-181.
  • The Song of Enduring Woe ªø«ëºq (John Turner), No. 5, pp. 59-65.
  • The Song of Everlasting Grief ªø«ëºq (Mimi Chan and Piers Gray), No. 14, pp. 79-84.
  • The Song of the Pipa µ\µ]¦æ (John D. Coleman), No. 10, pp. 155-159.
  • The Sound of Weeping »D­úªÌ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 182-183.
  • The Sound of Weeping »D­úªÌ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 63.
  • Third Year, New Year's Eve ¤T¦~°£©] (Burton Watson), No. 49, pp. 74-75.
  • To a Painter ÃØ¼g¯uªÌ (C. Mulrooney), No. 43, p. 78.
  • To Give to My Wife ÃØ¤º (Burton Watson), No. 49, pp. 60-61.
  • To the Tune of Hua fei hua ªá«Dªá (D. C. Lau), Nos. 21 & 22, p. 187.
  • To the Tune of Yi Chiang-nan ¾Ð¦¿«n (D. C. Lau), Nos. 21 & 22, p. 188.
  • Too Lazy ºH¤£¯à (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 186-187.
  • Too Lazy ºH¤£¯à (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 65.
  • Two Jueju on Taking Leave of the Flowering Trees I Planted on Eastern Slope §OºØªF©Yªá¾ð¨âµ´ (Burton Watson), No. 49, pp. 70-71.
  • Visiting the Temple 'Dwelling-in-Clouds': for Mr. Mu, Landowner ¹C¶³©~¦xÃØ¿p¤T¤Q¤»¦a¥D (Stephen Owen), Nos. 21 & 22, pp. 162-163.
  • Wang Zhaojun (two poems) ¤ý¬L§g ¨ä¤@¡B¤G (Burton Watson), Nos. 59 & 60, pp. 46-49.
  • Wisdom Ū¦Ñ¤l (Graeme Wilson), No. 2, p. 117.

    Bai Ling ¥ÕÆF

  • The Era After Social Diversification: Developments in Taiwanese Poetry 1985-1990 ¤À®a«áªº·s¸Ö�-1990¥ó¥xÆW¸Ö¾Âµo®i¸ô¦V (Duncan Hewitt and Chu Chiyu), Nos. 35 & 36, pp. 294-298.

    Bai Pu ¥Õ¾ë (Po P'o)

  • Rain on the Wutong Tree ±ï®ä«B (Acts III and IV) (Shizue Matsuda), No. 3, pp. 53-61.

    Bai Xianyong ¥Õ¥ý«i (Pai Hsien-yung)

  • New Year's Eve ·³°£ (Diana Granat), No. 5, pp. 98-105.
  • The Eternal Yin Hsueh-yen ¥Ã»·ªº¤¨³·ÆA (Katherine Carlitz and Anthony C. Yu), No. 5, pp. 89-97.
  • Wandering in the Garden, Waking from a Dream ¹C¶éÅå¹Ú (Bai Xianyong and Patia Yasin), No. 14, pp. 5-20.

    Ban Gu ¯Z©T (Pan Ku)

  • Two Imperial Ladies of Han º~®Ñ¥~±­¶Ç (Burton Watson), No. 1, pp. 7-13.

    Ban, Lady ¯ZÔЧ± (Lady Pan)

  • A Song of Grief «èºq¦æ (Ling Chung and Kenneth Rexroth), No. 1, p. 14.

    Bao Guixing Àj®Û¬P

  • The Luminous Lady ©ú¦m (Eva Hung), Nos. 59 & 60, pp. 126-127.

    Bao Rong ¥]·» (Pao Jung)

  • Moonlight on the Sands ¨F¤W¤ë (Stephen Owen), Nos. 21 & 22, pp. 166-167.

    Bao Tianxiao ¥]¤Ñ¯º (Pao T'ien-hsiao)

  • A Preface by Lin Ch'in-nan (George Kao), No. 5, p. 25.
  • Memoirs of Bracelet Shadow Chamber: excerpts ³©¼v¼Ó¦^¾Ð¿ý (Joyce Luk), No. 38, pp. 1-26.

    Bao Zhao Àj·Ó

  • Letter to My Younger Sister upon Ascending the Bank of Thunder Lake µn¤j¹p©¤»P©f®Ñ (Jui-lung Su), Nos. 41 & 42, pp. 18-24.
  • Wang Zhaojun ¤ý¬L§g (Jam Ismail and Tam Pak Shan), Nos. 59 & 60, pp. 32-33.

    Barmé, Geremie ¥ÕªN©ú

  • A Touch of the Absurd—Introducing Gao Xingjian and his play The Bus-stop, Trees on the Mountain, Renditions Books, pp. 373-377.
  • A Touch of the Absurd—Introducing Gao Xingjian and his play The Bus-stop, Nos. 19 & 20, pp. 373-377.
  • A Word for The Impostor, Trees on the Mountain, Renditions Books, pp. 319-332.
  • A Word for The Impostor, Nos. 19 & 20, pp. 319-332.
  • My Friend the Memory Hole—a comment on living with Deng Xiaoping's 'anti-bourglib' campaign, No. 26, pp. 5-6.

    Bei Dao ¥_®q (See also Zhao Zhenkai)

  • A Single Room ³æ¤H©Ð¶¡ (Bonnie S. McDougall), No. 23, p. 116.
  • A Toast ¯¬°s (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 200.
  • A Toast ¯¬°s (Bonnie S. McDougall), Nos. 19 & 20, p. 200.
  • All ¤@¤Á (Shiao-ling Yu), No. 16, p. 73.
  • August Sleepwalker ¤K¤ëªº¹Ú¹CªÌ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 208.
  • August Sleepwalker ¤K¤ëªº¹Ú¹CªÌ (Bonnie S. McDougall), Nos. 19 & 20, p. 208.
  • Boat Ticket ²î²¼ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 196.
  • Boat Ticket ²î²¼ (Bonnie S. McDougall), Nos. 19 & 20, p. 196.
  • Bodhisattva µÐÂÄ (Bonnie S. McDougall), No. 23, p. 116.
  • Chords ©M©¶ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 198.
  • Chords ©M©¶ (Bonnie S. McDougall), Nos. 19 & 20, p. 198.
  • Death Watch Night ¦uÆF¤§©] (Bonnie S. McDougall), No. 23, p. 115.
  • Doubtful Things ¥iºÃ¤§³B (Bonnie S. McDougall), No. 23, p. 111.
  • Expectation ´Á«Ý (Bonnie S. McDougall), No. 23, p. 113.
  • For Many Years «Ü¦h¦~ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 203.
  • For Many Years «Ü¦h¦~ (Bonnie S. McDougall), Nos. 19 & 20, p. 203.
  • Language »y¨¥ (Bonnie S. McDougall), No. 23, p. 114.
  • Notes in the Rain «B¤¤¬ö¨Æ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 206.
  • Notes in the Rain «B¤¤¬ö¨Æ (Bonnie S. McDougall), Nos. 19 & 20, p. 206.
  • Random Thoughts ÀH·Q (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, pp. 204-205.
  • Random Thoughts ÀH·Q (Bonnie S. McDougall), Nos. 19 & 20, pp. 204-205.
  • Sleep, Valley ºÎ§a¡A¤s¨¦ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 199.
  • Sleep, Valley ºÎ§a¡A¤s¨¦ (Bonnie S. McDougall), Nos. 19 & 20, p. 199.
  • SOS ©I±Ï°T¸¹ (Bonnie S. McDougall), No. 23, pp. 114.
  • Starting from Yesterday ¦Û¬Q¤Ñ°_ (Bonnie S. McDougall), No. 23, p. 112.
  • The Bank ©¤ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 195.
  • The Bank ©¤ (Bonnie S. McDougall), Nos. 19 & 20, p. 195.
  • The Dawn's Bronze Mirror ¦b¾¤©úªº»ÉÃ褤 (Bonnie S. McDougall), No. 23, p. 113.
  • The Fable ´J¨¥ (Bonnie S. McDougall), No. 23, p. 112.
  • The Host ¥D¤H (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 202.
  • The Host ¥D¤H (Bonnie S. McDougall), Nos. 19 & 20, p. 202.
  • The Old Temple ¥j¦x (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 197.
  • The Old Temple ¥j¦x (Bonnie S. McDougall), Nos. 19 & 20, p. 197.
  • The Window on the Cliff ®k¾À¤Wªºµ¡¤á (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 207.
  • The Window on the Cliff ®k¾À¤Wªºµ¡¤á (Bonnie S. McDougall), Nos. 19 & 20, p. 207.
  • Thirteen Happiness Street ©¯ºÖµó13¸¹ (Bonnie S. McDougall), No. 24, pp. 5-12.
  • Tomorrow, No ©ú¤Ñ¡A¤£ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 195.
  • Tomorrow, No ©ú¤Ñ¡A¤£ (Bonnie S. McDougall), Nos. 19 & 20, p. 195.
  • Untitled µLÃD (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 202.
  • Untitled µLÃD (Bonnie S. McDougall), Nos. 19 & 20, p. 202.
  • You Wait for Me in the Rain §A¦b«B¤¤µ¥«ÝµÛ§Ú (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 201.
  • You Wait for Me in the Rain §A¦b«B¤¤µ¥«ÝµÛ§Ú (Bonnie S. McDougall), Nos. 19 & 20, p. 201.

    Beijing Sojourner ¿P«È

  • A True Record of Mutual Correspondences between Heaven and the Human World ¤Ñ¤H¦X¼x¬ö¹ê (H. Laura Wu), No. 70, pp. 13-28.

    Bian Zhilin ¤Ë¤§µY

  • A Brief Parting ¤p§O (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 63-64.
  • A Monk ¤@­Ó©M©| (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 55.
  • A Piece of Wrecked Ship ¤@¶ô¯}²î¤ù (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 73.
  • A Short Visit to Cheung Chau Island in Hong Kong ­»´ä¤p¹Cªø¬w®q (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 144.
  • An Idler ¤@­Ó¶¢¤H (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 56.
  • Aqueous Rock ¤ô¦¨©¥ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 89.
  • Autumn Window ¬îµ¡ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 84.
  • Bedtime (A Child's Story) ¥ð®§(µ£¸Ü) (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 98.
  • By the Roadside ¹D®Ç (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 88.
  • City in Spring ¬K«° (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 86-87.
  • Cold Night ´H©] (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 54.
  • Composition of Distances ¶ZÂ÷ªº²Õ´ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 90.
  • Continuous Rain ­W«B (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 70.
  • Contrast ¹ï·Ó (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 88.
  • Cool Plum Drink »Ä±ö´ö (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 59.
  • Crying One's Wares ¥s½æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 73.
  • Dream of the Old Town ¥jÂíªº¹Ú (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 82.
  • Dressing Table §©¥x (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 106.
  • Early Morning in August ¤K¤ëªº²M±á (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 61-62.
  • Entering the Dream ¤J¹Ú (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 85.
  • Entrust it to the Flowing Water ±H¬y¤ô (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 81.
  • Evening ³Ä±ß (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 50.
  • Falling ¸¨ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 60.
  • Fish Fossil: a Fish or Girl Speaking ³½¤Æ¥Û (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 99.
  • Flying over Taiwan ­¸Á{¥xÆW¤WªÅ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 137-138.
  • Fragment Â_³¹ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 94.
  • From Winter to Spring ±q¥V¤Ñ¨ì¬K¤Ñ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 133.
  • Gathering Water Chestnuts ±ÄµÙ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 134.
  • Grass on the Wall ÀðÀY¯ó (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 75.
  • Homecoming ÁÙ¶m (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 79-80.
  • Insects at the Lamp ¿OÂÎ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 113.
  • Listening to Streetcars Circling at Midnight ¤È©]»»Å¥µó¨®Àô¦æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 145.
  • Loneliness ±I¹æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 94.
  • Long Journey »·¦æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 52.
  • Long Road ªø³~ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 57.
  • Mid-Autumn Festival ¹L¸` (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 70.
  • Migration of Birds ­Ô³¾°ÝÃD (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 101.
  • Mule Cart ¤j¨® (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 75.
  • Naughty Child ²^®ð (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 112.
  • Night March ©]¦æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 132.
  • Night Wind ©]­· (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 58.
  • On the White Stone ¥Õ¥Û¤W (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 66-67.
  • Picking Osmanthus ±Ä®Ûªá (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 135.
  • Prospect of the Ming Tombs ¤Q¤T³®»·´º (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 136.
  • Record °O¿ý (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 50.
  • Reed-leaf Boat Ώ­²î (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 103.
  • Resounding Dust ­µ¹Ð (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 96.
  • Reverie on the Night of the Lantern Festival ¤¸©]¹I«ä (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 91.
  • Reverie upon Ascending the Sears Tower ªÛ¥[­ôµn¼Ó¹I«ä (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 143.
  • Roads ¸ô (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 108.
  • Roadside Teahouse ¸ô¹L©~ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 71-72.
  • Rochester: Inside and Outside the City ù¤Á´µ¯S«°¤º«°¥~ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks,p. 141.
  • Round Jewel Casket ¶êÄ_²° (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 93.
  • Rumours Taught the 'Nervous Wreck' a Lesson ÁÁ¨¥±Ð°V¤F¯«¸g¯f (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 130-131.
  • Sea Voyage ¯è®ü (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 95.
  • Several People ´X­Ó¤H (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 74.
  • Shadow ¼v¤l (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 53.
  • Sleeping Carriage ºÎ¨® (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 105.
  • Snow ³· (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 99.
  • Tears ²\ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 100.
  • The Chiba Flute ¤Ø¤K (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 92.
  • The Crows ¸s¾~ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 51.
  • The First Lamp ²Ä¤@·ø¿O (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 101.
  • The Heart of the Old City ¥j«°ªº¤ß (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 84.
  • The Peninsula ¥b®q (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 102.
  • The Railway Station ¨®¯¸ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 105.
  • The Rain and I «B¦P§Ú (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 109.
  • The Way Back Âk (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 89.
  • The White Seashell ¥ÕÁ³´ß (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 110-111.
  • To a Company Commander who Probed the Line Fence with his Finger µ¹¤@¦ì¥Î¤â«ü±´¹qºôªº³sªø (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 126.
  • To a Sharpshooter on the Front µ¹«e¤èªº¯«ºj¤â (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks,p. 116.
  • To Air Force Fighters µ¹ªÅ­x¾Ô¤h (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 125.
  • To Coal Miners µ¹¤@³B·Ñ½`ªº¤u¤H (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 120-121.
  • To Farmers who Evacuated their Houses and Cleared µ¹¹ê¦æªÅ«Ç²M³¥ªº¹A¥Á (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 122.
  • To the Author of 'On Protracted War' µ¹½×«ù¤[¾ÔªºµÛªÌ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 124.
  • To the Children on Sentry Duty µ¹©ñ­ïªº¨àµ£ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 118-119.
  • To the Generalissimo µ¹©e­ûªø (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 123.
  • To the New Local Recruits µ¹¦a¤èªZ¸Ëªº·s¾Ô¤h (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 117.
  • To the Young Pioneers of the Northwest µ¹¦è¥_ªº¶}¯îªÌ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 127.
  • Tossings §ë (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 56.
  • Untitled 1 µLÃD¤@ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 102.
  • Untitled 2 µLÃD¤G (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 103.
  • Untitled 3 µLÃD¤T (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 103.
  • Untitled 4 µLÃD¥| (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 104.
  • Untitled 5 µLÃD¤­ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 104.
  • View from a Waterside Chamber in Boston ªi¤h¹y¤ô°a±ß²· (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 140.
  • Visiting a Deserted Private Garden in New Heaven ¯Ã®ü¤å¹C¨p²Ä¯î¶é (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 140.
  • Waiting for Takeoff in the Little Airport at Bloomington ¥¬¾|©ú¤Ù¤p¾÷³õ«Ýµo (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 142.
  • Watching Twelfth Night in New York City ¯Ã¬ù¬Ý¡m²Ä¤Q¤G©]¡nºt¥X (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 139.
  • Water Content ¤ô¤À (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 107.
  • Weariness ­Â (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 78.
  • West Chang'an Street ¦èªø¦wµó (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 68-69.
  • Zhongnanhai ¤¤«n®ü (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 65.

    Bing Xin ¦B¤ß

  • A Dream ¹Ú(Janet Ng), No. 46, pp. 103-105.
  • Autobiographical Notes ¦B¤ß¶Ç²¤ (John Cayley), No. 32, pp. 84-87.
  • How I Wrote A Maze of Stars and Spring Water §Ú¬O«ç¼Ë¼g¡uÁc¬P¡v©M¡u¬K¤ô¡vªº (John Cayley), No. 32, pp. 88-91.
  • Selections from A Maze of Stars Ác¬P¿ïĶ (John Cayley), No. 32, pp. 108-117.
  • Selections from Spring Water ¬K¤ô¿ïĶ (Grace Boynton), No. 32, pp. 92-107.
  • Superman ¶W¤H (Gong Shifen), No. 32, pp. 124-129.
  • The Little Orange Lamp ¤p¾ï¿O (Gong Shifen), No. 32, pp. 130-132.
  • Those Words ¤@¥y¸Ü (Eva Hung), No. 25, p. 52.

    Birch, Cyril ¥Õ¤§

  • Bigamy Unabashed: Ruan Dacheng's Comic Masterpiece, The Swallow Letter, No. 40, pp. 1-9.

    Blunden, Edmund

  • The Sleeping Amah, Nos. 29 & 30, p. 67.
  • View from the University of Hong Kong, Nos. 29 & 30, p. 68.

    Bo Yang ¬f·¨

  • The Ugly Chinaman Áà­®ªº¤¤°ê¤H (Don J. Cohn), No. 23, pp. 84-103.

    Boynton, Charlotte

  • Introduction to Selections from Spring Water ¬K¤ô¿ïĶ , No. 32, pp. 92-97.

    Bryant, Daniel ¥Õ¼í¼w

  • Three Varied Centuries of Verse—a brief note on Ming poetry, No. 8, pp. 82-84.

    Bullett, Gerald

  • An Experiment in Translation, No. 4, pp. 40-42.

    Cai Daoxian ½²¹D¾Ë

  • A Vindication of Wang Qiang and Mao the Painter ¬°¤ýéR¤ò¥£¸Ñ¼J (Haun Saussy), Nos. 59 & 60, pp. 98-99.

    Cai Yanpei ½²ª¢°ö (Tsai Yim Pui, Rebell)

  • Decathlon ¤Q¶µ¥þ¯à (Eva Hung), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 66-67.
  • Six Martyrs ¤»§g¤l (Eva Hung), To Pierce the Material Screen, Vol. II, Renditions Books, p. 86.

    Cai Zhifeng ½²§Ó®p (Choi Chi Fung)

  • Another Summer's Garden ¤S¬O®L©uªºªá¶é (Simon Patton), Nos. 47 & 48, pp. 204-207.
  • Sleepwalk in the Suburbs ¹Ú¹C­¥¥~ (Simon Patton), Nos. 47 & 48, pp. 202-203.
  • Sleepwalk in the Suburbs ¹Ú¹C­¥¥~ (Simon Patton), To Pierce the Material Screen, Vol. II, Renditions Books, p. 41.
  • Temple Street¡DEarly One Friday ¼qµó¡D¬P´Á¤­­â±á®É (Simon Patton), Nos. 47 & 48, pp. 208-211.

    Cai Zhuotang ½²ÀÞ°ó (Tsai, Frederick C.)(See also Si Guo)

  • The Name and Nature of Translation, No. 10, pp. 112-120.
  • Umemployed ¥¢·~ (David E. Pollard), No. 66, pp. 72-78.
  • Umemployed ¥¢·~ (David E. Pollard), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 139-144.

    Can Xue ´Ý³·

  • The Hut on the Hill ¤s¤Wªº¤p«Î (Michael S. Duke), Nos. 27 & 28, pp. 204-207.

    Cao, Anna ±ä¦w®R

  • To An Unknown Friend µ¹¥¼¨ÓªºªB¤Í (Amy Klauke and Zhu Zhiyu), Nos. 27 & 28, p. 249.

    Cao Cao ±ä¾Þ

  • The Indomitable Soul ÀtÁö¹Ø (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 62-63.
  • The Indomitable Soul ÀtÁö¹Ø (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 12.

    Cao Juren ±ä»E¤¯

  • Having Ddrifted over the Sea of Life: excerpts ¯B¹L¤F¥Í©R®ü (Brian Holton), No. 66, pp. 66-71.
  • Having Ddrifted over the Sea of Life: excerpts ¯B¹L¤F¥Í©R®ü (Brian Holton), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 132-137.

    Cao Lei ±ä¹p
    and Yang Shiwen ·¨®É¤å, Zhao Zhiqiang »¯§Ó±j

  • Chunmiao: scenes 28-30 ¬K­] (Paul Clark), No. 70, pp. 47-57.

    Cao Pi ±ä¥A

  • Two Letters to Wu Zhi, Magistrate of Zhaoge »P§d½è®Ñ (Burton Watson), Nos. 41 & 42, pp. 7-11.

    Cao Sheng ±äÑÔ

  • Selections from An Ordeal under the Barbarians ¦i±w³Æ¹Á°O (Eva Hung), Nos. 53 & 54, pp. 232-237.

    Cao Xueqin ±ä³·ªà (Ts'ao Hsueh-ch'in)

  • On A Branch of Red Plum Flower ¬õ±öªá (David Hawkes), Nos. 21 & 22, p. 141.
  • Taohua xing ®çªá¦æ (David Hawkes), No. 13, pp. 56-59.

    Cao Yu 񄪉 (Ts'ao Yu)

  • Peking Man ¥_¨Ê¤H (Act I) (Lily Winters), No. 3, pp. 66-80.
  • The Consort of Peace: Act V ¤ý¬L§g (²Ä¤­¹õ)(Monica Lai), Nos. 59 & 60, pp. 221-254.
  • The Wilderness ­ì³¥ (Act II) (Jane Lai), No. 4, pp. 102-115.

    Cao Zhi ±ä´Ó (Ts'ao Chih)

  • Allegory Âø¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 64-65.
  • Allegory Âø¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 18.
  • Letter to Yang Dezu »P·¨¼w¯ª®Ñ (Richard M. W. Ho), Nos. 41 & 42, pp. 12-14.
  • Seven-Pace Song ¤C¨B¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 17.
  • The Great City ¦W³£½g (Mok Wing-yin), No. 2, p. 52.
  • The Peerless Beauty ¬ü¤k½g (Mok Wing-yin), No. 2, p. 50.
  • The Yellow Bird in the Field ³¥¥Ð¶À³¶¦æ (Mok Wing-yin), No. 2, p. 51.

    Cayley, John ³Í?¦w

  • Birds and Stars: Tagore's Influence on Bing Xin's Early Poetry, No. 32, pp. 118-123.
  • To Keep Them from Falling, Nos. 21 & 22, pp. 331-348.

    Chai Wawa ®ã«½«½

  • True Confession Äb®Ñ (Janice Wickeri), Nos. 29 & 30, pp. 157-158.
  • True Confession Äb®Ñ (Janice Wickeri), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 173-174.

    Chan Chi Tak ³¯´¼¼w (see Chen Zhide)

    Chan Chi Wa ³¯§ÓµØ (see Chen Zhihua)

    Chan Hay Ching ³¯ÄfÀR (see Chen Xijing)

    Chan Hok-lam ³¯¾ÇÀM

  • Two Ming Biographies, No. 4, pp. 83-84.

    Chan, Mimi ³¯¬ü¬ü

  • On Translating Chaucer into Chinese, No. 8, pp. 39-51.
  • Women in Hong Kong Fiction Written in English: the Mixed Liaison, Nos. 29 & 30, pp. 257-274.

    Chan Po Chun ³¯Ä_¬Ã (see Chen Baozhen)

    Chan Siu wah ³¯¤ÖµØ (see Chen Shaohua)

    Chan Tak Kam ³¯¼wÀA (see Chen Dejin)

    Chan Wai Ying ³¯´f­^ (see Chen Huiying)

    Chan Wing-tsit ³¯ºa±¶ (see Chen Rongjie)

    Chang Chak Yan ¾G¨ªÚ| (see Zheng Chiyan)

    Chang Chun-shu ±i¬K¾ð and Hsueh-lun Chang ±i³·­Û

  • P'u Sung-ling and his Liaozhai zhi yi--Literary Imagination and Intellectual Consciousness in Early Qing China, No. 13, pp. 60-81.

    Chang Jian ±`«Ø

  • Hermitage at Broken-Hill Monastery ¯}¤s¦x«áÁI°| (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 100-101.
  • Hermitage at Broken-Hill Monastery ¯}¤s¦x«áÁI°| (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 35.

    Chang, Eileen ±i·R¬Â (see Zhang Ailing)

    Chang Hsiu-ya ±i¨q¨È (see Zhang Xiuya)

    Chang, Hsueh-lun ±i³·­Û and Chun-shu Chang ±i¬K¾ð

  • P'u Sung-ling and his Liaozhai zhi yi—Literary Imagination and Intellectual Consciousness in Early Qing China, No. 13, pp. 60-81.

    Chang Shi-kuo ±i¨t°ê (see Zhang Xiguo)

    Chang, Tsong-zung ±i¹|¤¯

  • Visionaries and Icon Painters: One Aspect of Hong Kong Contemporary Art, Nos. 29 & 30, pp. 275-292.

    Chao Buzhi ®Ð¸É¤§

  • Salt Crystals ÆQ¨¤¨à (Eva Hung), No. 58, pp. 44-45.

    Chao, Y. R. »¯¤¸¥ô

  • Where I Went Wrong in Matters of Language ¦^·Q§Ú¦b»y¨¥¤W¥Ç¹Lªº¿ù»~ (George Kao), No. 1, pp. 15-19.

    Chaves, Jonathan

  • Some Relationships Between Poetry and Painting in China, The Translation of Art, Renditions Books, pp. 85-91.

    Chen Anan ³¯¦w¦w

  • Every Calendar Page, A Victory Poster ±i±i¤é¾ä¤Æ³ß³ø (Hsu Kai-yu), No. 4, p. 99.

    Chen Baichen ³¯¥Õ¹Ð

  • A Lonely Childhood: excerpts ±I¹æªºµ£¦~ (Lousie Ko), No. 44, pp. 82-102.

    Chen Baozhen ³¯Ä_¬Ã (Chan Po Chun)

  • Addendum to a Conversation ¤@¦¸½Í¸Üªº¸É¥R»¡©ú (Janice Wickeri), No. 51, pp. 103-121.
  • Addendum to a Conversation ¤@¦¸½Í¸Üªº¸É¥R»¡©ú (Janice Wickeri), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 64-91.
  • Beginnings and Endings ©l¡D²× (Jane Lai), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 131-137.
  • The Love Story of Weird Guy and Weird Girl ©_¨k¤l©_¤k¤l (Duncan Hewitt), Nos. 47 & 48, pp. 107-109.

    Chen Chünhung ³¯¹m¥° (see Chen Junhong)

    Chen Chih-mai

  • Robert van Gulik and the Judge Dee Stories, No. 5, pp. 110-117.

    Chen Dejin ³¯¼wÀA (Chan Tak Kam)

  • Blind Fortune-tellers ¢¤RªÌ (Caroline Mason), No. 66, pp. 103-105.
  • Blind Fortune-tellers ¢¤RªÌ (Caroline Mason), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 195-197.

    Chen Dongdong ³¯ªFªF

  • Scenery ­·´º (Li Fukang with Eva Hung), No. 37, p. 111.
  • The North ¥_¤è (Li Fukang with Eva Hung), No. 37, pp. 108-109.
  • Words µü»y (Li Fukang with Eva Hung), No. 37, p. 110.

    Chen Guanxue ³¯«a¾Ç

  • The Countryside: Past and Present ¥Ð¶é¤µ©õ (D. E. Pollard), Nos. 35 & 36, pp. 18-32.
  • The Countryside of the Past ©õ¤éªº¥Ð¶é (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 350-360.
  • Today's Countryside ¤µ¤éªº¥Ð¶é (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 360-367.

    Chen Hengzhe ³¯¿Å­õ

  • My Childhood Pursuit of Education: In Memory of My Uncle, Mr Chuang Sze-chien §Ú¥®®É¨D¾Çªº¸g¹L¡Ð¡Ð°O©À§Úªº¸¤¤÷²ø«ä½p¥ý¥Í (Janet Ng), May Fourth Women Writers (Memoirs), Renditions Paperbacks, pp. 35-48.

    Chen Hongxu ³¯¥°ºü

  • A Further Letter to Zhou Lianggong ¦A»P¼Ö¶é®Ñ (David Pattinson), No. 41 & 42, pp. 98-101.

    Chen Huiying ³¯´f­^ (Chan Wai Ying)

  • Tied Together by Fate ©R©w¬ÛÀHªºÁpô (Howard Goldblatt), Nos. 47 & 48, pp. 42-44.
  • Tied Together by Fate ©R©w¬ÛÀHªºÁpô (Howard Goldblatt), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 58-63.
  • Tied Together by Fate ©R©w¬ÛÀHªºÁpô (Howard Goldblatt), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 94-96.

    Chen I-Chih ³¯¸qªÛ (see Chen Yizhi)

    Chen Jiangfan ³¯¦¿¦|

  • Eventide ¤i±ß (David Pollard), To Pierce the Material Screen, Vol. II, Renditions Books, p. 71.

    Chen Jinghua ³¯«lµØ

  • Our Will to Settle Here Will Never Fail ¤ã®Ú¹A§ø§Ó¤£²¾ (Richard King), No. 50, pp. 20-21.

    Chen Jingrong ³¯·q»T

  • Autumn ¬î (Evangeline Almberg), No. 32, pp. 74-75.
  • Drift ¯B´åªÌ (Evangeline Almberg), No. 32, pp. 78-79.
  • Early Morning Stroll ²M±áº©¨B (Evangeline Almberg), No. 32, p. 82.
  • Left Behind ¿ò¯d (Evangeline Almberg), No. 32, pp. 80-81.
  • Night Song ©]ºq (Evangeline Almberg), No. 32, pp. 74-75.
  • October ¤Q¤ë (Evangeline Almberg), No. 32, p. 71.
  • On the Train ¨®¤W (Evangeline Almberg), No. 32, pp. 72-73.
  • The Knight's Love ÃM¤h¤§ÅÊ (Evangeline Almberg), No. 32, p. 76.

    Chen Jiru ³¯Ä~¾§

  • Reply to Xu Xiake µª®}Áø«È (Julian Ward), No. 61, pp. 19-26.

    Chen Junhong ³¯¹m¥° (Chen Chünhung)

  • To Face ­±¹ï (Maggie Leung with Madeleine Marie Slavick), No. 61, pp. 123-124.

    Chen Kehua ³¯§JµØ (Chen Ko-Hua)

  • a dream of one fine day ¹Ú¨£¤@­Ó´¸¤Ñ (Simon Patton), No. 58, p. 144.
  • containment ¥]®e (Simon Patton), No. 58, p. 141.
  • gazing into the distance one autumn day ¬î¤é»·²· (Simon Patton), No. 58, p. 143.
  • On the After-Dinner Television ¦b±ßÀ\«áªº¹qµø¤W (John and Esther Dent-Young), Nos. 35 & 36, pp. 246-249.
  • The Station at the End of the World ¥@¬ÉºÉÀYªº¨®¯¸ (Simon Patton), No. 61, pp. 102-103.
  • this life cage ¦¹¥Í¼ÔÅ¢ (Simon Patton), No. 58, p. 140.

    Chen Ko-hua ³¯§JµØ (see Chen Kehua)

    Chen Li ³¯¾¤

  • Wooden Fish Ballad ¤ì³½®Ñ (Jane Lai), No. 61, pp. 92-95.

    Chen Rongjie ³¯ºa±¶ (Chan Wing-tsit)

  • Neo-Confucian Philosophical Poems §º©ú²z¾Ç®a¸ÖĶ, No. 4, pp. 5-21.

    Chen Ruoxi ³¯­YÄf (Chen Jo-hsi)

  • Another Fortress Besieged «°¸Ì«°¥~ (Richard Kent and Vivian Hsu), The Old Man and Other Stories, Renditions Paperbacks, pp. 113-142.
  • Ding Yun ¤B¶³ (Richard Kent and Vivian Hsu), The Old Man and Other Stories, Renditions Paperbacks, pp. 63-79.
  • Ding Yun ¤B¶³ (Chi-chen Wang), Two Writers and the Cultural Revolution, Renditions Books, pp. 133-140.
  • Ding Yun ¤B¶³ (Chi-chen Wang), No. 10, pp. 93-100.
  • 'I Love Chairman Mao' Âk (ºKͤ@) (Chi-Chen Wang), Two Writers and the Cultural Revolution, Renditions Books, pp. 155-158.
  • My Friend Ai Fen ¤k¤Í¦ãªâ (Richard Kent and Vivian Hsu), The Old Man and Other Stories, Renditions Paperbacks, pp. 81-111.
  • Reunion in Nanking Âk (ºKͤG) (Howard Goldblatt), Two Writers and the Cultural Revolution, Renditions Books, pp. 159-169.
  • The Old Man ¦Ñ¤H (Diane Cornell and Don Cohn), The Old Man and Other Stories, Renditions Paperbacks, pp. 1-44.
  • The Tunnel ¦a¹D (Chi-chen Wang), Two Writers and the Cultural Revolution, Renditions Books, pp. 141-149.
  • The Tunnel ¦a¹D (Chi-chen Wang), No. 10, pp. 101-109.
  • The Tunnel ¦a¹D (Chi-chen Wang), The Old Man and Other Stories, Renditions Paperbacks, pp. 45-62.

    Chen Shaohua ³¯¤ÖµØ (Chan Siu Wah)

  • White Hair ¥Õ¾v (Duncan Hunter), Nos. 47 & 48, pp. 112-114.
  • White Hair ¥Õ¾v (Duncan Hunter), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 62-64.

    Chen Shidao ³¯®v¹D

  • Watching the Tidal Bore ¤Q¤C¤éÆ[¼é (A.C. Graham), No. 25, p. 107.

    Chen Tianhua ³¯¤ÑµØ

  • Selections from Alarm Bells ĵ¥@ÄÁ (Ian Chapman), Nos. 53 & 54, pp. 238-246.

    Chen Xijing ³¯ÄfÀR (Chan Hay Ching)

  • You and Your Father and Your Mother §A©M§Aªº¤÷¿Ë¥À¿Ë (Chi-yin Ip), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 97-104.

    Chen Yizhi ³¯¸qªÛ (Chen I-Chih)

  • A Chinese Valentine's Day Palette ¤C¤i½Õ¦â (Sylvia Lin), No. 61, p. 91.

    Chen Yingzhen ³¯¬M¯u

  • A Race of Generals ±N­x±Ú (Lucien Miller), Trees on the Mountain, Renditions Books, pp. 90-97.
  • A Race of Generals ±N­x±Ú (Lucien Miller), Nos. 19 & 20, pp. 90-97.
  • Poor Poor Dumb Mouths ²YºGªºµL¨¥ªº¼L (Lucien Miller), Trees on the Mountain, Renditions Books, pp. 98-104.
  • Poor Poor Dumb Mouths ²YºGªºµL¨¥ªº¼L (Lucien Miller), Nos. 19 & 20, pp. 98-104.
  • The Mountain Road ¤s¸ô (Anne White with Chu Chiyu and Huang Liangbi), No. 39, pp. 3-25.
  • Zhao Nandong: Part One-Ye Chunmei »¯«n´É²Ä¤@³¹—¸­¬K¬ü (Duncan Hewitt), Nos. 35 & 36, pp. 65-86.

    Chen Yu ³¯¦Ð (Ch'en Yu)

  • On Campaign ±q­x¦æ (Stephen Owen), Nos. 21 & 22, pp. 168-169.

    Chen Yujiao ³¯»P­¥

  • Lady Zhaojun Crosses the Frontier ¬L§g¥X¶ë (Elizabeth Wichmann-Walczak and Fan Xing), Nos. 59 & 60, pp. 181-194.

    Chen Yulan ³¯¥ÉÄõ

  • To Her Husband at the North Frontier ±H¤Ò (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 214-215.
  • To Her Husband at the North Frontier ±H¤Ò (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 82.

    Chen Yuyi ³¯»P¸q (Ch'en Yu-yi)

  • One Poem in "Five Chinese Lyrics" Á{¦¿¥P (D. C. Lau), No. 7, p. 47.
  • Riverbank Faery - climbing up to a hillside pavilion one night, I thought of the friends of my youthful days in Luoyang Á{¦¿¥P¡Ð¡Ð©]µn¤p»Õ¡B¾Ð¬¥¤¤Â¹C (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 200-201.
  • Riverbank Faery - climbing up to a hillside pavilion one night, I thought of the friends of my youthful days in Luoyang Á{¦¿¥P¡Ð¡Ð©]µn¤p»Õ¡B¾Ð¬¥¤¤Â¹C (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 94.

    Chen Zhide ³¯´¼¼w (Chan Chi Tak)

  • Boat and Home ²î©M®a (Janice Wickeri), Nos. 47 & 48, pp. 182-185.
  • Boat and Home ²î©M®a (Janice Wickeri), To Pierce the Material Screen, Vol. II, Renditions Books, p. 45.
  • Flag ºX (Janice Wickeri), Nos. 47 & 48, pp. 186-187.
  • Flag ºX (Janice Wickeri), To Pierce the Material Screen, Vol. II, Renditions Books, p. 106-7.
  • My Paper-Cut City §Ú°Å¯È«° (Janice Wickeri), Nos. 47 & 48, pp. 188-193.
  • Recycle ¦A´`Àô³y (Janice Wickeri), Nos. 47 & 48, pp. 194-197.

    Chen Zhihua ³¯§ÓµØ (Chan Chi Wa)

  • Images of Hong Kong in the Tourist Association's Publicity Films ®È¹C¨ó·|«Å¶Çµu¤ù¤¤ªº­»´ä§Î¶H (Eva Hung), Nos. 47 & 48, pp. 218-219.
  • Images of Hong Kong in the Tourist Association's Publicity Films ®È¹C¨ó·|«Å¶Çµu¤ù¤¤ªº­»´ä§Î¶H (Eva Hung), To Pierce the Material Screen, Vol. II, Renditions Books, p. 127.

    Chen Ziang ³¯¤l©ù and Bai Juyi

  • Businessmen ·P¹J¸Ö (C. Mulrooney), No. 43, p. 77.

    Cheng Naishan µ{¤D¬À

  • Why Parents Worry ¤÷¥À¤ß (Janice Wickeri), Nos. 27 & 28, pp. 235-248.

    Cheng, Stephen ¾Gºü¹p

  • Sing-song Girls of Shanghai and Its Narrative Methods, Chinese Middlebrow Fiction, Renditions Books, pp. 111-136.
  • Sing-song Girls of Shanghai and Its Narrative Methods, Nos. 17 & 18, pp. 111-136.

    Cheng Te-k'un ¾G¼w©[

  • Chinese Nature Painting, No. 9, pp. 5-29.

    Cheung, Dominic ±i¿ù (see Zhang Cuo)

    Cheung Kwok Man ±i°ê¤å (see Zhang Guowen)

    Cheung Siu Por ±i¤Öªi (see Zhang Shaobo)

    Chiang Chieh ½±±¶ (see Jiang Jie)

    Ch'i Chun µa§g (see Qi Jun)

    Chi Ta-wei ¬ö¤j°¶ (see Ji Dawei)

    Chi Zijian ¿ð¤l«Ø

  • Night Comes to Calabash Street ¸¬ÄªµóÀY°Û±ß (Janice Wickeri), No. 39, pp. 86-96.

    Choi Chi Fung ½²§Ó®p (see Cai Zhifeng)

    Chou Meng-tieh ©P¹Ú½º (see Zhou Mengdie)

    Chu Guangxi Àx¥ú¿ª

  • Wang Zhaojun ¤ý¬L§g (Julie Landau), Nos. 59 & 60, pp. 56-57.

    Chu Renhuo »u¤Hì

  • Romance of the Sui and Tang: an excerpt from Chapter Eighteen ¶¦­ðºt¸q (Robert E. Hegel), No. 70, pp. 122-130.

    Chu Hsi-ning ¦¶¦è?(see Zhu Xining)

    Chu Tien-hsin ¦¶¤Ñ¤ß (see Zhu Tianxin)

    Chu Tien-wen ¦¶¤Ñ¤å (see Zhu Tianwen)

    Chu Yuan-chang (see Zhu Yuanzhang)

    Chung Chiao Áé³ì (see Zhong Qiao)

    Chung Hiu Ieong, Sharon Áé¾å¶§ (see Zhong Xiaoyang)

    Chung Ling Áé¬Â (see Zhong Ling)

    Chung Ling Ling Áé¬Â¬Â (see Zhong Lingling)

    Chung Wai Man Áé°¶¥Á (see Zhong Weimin)

    Clark, Paul ±d¯E

  • Writing with Shadows: The Special Role of Chinese Film Scripts, No. 71, pp. 7-11.

    Clark, Sir Kenneth

  • Feeling for Truth and Language, No. 14, p. 110.

    Cooke, Susette ¤ÕĬ¬À and Bonnie S. McDougall §ù³Õ©g

  • The Poetry and Fiction of Bei Dao/Zhao Zhenkai, Trees on the Mountain, Renditions Books, pp. 122-124.
  • The Poetry and Fiction of Bei Dao/Zhao Zhenkai, Nos. 19 & 20, pp. 122-124.

    Cui Guofu ±Z°ê»²

  • The Grass in the Ever-Faithful Palace ªø«H¯ó (Geoffrey R. Waters), No. 64, p. 25.

    Curwen, C. A.

  • Taiping Ideology, The Translation of Things Past, Renditions Books, p. 105.
  • Taiping Ideology, No. 15, p. 105.

    Da Jiangfu ¹F¦¿´_
    and Ma Lin °¨ªL, Zhu Mei ¦¶ªT

  • Neighbours: excerpts ¾F©~ (Yomi Braester), No. 71, pp. 65-75.

    Dai Fugu À¹´_¥j (Tai Fu-ku)

  • Poems on Poetry (John Timothy Wixted), Nos. 21 & 22, pp. 360-361.
  • Pure Serene Music ²M¥­¼Ö (Alice W. Cheang), No. 58, pp. 32-33.
  • Pure Serene Music ²M¥­¼Ö (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 280-281.
  • Pure Serene Music ²M¥­¼Ö (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 139.
  • Song of the Grotto Faery ¬}¥Pºq (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 278-279.
  • Song of the Grotto Faery ¬}¥Pºq (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 138.

    Dai Hongci À¹¬x·O

  • Selections from Diplomatic Mission to Nine Countries ¥X¨Ï¤E°ê¤é°O (Martha P.Y. Cheung), Nos. 53 & 54, pp. 119-125.

    Dai Tian À¹¤Ñ

  • The Story of the Stone ¥ÛÀY°O (Yau Wai Ping), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 81-2.

    Dan Ying ²H¼ü (Tan Ying)

  • Drinking the Wind ¶¼­·ªº¤H (Ling Chung and Kenneth Rexroth), No. 1, pp. 22-23.
  • Hanging Clothes out to Dry ÅΦ窺¤ß±¡ (John Balcom), No. 55, pp. 97-98.
  • The Mighty King of Chu ·¡ÅQ¤ý (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 100-103.
  • Unsimplified Characters ÁcÅé¦r (Ni Yibin), No. 55, pp. 99-100.

    DEL ±çÄRµØ

  • The Eight-Thirty Train 830¦C¨® (Louise Ho), Nos. 47 & 48, pp. 160-161.
  • The Eight-Thirty Train 830¦C¨® (Louise Ho), To Pierce the Material Screen, Vol. II, Renditions Books, p. 47.

    Deng Siyu ¾H¶à¬ê (Ssu-Yü Teng)

  • A Note on Mr. T'ao, The Translation of Things Past, Renditions Books, p. 80.

    Deng Xian ¾H½å

  • Dream of the Chinese Urban Youth: excerpts ¤¤°êª¾«C¹Ú (Richard King), No. 50, pp. 93-104.

    Deng Xiaohua ¾H¤p¾ì (Tang Siu Wa)

  • Stilled ©w¦í (Brian Holton), No. 56, pp. 118-120.
  • Stilled ©w¦í (Brian Holton), To Pierce the Material Screen, Vol. II, Renditions Books, p. 164.

    Ding Linfa ¤BªLµo (Ting Lin-fa)

  • The Old Anchorman ¦ÑÁã¤u (Hsu Kai-yu), No. 4, pp. 100-101.

    Ding Ling ¤B¬Â (Ting Ling)

  • A Bullet Never Fired ¤@Áû¥¼¥X½£ªººj¼u (T.M. McClellan), No. 58, pp. 117-126.
  • In the Hospital ¦bÂå°|ùØ (Susan M. Vacca), No. 8, pp. 123-135.

    Ding Xilin ¤B¦èªL (Ting Hsi-lin)

  • Dear Husband ¿Ë·Rªº¤V¤Ò (Bonnie S. McDougall and Flora Lam), No. 69, pp. 47-75.
  • Oppression À£­¢ (Joseph S. M. Lau), No. 3, pp. 117-124.

    Ding Yaokang ¤BÄ£¤®

  • Southern Window Dream «nµ¡¹Ú (Wilt L. Idema), No. 69, pp. 20-33.

    Dong Jieyuan ¸³¸Ñ¤¸ (Tung Chieh-yuan)

  • The Romance of the Western Chamber (Chapter 6) ¦è´[°O½Ñ®c½Õ (Shiao-ling Yu), No. 7, pp. 115-131.

    Dong Qizhang ¸³±Ò³¹ (Dung Kai Cheung)

  • Spring Garden Lane ¬K¶éµó (Bonnie S. McDougall with Wong Yim Yan), No. 66, pp. 111-113.
  • The Rise and Fall of Wing Shing Street ¥Ã²±µó¿³°I¥v (Flora Lam and Simon Patton), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 235-267.
  • The Young Shen Nong: excerpts ¤Ö¦~¯«¹A (Ian Chapman), Nos. 47 & 48, pp. 11-22.
  • The Young Shen Nong ¤Ö¦~¯«¹A (Ian Chapman), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 92-125.

    Dong Qiao ¸³¾ô

  • On Taste »¡«~¨ý (Jon Solomon), Nos. 29 & 30, pp. 163-165.
  • This Generation ³o¤@¥Nªº¬G¨Æ (Jon Solomon), Nos. 29 & 30, pp. 159-162.
  • This Generation ³o¤@¥Nªº¬G¨Æ (Jon Solomon), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 100-102.

    Dou Gong Äu¾d

  • The Graves of the Palace Women ®c¤H±× (Geoffrey R. Waters), No. 64, p. 36.

    Du Du §ù§ù

  • Going to the Movies ¬Ý¹q¼v (Eva Hung), No. 66, pp. 91-93.
  • Going to the Movies ¬Ý¹q¼v (Eva Hung), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 13-14.

    Du Fu §ù¨j (Tu Fu)

  • A Ballad of Beautiful Women, By the River's Edge ÄR¤H¦æ (Mimi Chan and Piers Gray), No. 14, p. 85.
  • A Fine Lady ¨Î¤H (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 78-86. A Little Primer of Tu Fu, Renditions Paperbacks, pp. 60-65. A Little Primer of Tu Fu, Renditions Paperbacks, pp. 145-155.
  • A Night at Headquarters ±J©² (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 129-132.
  • A Second Farewell at the Feng-chi Post-station to His Grace the Duke of Cheng ©^ÀÙÅæ­«°eÄY¤½¥|Ãý (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 113-116.
  • A Song of Painting: To General Cao Ba ¤¦«C¤Þ ÃØ±ä±N­xÅQ (David Lunde), No. 52, pp. 86-91.
  • A Song of Painting. To General Ts'ao Pa ¤¦«C¤Þ¡Ð¡ÐÃØ±ä±N­xÅQ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 133-144.
  • Ballad of Lovely Women ÄR¤H¦æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 18-27.
  • Ballad of the Army Carts §L¨®¦æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 5-17.
  • Ballad of the Old Cypress ¥j¬f¦æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 156-164.
  • Border Campaigning «e¥X¶ë (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 134-135.
  • Border Campaigning «e¥X¶ë (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 50.
  • By the Lake «s¦¿ÀY (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 49-55.
  • By the River's Edge «s¦¿ÀY (Mimi Chan and Piers Gray), No. 14, p. 86.
  • Dayun Temple, abbot Zan's Room, Four Poems ¤j¶³¦xÃÙ¤½©Ð¥|­º (Burton Watson), No. 55, pp. 10-15.
  • Distant View of the Temple on Ox Head ±æ¤ûÀY¦x (Burton Watson), No. 55, p. 24.
  • Dreaming of Li Po (1) ¹Ú§õ¥Õ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 87-92.
  • Dreaming of Li Po (2) ¹Ú§õ¥Õ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 93-98.
  • For the Admonisher, Han Chu ±HÁú¿Ïijª` (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 165-173.
  • From a Height µn°ª (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 203-205.
  • Gazing at the Great Mount ±æÀ® (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 132-133.
  • Gazing at the Great Mount ±æÀ® (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 51.
  • Leaving-taking at the Grave of Grand Marshal Fang §O©Ð¤Ó±L¹Ó (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 121-124.
  • Moonlit Night ¤ë©] (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 28-32.
  • Moonlight Night ¤ë©] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 140-141.
  • Moonlight Night ¤ë©] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 53.
  • Night at West House »Õ©] (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 181-184.
  • On a Prospect of T'ai-Shan ±æÀ® (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 1-4.
  • On Learning of the Recovery of Honan and Hopei by the Imperial Army »D©x­x¦¬ªe«nªe¥_ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 117-120.
  • On Meeting Li Kuei-nien in the South ¦¿«n³{§õÀt¦~ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 210-212.
  • On Seeing a Horse-painting by Ts'ao Pa in the House of the Recorder Wei Feng ­³¿Ø¿ý¨Æ¦vÆ[±ä±N­xµe°¨¹Ï (David Hawkes),
  • On Seeing a Pupil of Kung-sun Dance the Chine-ch'I Æ[¤½®]¤j®Q§Ì¤l»R¼C¾¹¦æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 188-199.
  • On Yo-yang Tower µn©¨¶§¼Ó (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 206-209.
  • On the Tower µn¼Ó (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 125-128.
  • Quiet Moment µ´¥yº©¿³¤E­º¤§¤C (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 146-147.
  • Quiet Moment µ´¥yº©¿³¤E­º¤§¤C (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 56.
  • Sad Memories ¦Ü¼w¤G¸ü¨j¦Ûª÷¥úªù¥X¡A¶¡¹DÂk»ñµ¾¡C°®¤¸ªì±q¥ª¬B¿ò²¾µØ¦{Ùd¡C»P¿Ë¬G§O¡A¦]¥X¦¹ªù¡C¦³´d©¹¨Æ¡C (David Hawkes),
  • Six Quatrains Written in Jest À¸¬°¤»µ´ (John Timothy Wixted), No. 14, pp. 39-41.
  • South Rampart Temple on the Hilltop ¯³¦{Âø¸Ö¤G¤Q­º¤§¤Q¤G (Burton Watson), No.55, p. 17.
  • Spring Night in the Imperial Chancellery ¬K±J¥ª¬Ù (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 56-59.
  • Spring Scene ¬K±æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 45-48.
  • Staying Overnight in Abbot Zan's Room ±JÃÙ¤½©Ð (Burton Watson), No.55, p. 16.
  • Taking Leave of Abbot Zan §OÃÙ¤W¤H (Burton Watson), No.55, p. 18.
  • The Chancellor of Shu ¸¾¬Û (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 103-108.
  • The Eight Formations ¤K°}¹Ï (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 185-187.
  • The Guest «È¦Ü (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 109-112.
  • The Unfortunate Prince «s¤ý®] (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 33-44.
  • The Winsome Bride ¨Î¤H (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 142-145.
  • The Winsome Bride ¨Î¤H (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 54-55.
  • Thinking of My Brothers on a Moonlit Night ¤ë©]¾ÐªÙ§Ì (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 73-77.
  • Thoughts of Li Po from the World's End ¤Ñ¥½Ãh§õ¥Õ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 99-102.
  • Thoughts on an Ancient Site (1) µúÃh¥jÂÝ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 174-177.
  • Thoughts on an Ancient Site (2) µúÃh¥jÂÝ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 178-180.
  • Thoughts on an Ancient Site III µúÃh¥jÂÝ ¨ä¤T (David Lunde), Nos. 59 & 60, pp. 42-43.
  • Thoughts on Drifting ®È©]®ÑÃh (Louise Ho), No. 66, p. 31.
  • Thoughts Written While Travelling at Night ®È©]®ÑÃh (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 200-202.
  • To the Recluse Wei Pa ÃØ½Ã¤K³B¤h (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 66-72.
  • Visiting an Old Friend to the recluse Octavus Wei, eighth member of the Wei family ÃØ½Ã¤K³B¤h (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 136-139.
  • Visiting an Old Friend to the recluse Octavus Wei, eighth member of the Wei family ÃØ½Ã¤K³B¤h (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 52.
  • Visiting the Temple of Abbot Wen ¿Ö¤å¤½¤W¤è (Burton Watson), No.55, pp. 22-23.
  • Visiting the Chan Master of Zhendi Temple ¿Ö¯u¿Í¦xÁI®v (Burton Watson), No.55, p. 25.
  • Visiting Xiujue Temple ¹C­×ı¦x (Burton Watson), No.55, p. 20.

    Du Jiaqi §ù®aªÂ (Tu, Heather)

  • Child «Ä¤l (Brian Holton), No. 56, p. 99.
  • Daughter ¤k¨à (Brian Holton), No. 56, p. 98.
  • Denial of the Flesh Ãö©ó¸T¼¤ (Louise Ho), Nos. 47 & 48, pp. 166-167.
  • Denial of the Flesh Ãö©ó¸T¼¤ (Louise Ho), To Pierce the Material Screen, Vol. II, Renditions Books, p. 211.
  • Little Sister's Night ©f©fªº©]±ß (Brian Holton), No. 56, pp. 96-97.
  • Lunch at a Five Star Hotel in Central ¦b¤¤Àô¤­¬P¯Å°s©±¤ÈÀ\ (Louise Ho), Nos. 47 & 48, pp. 168-171.
  • Millennium Eve, Alone in Hokkaido, Japan ¤dÁH¤§©]¡A¿W¦Û¦b¤é¥»¥_®ü¹D (Brian Holton), No. 56, pp. 100-102.
  • The Witch's Song ¤k§Å¤§ºq (Louise Ho), Nos. 47 & 48, pp. 162-165.
  • The Witch's Song ¤k§Å¤§ºq (Louise Ho), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 209-209.

    Du Lei §ù¦Ô (aka Du Xiaoshan §ù¤p¤s)

  • Makeshift Entertainment ´H©] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 232-233.
  • Makeshift Entertainment ´H©] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 92.

    Du Mu §ùªª

  • A Confession ¿òÃh (Mark Stevenson), No. 66, p. 42.
  • A Monkey ·á (Cornelius Medvei, No. 66, p. 33.
  • A Sad Farewell ÃØ§O (John Turner), No. 1, p. 47.
  • A Sad Farewell ÃØ§O (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 204-205.
  • A Sad Farewell ÃØ§O (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 72.
  • At Zhuzhou ÞQ¦{¦è¼î (Arthur Bull), No. 44, pp. 72-73.
  • Autumn Night Message ¬î©]±Hªô­û¥~ (Arthur Bull), No. 44, pp. 76-77.
  • Basin Pool ¬Ö¦À (Arthur Bull), No. 44, pp. 68-69.
  • Bird µn¼Ö¹C¶é (Graeme Wilson), No. 2, p. 116.
  • Egrets ÆOÅî (Arthur Bull), No. 44, pp. 66-67.
  • Golden Vale Garden ª÷¨¦¶é (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 202-203.
  • Golden Vale Garden ª÷¨¦¶é (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 71.
  • In the Palace ®cµü (Geoffrey R. Waters), No. 64, p. 15.
  • Morning on the Qinhuai River ªy¯³²a (Cornelius Medvei), No. 66, p. 34.
  • On Sound µúÁn (Arthur Bull), No. 44, pp. 74-75.
  • On the City Esplanade - whence one sees the Five Tombs of Han Emperors ¼Ö´å­ì¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 200-201.
  • On the City Esplanade - whence one sees the Five Tombs of Han Emperors ¼Ö´å­ì¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 70.
  • Parting ÃØ§O (Cornelious Medvei), No. 66, p. 33.
  • River Tower ¦¿¼Ó (Cornelius Medvei), No. 66, p. 32.
  • South River Spring ¦¿«n¬K (Arthur Bull), No. 44, pp. 70-71.
  • The Graves of the Palace Women ®c¤H¶ï (Geoffrey R. Waters), No. 64, p. 36.
  • To Han Chuo, Administrative Assistant, Yangzhou ±H´­¦{Áúºï§P©x (Mark Stevenson), No. 66, p.43.
  • Wisdom Temple, Yangzhou ÃD´­¦{ÁI´¼¦x (Mark Stevenson), No. 66, p. 44.
  • Yangzhou (No. 1 of 3) ´­¦{¤T­º¤§¤@ (Mark Stevenson), No. 66, pp. 41.

    Du Shisan §ù¤Q¤T

  • Needle °w (Andrew Parkin and Chu Chiyu), Nos. 35 & 36, pp. 254-255.
  • The Flesh as Heir ¾v½§½g (D. E. Pollard), Nos. 35 & 36, pp. 251-253.

    Du Xiaoshan §ù¤p¤s (see Du Lei §ù¦Ô)

    Du Yan §ù­l (Tu Yen)

  • Lotus in the Rain «B¤¤²üªá (Louise Ho), No. 10, p. 126.

    Du Ye ´ç¤]

  • For Myself ¬°¤F½Ï¥Í (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 273.
  • For Myself ¬°¤F½Ï¥Í (Dominic Cheung), Nos. 19 & 20, p. 273.
  • Messages at the Station ®È«È¯d¨¥ (Eva Hung), Nos. 35 & 36, pp. 256-257.
  • Su Wu Tending Sheep ĬªZªª¦Ï (Eva Hung), Nos. 35 & 36, pp. 258-259.
  • Telephone Booth in the Rain «B¤¤ªº¹q¸Ü«F (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 274.
  • Telephone Booth in the Rain «B¤¤ªº¹q¸Ü«F (Dominic Cheung), Nos. 19 & 20, p. 274.
  • The Chrysanthemum and the Sword µâªá»P¼C (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 274.
  • The Chrysanthemum and the Sword µâªá»P¼C (Dominic Cheung), Nos. 19 & 20, p. 274.

    Duanmu Hongliang ºÝ¤ìíû¨}

  • Snowy Night ³·©] (Richard Rigby), No. 23, pp. 31-38.

    Dung Kai Cheung ¸³±Ò³¹ (see Dong Qizhang)

    Duo Si ¦·«ä (Tuo Ssu)

  • Between Agony and No Agony «sºE»P«D«sºE¤§¶¡ (Maghiel van Crevel), No. 61, p. 66.
  • Between Drowsiness and Consciousness ¦b´ý¾µ»Pª¾Ä±¤§¶¡ (Maghiel van Crevel), No. 61, p. 66.
  • Night Street ©]µó (Ling Chung and Kenneth Rexroth), No. 1, p. 24.

    Edwards, Louise

  • Late Twentieth Century Orientalism and Discourses of Selection, No. 44, pp. 1-11.

    Edwards, Richard

  • The Artist and the Landscape—Changing Views of Nature in Chinese Painting, The Translation of Art, Renditions Books, pp. 30-52.
  • The Artist and the Landscape—Changing Views of Nature in Chinese Painting, No. 6, pp. 30-52.

    Fan Chengda ­S¦¨¤j (Fan Ch'eng-ta)

  • Butterflies Romancing the Flowers ½ºÅʪá (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 208-209.
  • Butterflies Romancing the Flowers ½ºÅʪá (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 98.
  • Country Life ¥|®É¥Ð¶éÂø¿³ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 264-265.
  • Country Life ¥|®É¥Ð¶éÂø¿³ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 110.
  • Drunk, Down and Out ¾K¸¨¾z (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 210-211.
  • Drunk, Down and Out ¾K¸¨¾z (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 99.
  • Enchanting Eyes ²´¨à´A (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 212-213.
  • Enchanting Eyes ²´¨à´A (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 100.
  • Five Seasons of a Golden Year - A Chinese Pastoral ¥|®É¥Ð­ìÂø¿³¤»¤Q­º (Gerald Bullett), Five Seasons of a Golden Year - A Chinese Pastoral, Renditions Books, pp. 43-45.
  • The Golden Year of Fan Ch'eng-ta ­S¦¨¤j¥|®É¥Ð¶éÂø¿³ (Gerald Bullett), No. 4, pp. 43-45.

    Fan Sin Piu ¼Ôµ½¼Ð (see Fan Shanbiao)

    Fan Shanbiao ¼Ôµ½¼Ð (Fan Sin Piu)

  • Afternoon Anxieties ¤U¤ÈÄa©À (Ian Chapman), Nos. 47 & 48, pp. 152-153.
  • Afternoon Anxieties ¤U¤ÈÄa©À (Ian Chapman), To Pierce the Material Screen, Vol. II, Renditions Books, p. 199.
  • I Walked Beneath A Light ¨«¹L¿O¤U (Ian Chapman), Nos. 47 & 48, pp. 158-159.
  • Nostalgia imagining a future 1993 in the year 1993 Ãh¡G¦b1993Äa·Q±N¨Óªº1993 (Ian Chapman), Nos. 47 & 48, pp. 154-155.
  • Passing My Father's Old Shop ¨«¹Lª¨ª¨ªºÂ©± (Ian Chapman), Nos. 47 & 48, pp. 156-157.
  • Passing My Father's Old Shop ¨«¹Lª¨ª¨ªºÂ©± (Ian Chapman), To Pierce the Material Screen, Vol. II, Renditions Books, p. 6.

    Fan Ye ­S¾ç

  • Hou Han Shu: Biographies of Recluses «áº~®Ñ¡G¶h¥Á¦C¶Ç (Burton Watson), Nos. 33 & 34, pp. 35-51.

    Fang Bao ¤è­c (Fang Pao)

  • Letter to Wang Kunsheng »P¤ý±X÷®Ñ (C. T. Hsia), No. 41 & 42, pp. 118-122.
  • Life in Prison º»¤¤Âø°O (D. E. Pollard), Nos. 33 & 34, pp. 195-200.
  • Life in Prison º»¤¤Âø°O (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 171-121.
  • Tso Kuang-tou and Shih K'o-fa ¥ª©¾¼Ý¤½¶h¨Æ (Wen-djang Chu), No. 8, pp. 97-98.

    Fang Si ¤è«ä

  • Bridge ¾ô (John Balcom), No. 61, pp. 54-55.

    Fang Xiaoru ¤è§µÀ©

  • The Mosquito Dialogue °A¹ï (D. E. Pollard), Nos. 33 & 34, pp. 144-147.
  • The Mosquito Dialogue °A¹ï (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 84-86.

    Fei Mu ¶O¿p
    and Li Tianji §õ¤ÑÀÙ

  • Spring in a Small Town: excerpt ¤p«°¤§¬K (Andrew F. Jones), No. 71. pp. 21-29.

    Feng Guifen ¶¾®Ûªâ

  • Selections from Petitions from Jiaobin lu ®ÕˬÃf§Üij (Eva Hung), Nos. 53 & 54, pp. 33-38.

    Feng Menglong ¶¾¹ÚÀs (Feng Meng-lung)

  • Caught in the Bushes ±¾ªK¨à (Brian Holton), No. 57, pp. 78-96.
  • Coughing «y¹Â (Brian Holton and Chu Chiyu), No. 57, p. 81.
  • Cuddles And Hugs ºO©ê (Brian Holton and Chu Chiyu), No. 57, p. 82.
  • Everlasting Love ªø±¡ (Brian Holton and Chu Chiyu), No. 57, p. 91.
  • Fooling Aorund#2 ½Õ±¡ ¤S (Brian Holton and Chu Chiyu), No. 57, p. 87.
  • Fooling Around#3 ½Õ±¡ ¤S (Brian Holton and Chu Chiyu), No. 57, p. 88.
  • Fooling Around#4 ½Õ±¡ ¤S (Brian Holton and Chu Chiyu), No. 57, p. 89.
  • Knocked Up & Worried ·T¥¥ (Brian Holton and Chi Chiyu), No. 57, p. 90.
  • Lovers Meeting ¬Û·| (Brian Holton and Chu Chiyu), No. 57, p. 86.
  • Need You so Bad ©Ê«æ (Brian Holton and Chu Chiyu), No. 57, p. 82
  • Patience ­@¤ß (Brian Holton and Chu Chiyu), No. 57, pp. 83-84.
  • Preface to The Hall of Laughter ¯º©²§Ç (Eva Hung), Nos. 33 & 34, pp. 188-189.
  • The Case of the Dead Infant ªp¤Ó¦u¸ôÂ_¦º«Ä¨à (C. T. Hsia and Susan Arnold Zonana), No. 2, pp. 53-64.
  • The Case of the Gold Hairpins ³¯±s¥v¥©°Éª÷³¦¹f (P. C. Yao), No. 5, pp. 118-136.
  • The Fifth Watch Of Night ¤­§ó¤Ñ (Brian Holton and Chu Chiyu), No. 57, pp. 92-96.
  • Wedding Night ¨Î´Á (Brian Holton and Chu Chiyu), No. 57, p. 85.
  • Wang Xinzhi's Death, and How It Saved His Whole Family ¨L«H¤§¤@¦º±Ï¥þ®a (C. T. Hsia and John Page), No. 23, pp. 6-30.
  • Xingshi Hengyan: How Hailing of the Jurchens was Destroyed through Unbridled Lust ¿ô¥@«í¨¥¡Gª÷®ü³®Áa±ý¤`¨­ (Gophal Sukhu), No. 26, pp. 22-50.

    Feng Qing ¶¾«C

  • Water Ginger Flower ¤ôÁ¤ªá (Ling Chung and Sean Golden), Nos. 27 & 28, p. 106.

    Feng Tai ¶¾®õ

  • A Soul Departed Before Its Time »îÂkÂ÷«ë¤Ñ (Rita Lin), No. 50, pp. 124-127.

    Feng Yansi ¶¾©µ¤x

  • Butterflies Romancing the Flowers (No. 1) ½ºÅʪá¡]¤@¡^ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 60-61.
  • Butterflies Romancing the Flowers (No. 1) ½ºÅʪá¡]¤@¡^ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 21.
  • Butterflies Romancing the Flowers (No. 2) ½ºÅʪá¡]¤G¡^ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 62-63.
  • Butterflies Romancing the Flowers (No. 2) ½ºÅʪá¡]¤G¡^ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 22.
  • Picking Mulberry Leaves ªö®á¤l (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 64-65.
  • Picking Mulberry Leaves ªö®á¤l (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 23.

    Feng Zikai Âפl·_

  • Autumn ¬î (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 224-228.
  • Bombs in Yishan ©y¤s¹J¬µ°O (D. E. Pollard), No. 38, pp. 77-83.
  • Bombs in Yishan ©y¤s¹J¬µ°O (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 228-234.
  • Eating Melon Seeds ¦Y¥Ê¤l (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 218-224

    Fonoroff, Paul ¤è«Où

  • A Brief History of Hong Kong Cinema, Nos. 29 & 30, pp. 293-308.

    Founder of the Female-Taming Sect ¥ñ»Û±Ð¥D

  • The Gourd of Vinegar: excerpts ¾L¸¬Äª (Courtney Loo), No. 70, pp. 131-137.

    Free-Spirited Immortal ®ö¥P

  • The Filial Woman Slughtered in Jiangdu: excerpts ¦¿³£¥«§µ°ü±O¨­ (Wai-yee Li), No. 70, pp. 89-100.

    Fu Lujian ³Å¸S«Ø

  • The Humiliation of the Dead ¦ºªÌªº©}°d (Rita Lin), No. 50, pp. 127-131.

    Gan Bao ¤zÄ_ (Kan Pao)

  • In Search of the Supernatural—Selection from Soushen ji ·j¯«°O (Kenneth DeWoskin), No. 7, pp. 103-114.

    Gan Tiesheng ¥ÌÅK¥Í

  • The Reunion »E·| (Mark Caltonhill), No. 50, pp. 83-92.

    Gao Ertai °ªº¸®õ

  • Curious Tales from the Cow Shed ¤û´×§Ó²§ (David E. Pollard), No. 65, pp. 106-114.
  • Paradise Ungained ®ç·½±æµ´ (David E. Pollard), No. 65, pp. 89-106.
  • Tang Suqin ­ð¯Àµ^ (David E. Pollard), No. 65, pp. 62-79.
  • The Blue Coat ÂÅ¥ÖÃÍ (David E. Pollard), No. 65, pp. 80-83.
  • The Mark of Happiness ©¯ºÖªº²Å¸¹ (David E. Pollard), No. 65, pp. 83-88.

    Gao Qi °ª±Ò (Kao Ch'i)

  • The Temple of Chih Tun ¤ä¹PµÚ (Daniel Bryant), No. 8, p. 85.
  • War Tombs °e³¯¨q¤~ÁÙ¨F¤W¬Ù¹Ó (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 292-293.
  • War Tombs °e³¯¨q¤~ÁÙ¨F¤W¬Ù¹Ó (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 121.

    Gao Shi °ª¾A

  • Parting Song - parting from the eldest youth of the Dong family §O¸³¤j (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbooks, pp. 130-131.
  • Parting Song - parting from the eldest youth of the Dong family §O¸³¤j (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 49.

    Gao Xingjian °ª¦æ°·

  • Contemporary Technique and National Character in Fiction ²{¦b§Þ¥©»P¥Á±Úºë¯« (Ng Mau-sang), Trees on the Mountain, Renditions Books, pp. 55-58.
  • Contemporary Technique and National Character in Fiction ²{¦b§Þ¥©»P¥Á±Úºë¯« (Ng Mau-sang), Nos. 19 & 20, pp. 55-58.
  • The Bus-stop ¨®¯¸ (Excerpt) (Geremie Barme), Trees on the Mountain, Renditions Books, pp. 379-386.
  • The Bus-stop ¨®¯¸ (Excerpt) (Geremie Barme), Nos. 19 & 20, pp. 379-386.

    Gao Xiong °ª¶¯ (San Su ¤TĬ)

  • Hong Kong: 'A Performance Artist's Paradise' from Two Decades of Hong Kong Oddities ¤G¤Q¦~¥Ø¸@­»´ä©Ç²{ª¬ (Geremie Barmé), Nos. 29 & 30, pp. 73-83.
  • Hong Kong: 'A Performance Artist's Paradise' from Two Decades of Hong Kong Oddities ¤G¤Q¦~¥Ø¸@­»´ä©Ç²{ª¬ (Geremie Barmé), To Pierce the Material Screen, Vol. I, Renditions Books, pp., 16-33.
  • Paying One's Last Respects is Both a Source of Anguish for the Living and an Insult to the Dead ¤¥õ¿ò®e¤D­h«Ý¤Ý«È­Ý«V°d¦ºªÌ¤§¦æ¬°½× (Don J. Cohn), Nos. 29 & 30, pp. 168-169.
  • Paying One's Last Respects is Both a Source of Anguish for the Living and an Insult to the Dead ¤¥õ¿ò®e¤D­h«Ý¤Ý«È­Ý«V°d¦ºªÌ¤§¦æ¬°½× (Don J. Cohn), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 170-172 .

    Ge Yi ¸¯©y

  • Zhaojun ¬L§g (Maureen Robertson), Nos. 59 & 60, pp. 110-111.

    Giles, Herbert Allen

  • Gems of Chinese Literature (compiled by Ping-wei Huang), No. 57, pp. 7-27.

    Goldblatt, Howard ¸¯¯E¤å

  • Xiao Hong and Lu Xun, The Translation of Things Past, Renditions Books, p. 168.
  • Xiao Hong and Lu Xun, No. 15, p. 168.

    Gong Weizhai ÅÇ¥¼ÂN

  • Letter from the Snow-Swan Studio ³·ÂE°a¤ØÃ| (Cecile Chu-chin Sun), Nos. 41 & 42, pp. 144-148.

    Gong Zizhen ÅǦ۬Ã

  • On the Departure of the Jinshi Scholar Xia °e®L¶i¤h§Ç (Janice Wickeri), Nos. 33 & 34, p. 204.
  • Passing through Yangzhou ¹L´­¦{ (Mark Stevenson), No. 66, p. 51.
  • Plum Tree Infirmary ¯f±öÀ]°O (Janice Wickeri), Nos. 33 & 34, pp. 210-204.

    Gray, Piers and Mimi Chan

  • The Game of Names: A Note on Rendering Chinese Poetry into English Verse, No. 14, pp. 87-94.

    Gu Cangwu ¥j»a±ï

  • On the Tower µn¼Ó (Chi-yin Ip), To Pierce the Material Screen, Vol. II, Renditions Books, p. 227.
  • Seeing Snow the Second Time ²Ä¤G¦¸¨£³·Chi-yin Ip), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 57-58.

    Gu Cao ©t¯ó

  • Images of Hong Kong in the Tourist Association's Publicity Films ®È¹C¨ó·|«Å¶Çµu¤ù¤¤ªº­»´ä§Î¶H (Eva Hung), Nos. 47 & 48, pp. 218-219.

    Gu Cheng ÅU«° (Ku Cheng)

  • A Couplet ¹ïÁp (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 110.
  • A Eulogy World ¹|ºq¥@¬É (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 132.
  • A Fantasia to Life ¥Í©R¤Û·Q¦± (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 3-5.
  • A Pack of Wolves ¯T¸s (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 130.
  • A Painting Inside a Snuff Bottle ¤ºµe (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 115.
  • A Peck ¤p¤û (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 144.
  • A Prompt ´£¥Ü (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 112.
  • A Small Lane ¤p«Ñ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 25.
  • A Snowman ³·¤H (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 9.
  • A Split Pair ¨â¦a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 28-29.
  • A Stare ¾®µø (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 212.
  • A Stare ¾®µø (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 212.
  • A Stare ¾®µø (Tao Tao Liu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 15.
  • A Yellow Mud Track in Winter ¨º¬O¥V¤Ñªº¶À¤g¸ô (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 55.
  • About Bulin Ãö©ó¥¬ªL (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 98.
  • Accomplice ±q¥Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 121.
  • Adolescence À´¨Æ¦~ÄÖ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 113.
  • After the Air Raid ªÅŧ¹L«á (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 123.
  • Afternoon ¤U¤È (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 134.
  • Agenda "0" 0¸¹Ä³®× (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 109.
  • Aid §U (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 145.
  • Alumina ÅK (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 157.
  • Ancient Days ¤é (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 129.
  • Ancient Site ¬G§} (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 7.
  • An Ancient War ¥j¥N¾Ôª§ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 49.
  • An Ending µ²§ô (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 6.
  • And »P (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 135.
  • Antiphony of Ghostly Voices ¨â²ÕÆF»îªº©MÁn (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 59-63.
  • Arc ©·½u (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 27.
  • Ark ¤è¦à (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 113.
  • Arrow ½b (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 161.
  • As Clear as Can be ¤j²M (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 144.
  • At Parting ÃØ§O (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 10.
  • An Autobiographical Montage °Å±µªº¦Û¶Ç (Liu Changying), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. xxi-xxii.
  • Before Sleep ºÎ«e (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 127.
  • Birthday ¥Í¤é (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 57.
  • Blank TV Screen ¶Â¹qµø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 116.
  • Blood Relations ¦å½t (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 130.
  • Book Cover «Ê­¶ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 119.
  • Bulin: Birth & Departure from the Country ¥¬ªLªº¥X¥Í¤Î¥X°ê (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 99-100.
  • Bulin is Dead, It Seems ¥¬ªL¦n¹³¦º¤F (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 111.
  • Bulin Met Bandit ¥¬ªL¹J¨£¤F±jµs (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 104-105.
  • Bullin's Composition for the Professional Lullaby Composers' Entrance Exam ¥¬ªL³ø¦Ò¶Ê¯v¦±±M·~ªº§@¤å (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 105.
  • Bulin's Last Will & Testament ¥¬ªLªº¿òÅñ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 111.
  • Bulin's Prayer: a Live Recording ¥¬ªL¬è몺­ìª©¿ý­µ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 106-107.
  • Bulin's Speech to the Nursery Supreme Council ¥¬ªL¦b«O¨|°|³Ì°ª·|ij¤Wªºµo¨¥ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 106.
  • Bungalow ¥­©Ð (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 137.
  • Butterfly ½¹½º (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 127.
  • By the Door ªù«e (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 68.
  • By the Edge of the Dream Sea ¦b¹Ú®üÃä (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 32.
  • Campaign ¹B°Ê (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 116.
  • Child's Play ¹CÀ¸ (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 25.
  • Childhood µ£¦~ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 113.
  • Chimney ·Ï§w (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 1.
  • Cicada Sound ÂÍÁn (Simon Patton), No. 43, p. 122.
  • Confession §Ú©Ó»{ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 84.
  • Creditor's Rights ¶ÅÅv (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 130.
  • Curriculum Vitae ²¾ú (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 30.
  • Curtain Pull ÷¤l (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 139.
  • Deedledeedee ºwªº¨½ºw (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 164-167.
  • Departure Â÷ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 134.
  • Developing Äá (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 6.
  • Distribution ¤À¥¬ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 89.
  • Discovery µo²{ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 102-103.
  • Don't Say Anything Anymore, I'm not Going to Give in ¤£­n»¡¤F¡A§Ú¤£·|©}ªA (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 11-12.
  • Dream Garden ¹Ú¶é (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 68.
  • Durge ³àºq (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 128.
  • Early Riser ¦­°_ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 122.
  • Early Summer ªì®L (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 45-46.
  • Edge Ãä (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 152.
  • Evasion ³WÁ× (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 32-33.
  • Eye ¥Ø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 136.
  • Far and Near »·©Mªñ (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 211.
  • Far and Near »·©Mªñ (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 211.
  • Final Farewell to a Graveyard ¥Ã§O¤F¡A¹Ó¦a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 34-40.
  • Flowers of Morning ¦­±áªºªá (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 82-83.
  • For My Revered Master Hans Andersen µ¹§Úªº´L®v¦w®{¥Í (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 211.
  • For My Revered Master Hans Andersen µ¹§Úªº´L®v¦w®{¥Í (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 211.
  • For My Revered Master Hans Andersen µ¹§Úªº´L®v¦w®{¥Í (Tao Tao Liu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 16.
  • Going to School ¤W¾Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 141.
  • Halfback «e½Ã (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 163.
  • Handling the World À³¥@ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 131.
  • Harvest ¦¬Àò (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 46.
  • Heap °ï (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 140.
  • Here We Cannot Get to Know Each Other ³o¸Ì¡A§Ú­Ì¤£¯à¬ÛÃÑ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems Renditions Paperbacks, p. 13.
  • Home. Home ®a¡D®a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 156-157.
  • Homework §@·~ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 153.
  • Horned Toad ¨¤ÃÊ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 128.
  • Huadiao's Apologia ªáÀJªº¦Û»y (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 19.
  • I am Still Collecting Golden Pipe Tobacco §ÚÁÙ¦b¦¬¶°ª÷¶Àªº·Ïµ· (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 117.
  • I Can Breathe Like Green Grass §Ú·|¹³«C¯ó¤@¼Ë©I§l (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 63.
  • I Give You Each a Knife §Ú§â¤Mµ¹§A­Ì (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 154.
  • I'm an Obstinate Child §Ú¬O¤@­Ó¥ô©Êªº«Ä¤l (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 46-49.
  • Images in Black and White ¨S¦³µÛ¦âªº·N¹³ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 77.
  • Impressions ·Pı (Shiao-ling Yu), No. 16, p. 72.
  • In the Calm Before the Storm ¦b¤j­·¼É¨ÓÁ{ªº®É­Ô (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 58.
  • In the Gobi Desert I Became a Nomad ¦b¤à¾À¡A§Ú¦¨¤F´åªªªÌ (Simon Patton), No. 43, pp. 120-121.
  • In this Broad, Bright World ¦b³o¼e¤j©ú«Gªº¥@¬É¤W (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 53.
  • Ink Brush ­Ý²@ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 138.
  • Iron Bell ÅK¹a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 89-93.
  • It is the Tree's Capacity to Swim ¬O¾ð¤ì´åªaªº¤O¶q (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 112.
  • Lacuna ªÅ»Ø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 44.
  • Leo §Q­Y (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 160.
  • Lesser Spirit ¤p¯« (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 167.
  • Man ¨k¤l (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 149.
  • Martyrdom ´N¸q (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 17.
  • Mid-Month ¤ë¥b (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 121.
  • Misfortune Arrives as Expected ¦p´Á¦Ó¨Óªº¤£©¯ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 122.
  • Misty Mondo ÂaÄg¸Ö°Ýµª (Sean Golden with David Wakefield and Su Kuichun), Trees on the Mountain, Renditions Books, pp. 187-220.
  • Misty Mondo ÂaÄg¸Ö°Ýµª (Sean Golden with David Wakefield and Su Kuichun), Nos. 19 & 20, pp. 187-220.
  • Misty Mondo ÂaÄg¸Ö°Ýµª (Shi Liang), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 168-171.
  • Mountain City ¤s«° (Simon Patton), No. 43, pp. 106-107.
  • My Graveyard §Úªº¹Ó¦a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 50.
  • Name ¦W (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 136.
  • Nameless Flower µL¦Wªº¤pªá (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 2.
  • Narrative ±Ô¨Æ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 119.
  • Nature ¦ÛµM (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 131.
  • Near And Far »·©Mªñ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 26.
  • New Year's Eve ¦~©] (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 41.
  • New Year's Painting ¦~µe (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 128.
  • No More Goodbyes ¤£¬O¦A¨£ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 56.
  • Nostos ¦^Âk (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 214.
  • Nostos ¦^Âk (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 214.
  • Nostos I ¦^Âk¡]¤@¡^ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 42-43.
  • Nostos II ¦^Âk¡]¤G¡^ (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 43.
  • Not Many Birds are Left in the Village §ø¤l¸Ì³¾¤£¦h¤F (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 148.
  • Ode to Spring ¤p¬K¤ÑªºÁÁ¦± (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 64.
  • Of ¨ä (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 135.
  • Old Times ³uªÌ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 69-73.
  • On Parting ÃØ§O (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 210.
  • On Parting ÃØ§O (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 210.
  • One Generation ¤@¥N¤H (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 1.
  • Or ©Î (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 150.
  • Overlapping Shadows ­¡¼v (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 65-66.
  • Physiognomy of the Scholar in Sackcloth ³Â¦ç¬Ûªk (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 147.
  • Photographing Äá (Shiao-ling Yu), No. 16, p. 73.
  • Primary School ¤p¾Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 127.
  • Poetic Emotion ¸Ö±¡ (Simon Patton), No. 43, pp. 110-111.
  • Poverty, the Tip of His Nose is Cold ½a¡A¦³­Ó²D²Dªº»ó¦y (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 81.
  • Primary School ¤p¾Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 127.
  • Prospect ®i±æ (Simon Patton), No. 43, pp. 118-119.
  • Pure Land ²b¤g (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 80.
  • Quicksilver ¤ô»È (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 150-151.
  • Red Wheat ¬õ³Á (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 158.
  • Red Wine ¬õ°s (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 139.
  • Résumé ²¾ú (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, pp. 218-219.
  • Résumé ²¾ú (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, pp. 218-219.
  • Right there, in that Small Village ´N¦b¨º­Ó¤p§ø¸Ì (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 120.
  • Rite ²½ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 26.
  • River Mouth ªe¤f (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 123-124.
  • Scarlet ´i (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 140.
  • See You Again ¦A¨£ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 33.
  • Self ¥»¨­ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 120.
  • Shadow of Mountain ¤s¼v (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 7.
  • Silver Jewels of the Afternoon ¤U¤Èªº»È¹¢ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 135.
  • Sketch on Demand ¨Dµe (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 114-115.
  • Smoking §l·Ï (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 158.
  • Solace ¦w¼¢ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 41.
  • Solar Halo ¤é·w (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 163.
  • Sometimes, I Really Wish ¦³®É¡A§Ú¯u·Q (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 67.
  • Source ¨Ó·½ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 118.
  • Spring ¬K¥ú (Simon Patton), No. 43, pp. 108-109.
  • Stillness, a Man Falls from a Horse ÀRÀRªº¸¨°¨ªÌ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 94-97.
  • Stop °± (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 137.
  • Table ®× (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 145.
  • Telex ¹q¶Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 162.
  • Tenebrous îî (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 156.
  • Thatched Hut ¯ó´× (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 27.
  • The Beginning of Troubled Times ¶Ã¥@¤§ªì (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 132.
  • The Bulin File ¥¬ªLªºÀÉ®× (Eva Hung), No. 31, pp. 91-115.
  • The Bulin Non-March ¥¬ªL¤£¶i¦æ¦± (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 109.
  • The Bulin March ¥¬ªL¶i¦æ¦± (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 108.
  • The Cliffs ¥Û¾À (Tao Tao Liu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 18.
  • The Coming ¨ÓÁ{ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 74.
  • The Dharma Gate ªkªù (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 159.
  • The Evening of Life ¼Ç¦~ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 78-80.
  • The Land Roll Off ¤g¦a¬OÅs¦±ªº (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 44.
  • The Look of the Wind ­·ªº¼Ë¤l (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 138.
  • The Machine Makes Its Nest in the City ¾÷¾¹¦b«°¥«¸Ì°µ±_ (Simon Patton), No. 43, pp. 114-115.
  • The One in the Sun ¶§¥ú¤Uªº¤H (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 149.
  • The Origin of Moon and Stars ¬P¤ëªº¨Ó¥Ñ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 1.
  • The Parted Sea ¤À§Oªº®ü (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 74-76.
  • The Patterns of the Sea ®üªº¹Ï®× (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 84-87.
  • The Queen on the Coin µw¹ô¤¤ªº¤k¬Ó (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 133.
  • The Season - Preserving Evening and Morning ©u¸`¡D«O¦s¶À©ü©M¦­±á (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems Renditions Paperbacks, pp. 124-126.
  • The Sky is There Above ¤WÃ䦳¤Ñ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 142.
  • The Soul Lives in a Lonely House ÆF»î¦³¤@­Ó©t±Iªº¦í©Ò (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 134.
  • The Things We Write §Ú­Ì¼gªF¦è (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 148.
  • The Wind Stole Our Oar ­·°½¥h¤F§Ú­Ìªº¼Õ (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, pp. 216-217.
  • The Wind Stole Our Oar ­·°½¥h¤F§Ú­Ìªº¼Õ (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, pp. 216-217.
  • The Wind Stole Our Oar ­·°½¥h¤F§Ú­Ìªº¼Õ (David Wakefield and Su Kuichun), Renditions Paperbacks, pp. 52-53.
  • Thoroughfare Åü (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 162-163.
  • Three Poems in "Voices of Young Poets from the PRC" (Shiao-ling Yu), No. 16, pp. 72-73.
  • Time ®É (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 149.
  • To A Null Star µ¹¤@Áû¨S¦³ªº¬P¬P (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 220.
  • To A Null Star µ¹¤@Áû¨S¦³ªº¬P¬P (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 220.
  • To a Null Star µ¹¤@Áû¨S¦³ªº¬P¬P (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 30-31.
  • To My Deceased Grandmother µ¹§Ú³u¥hªº¦Ñ¯ª¥À (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 50-51.
  • Trap Door ¾÷Ãö (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 143.
  • Two Love Arenas ¨â­Ó±¡³õ (Shiao-ling Yu), No. 16, p. 72.
  • Two Love Markets ¨â­Ó±¡³õ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 8.
  • Twittering and Chattering Stillness ¼T¼T³å³åªº±IÀR (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 14.
  • Tragedy of the Poet ¸Ö¤Hªº´d¼@ (Simon Patton), No. 43, pp. 112-113.
  • Truly, This is the World ªº½T¡A³o´N¬O¥@¬É (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 88.
  • Tuning in ½ÕÀW (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 129.
  • Uprising °_¸q (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 118.
  • Vehicle ¨®½ø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 118.
  • Warm Day ·x¤Ñ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 155.
  • Waterlands ¤ô¶m (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 21-24.
  • Weekend ¶g¥½ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 133.
  • When the Time Comes ©¡®É (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 146.
  • White Nights ¥Õ©] (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 54.
  • Who'd Have Thought ½Ö¯à·Q¨ì¡H (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 101.
  • Wicker Vat ¬hÅø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 143.
  • Winter Day's Longing ¥V¤éªº·Å±¡ (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 213.
  • Winter Day's Longing ¥V¤éªº·Å±¡ (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 213.
  • Winter Day's Longing ¥V¤éªº·Å±¡ (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 31.
  • Wish Ä@ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 146.
  • Words ¦r (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 115.
  • Worm ³L°C (Simon Patton), No. 43, pp. 116-117.
  • Yeah §r (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 151.

    Gu Kuang ÅUªp

  • In the Palace ®cµü (Geoffrey R. Waters), No. 64, p. 14.
  • The Poem Written on a Leaf that Floated out of the Palace Garden ¸­¤WÃD¸Ö±q­b¤¤¬y¥X (Geoffrey R. Waters), No. 64. pp. 16-17.

    Gu Qinghai ÅU«C®ü

  • Zhaojun: Act III ¬L§g (²Ä¤T¹õ) (David E. Pollard), Nos. 59 & 60, pp. 211-220.

    Gu Sui ÅUÀH (Ku Sui)

  • Interpretation of Su Tung-p'o's Ci ­Â¾mµÚªF©Yµü»¡ (Huang Kuo-pin and Teresa Yee-wha Yu), Nos. 11 & 12, pp. 157-176.

    Gu Xiong ÅUåÀ

  • Heart's Utterance ¶D°J±¡ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 216-217.
  • Heart's Utterance ¶D°J±¡ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 83.

    Gu Yanwu ÅUª¢ªZ

  • Discussing the Matter of Learning with a Friend »P¤Í¤H½×¾Ç®Ñ (D. C. Lau), Nos. 41 & 42, pp. 102-105.

    Guan Guan ºÞºÞ

  • long alley song ªø«Ñµü (Eva Hung), No. 61, p. 57.

    Guan Hanqing Ãöº~­ë (Kuan Han-ch'ing)

  • A Sister Courtesan Comes to the Rescue »¯¬ß¨à­·¤ë±Ï­·¹Ð (George Kao), No. 49, pp. 7-41.
  • On Love ÃD±¡ (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 225.
  • Songs of Kuan Han-ch'ing Ãöº~­ë´²¦±¤G­º (Allen P. Alsop and C. Godwin), No. 3, pp. 28-30.
  • Title Missing To the Tune of Four Pieces of Jade ¥¢ÃD ¥|¶ô¥É (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 227.

    Guan Lishan ÃöÄR¬À (Kwan, Lai Shan Patsy)

  • The Angel and the Angel's Halo ¤Ñ¨Ï»P¤Ñ¨Ïªº¥úÀô (D. E. Pollard), Nos. 47 & 48, pp. 23-41.
  • The Angel and the Angel's Halo ¤Ñ¨Ï»P¤Ñ¨Ïªº¥úÀô (D. E. Pollard), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 58-63.
  • The Angel and the Angel's Halo ¤Ñ¨Ï»P¤Ñ¨Ïªº¥úÀô (D. E. Pollard), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 194-212.

    Guan Yunshi ³e¶³¥Û (Kuan Yün-shih)

  • Title Missing To the Tune A Clear River ¥¢ÃD ²M¦¿¤Þ (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 228.

    Gui Youguang Âk¦³¥ú

  • My Mother: A brief Life ¥ý§­¨Æ²¤ (D. E. Pollard), Nos. 33 & 34, pp. 151-152.
  • My Mother: A brief Life ¥ý§­¨Æ²¤ (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 89-91
  • To the Students at My Mountain Lodgings ¤sªÙ¥Ü¾ÇªÌ®Ñ (Robert E. Hegel), Nos. 41 & 42, pp. 85-88.
  • The Xiangji Studio ¶µ¯á°a§Ó (D. E. Pollard), Nos. 33 & 34, pp. 153-154.
  • The Xiangji Studio ¶µ¯á°a§Ó (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 91-93

    Gunn, Edward ¯Õ¼wµØ

  • On Yang Chiang ·¨©u±d, No. 14, p. 42.

    Guo Moruo ³¢ªz­Y

  • Marx Enters the Confucian Temple °¨§J´µ¶i¤å¼q (John Timothy Wixted and Matthew Finkbeiner), No. 51, pp. 77-86.
  • Wang Zhaojun: Act II ¤ý¬L§g (²Ä¤G¹õ) (T.M. McClellan), Nos. 59 & 60, pp. 195-210.

    Guo Shuyu ³¢º¤¥É

  • Bright Consort ©ú¦m (Maureen Robertson), Nos. 59 & 60, p. 122.

    Guo Songdao ³¢·CÂv

  • Selections from London and Paris Diary ­Û´°»P¤Ú¾¤¤é°O (Eva Hung), Nos. 53 & 54, pp. 74-83.

    Guo Xianhong ³¢¥ý¬õ

  • The Journey: excerpts ©º³~ (Richard King), No. 50, pp. 10-17.

    Guo Yongxiu ³¢¥Ã¨q

  • Butterfly Dreaming ½º¹Ú (Simon Patton), No. 55, pp. 117-118.

    Guo Zheng ³¢ºå

  • The Journey of the Wolf ¯T¦æ¤d¨½ (Susan Wilf), No. 57, pp. 68-77.

    Gulik, Van Robert

  • More About Judge Dee, No. 5, p. 117.

    Ha Gong «¢¤½

  • Four Essays «¢¤½©Ç½× (Don J. Cohn), Nos. 29 & 30, pp. 320-327.
  • Getting High ½× '°ª«×' ¬Æ»òªº (Don J. Cohn), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 117-118.
  • The Legalization of Rape ±j«Á¦Xªk¤Æ (Don J. Cohn), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 115-116.

    Hai Zi ®ü¤l

  • Autumn Dusk ¬î¤é¶À©ü (Li Fukang with Eva Hung), No. 37, pp. 116-117.
  • Nostalgia: my previous incarnation «ä©À«e¥Í (Li Fukang with Eva Hung), No. 37, pp. 118-119.
  • September ¤E¤ë (Li Fukang with Eva Hung), No. 37, pp. 114-115.
  • Sunrise ¤é¥X (Li Fukang with Eva Hung), No. 37, p. 113.

    Han Dong ÁúªF

  • Afternoon Sunlight ¤U¤Èªº¶§¥ú (Tony Prince and Tao Naikan), No. 57, p. 112.
  • Apparition of the Moon ©ú¤ë­°Á{ (Li Fukang with Eva Hung), No. 37, pp. 120-121.
  • In Shenzhen Beneath the Streetlights ¦b²`¦`ªº¸ô¿O¤U (Tony Prince and Tao Naikan), No. 57, p. 113.
  • Night Flight ©]¯è (Tony Prince and Tao Naikan), No. 57, p. 115.
  • Of the Wild Goose Pagoda ¦³Ãö¤j¶­¶ð (Li Fukang with Eva Hung), No. 37, pp. 122-123.
  • Return Âk¨Ó (Tony Prince and Tao Naikan), No. 57, p. 117.
  • Striking Root: excerpts ¤ã®Ú (Nicky Harman), No. 67, pp.70-125.
  • Worldly Love ¥@«Uªº·R (Tony Prince and Tao Naikan), No. 57, p. 120.
  • Your Hand §Aªº¤â (Li Fukang with Eva Hung), No. 37, p. 124.

    Han Bangqing Áú¨¹¼y (Han Pang-ch'ing)

  • Shanghai Demi-monde: Chapters I and II ®ü¤Wªá¦C¶Ç (Eileen Chang and Eva Hung), Chinese Middlebrow Fiction, Renditions Books, pp. 98-110.
  • Shanghai Demi-monde: Chapters I and II ®ü¤Wªá¦C¶Ç (Eileen Chang and Eva Hung), No. 58, pp. 98-110.
  • Sing-song Girls of Shanghai ®ü¤Wªá¦C¶Ç (Eileen Chang), Nos. 17 & 18, pp. 95-110.

    Han Mu Áúªª

  • On this Land there once Lived ³o¤ù¤g¦a´¿¸g¦³¹L (Mary M. Y. Fung), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 9-10.

    Han Shaogong Áú¤Ö¥\

  • Homecoming? Âk¥h¨Ó (Martha Cheung), Homecoming? And Other Stories, Renditions Paperbacks, pp. 1-20.
  • Pa Pa Pa ª¨ª¨ª¨ (Martha Cheung), Homecoming? And Other Stories, Renditions Paperbacks, pp. 35-90.
  • The Blue Bottle-Cap ÂÅ»\¤l (Martha Cheung), Homecoming? And Other Stories, Renditions Paperbacks, pp. 21-34.
  • The Divagations of Metaphysex ©Ê¦Ó¤Wªº°g¥¢ (Simon Patton), No. 62, pp. 70-85.
  • Woman Woman Woman ¤k¤k¤k (Martha Cheung), Homecoming? And Other Stories, Renditions Paperbacks, pp. 91-161.

    Han Xiaochuang Áú¤pµ¡

  • Chunmei Visits the Garden at Her Old Home ¬K±ö´å®a¦ÀÀ] (Mary Scott), No. 44, pp. 57-65.
  • Departing Without Tears ¤£««§O²\ (Mary Scott), No. 44, pp. 36-45.
  • The Temple of Eternal Happiness ¥ÃºÖ¦x¥|¦^ (Mary Scott), No. 44, pp. 46-56.

    Han Yu Áú·U

  • Address to the Crocodiles of Chaozhou ²½Æs³½¤å (D.E. Pollard), No. 51, pp. 8-10.
  • Address to the Crocodiles of Chaozhou ²½Æs³½¤å (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 49-51
  • Biography of Wang Ch'eng-fu, the Mason ¦dªÌ¤ý©ÓºÖ¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 54-59
  • Censorial Memorial on Drought and Famine ±s¥v»O¤W½×¤Ñ§ò¤HÄȪ¬ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 50-51
  • Eulogy of Po-I §B¦i¹| (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 38-41
  • Farewell Message to Shao-yin Yang °e·¨¤Ö¤¨§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 68-71
  • Funerary Message to Nephew No. 12 ²½¤Q¤G­¦¤å (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 82-89
  • Goodbye to Penury °e½a¤å (D.E. Pollard), No. 51, pp. 11-13.
  • Goodbye to Penury °e½a¤å (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 51-53
  • Inscription on Liu Tzu-hou's Tomb Tablet ¬h¤l«p¹Ó»x»Ê (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 90-98
  • Inscription on the Tomb Tablet of My Wet-Nurse ¨Å¥À¹Ó»Ê (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 80-81
  • Late Spring ±ß¬K (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 156-157.
  • Late Spring ±ß¬K (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 60.
  • Letter to the Chancellors ¤W®_¬Û®Ñ (Huang Kuo-pin), Nos. 41 & 42, pp. 38-45.
  • Listening to Master Ying Playing the Zither Å¥¿o®v¼uµ^ (Jianqing Zheng with Angela Ball), No. 66, pp. 52-53.
  • Memorial against the Use of Men and Women as Surety À³©Ò¦b¨å¶K¨}¤H¨k¤kµ¥ª¬ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 52-53
  • Memorial on the Bone of Buddha ½×¦ò°©ªí (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 44-49
  • On Reading Hsun-tzu Ū¯û (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 42-43
  • On the Teacher ®v»¡ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 34-37
  • Origin of Defamation ­ì·´ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 30-33
  • Postscript to the Biography of Chief Censor Chang ±i¤¤¥à¶Ç«á§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang- Sung Period, Renditions Books, pp. 60-67
  • Preface to Poetry Addressed to Retired Scholar Shih °e¥Û³B¤h§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang- Sung Period, Renditions Books, pp. 72-75
  • Preface to the Poem on Retired Scholar Wen's Departure for Hoyang Chun °e·Å³B¤h­uªe¶§­x§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 76-79
  • Selected Essays Áú·U¥j¤å (Shih Shun Liu), No. 8, pp. 77-81.
  • The Thousand-li Horse Âø»¡¥| (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 28-29

    Hanshan Deqing éw¤s¼w²M

  • From 'Living in the Mountains: twenty-eight poems' (No. 13) ¤s©~¤G¤Q¤K­º¤§¤Q¤T (Mary M. Y. Fung with David Lunde), No. 66, p. 61.
  • From 'Living in the Mountains: twenty-eight poems' (No. 19) ¤s©~¤G¤Q¤K­º¤§¤Q¤E (Mary M. Y. Fung with David Lunde), No. 66, p. 62.
  • Happy Return to Mt. Kuang ³ßÂk¦J¤s (Mary M. Y. Fung with David Lunde), No. 66, p. 59.
  • Inscribed on the Wall at Hearing Zen Master Zhideng Chanting the Lotus Sutra at the Foot of Miaogao Peak while Travelling in Fushan ´å¯B¤s©ó§®°ª®p¤U»D´¼¿OÁI¤H»wªkµØ¸g¦]ÃD©ó¾À (Mary M. Y. Fung with David Lunde), No. 66, p. 57.
  • On Clouds µú¶³ (Mary M. Y. Fung with David Lunde), No. 66, p. 60.
  • Returning Late after Begging for Food ¤^­¹±ßÂk (Mary M. Y. Fung with David Lunde), No. 66, p.58.

    Hao Ran ¯EµM

  • Dawn Clouds Red as Flame ´ÂÁø¬õ¦ü¤õ (Haydn Shook and Richard King), No. 68, pp, 17-40.

    Hartman, Charles ½²²[¾¥

  • Han Yu and T.S. Eliot—A Sinological Essay in Comparative Literature, No. 8, pp. 59-76.

    Haugaard, Erik

  • A Race Without Winners, No. 8, p. 96.

    Hawkes, David ÀN§J«ä

  • On Lin Shu, No. 5, p. 21.
  • The Story of the Stone: A Symbolist Novel, No. 25, pp. 6-17.
  • The Translator, the Mirror and the Dream—Some Observations on a New Theory, No. 13, pp. 5-20.
  • Translator to Critic, No. 7, p. 72.

    He Jingming ¦ó´º©ú (Ho Ching-ming)

  • Enjoying the Moonlight while Moored at the Mouth of the Yün-yang River ªy¶³¶§¦¿ÀYª±¤ë (Daniel Bryant), No. 8, p. 89.

    He Da ¦ó¹F

  • The Times ®É¥N (Yau Wai Ping), To Pierce the Material Screen, Vol. II, Renditions Books, p. 73.

    He Furen ¦óºÖ¤¯

  • Letter Writing ¼g«H (Mary M. Y. Fung), To Pierce the Material Screen, Vol. II, Renditions Books, p. 228.

    He Li

  • Modernism and China: A Summary (Geremie Barme), Trees on the Mountain, Renditions Books, pp. 44-54.
  • Modernism and China: A Summary (Geremie Barme), Nos. 19 & 20, pp. 44-54.

    He Qifang ¦ó¨äªÚ

  • Elegy «sºq(D.E. Pollard), The Chinese Essay, Renditions Books, pp. 300-304.

    He Wen ¦ó»D

  • Postscript: On Seeing the Play The Bus-stop ¸Ü¼@¡u¨®¯¸¡vÆ[«á (Chan Sin-wai), Trees on the Mountain, Renditions Books, pp. 387-392.
  • Postscript: On Seeing the Play The Bus-stop ¸Ü¼@¡u¨®¯¸¡vÆ[«á (Chan Sin-wai), Nos. 19 & 20, pp. 387-392.

    He Zhizhang ¶Pª¾³¹

  • Homecoming - jotted down on returning home after long separation ¦^¶m°¸®Ñ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 84-85.
  • Homecoming - jotted down on returning home after long separation ¦^¶m°¸®Ñ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 27.

    He Zhu ¶Pű (Ho Chu)

  • Beaters' Sounds Make Chorus ªSÁn»ô (Stuart H. Sargent), No. 5, p. 107.
  • Half-Dead T'ung Tree ¥b¦º®ä (Stuart H. Sargent), No. 5, p. 109.
  • Heng-T'ang Road ¾î¶í¸ô (Stuart H. Sargent), No. 5, p. 106.
  • Hoping for A Letter ±æ®ÑÂk (Stuart H. Sargent), No. 5, p. 107.
  • Night So Like A Year ©]¦p¦~ (Stuart H. Sargent), No. 5, p. 108.
  • Pounding Clothes by Night ©]ìê¦ç (Stuart H. Sargent), No. 5, p. 108.

    Hess, Albert G.

  • The "Memoirs" of Li Hung-chang—the Story of a Non-translation, The Translation of Things Past, Renditions Books, pp. 155-167.
  • The "Memoirs" of Li Hung-chang—the Story of a Non-translation, No. 15, pp. 155-167.

    Ho Fuk Yan ¦óºÖ¤¯ (see He Furen)

    Hong Hong ÂEÂE

  • Terrorist ®£©Æ¥÷¤l (Yau Wai-ping), No. 61, pp. 106-107.

    Hong Huang ¬x¯î

  • The New Poetry—A Turning Point— ·s¸Ö—¤@­ÓÂà§é¶Ü¡H(A Misty Manifesto) (Zhu Zhiyu with John Minford), Trees on the Mountain, Renditions Books, pp. 191-194.
  • The New Poetry—A Turning Point— ·s¸Ö—¤@­ÓÂà§é¶Ü¡H(A Misty Manifesto) (Zhu Zhiyu with John Minford), Nos. 19 & 20, pp. 191-194.

    Hong Mai ¬xÁÚ

  • The Three Taoists of Jade Ford ¥É¬z¤T¹D¤h (Alister Inglis), No. 57, pp. 30-31.
  • Third Daughter Xie ¸Ñ¤T®Q (Alister Inglis), No. 57, pp. 32-34.

    Hou, Lady «J¤Ò¤H

  • Setting My Feelings Free »º·N (Carolyn Ford), Nos. 59 & 60, pp. 38-39.

    Hou Fangyu «J¤è°ì

  • To Ruan Dacheng on Leaving Nanjing, 1643 ¬Ñ¥¼¥hª÷³®¤é»P¨¿¥ú¸S®Ñ (D.E. Pollard), Nos. 41 & 42, pp. 106-109.

    Hsi Muren ®u¼}»T (see Xi Murong)

    Hsia C.T. ®L§Ó²M

  • Hsü Chen-ya's Yu-li hun: An Essay in Literary History and Criticism, Chinese Middlebrow Fiction, Renditions Books, pp. 199-240.
  • Hsü Chen-ya's Yu-li hun: An Essay in Literary History and Criticism, Nos. 17 & 18, pp. 199-240.
  • The Chinese Sense of Humour, No. 9, pp. 30-36.

    Hsu Hui-chih ³\®¬¤§ (see Xu Huizhi)

    Hsu Kai-yu ³\ªã¬R (see Xu Jieyu)

    Hu Guoxian ­J°ê½å (Woo Kwok Yin)

  • I'm Afraid I'll Fall Asleep Before Dawn—To the May Fourth Movement in Its Threescore and Ten Years §Ú®£©È¾¤©ú«e«KºÎ¥h—µ¹¥jµ}ªº¤­¥| (Eva Hung), No. 56, pp. 87-88.
  • I'm Afraid I'll Fall Asleep Before Dawn—To the May Fourth Movement in Its Threescore and Ten Years §Ú®£©È¾¤©ú«e«KºÎ¥h—µ¹¥jµ}ªº¤­¥| (Eva Hung), To Pierce the Material Screen,
    Vol. II, Renditions Books, pp. 119-120.
  • Loss ¥¢ (Eva Hung), To Pierce the Material Screen, Vol. II, Renditions Books, p. 80.

    Hu Jinquan ­Jª÷»Í (Hu King)

  • Lao She in England ¦ÑªÙ¦b­^°ê (Cecilia Y. L. Tsim), Two Writers and the Cultural Revolution, Renditions Books, pp. 21-26.
  • Lao She in England ¦ÑªÙ¦b­^°ê (Cecilia Y. L. Tsim), No. 10, pp. 46-51.

    Hu King ­Jª÷»Í (see Hu Jinquan)

    Hu Lancheng ­JÄõ¦¨

  • This Life, These Times: excerpts ¤µ¥Í¤µ¥@ (D. E. Pollard), No. 45, pp. 129-135.

    Hu Shi ­J¾A

  • Hong Kong ­»´ä (Zhu Zhiyu), Nos. 29 & 30, pp. 45-46.
  • Rewriting of Chapter 99 of The Journey to the West ¡m¦è¹C°O¡n²Ä¤E¤Q¤E¦^ (Qiancheng Li), No. 67, pp. 28-45.
  • Wang Zhaojun: Patriotic Heroine of China ¤¤°ê·R°ê¤k³Ç¤ý¬L§g¶Ç (Janice Wickeri), Nos. 59 & 60, pp. 145-153.

    Hu Xiake ­J®L«È

  • Wang Zhaojun Series No. 3 ¤ý¬L§gÃã ¤§¤T (Eva Hung), Nos. 59 & 60, pp. 106-107.

    Hu Yanqing ­J¿P«C (Wu Yin Ching)

  • Garment Reading Ū¦ç (Mary M.Y. Fung), No. 56, pp. 91-92.
  • Garment Reading Ū¦ç (Mary M.Y. Fung), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 192-193.
  • High Street °ªµó (Janice Wickeri), No. 66, pp. 106-110.
  • High Street °ªµó (Janice Wickeri), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 36-40.

    Hu Zeng ­J´¿

  • The Han Palace º~®c (Haun Saussy), Nos. 59 & 60, pp. 54-55.

    Hu Zhiyu ­J¬éëÑ

  • Autumn ¥|©u:¬î (David Lunde), No. 56, p. 8.
  • Spring ¥|©u:¬K (David Lunde), No. 56, p. 7.

    Hua Tong µØ§Í

  • Yan'an Seeds ©µ¦wªººØ¤l (Mark Caltonhill), No. 50, pp. 24-35.

    Hua Zhifeng µØ¤§­·

  • Excavation ±¸¤g°O (Eva Hung), No. 55, pp. 121-122.

    Huang Biyun ¶ÀºÑ¶³ (Wong Bik Wan)

  • Plenty and Sorrow Âײ±»P´d«s (Janice Wickeri), Nos. 47 & 48, pp. 53-72.
  • Plenty and Sorrow Âײ±»P´d«s (Janice Wickeri), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 126-158.
  • Plenty and Sorrow Âײ±»P´d«s (Janice Wickeri), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 213-234.

    Huang Canran ¶ÀÀéµM

  • Loneliness ©t¿W (Jane Lai), No. 56, p. 79.
  • Loneliness ©t¿W (Jane Lai), To Pierce the Material Screen, Vol. II, Renditions Books, p. 194.
  • 'Who am I?' ¡u§Ú¬O½Ö?¡v(Jane Lai), No. 56, pp. 80-81.
  • 'Who am I?' ¡u§Ú¬O½Ö?¡v(Jane Lai), To Pierce the Material Screen, Vol. II, Renditions Books, p. 207.
  • You're Right But You're Wrong §A¨S¿ù¡A¦ý§A¿ù¤F (Jane Lai), No. 56, pp. 82-83.

    Huang Chunming ¶À¬K©ú (Hwang Chun-ming)

  • Moonlight Comedy ¤ë©]ªº³ß¼@ (Janice Wickeri), No. 61, p. 69.
  • Sayonara, Zai Jian ²ï³é®R°Õ¡A¦A¨£ (Howard Goldblatt), No. 7, pp. 133-160.
  • The Story of Grandfather Ch'ing Fan «Cµf¤½ªº¬G¨Æ (Stephen Field), No. 16, pp. 99-111.
  • We Can't Bring Back the Past ©¹¨Æ¥u¯à¦^¨ý(D.E. Pollard), The Chinese Essay, Renditions Books, pp. 369-374.
  • Waiting for a Flower's Name µ¥«Ý¤@¦·ªáªº¦W¦r(D.E. Pollard), The Chinese Essay, Renditions Books, pp. 374-378.

    Huang Geng ¶À©° (Huang Keng)

  • Evening Scene ¼Ç´º (Louise Ho), No. 10, p. 128.

    Huang Guobin ¶À°ê±l (Huang Kuo-pin, Wong Kwok-pun)

  • A Night Prayer ©]ë (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, pp. 308-309.
  • A Night Prayer ©]ë (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, pp. 308-309.
  • Autumn ¬î (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 306.
  • Autumn ¬î (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 306.
  • Eel ÅÁ (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 316.
  • Eel ÅÁ (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 316.
  • Free Association on a Serenade ¤p©]¦±ªºÁp·Q (Huang Kuo-pin), Nos. 29 & 30, p. 199.
  • I Fear I May Grow Old Before Frost Fall §Ú©ÈÁ÷­°«e´N¦Ñ¥h (Huang Kuo-pin), Nos. 29 & 30, p. 201.
  • I Fear I May Grow Old Before Frost Fall §Ú©ÈÁ÷­°«e´N¦Ñ¥h (Huang Kuo-pin), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 98-99.
  • Li Po and Tu Fu: A Comparative Study, Nos. 21 & 22, pp. 99-126.
  • Life of the Valley ¹aÄõ (Huang Kuo-pin), Nos. 29 & 30, p. 200.
  • Light ¥ú (Huang Kuo-pin), Nos. 29 & 30, pp. 208-209.
  • Listening to My Aeolian Bell at Night ©]Å¥­·¹a (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 316.
  • Listening to My Aeolian Bell at Night ©]Å¥­·¹a (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 316.
  • My Poem §Úªº¸Ö (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 314.
  • My Poem §Úªº¸Ö (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 314.
  • Playing the Er-hu ©Ô¤G­J (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 315.
  • Playing the Er-hu ©Ô¤G­J (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 315.
  • Rhapsody on a Rainy Night «B©]¨g·Q (Huang Kuo-pin), Nos. 29 & 30, p. 203.
  • Song of Madness ¨g§u (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 307.
  • Song of Madness ¨g§u (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 307.
  • Snow Night ³·©] (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, pp. 310-311.
  • Snow Night ³·©] (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, pp. 310-311.
  • Taking a Picture ©ç·Ó (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 307.
  • Taking a Picture ©ç·Ó (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 307.
  • The Great Bell of Yongle ¥Ã¼Ö¤jÄÁ (Huang Kuo-pin), Nos. 29 & 30, pp. 205-207.
  • The Kingfisher »A³¾ (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 315.
  • The Kingfisher »A³¾ (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 315.
  • Tropical Fish ¼ö±a³½ (Huang Kuo-pin), Nos. 29 & 30, p. 203.
  • Waiting µ¥«Ý (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, p. 306.
  • Waiting µ¥«Ý (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, p. 306.
  • When My Dream Spreads Like Some Boundless Land ·í§Úªº¹Ú¦pµL»ÚªºÃ¦¤g®i¶} (Huang Kuo-pin), Nos. 29 & 30, p. 204.
  • When You Are Naked, You Have Everything ¨ª»r®É§A¾Ö¦³¤@¤Á (Huang Kuo-pin and Mok Wing-yin), Trees on the Mountain, Renditions Books, pp. 312-313.
  • When You Are Naked, You Have Everything ¨ª»r®É§A¾Ö¦³¤@¤Á (Huang Kuo-pin and Mok Wing-yin), Nos. 19 & 20, pp. 312-313.

    Huang Kuo-pin ¶À°ê±l (see Huang Guobin)

    Huang Meixu ¶À¬ü§Ç (Hwang Mei-shu)

  • Translating Puns for the Stage, No. 14, pp. 73-78.

    Huang Lu ¶À¾|

  • Hawkes of Olives ÆV³c (David Pollard), To Pierce the Material Screen, Vol. II, Renditions Books, p. 4.

    Huang Sicheng ¶À«äÁþ

  • The THC Tab ¤@²É¤j³Â¤Y (Jon Solomon), Nos. 29 & 30, pp. 102-107.

    Huang Tingjian ¶À®x°í

  • Pure Serene Music ²M¥­¼Ö (Ronald Egan), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 148-149.
  • Pure Serene Music ²M¥­¼Ö (Ronald Egan), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 67.
  • The Beauteous Lady Yu - on seeing plum blossoms in Yizhou ¸·¬ü¤H¡Ð¡Ð©y¦{¨£±ö§@ (Ronald Egan), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 150-151.
  • The Beauteous Lady Yu - on seeing plum blossoms in Yizhou ¸·¬ü¤H¡Ð¡Ð©y¦{¨£±ö§@ (Ronald Egan), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 68.
  • To the Tune of "Light Flowing Music" ²M¥­¼Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 246-247.
  • To the Tune of "Light Flowing Music" ²M¥­¼Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 98.

    Huang Weiliang ¶Àºû¼Ù (Wong Wai-leung)

  • The River at Duck is Saddening Me: Cheng Ch'ou Yu and Ci Poetry, Song Without Music: Chinese Tz'u Poetry, Renditions Books, pp. 265-279.
  • The River at Duck is Saddening Me: Cheng Ch'ou Yu and Ci Poetry, Nos. 11 & 12, pp. 265-279.

    Huang Wenlei ¶À¤å¹p

  • Ballad of Zhaojun ¬L§g¦æ¨Ã§Ç (David E. Pollard), Nos. 59 & 60, pp. 76-79.

    Huang Ying ¶ÀÄå

  • Selling House and Home ½æ®a (Cathy Poon), Nos. 35 & 36, pp. 87-102.
  • Selling House and Home ½æ®a (Cathy Poon), City Women: Contemporary Taiwan Women Writers, Renditions Paperbacks, pp. 15-40.

    Huang Yongwu ¶À¥ÃªZ (Huang Yung-wu)

  • Four Symbolic Plants in Chinese Poetry ¸Ö¤H²´¤¤ªº±öÄõ¦Ëµâ (Wong Wai-leung), No. 9, pp. 71-80.

    Huang Yongyu ¶À¥Ã¥É

  • Selections from A Can of Worms ¥Ã¥É¤T°O (Geremie Barmé), No. 26, pp. 11-21.

    Huang Youde ¶À¦³¼w

  • Ah Yi the Madman and Ah Zhu the Saint ¼Sªü¸q¡A¸tªü¯] (Janice Wickeri), Nos. 35 & 36, pp. 171-187.

    Huang Youzao ¶À¥®Ä¦

  • Inscribed on a Painting of the Bright Consort Passing Beyond the Border ÃD©ú¦m¥X¶ë¹Ï (Maureen Robertson), Nos. 59 & 60, pp. 96-97.

    Huang Zhan ¶ÀÀL

  • No Hope µL±æ (John Steinhardt), Nos. 29 & 30, pp. 166-167.

    Huang Zhijun ¶À¤§¹m

  • A Eulogy µú¬L§g (Eva Hung), Nos. 59 & 60, pp. 114-115.

    Huang Zunxian ¶À¿í¾Ë

  • Hong Kong ¸Ö¤@­º (T. C. Lai), Nos. 29 & 30, p. 63.

    Huangfu Ran ¬Ó¨j¥T

  • Autumn Grievance ¬î«è (Geoffrey R. Waters), No. 64, p. 31.

    Huangfu Song ¬Ó¨jªQ

  • Remembering the South ¾Ð¦¿«n (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 26-27.
  • Remembering the South ¾Ð¦¿«n (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 10.
  • To the Tune of Meng Chiang-nan ¹Ú¦¿«n (D. C. Lau), Nos. 21 & 22, p. 188.
  • Waves Scour the Sands ®ö²^¨F (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 28-29.
  • Waves Scour the Sands ®ö²^¨F (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 10.

    Hui Tik Cheung ³\­}Ãò (see Xu Diqiang)

    Hui Tong ´fµ£

  • The sea needs consoling ®ü¡A»Ý­n¦w¼¢ (Michelle Yeh), No. 61, pp. 104-105.

    Humpries, Rolfe

  • Cardinal Principle of Translation, No. 8, p. 136.

    Hung Chi ¤Õ¬L (see Kong Zhao)

    Hung, Eva ¤Õ¼z©É

  • None of Our Business: In Lieu of a Preface, Nos. 27 & 28, pp. 5-9.

    Hwang Chun-ming ¶À¬K©ú (see Huang Chunming)

    Hwang Mei-shu ¶À¬ü§Ç (see Huang Meixu)

    Ip, Chi-yin

  • George Kao: His Life and Works, No. 69, pp. 7-19.

    Jao Tsung-I ÄÇ©vÀ[

  • Painting and the Literati in the Late Ming ©ú©u¤å¤H»Pøµe (James C. Y. Watt), The Translation of Art, Renditions Books, pp. 138-143.
  • Painting and the Literati in the Late Ming ©ú©u¤å¤H»Pøµe (James C. Y. Watt), No. 6, pp. 138-143.

    Jenner, W. J. F. ¸â¯Çº¸

  • Insuperable Barriers? No. 25, pp. 18-37.

    Ji Dawei ¬ö¤j°¶ (Chi Ta-wei)

  • Umbilicus ÂÀ (Susan Wilf), No 63, pp. 47-60.

    Ji Hun Åù»î (see Hu Guoxian) Ji Ji ©u©u

  • Beyond Transient Applause ½Ö­nµu¼Èªº´xÁn (Eva Hung and D. E. Pollard), Nos. 35 & 36, pp. 299-304.

    Ji Kang ´R±d

  • Songs of Disillusionment ¬î­J¦æ¤G­º (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 68-71.
  • Songs of Disillusionment ¬î­J¦æ¤G­º (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 19-20.

    Ji Junxiang ¬ö§g²» (Chi Chün-hsiang)

  • The Revenge of the Orphan of Chao »¯¤ó©t¨à¤j³ø?Âø¼@ (Pi-twan H. Wang), No. 9, pp. 103-131.

    Ji Yun ¬ö©û

  • Random Jottings from the Cottage of Close Scrutiny: excerpts ¾\·L¯ó°óµ§°O (Leo Tak-hung Chan), No. 40, pp. 95-102.

    Jia Dao ¸ë®q (Chia Tao)

  • Crossing the River Sang-kan ´ç®á°® (Stephen Owen), Nos. 21 & 22, pp. 172-173.
  • Heavy Clouds ´MÁôªÌ¤£¹J (Louise Ho), No. 66, P. 30.
  • Looking for the Recluse and Not Finding Him ´MÁôªÌ¤£¹J (Stephen Owen), Nos. 21 & 22, p. 178.
  • Spending the Night in the Village Pavilion ±J§ø®a«F¤l (Stephen Owen), Nos. 21 & 22, pp. 164-165.
  • The Absent Hermit ´MÁôªÌ¤£¹J (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 158-159.
  • The Absent Hermit ´MÁôªÌ¤£¹J (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 68.

    Jiang Caiping ¦¿ªöÄ«

  • Thanks for the Gift of Pearls Á½ç¬Ã¯] (Geoffrey R. Waters), No. 64, p. 24.

    Jiang Gui «¸¶Q (Chiang Kuei)

  • The Whirlwind ±Û­· (Timothy A. Ross), No. 2, pp. 118-125.

    Jiang He ¦¿ªe

  • Begin from Here ±q³o¸Ì¶}©l (Alisa Joyce, Ginger Li and John Minford), No. 23, pp. 137-139.
  • Monument ¬ö©À¸O (Alisa Joyce, Ginger Li and John Minford), No. 23, pp. 131-133.
  • Star ¬P (Alisa Joyce, Ginger Li and John Minford), No. 23, pp. 134-136.
  • Star Variations ¬P¬PÅÜ«µ¦± (Alisa Joyce, Ginger Li and John Minford), No. 23, pp. 135-136.
  • Unfinished Poem ¨S¦³¼g§¹ªº¸Ö (Alisa Joyce, Ginger Li and Yip Wai-lim), Trees on the Mountain, Renditions Books, pp. 221-234.
  • Unfinished Poem ¨S¦³¼g§¹ªº¸Ö (Alisa Joyce, Ginger Li and Yip Wai-lim), Nos. 19 & 20, pp. 221-234.

    Jiang Jie ½±±¶ (Chiang Chieh)

  • To 'Feasting the Bridegroom' ¶P·s­¦ (Alice W. Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 314-315.
  • To 'Feasting the Bridegroom' ¶P·s­¦ (Alice W. Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 156.
  • To 'Feasting the Bridegroom' ¶P·s­¦ (Alice W. Cheang), No. 58, pp. 34-35.
  • To 'The Beauteous Lady Yu' - listening to the rain ¸·¬ü¤H¡Ð¡ÐÅ¥«B (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 312-313.
  • To 'The Beauteous Lady Yu' - listening to the rain ¸·¬ü¤H¡Ð¡ÐÅ¥«B (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 155.
  • To the Tune of Yü mei jen ¸·¬ü¤H (D. C. Lau), Nos. 11 & 12, p. 24.
  • To the Tune of Yü mei jen Å¥«B¡Ð¸·¬ü¤H(Arthur Cooper), Nos. 21 & 22, p. 184.
  • Swallows Nesting Under the Beams ¿PÂk±ç¡Ð¡Ð­·½¬ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 310-311.
  • Swallows Nesting Under the Beams ¿PÂk±ç¡Ð¡Ð­·½¬ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 154.

    Jiang Kui «¸ÄÜ (Chiang K'uei)

  • Dark Fragrance ·t­» (Edwin A. Cranston), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 264-265.
  • Dark Fragrance ·t­» (Edwin A. Cranston), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 131.
  • Joyous as Heaven »ô¤Ñ¼Ö (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 266-269.
  • Joyous as Heaven »ô¤Ñ¼Ö (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 132-133.
  • Miscellaneous verses while lodging by the lake ´ò¤W´J©~Âøµú (A. C. Graham), No. 25, p. 110.
  • To the Tune of Ch'i-tien yüeh »ô¤Ñ¼Ö (Huang Kuo-pin), Nos. 11 & 12, pp. 250-251.
  • To the Tune of Ke-hsi-mei ling °¬·Ë±ö¥O (Huang Kuo-pin), Nos. 11 & 12, p. 247.
  • To the Tune of Yangchou Man ´­¦{ºC (Huang Kuo-pin), Nos. 11 & 12, pp. 248-249.
  • The Charms of Niannu ©À¥£¼b (Edwin A. Cranston and Alice W. Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 260-263.
  • The Charms of Niannu ©À¥£¼b (Edwin A. Cranston and Alice W. Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 129-130.
  • Treading the Sedge ½ñ²ï¦æ (Edwin A. Cranston), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 258-259.
  • Treading the Sedge ½ñ²ï¦æ (Edwin A. Cranston), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 128.

    Jiao Ji ³ì¦N (Chiao Chi)

  • Circumstance §Y´º (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 217.

    Jiang Yan ¦¿²T

  • Letter in Response to Yuan Shuming ³ø°K¨û©ú®Ñ (Taiping Chang and David R. Knechtges), Nos. 41 & 42, pp. 25-31.

    Jin Junming ª÷«T©ú (Chin Chun-ming)

  • Four Episodes In Praise of the Orchid ¬öÄõ (Yuan Heh-hsiang), No. 8, pp. 92-95.

    Joyce, Alisa »¯·R¯À

  • Yan Li—Painter and Poet, Trees on the Mountain, Renditions Books, pp. 268-270.
  • Yan Li—Painter and Poet, Nos. 19 & 20, pp. 268-270.

    Juan Chi ¨¿Äy (See Ruan Ji)

    Kahn, Paul

  • Han Shan in English, No. 25, pp. 140-175.

    Kang Youwei ±d¦³¬°

  • Hong Kong and Macau ¸Ö¤@­º (T.C. Lai), Nos. 29 & 30, p. 64.
  • Selections from Notes on Travels Around Europe ¼Ú¬w¤Q¤@°ê´å°O (Daniel Kane), Nos. 53 & 54, pp. 189-198.

    Kao, George ³ì§Ó°ª

  • A Universal Vernacular—When "Taipei Characters" speak in English, No. 14, pp. 22-26.
  • Chi-chen Wang: An Appreciation, Two Writers and the Cultural Revolution, Renditions Books, pp. 131-132.
  • Chi-chen Wang: An Appreciation, No. 10, pp. 110-111.
  • Lao She in America—Arrival and Departure ¦ÑªÙ¦b¬ü°ê , Two Writers and the Cultural Revolution, Renditions Books, pp. 27-34.
  • Lao She in America—Arrival and Departure ¦ÑªÙ¦b¬ü°ê , No. 10, pp. 68-75.

    King, Richard ¤ý¤¯±j

  • After the Hundred Flowers: a 1981 interview with Qin Zhaoyang, No. 65, pp. 38-53.
  • The Great Leap Forward and Chinese Literature, No. 68, pp. 7-11.

    Kong Rong ¤Õ¿Ä

  • Memorial Recommending Mi Heng (David R. Knechtges), Nos. 33 & 34, pp. 71-74.
  • My Son Âø¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 48-49.
  • My Son Âø¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 11.

    Kong Shangren ¤Õ©|¥ô (K'ung Shang-jen)

  • The Peach Blossom Fan ®çªá®° (Scene iv) (Richard E. Strassberg), No. 8, pp. 115-222.

    Kong Zhao ¤Õ¬L (Hung Chi)

  • The Stewed-Pork Vendor º±¤ô½Þ¦×¨Ð (Janice Wickeri), Nos. 47 & 48, pp. 124-125.
  • The Stewed-Pork Vendor º±¤ô½Þ¦×¨Ð (Janice Wickeri), To Pierce the Material Screen, Vol. II, Renditions Books, p. 190.

    Kozachek, Janet ?©g¯S

  • Impressions in Stone: Contemporary Seal Carving, No. 24, pp. 155-165.

    Ku Ling ­W­d

  • Lord Beile ¨©°Ç·Ý¦N²» (John and Yingtsih Balcom), Nos. 35 & 36, pp. 121-129.

    Kumarajiva ¹§¼¯Ã¹¤°

  • Stories from Buddhist Homilies ¹§¼¯Ã¹¤°Á¿¸g¤¤ªº¦ò±Ð´J¨¥ (Yuet Keung Lo), No. 61, pp. 7-15.

    Kun Nan ±X«n (Shum K.N.)

  • Hail, the Streeds of Legend ¤j«v¡@÷~õa¤] (Eva Hung), To Pierce the Material Screen, Vol. II, Renditions Books, p. 76-79.
  • Were She to Cry—Mongkok Blues #4 ¦pªG¦o­ú—©ô¨¤«è¦±¤§¥| (the poet with the editors), No. 56, pp. 93-95.

    Kwan Lai Shan, Patsy ÃöÄR¬À (see Guan Lishan)

    Lai, T.C. ¿à«ï©÷

  • Choice Morsels—Some Food for Thought from Yuan Mei and Li Yu, No. 9, pp. 47-61.

    Laing, Ellen Johnston

  • Biographical Notes on Three Seventeenth Century Chinese Painters, The Translation of Art, Renditions Books, pp. 107-110.
  • Biographical Notes on Three Seventeenth Century Chinese Painters, No. 6, pp. 107-110.

    Lao Lie ¦Ñ¯P

  • What Lies Behind the Expression 'A Certain' ¡u¬Y¡v¦r¸ÌÃ䦳¤å³¹ (D. E. Pollard), No. 31, pp. 151-152.

    Lao She ¦ÑªÙ

  • An Old and Established Name ¦Ñ¦r¸¹ (William A. Lyell), Two Writers and the Cultural Revolution, Renditions Books, pp. 51-56.
  • An Old and Established Name ¦Ñ¦r¸¹ (William A. Lyell), No. 10, pp. 62-67.
  • City of Cats ¿ß«°°O (James E. Dew), Two Writers and the Cultural Revolution, Renditions Books, pp. 77-125.
  • City of Cats ¿ß«° (James E. Dew), No. 10, pp. 21-45.
  • End of the Rickshaw Boy—A New Translation of the Last Two Chapters of Camel Hsiang-tzu Àd¾m²»¤l (Perry Link), Two Writers and the Cultural Revolution, Renditions Books, pp. 39-50.
  • End of the Rickshaw Boy—A New Translation of the Last Two Chapters of Camel Hsiang-tzu Àd¾m²»¤l (Perry Link), No. 10, pp. 78-89.
  • Master Zongyue ©v¤ë¤j®v (Carmen Li with D. E. Pollard), No. 38, pp. 60-65.
  • My Mother §Úªº¥À¿Ë (Carmen Li with D. E. Pollard), No. 38, pp. 66-69.
  • Old Liu ¦Ñ¦~ªº®öº© (William A. Lyell), Two Writers and the Cultural Revolution, Renditions Books, pp. 57-65.
  • The Drum Singers (Helena Kuo), Two Writers and the Cultural Revolution, Renditions Books, pp. 67-75.
  • The Drum Singers (Helena Kuo), No. 10, pp. 53-61.

    Lau Chi Wan ¼BªéÃý (see Liu Zhiyun)

    Lau, Joseph S.M. ¼B²Ð»Ê

  • Footnotes, Endnotes, In-Text Notes, Retrospective notes, or Ah Yee Leng Tong and All the Rest of It ¸}µù¡B§Àµù¡B­å¸¡¥eµù¡B°lµù No. 44, pp. 12-16.
  • Potato-eating Days: excerpts ¦Y°¨¹aÁ¦ªº¤é¤l (Chu Chiyu), No. 66, pp. 86-90.
  • Potato-eating Days: excerpts ¦Y°¨¹aÁ¦ªº¤é¤l (Chu Chiyu), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 52-56.
  • Unto Myself Reborn: Author as Translator, No. 31, pp. 73-87.

    Lau Wai Shing ¼B°¶¦¨ (see Liu Weicheng)

    Lawton, Thomas ùµ÷

  • Notes on Keng Chao-chung, The Translation of Art, Renditions Books, pp. 144-151.
  • Notes on Keng Chao-chung, No. 6, pp. 144-151.

    Lee Chin-wen §õ¶i¤å (see Li Jinwen)

    Lee Yee §õ©É (see Li Yi)

    Lee Ying Ho §õ­^»¨ (see Li Yinghao)

    Lei Zhen ¹p¾_

  • Evening in a Village §ø±ß (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 278-279.
  • Evening in a Village §ø±ß (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 115.

    Leung, Gaylord Kai Loh ±ç¿üµØ/±ç¨ÎÅÚ (see Liang Xihua)

    Leung P.K. ±çªÃ¶v (see Liang Bingjin)

    Leung Wai Lok ±ç°¶¬¥ (see Liang Weiluo)

    Levy, André

  • Introduction to the French Translation of Jin Ping Mei cihua (Marc Martinez), No. 24, pp. 109-129.

    Li Ang §õ©ù

  • Butcher: excerpts ±þ¤Ò (Fan Wenmei and John Minford), Nos. 27 & 28, pp. 61-75.
  • Curvaceous Dolls ¦³¦±½uªº«½«½ (Howard Goldblatt), Nos. 27 & 28, pp. 49-60.
  • Curvaceous Dolls ¦³¦±½uªº«½«½ (Howard Goldblatt), Contemporary Women Writers: Hong Kong and Taiwan, Renditions Paperbacks, pp. 63-84.

    Li Bai §õ¥Õ (Li Bo, Li Po)

  • A Homily on Ideals in Life, Uttered in Springtime on Rising From a Drunken Slumber ¬K¤é¾K°_¨¥§Ó (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 114-115.
  • A Homily on Ideals in Life, Uttered in Springtime on Rising From a Drunken Slumber ¬K¤é¾K°_¨¥§Ó (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 42.
  • A Night with Friends ¤Í¤H·|±J (Graeme Wilson), No. 2, p. 115.
  • At a Banquet Held in Xie Tiao's Tower in Xuanzhou, to bid farewell to Archivist Shu Yun «Å¦{ÁÂÑØ¼ÓÀ^§O®Õ®Ñ¨û¶³ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 124-127.
  • At a Banquet Held in Xie Tiao's Tower in Xuanzhou, to bid farewell to Archivist Shu Yun «Å¦{ÁÂÑØ¼ÓÀ^§O®Õ®Ñ¨û¶³ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 47.
  • Bidding Farewell in Jiangxia in Late Spring to Deputy Secretary Zhang Zu Leaving for the Eastern Capital ¼Ç¬K¦¿®L°e±i¯ªºÊ¥à¤§ªF³£§Ç (Shiu-Pang E. Almberg), Nos. 33 & 34, pp. 116-119.
  • Bring in the Wine ±N¶i°s (Moon Kwan), No. 23, pp. 104-107.
  • Cascade - gazing at the cascade on Lu Shan ±æÃf¤sÂr¥¬ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 118-119.
  • Cascade - gazing at the cascade on Lu Shan ±æÃf¤sÂr¥¬ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 44.
  • Crow's Night Song ¯Q©]³Ú (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 128-129.
  • Crow's Night Song ¯Q©]³Ú (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 48.
  • Down from the Mountain ¤U²×«n¤s¹L±Ø´µ¤s¤H±J¸m°s (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 108-109.
  • Down from the Mountain ¤U²×«n¤s¹L±Ø´µ¤s¤H±J¸m°s (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 41.
  • Farewell - on seeing Men Haoran off from Brown Crane Tower as he took his departure for Guangling °e©s¯EµM¤§¼s³® (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 116-117.
  • Farewell - on seeing Men Haoran off from Brown Crane Tower as he took his departure for Guangling °e©s¯EµM¤§¼s³® (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 43.
  • Green Mountain Mind ¤s¤¤µª°Ý (Graeme Wilson), No. 31, p. 89.
  • Jade Stairs Grievance ¥É¶¥«è (Geoffrey R Waters), No. 64, p. 31.
  • Letter to Governor Han of Jingzhou »PÁú¯ð¦{®Ñ (Cyril Birch), Nos. 41 & 42, pp. 34-37.
  • Love-longing ¬K«ä (John Turner), No. 1, p. 45.
  • Night Thoughts ÀR©]«ä (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 120-121.
  • Night Thoughts ÀR©]«ä (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 45.
  • Sadness in the Long Door Palace ªøªù«è¤G­º (Geoffrey R Waters), No. 64, p. 30.
  • Seeing My Nephew Duan off on Jingting in Autumn to Visit Lushan ¬î©ó·q«F°e±q«¿­B¹CÃf¤s§Ç (Shiu-Pang E. Almberg), Nos. 33 & 34, pp. 116-119.
  • Seeing off Twelfth Son Cui on his journing to the India Temple °e±Z¤Q¤G¹C¤ÑªÇ¦x (A. C. Graham), No. 25, p. 103.
  • Spring Night, Banqueting with my Cousins in the Peach Flower Garden: A Preface ¬K©]®b±q§Ì®çªá¶é§Ç (Burton Watson), Nos. 21 & 22, p. ii.
  • The Drifting One Õñ¤ô¦± (Moon Kwan), No. 23, p. 105.
  • The Hard Road to Shu ¸¾¹DÃø (A. C. Graham), Nos. 21 & 22, pp. 142-144.
  • The Long Longing two poems ªø¬Û«ä (Moon Kwan), No. 23, pp. 104-105.
  • The Moon ¥j®Ô¤ë¦æ¸`¿ý (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 122-123.
  • The Moon ¥j®Ô¤ë¦æ¸`¿ý (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 46.
  • Wang Zhaojun (No. 2) ¤ý¬L§g ²Ä¤G­º (Julie Landau), Nos. 59 & 60, pp. 40-41.
  • Yang Kuei-fei and the Peony-rose ²M¥­½Õ¤T­º (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 110-113.
  • Yang Guifei and the Peony-rose ²M¥­½Õ¤T­º (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 39-40.

    Li Boyuan §õ§B¤¸ (Li Po-yuan)

  • Modern Times or A Brief History of Enlightenment ¤å©ú¤p¥v (Douglas Lancashire), No. 2, pp. 127-164.
  • Modern Times-A Brief History of Enlightenment: excerpts ¤å©ú¤p¥v (Douglas Lancashire), No. 40, pp. 61-82.
  • Modern Times: A Brief History of Enlightenment ¤å©ú¤p¥v (Douglas Lancashire), Renditions Books.

    Li Choh-Ming

  • Foreword, No. 1, p. 3.

    Li Chu-tsing §õű®Ê

  • Problems Concerning the Life of Wang Mien, Painter of Plum Blossoms, The Translation of Art, Renditions Books, pp. 111-123.
  • Problems Concerning the Life of Wang Mien, Painter of Plum Blossoms, No. 6, pp. 111-123.

    Li Diaoyuan §õ½Õ¤¸

  • Seven-mile Shallows ¤C¨½Ãu (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 314-315.
  • Seven-mile Shallows ¤C¨½Ãu (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 132.

    Li Dongyang §õªF¶§ (Li Tung-yang)

  • Visiting Yüeh-lu Temple ¹C©¨ÄS¦x (Daniel Bryant), No. 8, p. 88.

    Li Dou §õ¤æ

  • The Painted Barges of Yangzhou: excerpts ·¨¦{µe¯é¿ý (Lucie Borota), No. 46, pp. 58-68.

    Li Fengbao §õ»ñ­c

  • Selections from Diary of Mission to Germany ¨Ï¼w¤é°O (D.E. Pollard), Nos. 53 & 54, pp. 111-118.

    Li Gou §õ»¸ (Li Kou)

  • Longing for Home µ´¥y (Louise Ho), No. 10, p. 127.

    Li Gui §õ¦c

  • Selections from New Records of Travels Around the World Àô´å¦a²y·s¿ý (Lily Lee), Nos. 53 & 54, pp. 62-73.

    Li Hanzhang §õ§t³¹

  • On a Painting of the Bright Consort Passing Beyond the Border ©ú¦m¥X¶ë¹Ï (Maureen Robertson), Nos. 59 & 60, pp. 118-121.

    Li He §õ¶P (Li Ho)

  • Ballad of the Immortals ¯«¥P¦± (David Hawkes), Nos. 21 & 22, p. 138.
  • Horses °¨¸Ö (Stephen Owen), Nos. 21 & 22, pp. 170-171.
  • Magic Strings ¯«²Í (David Hawkes), Nos. 21 & 22, p. 139.
  • South Garden «n¶é (Stephen Owen), Nos. 21 & 22, pp. 158-159
  • The Starry Heavens ¤Ñ¤WÁÁ(John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 164-165.
  • The Starry Heavens ¤Ñ¤WÁÁ(John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 69.

    Li Honglin §õ¬xªL

  • Truth and the Club ¯u²z»P¤j´Î (D. E. Pollard), No. 31, pp. 153-155.

    Li Jinwen §õ¶i¤å (Lee Chin-wen)

  • How I Feel About My Mother ¹ï¥À¿Ëªº¬Ýªk (Janice Wickeri), No. 61, pp. 110-112.

    Li Kar-shu §õ®a¾ð and Siu Kit Wong ¶À¥ü³Ç

  • Three English Translations of the Shijing, No. 25, pp. 113-139.

    Li Kuang ¤O¦J

  • Door ­«ªù (Yau Wai Ping and Eva Hung), To Pierce the Material Screen, Vol. II, Renditions Books, p. 72.
  • The Tea Shop Owner Says So ¯ù¼Ó¦ÑÁ󻡪º (Michelle Wu), No. 55, p. 110.

    Li Longji §õ¶©°ò

  • Inscription for a Portrait of the Plum Consort ÃD±ö¦mµe¯u (Geoffrey R. Waters), No. 64, p. 23.
  • To Confucius - uttered under stress of emotion, as he sacrificed to Confucius while passing through the ancient kingdom of Lu ¸g¾|²½¤Õ¤l¦Ó¼Û¤§ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 90-91.
  • To Confucius - uttered under stress of emotion, as he sacrificed to Confucius while passing through the ancient kingdom of Lu ¸g¾|²½¤Õ¤l¦Ó¼Û¤§ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 30.

    Li Li §õ¾¤

  • Snow Fields ³·¦a(Michelle Yeh), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 112-130.

    Li Mi §õ±K

  • Memorial Expressing My Feelings ³¯±¡ªí (David R. Knechtges), Nos. 33 & 34, pp. 75-77.

    Li Nan §õ«n

  • Fireflies ¿Ã¤õÂÎ (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 276.
  • Fireflies ¿Ã¤õÂÎ (Dominic Cheung), Nos. 19 & 20, p. 276.
  • Papa and Mama ª¨ª¨©M¶ý¶ý (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 275.
  • Papa and Mama ª¨ª¨©M¶ý¶ý (Dominic Cheung), Nos. 19 & 20, p. 275.
  • The Breeze ·L­· (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 278.
  • The Breeze ·L­· (Dominic Cheung), Nos. 19 & 20, p. 278.
  • The Dog ª¯ (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 276.
  • The Dog ª¯ (Dominic Cheung), Nos. 19 & 20, p. 276.
  • The Dream ¹Ú (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 276.
  • The Dream ¹Ú (Dominic Cheung), Nos. 19 & 20, p. 276.
  • The Fifteenth Evening of the First Lunar Month ¤¸®d©] (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 275.
  • The Fifteenth Evening of the First Lunar Month ¤¸®d©] (Dominic Cheung), Nos. 19 & 20, p. 275.
  • The Rooster ¤½Âû (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 276.
  • The Rooster ¤½Âû (Dominic Cheung), Nos. 19 & 20, p. 276.
  • The Telephone ¹q¸Ü (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 276.
  • The Telephone ¹q¸Ü (Dominic Cheung), Nos. 19 & 20, p. 276.

    Li Panlong §õÃkÀs (Li P'an-lung)

  • Saying Farewell to Tzu-hsiang, Who Returns to Kuang-ling °e¤l¬ÛÂk¼s³® (Daniel Bryant), No. 8, p. 90.

    Li Qingzhao §õ²M·Ó (Li Ch'ing-chao)

  • A Dream º®®a¶Æ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 248-249.
  • A Dream º®®a¶Æ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 102.
  • A Southern Song «nºq¤l (Wang Jiaosheng), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 184-185.
  • A Southern Song «nºq¤l (Wang Jiaosheng), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 86.
  • Double Brightness ¾Kªá³± (John Minford), Nos. 21 & 22, p. 200.
  • Egret ¦p¹Ú¥O (Graeme Wilson), No. 31, p. 89.
  • Fisherman's Luck º®®a¶Æ (Bing Xin), No. 32, p. 144.
  • Goddess of Mercy µÐÂÄÆZ (Bing Xin), No. 32, p. 143.
  • Heavenly Barbarian µÐÂÄÆZ (Wang Jiaosheng), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 178-179.
  • Heavenly Barbarian µÐÂÄÆZ (Wang Jiaosheng), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 82
  • Joy of Peace ²M¥­¼Ö (Bing Xin), No. 32, p. 145.
  • Late Spring ¬K´Ý (Louise Ho), No. 10, p. 126.
  • Letter to the Academician Qi Chongli §ë¿«ªL¾Ç¤hãu±R§±Ò (Shiu-Pang E. Almberg), Nos. 41 & 42, pp. 79-84.
  • Like A Dream ¦p¹Ú¥O (Bing Xin), No. 32, p. 142.
  • Madrigal: "As in a Dream" ¦p¹Ú¥O(John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 250-251.
  • Madrigal: "As in a Dream" ¦p¹Ú¥O(John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 103.
  • One Branch of Spring Flower ¤@æù±ö (Bing Xin), No. 32, p. 135.
  • Sorrow ÁnÁnºC(John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 252-255.
  • Sorrow ÁnÁnºC(John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 104-105.
  • Spring at Wuling ªZ³®¬K (Wang Jiaosheng), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 186-187.
  • Spring at Wuling ªZ³®¬K (Wang Jiaosheng), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 87.
  • Spring in Wuling ªZ³®¬K (Bing Xin), No. 32, p. 134.
  • To Drink Beneath the Shadow of the Flowers ¾Kªá³± (Bing Xin), No. 32, pp. 136-137.
  • To Rouge the Lips ÂIµ¼®B (Bing Xin), No. 32, p. 141.
  • To the Tune of Ju meng ling ¦p¹Ú¥O (D. C. Lau), Nos. 11 & 12, pp. 21-22.
  • The Bliss of Eternal Union ¥Ã¹J¼Ö (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 182-183.
  • The Bliss of Eternal Union ¥Ã¹J¼Ö (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 84-85. .
  • The Imperial Road ©t¶­¨à (Bing Xin), No. 32, p. 138.
  • The Sands of Silk-washing Creek (alternative arrangement) Åu¯}ÒF·Ë¨F (Wang Jiaosheng), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 180-181.
  • The Sands of Silk-washing Creek (alternative arrangement) Åu¯}ÒF·Ë¨F (Wang Jiaosheng), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 83.
  • Tipsy Under the Flowers ¾Kªá³± (John Minford), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 176-177.
  • Tipsy Under the Flowers ¾Kªá³± (John Minford), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 81.
  • Washing Silk in the Stream ÒF·Ë¨F (Bing Xin), No. 32, pp. 139-140.

    Li Shangyin §õ°ÓÁô

  • Broken Mirror ¯}Ãè (Teresa Yu), No. 37, p. 89.
  • Fallen Blossoms ¸¨ªá (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 206-207.
  • Fallen Blossoms ¸¨ªá (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 73.
  • Jewelled Zither ÀA·æ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 208-209.
  • Jewelled Zither ÀA·æ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 74.
  • Lady of the Moon ¹ß®Z (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 210-211.
  • Lady of the Moon ¹ß®Z (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 75.
  • Mid-Heaven ¶v¤Ñ (Teresa Yu), No. 37, p. 88.
  • Rising Early ªì°_ (Teresa Yu), No. 37, p. 86.
  • The Wutong Tree of Shu ¸¾®ä (Teresa Yu), No. 37, p. 90.
  • Vermilion Hill ¤¦ªô (Teresa Yu), No. 37, p. 87.

    Li She §õ¯A

  • Talking in the Hills µn¤s (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 190-191.
  • Talking in the Hills µn¤s (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 76.

    Li Shen §õ²Ô

  • In the Old Style (two poems) ¥j­·¤G­º (Stephen Owen), Nos. 21 & 22, p. 153.
  • Old Style ¥j­· (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 160-161.
  • Old Style ¥j­· (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 67.

    Li Shuchang ¾¤±f©÷

  • On Brighton ¤R¨Ó´°°O (Eva Hung), Nos. 33 & 34, pp. 211-212.
  • Selections from Recollections of the West ¦è¬vÂø§Ó (Duncan Campbell), Nos. 53 & 54, pp. 126-131.

    Li Tianji §õ¤ÑÀÙ
    and Fei Mu ¶O¿p

  • Spring in a Small Town: excerpt ¤p«°¤§¬K (Andrew F. Jones), No. 71. pp. 21-29.

    Li Tuo §õªû
    and Zhang Nuanxin ±i·xÊã

  • Sha Ou: excerpt ¨FÅÃ (Zhou Xuelin), No. 70, pp. 58-64.

    Li Xiao §õ¾å

  • Anecdotes from the Office ¾÷Ãö¶c¨Æ (Zhu Hong), No. 56, pp. 59-75.
  • Rules of the Game Ãö©ó¦æ³Wªº¶¢¸Ü (Zhu Hong), No. 55, pp. 52-88.

    Li Yi §õ©É (Lee Yee)

  • Playing by Peking's Rules ¤@¦~¨Ó¤E¤C°ÝÃDªº¥»½èÂàÅÜ (Geremie Barme), Nos. 29 & 30, pp. 316-319.

    Li Yinghao §õ­^»¨ (Lee Ying Ho)

  • No Exit ¦AÂô¤£¥X¥hªº³Â³¶ (Diana Yue), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 202-203.

    Li You ²z¥Ñ

  • Hong Kong—A Psychological Survey: excerpts ­»´ä¤ßºA¿ý (Qian Weifa and Wang Suqin with Janice Wickeri), Nos. 29 & 30, pp. 335-345.

    Li Yu §õ·Ô (poet)

  • A Bushel of Pearls ¤@±Ø¯] (Teresa Yu and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 68-69.
  • A Bushel of Pearls ¤@±Ø¯] (Teresa Yu and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 26.
  • Crows Cry in the Night (No. 1) ¯Q©]³Ú¡]¤@¡^ (D. C. Lau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 72-73.
  • Crows Cry in the Night (No. 1) ¯Q©]³Ú¡]¤@¡^ (D. C. Lau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 28.
  • Crows Cry in the Night (No. 2) ¯Q©]³Ú¡]¤G¡^ (David Hawkes), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 74-75.
  • Crows Cry in the Night (No. 2) ¯Q©]³Ú¡]¤G¡^ (David Hawkes), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 28.
  • Jade Tower Spring ¥É¼Ó¬K (Teresa Yu and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 70-71.
  • Jade Tower Spring ¥É¼Ó¬K (Teresa Yu and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 27.
  • One Poem in "Five Chinese Lyrics" ¯Q©]³Ú (D. C. Lau), No. 7, p. 45.
  • The Beauteous Lady Yu (David Hawkes), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 80-81.
  • The Beauteous Lady Yu (David Hawkes), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 30.
  • To the Tune of Ch'ing-p'ing yüeh ²M¥­¼Ö (D. C. Lau), Nos. 11 & 12, p. 7.
  • To the Tune of Cai sang zi ªö®á¤l (Susan So), No. 23, p. 109.
  • To the Tune of Chang xiang si ªø¬Û«ä (Susan So), No. 23, p. 109.
  • To the Tune of "Fair Lady Yu" ¸·¬ü¤H (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 220-221.
  • To the Tune of "Fair Lady Yu" ¸·¬ü¤H (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 86.
  • To the Tune of Huan qi sha ÒF·Ë¨F (Susan So), No. 23, p. 108.
  • To the Tune of Lang tao sha ling ®ö²^¨F¥O (Susan So), No. 23, p. 110.
  • To the Tune of "Light Flowing Music" ²M¥­¼Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 218-219.
  • To the Tune of "Light Flowing Music" ²M¥­¼Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 85.
  • To the Tune of Yu mei ren ¸·¬ü¤H (Susan So), No. 23, p. 110.
  • To the Tune 'The Beauteous Lady Yu' ¸·¬ü¤H (David Hawkes), Nos. 58, p. 15.
  • To the Tune 'Waves Scour the Sands' ®ö²^¨F (David Hawkes), Nos. 58, p. 14.
  • Up the Western Stair - to the Tune of "Joy at Meeting" ¬Û¨£Åw (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 222-223.
  • Up the Western Stair - to the Tune of "Joy at Meeting" ¬Û¨£Åw (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 87.
  • Waves Scour the Sand (No. 1) ®ö²^¨F¡]¤@¡^ (David Hawkes), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 76-77.
  • Waves Scour the Sand (No. 1) ®ö²^¨F¡]¤@¡^ (David Hawkes), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 29.
  • Waves Scour the Sand (No. 2) ®ö²^¨F¡]¤G¡^ (David Hawkes), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 78-79.
  • Waves Scour the Sand (No. 2) ®ö²^¨F¡]¤G¡^ (David Hawkes), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 29.

    Li Yu §õº®

  • A Daughter Is Transformed Into A Son Through The Bodhisattva's Ingenuity Åܤk¬°¨àµÐÂÄ¥© (Janice Wickeri and Patrick Hanan), Silent Operas, Renditions Paperbacks, pp. 135-160.
  • A Handsome Youth Tries to Avoid Suspicion But Arouses It Instead ¬ü¨k¤lÁ×´b¤Ï¥ÍºÃ (Eva Hung and Patrick Hanan), Silent Operas, Renditions Paperbacks, pp. 43-75.
  • A Male Mencius's Mother Raises Her Son Properly By Moving House Three Times ¨k©s¥À±Ð¦X¤T¾E (Gopal Sukhu and Patrick Hanan), Silent Operas, Renditions Paperbacks, pp. 97-134.
  • An Actress Scorns Wealth And Honour To Preserve Her Chastity ÃÓ·¡¥ÉÀ¸¸Ì¶Ç±¡¡@¼BÂÆ©h¦±²×¦º¸` (Patrick Hanan), Silent Operas, Renditions Paperbacks, pp. 161-201.
  • An Ugly Husband Fears A Pretty Wife But Marries A Beautiful One Áà­¦§g©È¼b°¾±oÆA (Chu Chiyu and Patrick Hanan), Silent Operas, Renditions Paperbacks, pp. 1-42.
  • On the Performing Arts §õ²Á¯Î¦±¸Ü (Man Saichong), No. 3, pp. 62-65.
  • Pleasant Diversions: Accomplishments ¶~±¡°¸°O¡G²ß§Þ (D.E. Pollard), No. 51, pp. 23-24.
  • Pleasant Diversions: Accomplishments ¶~±¡°¸°O¡G²ß§Þ (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 111-113.
  • Pleasant Diversions: Clothes ¶~®¨«\°O¡G¦ç­m (D.E. Pollard), No. 51, pp.27-28.
  • Pleasant Diversions: Clothes ¶~®¨«\°O¡G¦ç­m (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 114-115.
  • Pleasant Diversions: Judging Beauty ¶~±¡°¸°O¡D¿ï«º(D.E. Pollard), The Chinese Essay, Renditions Books, pp. 110-111.
  • Pleasant Diversions: Literacy ¶~±¡°¸°O¡G¤åÃÀ (D.E. Pollard), No. 51, pp. 25-26.
  • Pleasant Diversions: Literacy ¶~±¡°¸°O¡G¤åÃÀ (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 113-114.
  • Pleasant Diversions: Voice and Looks ¶~±¡°¸°O¡GÁn®e (D.E. Pollard), No. 51, pp. 21-22.
  • The Female Chen Ping Saves Her Life With Seven Ruses ¤k³¯¥­­p¥Í¤C¥X (Patrick Hanan), Silent Operas, Renditions Paperbacks, pp. 76-96.
  • The Seven Ruses of a Female Chen Ping ³¯¥­¤k­p¥Í¤C¥X (Don J. Cohn), No. 31, pp. 31-47.
  • Tower of the Returning Crane ÅbÂk¼Ó (Nathan Mao), No. 1, pp. 25-35.
  • Wife and Concubine Remarry/Maid-concubine Remains Constant ¨°©d©êµ\µ]±ö­»¦u¸` (Paul Or), No. 49, pp. 86-114.

    Li Yu §õ¥É

  • Beating the Officers ¥´®t (Catherine Swatek), No. 70. pp. 101-113.

    Li Yue §õ®®

  • Sacred Territory ¯«¸t»â¤g (Chu Chiyu), Nos. 47 & 48, pp. 137-138.
  • Sacred Territory ¯«¸t»â¤g (Chu Chiyu), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 108-109.

    Li Yue §õ·Ç

  • A Brief Biography of Li Shuangshuang: excerpts §õÂùÂù¤p¶Ç (Johanna Hood and Robert Mackie), No. 68, pp. 50-76.

    Li Yuzhong §õ¨|¤¤

  • In the City, the Month of May ³£¥«ªº¤­¤ë (Rebecca Mok), Nos. 29 & 30, p. 188.
  • In the City, the Month of May ³£¥«ªº¤­¤ë (Rebecca Mok), To Pierce the Material Screen, Vol. II, Renditions Books, p. 29.

    Li Zhiyi §õ¤§»ö

  • To the Tune of Fortune-teller ¤Rºâ¤l (Jianqing Zheng with Angela Ball), No. 66, p. 56.

    Liang Bingjun ±çªÃ¶v (Leung P. K.)

  • At the North Point Car Ferry ¥_¨¤¨T¨®´ç®ü½XÀY (P. K. Leung and Gordon Osing), No. 39, pp. 112-113.
  • Beijing Sketches ¥_¨ÊÀ¸¾¥ (Bonnie S. McDougall), No. 69, pp. 112-123.
  • Bittermelon µ¹­W¥Êªº¹|¸Ö (P. K. Leung and Gordon Osing), No. 39, pp. 116-117.
  • Bittermelon µ¹­W¥Êªº¹|¸Ö (P. K. Leung and Gordon Osing), To Pierce the Material Screen, Vol. II, Renditions Books, p. 198.
  • Cities of Memory¡DCities of Fabrication: excerpts °O¾Ðªº«°¥«¡Dµêºcªº«°¥« (Richard Sheung), Nos. 47 & 48, pp. 93-104.
  • George Chinnery Painting the Fisherwoman of Macau ¿ú¯Ç§QøµeÀÚ¦¿º®¤k (Martha Cheung), No. 56, pp. 89-90.
  • Jasmin ­»¤ù (Jane Lai), Nos. 29 & 30, pp. 235-254.
  • Lotus Leaves: Seven Poems ½¬¸­¤CÃD (Kwok Kwan Mun and Lo Kwai Cheung with John Minford), Nos. 29 & 30, pp. 210-221.
  • Not Just Another New Year's Painting ¦~µe (P. K. Leung and Gordon Osing), No. 39, pp. 110-111.
  • Not Just Another New Year's Painting ¦~µe (P. K. Leung and Gordon Osing), To Pierce the Material Screen, Vol. II, Renditions Books, p. 191.
  • On the Road to Le Shan ©¹¼Ö¤sªº¸ô (P. K. Leung and Gordon Osing), No. 39, pp. 114-115.
  • Papaya ¤ì¥Ê (P. K. Leung and Gordon Osing), No. 39, pp. 118-119.
  • Photographing the New Territories ©çÄá·s¬É (Chi-yin Ip), No. 66, pp. 114-116.

    Liang Ming-yueh ±ç»Ê¶V

  • The Ci Music of Chiang K'uei: Its Style and Compositional Strategy, Nos. 11 & 12, pp. 211-246.

    Liang Qichao ±ç±Ò¶W (Liang Ch'i-ch'ao)

  • A Biography of T'an Ssu-t'ung ÃÓ¶à¦P¶Ç (Chan Sin-wai), The Translation of Things Past, Renditions Books, pp. 139-150.
  • A Biography of T'an Ssu-t'ung ÃÓ¶à¦P¶Ç (Chan Sin-wai), No. 15, pp. 139-150.
  • Letter to His Wife Huixian »P¿·¥P®Ñ (Oliver Stunt), Nos. 41 & 42, pp. 153-159.
  • Selections from Diary of Travels through the New World ·s¤j³°¤é°O (Janet Ng, Earl Tan and Jesse Dudley), Nos. 53 & 54, pp. 199-213.

    Liang Qiong ±çã

  • Zhaojun's Complaint ¬L§g«è (Maureen Robertson), Nos. 59 & 60, p. 58.

    Liang Shangquan ±ç¤W¬u (Liang Shang-chuan)

  • Black Water and Reeds ¶Â¤ôĪªá (Hsu Kai-yu), No. 4, p. 98.

    Liang Shiqiu ±ç¹ê¬î (Liang Shih-ch'iu)

  • Haircut ²z¾v (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 259-262.
  • How to Translate the Bard, No. 3, p. 18.
  • Listening to Plays Å¥À¸ (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 263-266
  • On Translating Shakespeare Ãö©ó²ï¤h¤ñ¨ÈªºÂ½Ä¶ (Chau Suicheong and Derek Herforth), No. 3, pp. 5-18.
  • Sickness ¯f (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 256-259.
  • The Fine Art of Reviling ½|¤HªºÃÀ³N (William B. Pettus), No. 9, pp. 43-46.

    Liang Weiluo ±ç°¶¬¥ (Leung Wai Lok)

  • Fishing on a Scorching Day ¦b¿NµJªº¤é¤l³¨³½ (Brian Holton), No. 56, pp. 114-117.

    Liang Wenfu ±ç¤åºÖ

  • What the Soap Says to the Razor ªÎ¨m¹ï«cޤM»¡ªº (Eva Hung), No. 55, p. 115.
  • What the Washing Machine Says to the Bachelor ¬~¦ç¾÷¹ï³æ¨­º~»¡ªº (Simon Patton), No.55, p. 116.

    Liang Xihua ±ç¿üµØ/±ç¨ÎÅÚ (Leung, Gaylord Kai Loh)

  • Homage to the Toilet ·R?½× (D. E. Pollard), Nos. 47 & 48, pp. 110-111.
  • Homage to the Toilet ·R?½× (D. E. Pollard), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 181-182.
  • Hsü Chih-mo and Bertrand Russell, No. 14, pp. 27-38.

    Liang Xianzhang ±çÄm³¹ (Hin-Cheung Lovell)

  • A Question of Choice, A Matter of Rendition, The Translation of Art, Renditions Books, pp. 63-69.
  • A Question of Choice, A Matter of Rendition, No. 6, pp. 63-69.

    Liang Xiaobin ±ç¤pÙy

  • China, I've Lost My Key ¤¤°ê¡A§ÚªºÆ_°Í¥á¤F (Shiao-ling Yu), No. 16, pp. 74-75.

    Liang Xiaosheng ±ç¾åÁn

  • For the Sake of the Harvest ¬°¤F¦¬Àò (Daniel Bryant and Yixi Zhang), No. 50, pp. 55-82.

    Liang Yuchun ±ç¹J¬K

  • On the Road ³~¤¤ (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 269-273.
  • Three Essays ´²¤å¤T½g (Cathy Poon), No. 43, pp. 123-132.
  • Well-meant Words µ½¨¥ (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 274-275.

    Liang Yue ±çèi

  • Brief Strokes µ§¹º·¥µu½g (Chao Yemin), No. 55, pp. 102-109.

    Liao Weitang ¹ù°¶´Å (Liu Wai Tong)

  • To a Young Lady in an MTR Train ­P¦a¨®¤Wªº¤@¦ì¤Ö°ü (Jane Lai), No. 56, pp. 106-107.
  • To a Young Lady in an MTR Train ­P¦a¨®¤Wªº¤@¦ì¤Ö°ü (Jane Lai), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 200-201.

    Lim Chin-chown ªL©¯Á¾

  • Reading "The Golden Cangue": Iron Boudoirs and Symbols of Oppressed Confucian Women ¾\Ū¡mª÷Âê°O¡n¡GÅK¶|»Õ»P¾§®a¤k©ÊªºÀ£§í²Å½X (Louise Edwards and Kam Louie), No. 45, pp. 141-149.

    Lin Haiyin ªL®ü­µ

  • Memories of Old Peking ´f¦wÀ] (Cathy Poon), Nos. 27 & 28, pp. 19-48.

    Lin Gu ªL¨¦
    and Xu Jin ®}¶i, Xie Jin Á¶i

  • Stage Sister: excerpts from reels nine and ten »R¥x©j©f (Cao Dongqing and Gina Marchetti), No. 70, pp. 30-46.

    Lin Hong ªLÂE

  • On Wine ¶¼°s (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 294-295.
  • On Wine ¶¼°s (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 122.

    Lin Huiyin ªLÀ²¦]

  • Hsiu Hsiu ¸¸ (Janet Ng), May Fourth Women Writers (Memoirs), Renditions Paperbacks, pp. 19-34.
  • Xiu Xiu ¸¸ (Janet Ng with Janice Wickeri), No. 46, pp. 114-123.

    Lin Juemin ªLı¥Á

  • Last Letter to His Wife µ´µ§®Ñ (Eva Hung), Nos. 41 & 42, pp. 160-164.

    Lin Ling ªLª~

  • He Knocked at the Gate ¥nÃöªº¤H (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 84-85.
  • On the Snow-covered Ground ³·¦a¤W (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 82-83.
  • The Fugitive Train: To an unknown companion on a trip, Poland, 1990 °k¤`¦C¨® ,­P¤@­¯¥Íªº®È¦ñ ªiÄõ¤@¤E¤E¹s¦~ (Lisa Wong), No. 61, pp. 61-65.

    Lin Sheng ªL¤É

  • At an Inn in Hangzhou ÃDÁ{¦wªó (A. C. Graham), No. 25, p. 107.

    Lin Shu ªLÓV

  • Analysis of Honest Official Sevice ªR·G (Chu Chiyu), Nos. 33 & 34, p. 209.
  • Boating on the Lake in the Moonlight ´ò¤ßªx¤ë°O (Chu Chiyu), Nos. 33 & 34, p. 207.
  • Fish in the Lake ´ò¤§³½ (Chu Chiyu), Nos. 33 & 34, p. 208.
  • My Concubine Madam Yang íūǷ¨©y¤H (Chu Chiyu), No. 64, pp. 78-82.

    Lin Wan-yu ªL°û·ì (see Lin Wanyu)

    Lin Wanyu ªL°û·ì (Lin Wan-yu)

  • In the Mist Ãú¤¤ (Audrey Heijns and David Lunde), No. 61, pp. 120-121.

    Lin Wenyue ªL¤å¤ë (Lin Wen-yueh)

  • Southern Mountain and Spring Grass «n¤s¬K¯ó (Felicia Hecker), No. 16, pp. 44-61.
  • The Tale of Genji and The Song of Enduring Woe ·½¤óª«»y®ä³ý»Pªø«ëºq (Diana Yu), No. 5, pp. 38-49.

    Lin Yaode ªLÄ£¼w

  • The Ugly Land ´c¦a§Î (Stephen H. West), Nos. 35 & 36, pp. 188-197.

    Lin Yu ªLÑ{

  • Wooden Staircase, Tehui Street ¼w´fµó¡A¤ì¼Ó±è (Andrew Parkin and Chu Chiyu), Nos. 35 & 36, p. 270.

    Lin Yutang ªL»y°ó

  • Lin Yutang's appreciation of The Red Chamber Dream, No. 2, pp. 23-30.

    Ling Shuhua ­â¨ûµØ

  • A Happy Occasion ¤@¥ó³ß¨Æ (Janet Ng), No. 46, pp. 106-113.
  • Embroidered Pillow ¸ªE (Marie Chan), No. 4, pp. 124-127.
  • Mid-Autumn Eve ¤¤¬î±ß (Marie Chan), No. 4, pp. 116-123.

    Ling Yu ¹s«B

  • Stele Woods ¸OªL (Chu Chiyu and Brian Holton), No. 61, p. 90.

    Linghu Chu ¥Oª°·¡ (Ling-hu Ch'u)

  • Ballad of a Youth ¤Ö¦~¦æ (Stephen Owen), Nos. 21 & 22, pp. 172-173.

    Link, Perry ªL°ö·ç

  • An Interview with Pao T'ien-hsiao, Chinese Middlebrow Fiction, Renditions Books, pp. 241-253.
  • An Interview with Pao T'ien-hsiao, Nos. 17 & 18, pp. 241-253.

    Linqing Åï¼y

  • Tracks in the Snow: excerpts ÂE³·¦]½t (Yang Tsung-han and John Minford), No. 51, pp. 29-65.

    Liu Changqing ¼Bªø­ë

  • Climbing the Pagoda at Spirit Lodge Monastery, Yangzhou µn´­¦{´ÏÆF¦x¶ð (Mark Stevenson), No. 66, pp. 45-46.
  • In the Zhaoyang Palace ¬L¶§¦± (Geoffrey R. Waters), No. 64, p. 19.

    Liu Che ¼B¹ý

  • Lines on the Autumn Wind ¬î­·Ãã (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 42-43.
  • Lines on the Autumn Wind ¬î­·Ãã (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 6.

    Liu Chenweng ¼B¨°¯Î

  • Precious Censer - spring moon Ä_¹©²{¡Ð¡Ð¬K¤ë (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 304-307.
  • Precious Censer - spring moon Ä_¹©²{¡Ð¡Ð¬K¤ë (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 151-152.
  • Willow Tips A-greening - moved in springtime ¬h±é«C¡Ð¡Ð¬K·P (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 302-303.
  • Willow Tips A-greening - moved in springtime ¬h±é«C¡Ð¡Ð¬K·P (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 150.

    Liu Cunren (Liu Ts'un-yan) ¬h¦s¤¯

  • Introduction: "Middlebrow" in Perspective, Chinese Middlebrow Fiction, Renditions Books, pp. 1-40.
  • Introduction: "Middlebrow" in Perspective, Nos. 17 & 18, pp. 1-40.
  • Ying Niang À¦Ä] (Susan Macdougall), No. 3, pp. 19-27.

    Liu Deren ¼B±o¤¯

  • Feeling Sad for an Old Palace Woman ´d¦Ñ®c¤H (Geoffrey R. Waters), No. 44, p. 34.

    Liu E ¼Bõ§

  • The Sequel to Lao Can Youji: Chapters 7-9 ¦Ñ´Ý¹C°O¤G¶° (Timothy C. Wong), No. 32, pp. 20-45.

    Liu Fangping ¼B¤è¥­

  • Spring Sadness ¬K«è (Geoffrey R. Waters), No. 64, p. 33.

    Liu Hanzhi ¼B§tªÛ

  • Ant ¿ÂÃÆ (Alice W. Cheang), No. 55, pp. 123-124.

    Liu Hongyi ¼BÂE¼Ý (Liu Hung-yi)

  • The Speaking 24-Hour Store Æg¬P¤õ¤é©]°Ó©± (Hsu Kai-yu), No. 4, p. 99.

    Liu Hsia §öªL¤l (see Xing Linzi)

    Liu Huozi ¼B¤õ¤l

  • To the Mute µ¹°×ªÌ (Rebecca Mok), Nos. 29 & 30, p. 193.

    Liu, James J.Y. ¼B­Y·M

  • Chiang K'uei's Poetics, No. 21 & 22, pp. 93-98.

    Liu Ji ¼B°ò (Liu Chi)

  • Jade Steps Complaints ¥É«è¶¥ (Daniel Bryant), No. 8, p. 85.

    Liu Kexiang ¼B§JÁ¸

  • A Dream by the Sea ®üÃ䤧¹Ú (John Balcom), Nos. 35 & 36, p. 279.
  • The Death of a Woman Worker ¤k¤u¤§¦º (John Balcom), Nos. 35 & 36, p. 278.

    Liu Kezhuang ¼B§J²ø

  • Jade Tower Spring - written in jest, to be presented to my fellow townsman, Prefectural Judge Lin ¥É¼Ó¬K¡Ð¡ÐÀ¸§eªL¸`±À¶m¥S (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, p. 286-287.
  • Jade Tower Spring - written in jest, to be presented to my fellow townsman, Prefectural Judge Lin ¥É¼Ó¬K¡Ð¡ÐÀ¸§eªL¸`±À¶m¥S (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 143.
  • Pure Serene Music - enjoying the moon on the 15th day of the 5th month ²M¥­¼Ö¡Ð¡Ð¤­¤ë¤Q¤­¤é©]ª±¤ë (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 288-289.
  • Pure Serene Music - enjoying the moon on the 15th day of the 5th month ²M¥­¼Ö¡Ð¡Ð¤­¤ë¤Q¤­¤é©]ª±¤ë (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 144.
  • The River Runs Red - night rain brought an intense chill, and suddenly I was moved by thoughts of taking up arms again º¡¦¿¬õ¡Ð¡Ð©]«B²D¬Æ©¿°Ê±q¦¥¤§¿³ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 284-285.
  • The River Runs Red - night rain brought an intense chill, and suddenly I was moved by thoughts of taking up arms again º¡¦¿¬õ¡Ð¡Ð©]«B²D¬Æ©¿°Ê±q¦¥¤§¿³ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 141-142.

    Liu Kun ¼B©ø

  • Memorial Urging the Succession ÄU¶iªí (David R. Knechtges), Nos. 33 & 34, pp. 102-110.

    Liu Muxia ¬h¤ì¤U

  • Skyscraper ¤j·H (Eva Hung), To Pierce the Material Screen, Vol. II, Renditions Books, p. 51.

    Liu Ruijin ¼B·çª÷

  • Love's Premature Death ±¡¼Ü (Ni Yibin), No. 55, p. 120.

    Liu Shahe ¬y¨Fªe (Liu Shaho)

  • Burning Books µI®Ñ (Shiao-ling Yu), No. 16, p. 76.
  • Coaxing My Child «¡¤p¨à (Shiao-ling Yu), No. 16, p. 76.

    Liu Suola ¼B¯Á©Ô (Liu Sola)

  • A Story Too Many ¦h¾lªº¬G¨Æ (Martha Cheung), Blue Sky Green Sea and Other Stories, Renditions Paperbacks, pp. 109-126.
  • Blue Sky Green Sea ÂŤѺñ®ü (Martha Cheung), Blue Sky Green Sea and Other Stories, Renditions Paperbacks, pp. 19-56.
  • In Search of the King of Singers ´M§äºq¤ý (Martha Cheung), Nos. 27 & 28, pp. 208-234.
  • In Search of the King of Singers ´M§äºq¤ý (Martha Cheung), Blue Sky Green Sea and Other Stories, Renditions Paperbacks, pp. 57-108.
  • Runway ¶]¹D (Martha Cheung), Blue Sky Green Sea and Other Stories, Renditions Paperbacks, pp. 127-145.
  • The Last Spider ³Ì«á¤@°¦»jµï (Martha Cheung), Blue Sky Green Sea and Other Stories, Renditions Paperbacks, pp. 1-18.

    Liu Ts'un-yan ¬h¦s¤¯ (see Liu Cunren)

    Liu Wai Tong ¹ù°¶´Å (See Liao Weitang)

    Liu Weicheng ¼B°¶¦¨ (Lau Wai Shing)

  • A Moth in the Striplight ¥úºÞ¸nùتº­¸¸¿ (D. E. Pollard), Nos. 47 & 48, pp. 180-181.
  • A Moth in the Striplight ¥úºÞ¸nùتº­¸¸¿ (D. E. Pollard), To Pierce the Material Screen, Vol. II, Renditions Books, pp. 145-146.
  • Bear—Seen on a Farm in Hokkaido ºµ—¥_®ü¹Dªª³õ©Ò¨£ (Chu Chi-yu), No. 56, pp. 110-111.
  • On Passing By Train Through Tangshan ­¼¤õ¨®³~¸g­ð¤s¤@¿h (D. E. Pollard), Nos. 47 & 48, pp. 172-173.
  • On Passing By Train Through Tangshan ­¼¤õ¨®³~¸g­ð¤s¤@¿h (D. E. Pollard), To Pierce the Material Screen, Vol. II, Renditions Books, p. 103.
  • Shopwindow Ãoµ¡¬Á¼þ (D. E. Pollard), Nos. 47 & 48, pp. 174-179.
  • The Clam Gatherer ¬B¸Ãªº¤H (Chu Chi-yu with Eva Hung), No. 56, pp. 108-109.

    Liu Wu-chi

  • The Story of the Play (The Peony Pavilion), No. 3, p. 150.

    Liu Xianting ¼BÄm§Ê

  • Wang Zhaojun No. 2 ¤ý¬L§g ²Ä¤G­º (Daniel Bryant), Nos. 59 & 60, pp. 108-109.

    Liu Xiaozu ¼B®Ä¯ª (Liu Hsiao-tsu)

  • To the Tune of Ch'ao T'ien-tzu ´Â¤Ñ¤l (K. C. Leung), Nos. 21 & 22, pp. 236-237.

    Liu Xihong ¼B¿üÂE

  • Selections from Personal Records of Travels in Britain ­^Ûþ¨p°O (Alice W. Cheang), Nos. 53 & 54, pp. 84-93.

    Liu Xijun ¼B²Ó§g

  • Lamentation ´d·Tºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 44-45.
  • Lamentation ´d·Tºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 9.

    Liu Xinwu ¼B¤ßªZ

  • Black Walls ¶ÂÀð (Geremie Barme), No. 23, pp. 39-46.
  • Black Walls ¶ÂÀð (Geremie Barme), Black Walls and Other Stories, Renditions Paperbacks, pp. 1-14.
  • Bus Aria ¤½¦@¨T¨®µú¹Ä½Õ (Stephen Fleming and Don J. Cohn), Black Walls and Other Stories, Renditions Paperbacks, pp. 15-60.
  • Ruyi ¦p·N (Richard Rigby), No. 25, pp. 53-85.
  • The Wish ¦p·N (Richard Rigby), Black Walls and Other Stories, Renditions Paperbacks, pp. 73-146.
  • The Woman with Shoulder-length Hair ¦o¦³¤@ÀY©ÜªÓ¾v (Don J. Cohn), Black Walls and Other Stories, Renditions Paperbacks, pp. 61-72.
  • White Teeth ¥Õ¤ú (Don J. Cohn), Black Walls and Other Stories, Renditions Paperbacks, pp. 177-200.
  • Zooming in on 19 May 1985 5¡D19ªøÃèÀY (Geremie Barme), Black Walls and Other Stories, Renditions Paperbacks, pp. 147-176.

    Liu Yanshi ¼B¨¥¥v (Liu Yen-shih)

  • Chance Composition °¸ÃD (Stephen Owen), Nos. 21 & 22, pp. 160-161.

    Liu Yichang ¼B¥HÔJ

  • Bust-up §n¬[ (D. E. Pollard), The Cockroach and Other Stories, Renditions Paperbacks, pp. 47-52.
  • Chain Ãì (D. E. Pollard), The Cockroach and Other Stories, Renditions Paperbacks, pp. 144-149.
  • Chain Ãì (D. E. Pollard), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 11-15.
  • Indecision µS¿Ý (Florence Ho), The Cockroach and Other Stories, Renditions Paperbacks, pp. 53-143.
  • Intersection ¹ï­Ë (Nancy Li), Nos. 29 & 30, pp. 84-101.
  • The Cockroach Á­½¸ (Josephine Hung), The Cockroach and Other Stories, Renditions Paperbacks, pp. 1-43.
  • Wrong Number ¥´¿ù¤F (D. E. Pollard), The Cockroach and Other Stories, Renditions Paperbacks, pp. 44-46.
  • Wrong Number ¥´¿ù¤F (D. E. Pollard), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 38-40.

    Liu Yiqing ¼B¸q¼y

  • New Talk of the Town: excerpts ¥@»¡·s»y¤K«h (Eugene Eoyang), No. 40, pp. 83-94.

    Liu Yong ¬h¥Ã (Liu Yung)

  • Crane Rushes Heavenwards Åb½Ä¤Ñ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 88-89.
  • Crane Rushes Heavenwards Åb½Ä¤Ñ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 35.
  • Empty the Cup ¶ÉªM (Edwin A. Cranston), No. 58, pp. 23-24.
  • Empty the Cup ¶ÉªM (Edwin A. Cranston), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 94-95.
  • Empty the Cup ¶ÉªM (Edwin A. Cranston), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 38.
  • Jade Butterfly ¥É½¹½º (Edwin A. Cranston), No. 58, pp. 21-22.
  • Jade Butterfly ¥É½¹½º (Edwin A. Cranston), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 92-93.
  • Jade Butterfly ¥É½¹½º (Edwin A. Cranston), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 37.
  • Lost Among Faeries °g¥P¤Þ (Edwin A Cranston), A Silver Treasury of Chinese Lyrics, Renditions Boks, pp. 90-91.
  • Lost Among Faeries °g¥P¤Þ (Edwin A Cranston), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 36.
  • Magnolia Bloom ¤ìÄõªá¥O (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 84-85.
  • Magnolia Bloom ¤ìÄõªá¥O (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 33.
  • To the Tune of Ch'ing pei ¶ÉªM (Winnie Lai-fong Leung), Nos. 11 & 12, pp. 66-67, 74-75.
  • To the Tune of Chü-hua hsin µâªá·s (Winnie Lai-fong Leung), Nos. 11 & 12, p. 63.
  • To the Tune of Kan-ts'ao tzu ¥Ì¯ó¤l (Winnie Lai-fong Leung), Nos. 11 & 12, p. 62.
  • To the Tune of Liu yao ch'ing ¬h¸y»´ (Winnie Lai-fong Leung), Nos. 11 & 12, pp. 80-81.
  • To the Tune of Mu-lan-hua ling¤ìÄõªá¥O (Winnie Lai-fong Leung), Nos. 11 & 12, p. 82.
  • To the Tune of P'o-lo-men ling ±Cùªù¥O (Winnie Lai-fong Leung), Nos. 11 & 12, pp. 76-77.
  • To the Tune of Ting feng-po ©w­·ªi (Winnie Lai-fong Leung), Nos. 11 & 12, pp. 78-79.
  • To the Tune of Wang hai-ch'ao ±æ®ü¼é (Winnie Lai-fong Leung), Nos. 11 & 12, pp. 64-65.
  • To the Tune of Yeh-pan yüeh ©]¥b¼Ö (Winnie Lai-fong Leung), Nos. 11 & 12, pp. 70-71.
  • To the Tune of Yi ti ching ¾Ð«Ò¨Ê (Winnie Lai-fong Leung), Nos. 11 & 12, p. 72.
  • To the Tune of Yin chia hsing ¤Þ¾r¦æ (Winnie Lai-fong Leung), Nos. 11 & 12, pp. 68-69.
  • To the Tune of Ying-ch'un yüeh ªï¬K¼Ö (Winnie Lai-fong Leung), Nos. 11 & 12, p. 73.
  • Viewing the Tide ±æ®ü¼é (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 86-87.
  • Viewing the Tide ±æ®ü¼é (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 34.

    Liu Yuan ¼B´D

  • Sadness in the Long Door Palace ªøªù«è¤G­º (Geoffrey R. Waters), No. 64, p. 27.

    Liu Yuxi ¼B¬ê¿ü (Liu Yu-hsi)

  • Bamboo Branch Song ¦ËªKµü (Stephen Owen), Nos. 21 & 22, pp. 174-175.
  • Gazing on Lake Tung-t'ing ±æ¬}®x (Stephen Owen), Nos. 21 & 22, pp. 160-161.
  • Noise of Breaker in the Eighth Month ®ö³³¨F (A. C. Graham), No. 25, p. 105.
  • Raven Robe Lane ¯Q¦ç«Ñ (Stephen Owen), Nos. 21 & 22, pp. 156-157.

    Liu Zhen ¼B·©

  • For His Cousin ÃØ±q§Ì (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 66-67.
  • For His Cousin ÃØ±q§Ì (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 16.

    Liu Zhiji ¼Bª¾´X (Liu Chih-chi)

  • Understanding History: The Narration of Events ¥v³q­z¨Æ³¹ (Stuart H. Sargent), The Translation of Things Past, Renditions Books, pp. 27-33.
  • Understanding History: The Narration of Events ¥v³q­z¨Æ³¹ (Stuart H. Sargent), No. 15, pp. 27-33.

    Liu Zhiyun ¼BªéÃý (Lau Chi Wan)

  • The Place Shared with the Phantoms (I)—To K ¡u»P«ÕÆF¦P³Bªº©~©Ò¡v (I)—µ¹K (Chu Chi-yu), No. 56, pp. 121-122.

    Liu Zongyuan ¬h©v¤¸

  • Biography of Hochien ªe¶¡¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 120-127
  • Biography of Sung Ch'ing §º²M¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 116-119
  • Congratulatory Message to Chin-shih Wang Ts'an-yuan on the Burning of His House ¶P¶i¤h¤ý°Ñ¤¸¥¢¤õ®Ñ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 128-132
  • Criticism of Grant of a Fief by Means of a Paulownia Leaf ®ä¸­«Ê§ÌÅG (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 102-105
  • Eulogy of I Yin's Five Attempts to Join Emperor Cheih ¥ì¤¨¤­´N®åÃÙ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 106-107
  • Letter to Han Yu Discussing the Duties of Official Historian »PÁú°h¤§½×¥v©x®Ñ (Denis Twitchett), Nos. 41 & 42, pp. 46-50.
  • My First Excursion to West Mountain ©l±o¦è¤s®b¹C°O (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 57-58.
  • The Small Rock Pool West of the Hillock ¦Ü¤p¥C¦è¤p¥Û¼æ°O (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 58-59.
  • The Snake-Catcher ®·³DªÌ»¡ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 108-111
  • The Tree-Planter, Kuo the Camel ºØ¾ð³¢éѾm¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 112-115
  • The Whip Vendor Ã@¸ë (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 56-57.

    Lo Chih-cheng ù´¼¦¨ (see Luo Zhicheng)

    Long Yingtai ÀsÀ³¥x

  • Don't Take Away the Daylight ¤£­n¾B¦í§Úªº¶§¥ú (Robin Setton), Nos. 35 & 36, pp. 49-52.

    Lovell, Hin-cheung ±çÄm³¹

  • A Question of Choice, A Matter of Rendition, No. 6, pp. 63-69.

    Lu Di βý

  • End of Year ·³¼Ç (Rebecca Mok), Nos. 29 & 30, p. 191.

    Lu Guimeng ³°Àt»X

  • A Monument to Rustic Temples ³¥¼q¸O (D. E. Pollard), Nos. 33 & 34, pp. 120-122.
  • A Monument to Rustic Temples ³¥¼q¸O (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 61-63.

    Lu Ji ³°¾÷

  • Disquisition on the Fall of a State ¿ë¤`½× (David R. Knechtges), Nos. 33 & 34, pp. 78-94.

    Lu Jingqing ³°´¹²M (Lu Ching-ch'ing)

  • Wanderings (excerpts) ¬y®ö¶° (¸`¿ý) (Amy Dooling), May Fourth Women Writers (Memoirs), Renditions Paperbacks, pp. 73-94.

    Lu Li ³°Äù

  • A Temple Lodging ¼q±J (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 277-287.

    Lü Lun «Q­Û

  • The Lottery Ticket ±m²¼ (T. M. M.cClellan), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 57-66.

    Lu Qinghe ³°¼y©M

  • Girls Grow Up and Then They Marry ¤k¤j·í¶ù (Alison Bailey), No. 50, pp. 140-149.

    Lu Xun ¾|¨³ (Lu Hsun)

  • A Lament for Rou Shi ±¥¬X¥Û (J. E. Kowallis), No. 26, p. 136.
  • A Lament for Yang Quan ±¥·¨»Í (J. E. Kowallis), No. 26, pp. 145-147.
  • After Nora Walks Out, What Then? ®R©Ô¨««á«ç¼Ë¡H (Wen-chao Li), No. 51, pp. 66-76.
  • Ah Jin ªüª÷ (D. E. Pollard), No. 31, pp. 143-145.
  • Ah Jin ªüª÷ (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 145-150.
  • Brothers §Ì¥S (William A. Lyell, Jr.), No. 1, pp. 66-72.
  • Confucius in Modern China ¦b²{¥N¤¤°êªº¤Õ¤Ò¤l (D. E. Pollard), No. 26, p. 125-131.
  • Confucius in Modern China ¦b²{¥N¤¤°êªº¤Õ¤Ò¤l (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 150-157.
  • Inscribed for the Stupa of the Three Fidelities ÃD¤T¸q¶ð (J. E. Kowallis), No. 26, pp. 148-150.
  • Inscribed in a Copy of Hesitation ÃD¡m§Ï´a¡n(J. E. Kowallis), No. 26, pp. 143-144.
  • Inscribed in a Copy of Outcry ÃD¡m§o³Û¡n(J. E. Kowallis), No. 26, pp. 141-142.
  • Lotus Seedpot Man ½¬½´¤H (J. E. Kowallis), No. 26, pp. 132-133.
  • On Hong Kong ²¤½Í­»´ä (Zhu Zhiyu), Nos. 29 & 30, pp. 47-53.
  • The Evolution of the Male Sex ¨k¤Hªº¶i¤Æ (D. E. Pollard), No. 31, pp. 146-147.
  • The Evolution of the Male Sex ¨k¤Hªº¶i¤Æ (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 142-145.
  • Three Summer Pests (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 140-141.
  • Three Summer Pests ®L¤TÂÎ (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 140-141.
  • Three Verses on Parting from My Brothers §O½Ñ§Ì¤T­º (J. E. Kowallis), No. 26, pp. 134-135.
  • Title Missing µLÃD (J. E. Kowallis), No. 26, pp. 137-138.
  • Toward a Refutation of the Voices of Evil ¯}´cÁn½× (J. E. Kowallis), No. 26, pp. 108-119.
  • Wild Grass: excerpts ³¥¯ó¿ïĶ (Ng Mau-sang), No. 26, pp. 151-154.
  • Written After January Twenty-eighth Conflict ¤@¤G¤K¾Ô«á§@ (J. E. Kowallis), No. 26, pp. 139-140.

    Lu Yimin ³°¾Ð±Ó

  • Die When You Can ¥i¥H¦º¥h´N¦º¥h (Li Fukang with Eva Hung), No. 37, p. 127.
  • Scenery ­·´º (Li Fukang with Eva Hung), No. 37, p. 128.
  • The Canned Man ÅøÀY¤H (Li Fukang with Eva Hung), No. 37, p. 125.

    Lu Yin ÃfÁô

  • Autobiography (excerpts) ÃfÁô¦Û¶Ç (¸`¿ý) (Kristina Torgeson), May Fourth Women Writers (Memoirs), Renditions Paperbacks, pp. 95-120.

    Lu Yishi ¸ô©ö¤h

  • Song on a Rainy Day ±ö«B¤Ñªº¸Ö (Rebecca Mok), Nos. 29 & 30, p. 192.
  • Song on a Rainy Day ±ö«B¤Ñªº¸Ö (Rebecca Mok), To Pierce the Material Screen, Vol. II, Renditions Books, p. 5.

    Lu You ³°´å (Lu Yu)

  • A Misty Water Scene ·Ïªi§Y¨Æ (C. H. Kwock and V. McHugh), No. 26, p. 55.
  • A Portent Às¬E (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 266-267.
  • A Portent Às¬E (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 107.
  • A Quatrain Composed in My Garden ¶é¤¤µ´¥y (C. H. Kwock and V. McHugh), No. 26, p. 56.
  • Along Ruoye Creek ­Y­C·Ë¤W (C. H. Kwock and V. McHugh), No. 26, p. 53.
  • Autumn Scene ¬î´º (C. H. Kwock and V. McHugh), No. 26, p. 57.
  • Big Wind ¤j­· (Burton Watson), Nos. 21 & 22, p. 202.
  • Composed As I'm Resting on My Pillow ªE¤W (C. H. Kwock and V. McHugh), No. 26, p. 57.
  • Composed During a Storm: Fourth of the Eleventh Month 1192 ¤Q¤@¤ë¥|¤é­·«B¤j§@ (C. H. Kwock and V. McHugh), No. 26, p. 67.
  • Composed Under the Moon ¤ë¤U (C. H. Kwock and V. McHugh), No. 26, p. 58.
  • Dawn Sitting ¾å§¤ (Burton Watson), Nos. 21 & 22, p. 201.
  • Early Summer ªì®L ¤K­º¤§¤G (C. H. Kwock and V. McHugh), No. 26, p. 61.
  • Early Winter ªì¥VÂøµú (C. H. Kwock and V. McHugh), No. 26, p. 62.
  • Eleventh month, fourth day, heavy wind and rain ¤Q¤@¤ë¥|¤é­·«B¤j§@ (Burton Watson), Nos. 21 & 22, p. 202.
  • Epitaph for Girlie from the Lu clan of Shanyin ¤s³±³°¤ó¤k¤k¹Ó»Ê (Philip Watson), No. 62, p. 14.
  • Epitaph for Madame Fei ¶O¤Ò¤H¹Ó»x»Ê (Philip Watson), No. 62, pp. 15-16.
  • Faeries on the Magpie Bridge ÄN¾ô¥P (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 224-225.
  • Faeries on the Magpie Bridge ÄN¾ô¥P (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 107.
  • Fisherman's Pride - to my cousin Zhonggao º®®a¶Æ¡Ð¡Ð±H¥ò°ª (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 220-221.
  • Fisherman's Pride - to my cousin Zhonggao º®®a¶Æ¡Ð¡Ð±H¥ò°ª (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 105.
  • I Visit A Neighbouring Village By Small Boat And Walk Home ¤p¦à¹Cªñ§ø±Ë¦à¨BÂk (C. H. Kwock and V. McHugh), No. 26, p. 58.
  • Journey to Sichuan: excerpts ¤J¸¾°O (Philip Watson), No. 62, pp. 17-23.
  • Mid-Autumn Scene Recorded ¥ò¬î®Ñ¨Æ (C. H. Kwock and V. McHugh), No. 26, p. 63.
  • Much Ado ¦n¨Æªñ (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 226-227.
  • Much Ado ¦n¨Æªñ (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 108.
  • My Small Garden ¤p¶é (C. H. Kwock and V. McHugh), No. 26, p. 52.
  • Night Revels in the Palace ©]¹C®c ( D.E. Pollard), No. 58, p. 27.
  • Night Revels in the Palace ©]¹C®c (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 222-223.
  • Night Revels in the Palace ©]¹C®c (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 106.
  • Night Thought ©]·N (C. H. Kwock and V. McHugh), No. 26, p. 52.
  • Not Asleep ¤£ºÎ (Burton Watson), Nos. 21 & 22, p. 203.
  • On the Road to the Sabre Gate Mountains: Getting Caught in a Drizzle ¼Cªù¹D¤¤¹J·L«B (C. H. Kwock and V. McHugh), No. 26, p. 66.
  • One Autumn in the Jiading Reign: I have A Touch of the Colic But Recover A Little Nine Weeks Later ¹Å©w¤v¤w¥ß¬î±o»J¤W¯e´HÅS¤D¤p·U (C. H. Kwock and V. McHugh), No. 26, pp. 53.
  • One Autumn Night Watching the Moon ¬î©]Æ[¤ë (C. H. Kwock and V. McHugh), No. 26, p. 54.
  • One of My Miscellaneous Poems Âø¿³ (C. H. Kwock and V. McHugh), No. 26, p. 54.
  • One of the Miscellaneous Poems About My Wanderings and Coming Back home to Rest ¥X¹CÂkª×±oÂø¸Ö(C. H. Kwock and V. McHugh), No. 26, p. 56.
  • Partridge Weather ÅÂÀl¤Ñ ( D. E. Pollard), No. 58, p. 26.
  • Partridge Weather ÅÂÀl¤Ñ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 218-219.
  • Partridge Weather ÅÂÀl¤Ñ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 104.
  • Passing Jinjia Path by Boat and Presenting the Poem to Mr Wang the Firewood Man ªx¦à¹Lª÷®a®GÃØ½æÁ~¤ý¯Î (C. H. Kwock and V. McHugh), No. 26, p. 64.
  • Passing Through a Mountain Village Where I Gave Herbal Treatments ¤s§ø¸g¦æ¦]¬IÃÄ (C. H. Kwock and V. McHugh), No. 26, p. 65.
  • Phoenix Hairpin ³¦ÀY»ñ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 216-217.
  • Phoenix Hairpin ³¦ÀY»ñ (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 103.
  • Poem Written in the Hall of the Tortoise Àt°óÂø¿³ ¤Q­º¤§¤@ (C. H. Kwock and V. McHugh), No. 26, p. 59.
  • Putting up at a lodge outside the city, I had a little drink and then went to sleep ±J«°ÀY¾Q¤p¶¼¦ÓºÎ (Burton Watson), Nos. 21 & 22, p. 203.
  • Reading on a Cold Night ´H©]Ū®Ñ (C. H. Kwock and V. McHugh), No. 26, p. 59.
  • Reproach ¬î©]±N¾å¥XÆXªùªï²D¦³·P (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 268-269.
  • Reproach ¬î©]±N¾å¥XÆXªùªï²D¦³·P (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 108.
  • Rising Early One Morning And Picking Plum Blossoms ¾å°_§é±ö (C. H. Kwock and V. McHugh), No. 26, p. 63.
  • Small Craft ¤p¸¥ (C. H. Kwock and V. McHugh), No. 26, p. 54.
  • Song of the Bright Consort ©ú¦m¦± (Jane Lai), Nos. 59 & 60, pp. 72-73.
  • Testament to His Son ¥Ü¨à (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 270-271.
  • Testament to His Son ¥Ü¨à (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 109.
  • The Diviner - plum blossoms¤Rºâ¤l¡Ð¡Ðµú±ö (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 228-229.
  • The Diviner - plum blossoms¤Rºâ¤l¡Ð¡Ðµú±ö (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 109.
  • The Book-nest, Nos. 11 & 12, pp. 199-210.
  • The Fortune Teller ¤Rºâ¤l (Eva Hung), No. 58, pp. 42-43.
  • The Gateway of the Sword ¼Cªù¹D¤¤¹J·L«B (Graeme Wilson), No. 2, p. 116.
  • The Mist-swathed Skiff ·Ï¸¥°O (Philip Watson), No. 62, pp. 12-13.
  • The Village Girls §ø¤k (C. H. Kwock and V. McHugh), No. 26, p. 60.
  • Thirty-one Quatrains (C. H. Kwock and V. McHugh), No. 26, pp. 51-67.
  • To My Servant Boy ¥Ü¤p¼r (C. H. Kwock and V. McHugh), No. 26, p. 65.
  • To My Son Yu ¥Ü¤l¦Ö (C. H. Kwock and V. McHugh), No. 26, p. 66.
  • To the Tune of Ch'ai-t'ou-feng ³¦ÀY»ñ (James P. Rice), Nos. 11 & 12, p. 203.
  • To the Tune of Che-ku t'ien ÅÂÀl¤Ñ (James P. Rice), Nos. 11 & 12, p. 205.
  • To the Tune of Ch'ueh-ch'iao hsien ÄN¾ô¥P (James P. Rice), Nos. 11 & 12, pp. 202, 204.
  • To the Tune of Han kung ch'un º~®c¬K (James P. Rice), Nos. 11 & 12, pp. 206-207.
  • To the Tune of Pu-suan tzu ¤Rºâ¤l (James P. Rice), Nos. 11 & 12, p. 210.
  • To the Tune of Shuang t'ou lien ÂùÀY½¬ (James P. Rice), Nos. 11 & 12, pp. 208-209.
  • To the Tune of Su chung-ch'ing ¶D°J±¡ (James P. Rice), Nos. 11 & 12, p. 199.
  • To the Tune of Yeh yu kung ©]¹C®c (James P. Rice), Nos. 11 & 12, p. 200.
  • To the Tune of Yü chia ao º®®a¶Æ (James P. Rice), Nos. 11 & 12, p. 201.
  • Travelling by boat along the Fan River, I stopped at a farmhouse and was provided with a meal ¦à¹L¼Ô¦¿¾Í¥Á®a¨ã­¹ (Burton Watson), Nos. 21 & 22, p. 204.
  • Vegetable Garden: Chüeh-Chü ½­®Eµ´¥y (Burton Watson), Nos. 21 & 22, p. 204.
  • Vegetable Garden Quatrain ½­¶éµ´¥y (C. H. Kwock and V. McHugh), No. 26, p. 64.
  • Village Life: I Jot Down What Happens to Me(I) §ø©~®Ñ¨Æ ¨ä¤@ (C. H. Kwock and V. McHugh), No. 26, p. 61.
  • Village Life: I Jot Down What Happens to Me(II) §ø©~®Ñ¨Æ ¨ä¤G (C. H. Kwock and V. McHugh), No. 26, p. 62.
  • Visiting Private Gardens At Blossom Time ªá®É¹M¹C½Ñ®a°ê (C. H. Kwock and V. McHugh), No. 26, p. 55.

    Lu Zhi ¿cå® (Lu Chih)

  • In Farewell to Miss Chu Lien-hsiu §O¦¶Ã®¨q (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 224.

    Lü Benzhong §f¥»¤¤

  • Bright Consort ©ú¦m (David E. Pollard), Nos. 59 & 60, pp. 70-71.

    Lun Guan ­Û«a

  • To Build a Road ¶}ÅP¤j¹D (Rebecca Mok), Nos. 29 & 30, p. 187.

    Lüqishi ºñÃM¤h

  • Air Granny ªÅ¤¤¨È±C (Chi-yin Ip with Janice Wickeri), No. 63, pp. 83-95.
  • Air Granny ªÅ¤¤¨È±C (Chi-yin Ip with Janice Wickeri), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 83-93.

    Luo Binwang Àd»«¤ý

  • To a Cicada from Prison ¦bº»µúÂÍ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 82-83.
  • To a Cicada from Prison ¦bº»µúÂÍ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 26.

    Luo Qing ù«C

  • Six Ways of Eating Watermelons ¦Y¦è¥Êªº¤»ºØ¤èªk (Dominic Cheung), Trees on the Mountain, Renditions Books, pp. 286-289.
  • Six Ways of Eating Watermelons ¦Y¦è¥Êªº¤»ºØ¤èªk (Dominic Cheung), Nos. 19 & 20, pp. 286-289.
  • The Sword of Li Ling §õ³®¼C (Dominic Cheung), Trees on the Mountain, Renditions Books, pp. 282-285.
  • The Sword of Li Ling §õ³®¼C (Dominic Cheung), Nos. 19 & 20, pp. 282-285.
  • The Writing of the Character 'Tree' ¾ðªº¼gªk (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 280.
  • The Writing of the Character 'Tree' ¾ðªº¼gªk (Dominic Cheung), Nos. 19 & 20, p. 280.

    Luo Ye ù¸­

  • Hot Spring—for Ah Jie ·Å¬u—­Pªü³Ç (John Balcom), No. 61, pp. 108-109.

    Luo Yin ùÁô

  • A Candid Song ¦Û»º (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 212-213.
  • A Candid Song ¦Û»º (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 79.

    Luo Ying ù­^

  • Children's Words «Ä»y (Ling Chung and Sean Golden), Nos. 27 & 28, p. 89.
  • Metamorphosis ¸ÀÅÜ (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 92-93.
  • Shows of Death ¦º¤§ºt¥X (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 94-99.
  • Street Scene: Mixed Media ²§½èµó´º (Andrew Parkin and Chu Chiyu), Nos. 35 & 36, pp. 268-269.
  • The Name of a Traveller ®È¤Hªº¦W¦r (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 90-91.

    Luo Zhicheng ù´¼¦¨ (Lo Chih-cheng)

  • Spring 2001, Unreachable Civilization 2001¬K¤Ñ¡A¤å©ú»»¤£¥i¤Î (Sylvia Lin), No. 61, pp. 98-99.

    Lyell, William A., Jr. ¿à«Â·G

  • Background to a Story (Lu Xun: 'Brothers'), No. 1, pp. 72-75.