Anonymous §H¦W
  • Along the Highway ¿í¤j¸ô (Michael E. Farman), No. 66, p. 14.
  • An Appeal to the Hunan Public (Tam Pak Shan), Nos. 53 & 54, pp. 250-256.
  • Audience at Golden Gate ¿Öª÷ªù (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 16-17.
  • Audience at Golden Gate ¿Öª÷ªù (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 6.
  • The Bamboo Grove ¦Ë¨½À] (Louise Ho), No. 66, P. 29.
  • Barge-hauler's Song ¶¦·Õ«Ò®É®¾¦àªÌºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 80-81.
  • Barge-hauler's Song ¶¦·Õ«Ò®É®¾¦àªÌºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 25.
  • Bluebottles «CÃÇ (Michael E. Farman), No. 66, p. 22.
  • The Book of Lü Buwei: excerpts §f¤ó¬K¬î¿ïĶ (Chi-Chen Wang), Nos. 33 & 34, pp. 9-23.
  • Border Songs ®ç¤Ô (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 78-79.
  • Border Songs ®ç¤Ô (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 3.
  • Courtship Song ·ã²x¤ýºq¡þ¥ø³ëºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 32-33.
  • Courtship Song ·ã²x¤ýºq¡þ¥ø³ëºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 24.
  • Cypress Boat ¬f¦à (Michael E. Farman), No. 66, p. 10.
  • The Dew That on Shallot-leaves Lies íüÅS (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 54-55.
  • The Dew That on Shallot-leaves Lies íüÅS (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 7.
  • Disappointment ÖaÄõ¾Þ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 40-41.
  • Disappointment ÖaÄõ¾Þ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 5.
  • The East Gate ¥X¨äªFªù (Michael E. Farman), No. 66, p. 16.
  • Eight Verses of a Girl ©h®Q¤K°Û (Ian Chapman), No. 50, pp. 53-54.
  • Far in the Skies Is the Cowherd Star ­|­|²o¤û¬P (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 58-59.
  • Far in the Skies Is the Cowherd Star ­|­|²o¤û¬P (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 8.
  • A Farewell to the Faeries §O¥P¤l (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 8-9.
  • A Farewell to the Faeries §O¥P¤l (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 4.
  • Fifteen Parables from The Suntra of One Hundred Parables ¦Ê¿Ù¸g , No. 37, pp. 69-76.
  • Five Cantonese Love Songs ¸fðÝ (Sir Cecil Clementi), Nos. 29 & 30, pp. 25-30.
  • Four Examination Essays of the Ming Dynasty ©ú¥N¬ìÁ|¥|®Ñ¤å¿ïĶ (Andrew Lo), Nos. 33 & 34, pp. 167-181.
  • Frantic Quails ÄL¤§©b©b (Michael E. Farman), No. 66, p. 13.
  • From the Chinese of Wang Wei (Albert Faurot), The Translation of Art, Renditions Books, pp. 92-94.
  • From the Chinese of Wang Wei (Albert Faurot), No. 6, pp. 92-94.
  • From a Thesaurus of Chinese Laughs (Retold by George Kao), No. 9, pp. 37-42.
  • Gathering Plantain ªæ? (David Lunde), No. 66, p. 23.
  • Gentle Breezes ³Í­· (Michael E. Farman), No. 66, p. 12.
  • Ghost-busting Song ·À°­ºq (Eva Hung), Nos. 53 & 54, pp. 250-256.
  • Ghost of the Pot ¬Ö¨à°­ (George A. Hayden), No. 3, pp. 32-52.
  • Heavenly Barbarian (No. 1) µÐÂÄÆZ¡]¤@¡^ (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 10-11.
  • Heavenly Barbarian (No. 1) µÐÂÄÆZ¡]¤@¡^ (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 5.
  • Heavenly Barbarian (No. 2) µÐÂÄÆZ¡]¤G¡^ (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 12-13.
  • Heavenly Barbarian (No. 2) µÐÂÄÆZ¡]¤G¡^ (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 5.
  • The Imperial Guardsman ¤T½Ã (Glen Dudbridge), No. 32, pp. 10-12.
  • The Jewel Bag (Scene xvii) ¨Ê¼@¡GÂêÅïÅn (Josephine Hung), No. 3 pp. 91-101.
  • Joyful Autumn Days ³ß¬î¤Ñ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 6-7.
  • Joyful Autumn Days ³ß¬î¤Ñ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 3.
  • A Legendary Sword River Carpenter ¦³¦Wªº¼C¤t¤ì¦K (Lucien Miller), No. 51, pp. 122-125.
  • Life That's Scarce a Hundred Years ¥Í¦~¤£º¡¦Ê (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 60-61.
  • Life That's Scarce a Hundred Years ¥Í¦~¤£º¡¦Ê (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 15.
  • Lifting my Skirt ër»n (Michael E. Farman), No. 66, p. 15.
  • Long-song Lay ªøºq¦æ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 56-57.
  • Long-song Lay ªøºq¦æ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 8.
  • A Man of Ruyin ¤Ó¥­¼s°O¡G¦¼³±¤H (Glen Dudbridge), No. 32, pp. 16-19.
  • Mountain Hawthrone ¥Í¬d¤l (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 14-15.
  • Mountain Hawthrone ¥Í¬d¤l (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 6.
  • The Nagas of Udyana ¤j­ð¦è°ì°O (Glen Dudbridge), No. 32, pp. 13-15.
  • The Phoenix Returns to the Clouds »ñÂk¶³ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 2-3.
  • The Phoenix Returns to the Clouds »ñÂk¶³ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 2.
  • Picking Ferns ªöÁ¨ (Michael E. Farman), No. 66, pp. 19-20.
  • The Pleasures of Playing Ball ©ß²y¼Ö (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 4-5.
  • The Pleasures of Playing Ball ©ß²y¼Ö (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 3.
  • Riverbank Faery Á{¦¿¥P (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 18-19.
  • Riverbank Faery Á{¦¿¥P (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 7.
  • The Sands at Silk-washing Creek ÒF·Ë¨F (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 20-21.
  • The Sands at Silk-washing Creek ÒF·Ë¨F (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 7.
  • The Story of the Great Protector, the Dog King Å@¤ý¥X¨­¬°°O (P. K. Leung), Nos. 29 & 30, pp. 13-16.
  • Selections from Jin Ping Mei ª÷²~±ö¿ïĶ (David T. Roy), No. 24, pp. 13-62.
  • Sheepskin Coat ¯Ì¸Ê (Michael E. Farman), No. 66, p. 18.
  • Snow and Plum ³·±ö (Arthur Cooper), Nos. 21 & 22, p. 186.
  • Sun and Moon ¤é¤ë (Michael E. Farman), No. 66, p.11.
  • Sun in the East ªF¤è¤§¤é (Michael E. Farman), No. 66, p. 17.
  • A Supplement to Jiang Zong's Biography of A White Ape ¸É¦¿Á`¥Õ·á¶Ç (Jue Chen), No. 49, pp. 76-85.
  • That Gentle Maid ÀR¤k (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 34-35.
  • That Gentle Maid ÀR¤k (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 2.
  • Thunder Crashes ®ï¨ä¹p (Michael E. Farman), No. 66, p. 9.
  • Title Missing To the Tune of Spring Is Here ¥¢ÃD ³ß¨Ó¬K (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, pp. 216 & 223.
  • Title Missing To the Tune of Wild Swans at Autumn ¥¢ÃD ¶ëÂE¬î (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 226.
  • Toward a Refutation of the Voices of Evil ¯}´cÁn½× (J. E. Kowallis), No. 26, pp. 108-119.
  • Twelve Hakka Folksongs «È®a¤sºq¤Q¤G­º (C. H. Kwock), Nos. 29 & 30, pp. 17-24.
  • Two Yunnan Tales ¶³«n¯«¸Ü¨â«h (Guo Xu, Xu Kun and Lucien Miller), No. 31, pp. 48-66.
  • Wang Zhaojun bianwen: excerpts ¤ý¬L§gÅܤå (Eugene Eoyang), Nos. 59 & 60, pp. 136-144.
  • Wedding Song ®ç¤Ô (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 36-37.
  • Wedding Song ®ç¤Ô (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 3.
  • The Westerner's Ten Laments: excerpts ¥~°ê¬v¤H¹Ä¬BÁn (Ian Chapman), Nos. 53 & 54, pp. 247-249.
  • Valley Winds ¨¦­· (Michael E. Farman), No. 66, p. 21.
  • While Locusts Sang ¯óÂÎ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 38-39.
  • While Locusts Sang ¯óÂÎ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 4.
  • Wow-Wow the Bean Baby °­¨§¤l (Lucien Miller), No. 51, pp. 126-130.
  • Xingshi Hengyan: How Hailing of the Jurchens was Destroyed through Unbridled Lust ¿ô¥@«í¨¥¡Gª÷®ü³®Áa±ý¤`¨­ (Eva Hung), Nos. 27 & 28, pp. 253-269.

    Adler, Ruth W. ¦wÅSµ·

  • Confucian Gentleman and Lyric Poet: Romanticism and Eroticism in the Ci of Ou-yang Hsiu, Song Without Music: Chinese Tz'u Poetry, Renditions Books, pp. 121-142.
  • Confucian Gentleman and Lyric Poet: Romanticism and Eroticism in the Ci of Ou-yang Hsiu, Nos. 11 & 12, pp. 121-142.

    Ah Lian ªü¾ü

  • If I Had Roots Too ¦pªG§Ú¤]¦³®Ú (D. E. Pollard), Nos. 29 & 30, pp. 155-156.

    Ah Sheng ªü²±

  • On a Tiled Courtyard I Pick Up the Years ¬B·³¿j®x (Eva Hung), Nos. 35 & 36, pp. 1-7.

    Ai Nanying ¦ã«n­^

  • The People are of Supreme Importance ¡u¥Á¬°¶Q¡v¤@³¹ (Andrew Lo), Nos. 33 & 34, pp. 176-178.

    Ai Wu ¦ã¿¾

  • One Night in Hong Kong ­»´äªº¤@©] (Zhu Zhiyu), Nos. 29 & 30, pp. 59-62.
  • Return by Night ©]Âk (Raymond S. W. Hsu), No. 7, pp. 39-44.

    Aina Jushi ¦ãÓÔ©~¤h

  • Idle Talk Under the Bean Arbour: excerpts ¨§´×¶¢¸Ü (Yenna Wu), No. 44, pp. 17-32.

    An Zanlun ¦wÃÙ­Û

  • Stepping Boldly into the Kitchen »¨±¡º¡Ãh¤WÁç¥x (Chu Chiyu), No. 50, pp. 22-23.

    Atkinson, Brooks

  • Mei Lan-fang in America, No. 3, p. 174.

    Ba Jin ¤Úª÷ (Pa Chin)

  • Earliest Memories ³Ìªìªº¦^¾Ð (Sally Taylor Lieberman), No. 38, pp. 27-55.
  • Hong Kong Night ­»´ä¤§©] (Zhu Zhiyu), Nos. 29 & 30, pp. 54-55.
  • To a Cousin—Preface to the Tenth Edition of Family ¡u®a¡v²Ä¤Qª©¥N§Ç (Shang-lan Mui Yeh), No. 4, pp. 73-82.

    Bady, Paul ¤Ú­}

  • Death and the Novel—On Lao She's 'Suicide', Two Writers and the Cultural Revolution, Renditions Books, pp. 5-14.
  • Death and the Novel—On Lao She's 'Suicide', No. 10, pp. 5-14.
  • Rehabilitation: A Chronological Postscript, Two Writers and the Cultural Revolution, Renditions Books, pp. 15-20.
  • Rehabilitation: A Chronological Postscript, No. 10, pp. 15-20.

    Bai Hua ¬f¾ì

  • Autumn's Weapon ¬î¤ÑªºªZ¾¹ (Li Fukang with Eva Hung), No. 37, p. 107.
  • Summer is Still Far Away ®L¤ÑÁÙ«Ü»· (Li Fukang with Eva Hung), No. 37, p. 105.
  • The Summer of 1966 ¤@¤E¤»¤»¦~®L¤Ñ (Li Fukang with Eva Hung), No. 37, p. 102.
  • Wheat—in memory of Hai Zi ³Á¤l—¬ö©À®ü¤l (Li Fukang with Eva Hung), No. 37, pp. 100-101.

    Bai Juyi ¥Õ©~©ö (Pai Chu-i, also Bo Juyi, Po Chü-i)

  • Arriving at My Old Home on the Wei Again ­«¨ì´ô¤W©~ (Burton Watson), No. 49, pp. 54-55.
  • Early Morning Impressions ¦­¿³ (Burton Watson), No. 49, pp. 72-73.
  • Having passed the examination, I go home to visit parents, leaving this poem in parting for my fellow students ¤Î²Ä«áÂkÂÑ¡A¯d§O½Ñ¦P¦~ (Burton Watson), No. 49, pp. 44-45.
  • Feeling for Myself ¦Û·P (Stephen Owen), Nos. 21 & 22, pp. 154-155
  • The Grave of Li Bai §õ¥Õ¹Ó (Burton Watson), No. 49, pp. 66-67.
  • In Drunkenness Confronting Red Leaves ¾K¤¤¹ï¬õ¸­ (Burton Watson), No. 49, pp. 64-65.
  • Inscribed on My Pine Study ªQÂN¦ÛÃD ®É¬°¿«ªL¾Ç¤h (When I became a Hanlin scholar) (Burton Watson), No. 49, pp. 42-75.
  • In the Midst of Illness, Grieving for Golden Bells ¯f¤¤­úª÷Æq¤l (Burton Watson), No. 49, pp. 56-57.
  • In the Rear Palace «á®cµü (Geoffrey R. Waters), No. 64, p. 26.
  • I've collected and arranged my poems in a work in fifteen chapters. I'm inscribing this at the end of the work and as a joke sending copies to Yuan Nine and Li Twenty ½s¶°©å¸Ö¡A¦¨¤@¤Q¤­¨÷¡A¦]ÃD¨÷¥½¡AÀ¸Ãؤ¸¤E¡B§õ¤G¤Q (Burton Watson), No. 49, pp. 62-63.
  • A Leisurely Visit East of the City «°ªF¶¢¹C (Stephen Owen), Nos. 21 & 22, pp. 176-177.
  • Letter to Yuan Zhen »P¤¸·L¤§®Ñ (Stephen Owen), Nos. 41 & 42, pp. 51-55.
  • Looking at Fishes Æ[´å³½ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 184-185.
  • Looking at Fishes Æ[´å³½ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 64.
  • Newly-Planted Bamboo ·s®â¦Ë (Burton Watson), No. 49, pp. 46-47.
  • On Night Duty at the Palace, I Dreamt I was Visiting Xianyou Temple ¸T¤¤´Jª½¡A¹Ú¹C¥P¹C¦x (Burton Watson), No. 49, pp. 50-51.
  • On Releasing a Migrant Goose ©ñ®È¶­ (Arthur Cooper), Nos. 21 & 22, pp. 182-183.
  • On Releasing Fish ©ñ³½ (Arthur Cooper), Nos. 21 & 22, pp. 180-181.
  • Outlandish Music ÅY°ê¼Ö¡]¸`¿ý¡^(John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 166-167.
  • Outlandish Music ÅY°ê¼Ö¡]¸`¿ý¡^(John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 62.
  • Planting Flowering Trees on Eastern Slope ªF©YºØªá (Burton Watson), No. 49, pp. 68-69.
  • Reading Deng Fang's Poems Ū¾HèÛ¸Ö (Burton Watson), No. 49, pp. 52-53.
  • Remembering Jiangnan ¾Ð¦¿«n (A. C. Graham), No. 25, p. 105.
  • Remembering the South River Land ¾Ð¦¿«n (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 188-189.
  • Remembering the South River Land ¾Ð¦¿«n (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 66.
  • Satisfied in Mind ¾A·N (Burton Watson), No. 49, pp. 58-59.
  • Snow & Plum ³·±ö (Arthur Cooper), Nos. 21 & 22, p. 186.
  • The Song of Enduring Woe ªø«ëºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 168-181.
  • The Song of Enduring Woe ªø«ëºq (John Turner), No. 5, pp. 59-65.
  • The Song of Everlasting Grief ªø«ëºq (Mimi Chan and Piers Gray), No. 14, pp. 79-84.
  • The Song of the Pipa µ\µ]¦æ (John D. Coleman), No. 10, pp. 155-159.
  • The Sound of Weeping »D­úªÌ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 182-183.
  • The Sound of Weeping »D­úªÌ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 63.
  • Spending the Night at the Yangs ±J·¨®a (Stephen Owen), Nos. 21 & 22, pp. 164-165
  • Spring Theme: Above the Lake ¬KÃD´ò¤W (A. C. Graham), No. 25, p. 104.
  • Third Year, New Year's Eve ¤T¦~°£©] (Burton Watson), No. 49, pp. 74-75.
  • To a Painter ÃØ¼g¯uªÌ (C. Mulrooney), No. 43, p. 78.
  • To Give to My Wife ÃØ¤º (Burton Watson), No. 49, pp. 60-61.
  • To the Tune of Hua fei hua ªá«Dªá (D. C. Lau), Nos. 21 & 22, p. 187.
  • To the Tune of Yi Chiang-nan ¾Ð¦¿«n (D. C. Lau), Nos. 21 & 22, p. 188.
  • Too Lazy ºH¤£¯à (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 186-187.
  • Too Lazy ºH¤£¯à (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 65.
  • Two Jueju on Taking Leave of the Flowering Trees I Planted on Eastern Slope §OºØªF©Yªá¾ð¨âµ´ (Burton Watson), No. 49, pp. 70-71.
  • Visiting the Temple 'Dwelling-in-Clouds': for Mr. Mu, Landowner ¹C¶³©~¦xÃØ¿p¤T¤Q¤»¦a¥D (Stephen Owen), Nos. 21 & 22, pp. 162-163
  • Wang Zhaojun (two poems) ¤ý¬L§g ¨ä¤@¡B¤G (Burton Watson), Nos. 59 & 60, pp. 46-49.
  • Wisdom Ū¦Ñ¤l (Graeme Wilson), No. 2, p. 117.

    Bai Ling ¥ÕÆF

  • The Era After Social Diversification: Developments in Taiwanese Poetry 1985-1990 ¤À®a«áªº·s¸Ö�-1990¥ó¥xÆW¸Ö¾Âµo®i¸ô¦V (Duncan Hewitt and Chu Chiyu), Nos. 35 & 36, pp. 294-298.

    Bai Pu ¥Õ¾ë (Po P'o)

  • Rain on the Wutong Tree ±ï®ä«B (Acts III and IV) (Shizue Matsuda), No. 3, pp. 53-61.

    Bai Xianyong ¥Õ¥ý«i (Pai Hsien-yung)

  • The Eternal Yin Hsueh-yen ¥Ã»·ªº¤¨³·ÆA (Katherine Carlitz and Anthony C. Yu), No. 5, pp. 89-97.
  • New Year's Eve ·³°£ (Diana Granat), No. 5, pp. 98-105.
  • Wandering in the Garden, Waking from a Dream ¹C¶éÅå¹Ú (Bai Xianyong and Patia Yasin), No. 14, pp. 5-20.

    Ban Gu ¯Z©T (Pan Ku)

  • Two Imperial Ladies of Han º~®Ñ¥~±­¶Ç (Burton Watson), No. 1, pp. 7-13.

    Ban, Lady ¯ZÔЧ± (Lady Pan)

  • A Song of Grief «èºq¦æ (Ling Chung and Kenneth Rexroth), No. 1, p. 14.

    Bao Guixing Àj®Û¬P

  • The Luminous Lady ©ú¦m (Eva Hung), Nos. 59 & 60, pp. 126-127.

    Bao Rong ¥]·» (Pao Jung)

  • Moonlight on the Sands ¨F¤W¤ë (Stephen Owen), Nos. 21 & 22, pp. 166-167.

    Bao Tianxiao ¥]¤Ñ¯º (Pao T'ien-hsiao)

  • Memoirs of Bracelet Shadow Chamber: excerpts ³©¼v¼Ó¦^¾Ð¿ý (Joyce Luk), No. 38, pp. 1-26.
  • A Preface by Lin Ch'in-nan (George Kao), No. 5, p. 25.

    Bao Zhao Àj·Ó

  • Letter to My Younger Sister upon Ascending the Bank of Thunder Lake µn¤j¹p©¤»P©f®Ñ (Jui-lung Su), Nos. 41 & 42, pp. 18-24.
  • Wang Zhaojun ¤ý¬L§g (Jam Ismail and Tam Pak Shan), Nos. 59 & 60, pp. 32-33.

    Barmé, Geremie ¥ÕªN©ú

  • My Friend the Memory Hole—a comment on living with Deng Xiaoping's 'anti-bourglib' campaign, No. 26, pp. 5-6.
  • A Touch of the Absurd—Introducing Gao Xingjian and his play The Bus-stop, Trees on the Mountain, Renditions Books, pp. 373-377.
  • A Touch of the Absurd—Introducing Gao Xingjian and his play The Bus-stop, Nos. 19 & 20, pp. 373-377.
  • A Word for The Impostor, Trees on the Mountain, Renditions Books, pp. 319-332.
  • A Word for The Impostor, Nos. 19 & 20, pp. 319-332.

    Bei Dao ¥_®q (See also Zhao Zhenkai)

  • All ¤@¤Á (Shiao-ling Yu), No. 16, p. 73.
  • August Sleepwalker ¤K¤ëªº¹Ú¹CªÌ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 208.
  • August Sleepwalker ¤K¤ëªº¹Ú¹CªÌ (Bonnie S. McDougall), Nos. 19 & 20, p. 208.
  • The Bank ©¤ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 195.
  • The Bank ©¤ (Bonnie S. McDougall), Nos. 19 & 20, p. 195.
  • Boat Ticket ²î²¼ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 196.
  • Boat Ticket ²î²¼ (Bonnie S. McDougall), Nos. 19 & 20, p. 196.
  • Bodhisattva µÐÂÄ (Bonnie S. McDougall), No. 23, p. 116.
  • Chords ©M©¶ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 198.
  • Chords ©M©¶ (Bonnie S. McDougall), Nos. 19 & 20, p. 198.
  • Death Watch Night ¦uÆF¤§©] (Bonnie S. McDougall), No. 23, p. 115.
  • Doubtful Things ¥iºÃ¤§³B (Bonnie S. McDougall), No. 23, p. 111.
  • The Dawn's Bronze Mirror ¦b¾¤©úªº»ÉÃ褤 (Bonnie S. McDougall), No. 23, p. 113.
  • Expectation ´Á«Ý (Bonnie S. McDougall), No. 23, p. 113.
  • The Fable ´J¨¥ (Bonnie S. McDougall), No. 23, p. 112.
  • For Many Years «Ü¦h¦~ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 203.
  • For Many Years «Ü¦h¦~ (Bonnie S. McDougall), Nos. 19 & 20, p. 203.
  • The Host ¥D¤H (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 202.
  • The Host ¥D¤H (Bonnie S. McDougall), Nos. 19 & 20, p. 202.
  • Language »y¨¥ (Bonnie S. McDougall), No. 23, p. 114.
  • Notes in the Rain «B¤¤¬ö¨Æ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 206.
  • Notes in the Rain «B¤¤¬ö¨Æ (Bonnie S. McDougall), Nos. 19 & 20, p. 206.
  • The Old Temple ¥j¦x (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 197.
  • The Old Temple ¥j¦x (Bonnie S. McDougall), Nos. 19 & 20, p. 197.
  • Random Thoughts ÀH·Q (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, pp. 204-205.
  • Random Thoughts ÀH·Q (Bonnie S. McDougall), Nos. 19 & 20, pp. 204-205.
  • A Single Room ³æ¤H©Ð¶¡ (Bonnie S. McDougall), No. 23, p. 116.
  • Sleep, Valley ºÎ§a¡A¤s¨¦ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 199.
  • Sleep, Valley ºÎ§a¡A¤s¨¦ (Bonnie S. McDougall), Nos. 19 & 20, p. 199.
  • SOS ©I±Ï°T¸¹ (Bonnie S. McDougall), No. 23, pp. 114.
  • Starting from Yesterday ¦Û¬Q¤Ñ°_ (Bonnie S. McDougall), No. 23, p. 112.
  • Thirteen Happiness Street ©¯ºÖµó13¸¹ (Bonnie S. McDougall), No. 24, pp. 5-12.
  • A Toast ¯¬°s (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 200.
  • A Toast ¯¬°s (Bonnie S. McDougall), Nos. 19 & 20, p. 200.
  • Tomorrow, No ©ú¤Ñ¡A¤£ (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 195.
  • Tomorrow, No ©ú¤Ñ¡A¤£ (Bonnie S. McDougall), Nos. 19 & 20, p. 195.
  • Untitled µLÃD (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 202.
  • Untitled µLÃD (Bonnie S. McDougall), Nos. 19 & 20, p. 202.
  • The Window on the Cliff ®k¾À¤Wªºµ¡¤á (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 207.
  • The Window on the Cliff ®k¾À¤Wªºµ¡¤á (Bonnie S. McDougall), Nos. 19 & 20, p. 207.
  • You Wait for Me in the Rain §A¦b«B¤¤µ¥«ÝµÛ§Ú (Bonnie S. McDougall), Trees on the Mountain, Renditions Books, p. 201.
  • You Wait for Me in the Rain §A¦b«B¤¤µ¥«ÝµÛ§Ú (Bonnie S. McDougall), Nos. 19 & 20, p. 201.

    Bian Zhilin ¤Ë¤§µY

  • Aqueous Rock ¤ô¦¨©¥ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 89.
  • Autumn Window ¬îµ¡ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 84.
  • Bedtime (A Child's Story) ¥ð®§(µ£¸Ü) (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 98.
  • A Brief Parting ¤p§O (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 63-64.
  • By the Roadside ¹D®Ç (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 88.
  • The Chiba Flute ¤Ø¤K (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 92.
  • City in Spring ¬K«° (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 86-87.
  • Cold Night ´H©] (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 54.
  • Composition of Distances ¶ZÂ÷ªº²Õ´ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 90.
  • Continuous Rain ­W«B (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 70.
  • Contrast ¹ï·Ó (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 88.
  • Cool Plum Drink »Ä±ö´ö (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 59.
  • The Crows ¸s¾~ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 51.
  • Crying One's Wares ¥s½æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 73.
  • Dream of the Old Town ¥jÂíªº¹Ú (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 82.
  • Dressing Table §©¥x (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 106.
  • Early Morning in August ¤K¤ëªº²M±á (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 61-62.
  • Entering the Dream ¤J¹Ú (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 85.
  • Entrust it to the Flowing Water ±H¬y¤ô (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 81.
  • Evening ³Ä±ß (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 50.
  • Falling ¸¨ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 60.
  • The First Lamp ²Ä¤@·ø¿O (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 101.
  • Fish Fossil: a Fish or Girl Speaking ³½¤Æ¥Û (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 99.
  • Flying over Taiwan ­¸Á{¥xÆW¤WªÅ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 137-138.
  • Fragment Â_³¹ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 94.
  • From Winter to Spring ±q¥V¤Ñ¨ì¬K¤Ñ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 133.
  • Gathering Water Chestnuts ±ÄµÙ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 134.
  • Grass on the Wall ÀðÀY¯ó (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 75.
  • The Heart of the Old City ¥j«°ªº¤ß (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 84.
  • Homecoming ÁÙ¶m (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 79-80.
  • An Idler ¤@­Ó¶¢¤H (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 56.
  • Insects at the Lamp ¿OÂÎ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 113.
  • Listening to Streetcars Circling at Midnight ¤È©]»»Å¥µó¨®Àô¦æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 145.
  • Loneliness ±I¹æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 94.
  • Long Journey »·¦æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 52.
  • Long Road ªø³~ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 57.
  • Mid-Autumn Festival ¹L¸` (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 70.
  • Migration of Birds ­Ô³¾°ÝÃD (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 101.
  • A Monk ¤@­Ó©M©| (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 55.
  • Mule Cart ¤j¨® (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 75.
  • Naughty Child ²^®ð (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 112.
  • Night March ©]¦æ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 132.
  • Night Wind ©]­· (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 58.
  • On the White Stone ¥Õ¥Û¤W (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 66-67.
  • The Peninsula ¥b®q (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 102.
  • Picking Osmanthus ±Ä®Ûªá (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 135.
  • A Piece of Wrecked Ship ¤@¶ô¯}²î¤ù (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 73.
  • Prospect of the Ming Tombs ¤Q¤T³®»·´º (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 136.
  • The Railway Station ¨®¯¸ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 105.
  • The Rain and I «B¦P§Ú (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 109.
  • Record °O¿ý (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 50.
  • Reed-leaf Boat Ώ­²î (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 103.
  • Resounding Dust ­µ¹Ð (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 96.
  • Reverie on the Night of the Lantern Festival ¤¸©]¹I«ä (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 91.
  • Reverie upon Ascending the Sears Tower ªÛ¥[­ôµn¼Ó¹I«ä (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 143.
  • Roads ¸ô (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 108.
  • Roadside Teahouse ¸ô¹L©~ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 71-72.
  • Rochester: Inside and Outside the City ù¤Á´µ¯S«°¤º«°¥~ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks,p. 141.
  • Round Jewel Casket ¶êÄ_²° (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 93.
  • Rumours Taught the 'Nervous Wreck' a Lesson ÁÁ¨¥±Ð°V¤F¯«¸g¯f (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 130-131.
  • Sea Voyage ¯è®ü (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 95.
  • Several People ´X­Ó¤H (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 74.
  • Shadow ¼v¤l (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 53.
  • A Short Visit to Cheung Chau Island in Hong Kong ­»´ä¤p¹Cªø¬w®q (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 144.
  • Sleeping Carriage ºÎ¨® (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 105.
  • Snow ³· (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 99.
  • Tears ²\ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 100.
  • To a Company Commander who Probed the Line Fence with his Finger µ¹¤@¦ì¥Î¤â«ü±´¹qºôªº³sªø (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 126.
  • To a Sharpshooter on the Front µ¹«e¤èªº¯«ºj¤â (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks,p. 116.
  • To Air Force Fighters µ¹ªÅ­x¾Ô¤h (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 125.
  • To Coal Miners µ¹¤@³B·Ñ½`ªº¤u¤H (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 120-121.
  • To Farmers who Evacuated their Houses and Cleared µ¹¹ê¦æªÅ«Ç²M³¥ªº¹A¥Á (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 122.
  • To the Author of 'On Protracted War' µ¹½×«ù¤[¾ÔªºµÛªÌ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 124.
  • To the Children on Sentry Duty µ¹©ñ­ïªº¨àµ£ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 118-119.
  • To the Generalissimo µ¹©e­ûªø (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 123.
  • To the New Local Recruits µ¹¦a¤èªZ¸Ëªº·s¾Ô¤h (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 117.
  • To the Young Pioneers of the Northwest µ¹¦è¥_ªº¶}¯îªÌ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 127.
  • Tossings §ë (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 56.
  • Untitled 1 µLÃD¤@ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 102.
  • Untitled 2 µLÃD¤G (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 103.
  • Untitled 3 µLÃD¤T (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 103.
  • Untitled 4 µLÃD¥| (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 104.
  • Untitled 5 µLÃD¤­ (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 104.
  • View from a Waterside Chamber in Boston ªi¤h¹y¤ô°a±ß²· (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 140.
  • Visiting a Deserted Private Garden in New Heaven ¯Ã®ü¤å¹C¨p²Ä¯î¶é (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 140.
  • Waiting for Takeoff in the Little Airport at Bloomington ¥¬¾|©ú¤Ù¤p¾÷³õ«Ýµo (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 142.
  • Watching Twelfth Night in New York City ¯Ã¬ù¬Ý¡m²Ä¤Q¤G©]¡nºt¥X (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 139.
  • Water Content ¤ô¤À (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 107.
  • The Way Back Âk (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 89.
  • The White Seashell ¥ÕÁ³´ß (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 110-111.
  • Weariness ­Â (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 78.
  • West Chang'an Street ¦èªø¦wµó (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, pp. 68-69.
  • Zhongnanhai ¤¤«n®ü (Mary M. Y. Fung and David Lunde), The Carving of Insects, Renditions Paperbacks, p. 65.

    Bing Xin ¦B¤ß

  • A Dream ¹Ú(Janet Ng), No. 46, pp. 103-105.
  • Autobiographical Notes ¦B¤ß¶Ç²¤ (John Cayley), No. 32, pp. 84-87.
  • How I Wrote A Maze of Stars and Spring Water §Ú¬O«ç¼Ë¼g¡uÁc¬P¡v©M¡u¬K¤ô¡vªº (John Cayley), No. 32, pp. 88-91.
  • Selections from A Maze of Stars Ác¬P¿ïĶ (John Cayley), No. 32, pp. 108-117.
  • Selections from Spring Water ¬K¤ô¿ïĶ (Grace Boynton), No. 32, pp. 92-107.
  • Superman ¶W¤H (Gong Shifen), No. 32, pp. 124-129.
  • The Little Orange Lamp ¤p¾ï¿O (Gong Shifen), No. 32, pp. 130-132.
  • Those Words ¤@¥y¸Ü (Eva Hung), No. 25, p. 52.

    Birch, Cyril ¥Õ¤§

  • Bigamy Unabashed: Ruan Dacheng's Comic Masterpiece, The Swallow Letter, No. 40, pp. 1-9.

    Blunden, Edmund

  • The Sleeping Amah, Nos. 29 & 30, p. 67.
  • View from the University of Hong Kong, Nos. 29 & 30, p. 68.

    Bo Yang ¬f·¨

  • The Ugly Chinaman Áà­®ªº¤¤°ê¤H (Don J. Cohn), No. 23, pp. 84-103.

    Boynton, Charlotte

  • Introduction to Selections from Spring Water ¬K¤ô¿ïĶ , No. 32, pp. 92-97.

    Bryant, Daniel ¥Õ¼í¼w

  • Three Varied Centuries of Verse—a brief note on Ming poetry, No. 8, pp. 82-84.

    Bullett, Gerald

  • An Experiment in Translation, No. 4, pp. 40-42.

    Cai Daoxian ½²¹D¾Ë

  • A Vindication of Wang Qiang and Mao the Painter ¬°¤ýéR¤ò¥£¸Ñ¼J (Haun Saussy), Nos. 59 & 60, pp. 98-99.

    Cai Zhifeng ½²§Ó®p (Choi Chi Fung)

  • Another Summer's Garden ¤S¬O®L©uªºªá¶é (Simon Patton), Nos. 47 & 48, pp. 204-207.
  • Sleepwalk in the Suburbs ¹Ú¹C­¥¥~ (Simon Patton), Nos. 47 & 48, pp. 202-203.
  • Temple Street¡DEarly One Friday ¼qµó¡D¬P´Á¤­­â±á®É (Simon Patton), Nos. 47 & 48, pp. 208-211.

    Cai Zhuotang ½²ÀÞ°ó (Tsai, Frederick C.)(See also Si Guo)

  • The Name and Nature of Translation, No. 10, pp. 112-120.
  • Umemployed ¥¢·~ (David E. Pollard), No. 66, pp. 72-78.

    Can Xue ´Ý³·

  • The Hut on the Hill ¤s¤Wªº¤p«Î (Michael S. Duke), Nos. 27 & 28, pp. 204-207.

    Cao, Anna ±ä¦w®R

  • To An Unknown Friend µ¹¥¼¨ÓªºªB¤Í (Amy Klauke and Zhu Zhiyu), Nos. 27 & 28, p. 249.

    Cao Cao ±ä¾Þ

  • The Indomitable Soul ÀtÁö¹Ø (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 62-63.
  • The Indomitable Soul ÀtÁö¹Ø (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 12.

    Cao Juren ±ä»E¤¯

  • Having Adrifted over the Sea of Life: excerpts ¯B¹L¤F¥Í©R®ü (Brian Holton), No. 66, pp. 66-71.

    Cao Pi ±ä¥A

  • Two Letters to Wu Zhi, Magistrate of Zhaoge »P§d½è®Ñ (Burton Watson), Nos. 41 & 42, pp. 7-11.

    Cao Sheng ±äÑÔ

  • Selections from An Ordeal under the Barbarians ¦i±w³Æ¹Á°O (Eva Hung), Nos. 53 & 54, pp. 232-237.

    Cao Xueqin ±ä³·ªà (Ts'ao Hsueh-ch'in)

  • On A Branch of Red Plum Flower ¬õ±öªá (David Hawkes), Nos. 21 & 22, p. 141.
  • Taohua xing ®çªá¦æ (David Hawkes), No. 13, pp. 56-59.

    Cao Yu 񄪉 (Ts'ao Yu)

  • The Consort of Peace: Act V ¤ý¬L§g (²Ä¤­¹õ)(Monica Lai), Nos. 59 & 60, pp. 221-254.
  • Peking Man ¥_¨Ê¤H (Act I) (Lily Winters), No. 3, pp. 66-80.
  • The Wilderness ­ì³¥ (Act II) (Jane Lai), No. 4, pp. 102-115.

    Cao Zhi ±ä´Ó (Ts'ao Chih)

  • Allegory Âø¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 64-65.
  • Allegory Âø¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 18.
  • The Great City ¦W³£½g (Mok Wing-yin), No. 2, p. 52.
  • Letter to Yang Dezu »P·¨¼w¯ª®Ñ (Richard M. W. Ho), Nos. 41 & 42, pp. 12-14.
  • The Peerless Beauty ¬ü¤k½g (Mok Wing-yin), No. 2, p. 50.
  • Seven-Pace Song ¤C¨B¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 17.
  • The Yellow Bird in the Field ³¥¥Ð¶À³¶¦æ (Mok Wing-yin), No. 2, p. 51.

    Cayley, John ³Í?¦w

  • Birds and Stars: Tagore's Influence on Bing Xin's Early Poetry, No. 32, pp. 118-123.
  • To Keep Them from Falling, Nos. 21 & 22, pp. 331-348.

    Chai Wawa ®ã«½«½

  • True Confession Äb®Ñ (Janice Wickeri), Nos. 29 & 30, pp. 157-158.

    Chan, Chi Tak ³¯´¼¼w (see Chen Zhide)

    Chan, Hok-lam ³¯¾ÇÀM

  • Two Ming Biographies, No. 4, pp. 83-84.

    Chan, Mimi ³¯¬ü¬ü

  • On Translating Chaucer into Chinese, No. 8, pp. 39-51.
  • Women in Hong Kong Fiction Written in English: the Mixed Liaison, Nos. 29 & 30, pp. 257-274.

    Chan Po Chun ³¯Ä_¬Ã (see Chen Baozhen)

    Chan Siu wah ³¯¤ÖµØ (see Chen Shaohua)

    Chan Tak Kam ³¯¼wÀA (see Chen Dejin)

    Chan Wai Ying ³¯´f­^ (see Chen Huiying)

    Chan, Wing-tsit ³¯ºa±¶ (see Chen Rongjie)

    Chang, Chun-shu ±i¬K¾ð and Hsueh-lun Chang ±i³·­Û

  • P'u Sung-ling and his Liaozhai zhi yi--Literary Imagination and Intellectual Consciousness in Early Qing China, No. 13, pp. 60-81.

    Chang Jian ±`«Ø

  • Hermitage at Broken-Hill Monastery ¯}¤s¦x«áÁI°| (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 100-101.
  • Hermitage at Broken-Hill Monastery ¯}¤s¦x«áÁI°| (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 35.

    Chang, Eileen ±i·R¬Â (see Zhang Ailing)

    Chang Hsiu-ya ±i¨q¨È (see Zhang Xiuya)

    Chang, Hsueh-lun ±i³·­Û and Chun-shu Chang ±i¬K¾ð

  • P'u Sung-ling and his Liaozhai zhi yi—Literary Imagination and Intellectual Consciousness in Early Qing China, No. 13, pp. 60-81.

    Chang Shi-kuo ±i¨t°ê (see Zhang Xiguo)

    Chang, Tsong-zung ±i¹|¤¯

  • Visionaries and Icon Painters: One Aspect of Hong Kong Contemporary Art, Nos. 29 & 30, pp. 275-292.

    Chao Buzhi ®Ð¸É¤§

  • Salt Crystals ÆQ¨¤¨à (Eva Hung), No. 58, pp. 44-45.

    Chao, Y. R. »¯¤¸¥ô

  • Where I Went Wrong in Matters of Language ¦^·Q§Ú¦b»y¨¥¤W¥Ç¹Lªº¿ù»~ (George Kao), No. 1, pp. 15-19.

    Chaves, Jonathan

  • Some Relationships Between Poetry and Painting in China, The Translation of Art, Renditions Books, pp. 85-91.

    Chen Anan ³¯¦w¦w

  • Every Calendar Page, A Victory Poster ±i±i¤é¾ä¤Æ³ß³ø (Hsu Kai-yu), No. 4, p. 99.

    Chen Baichen ³¯¥Õ¹Ð

  • A Lonely Childhood: excerpts ±I¹æªºµ£¦~ (Lousie Ko), No. 44, pp. 82-102.

    Chen Baozhen ³¯Ä_¬Ã (Chan Po Chun)

  • Addendum to a Conversation ¤@¦¸½Í¸Üªº¸É¥R»¡©ú (Janice Wickeri), No. 51, pp. 103-121.
  • Addendum to a Conversation ¤@¦¸½Í¸Üªº¸É¥R»¡©ú (Janice Wickeri), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 64-91.
  • The Love Story of Weird Guy and Weird Girl ©_¨k¤l©_¤k¤l (Duncan Hewitt), Nos. 47 & 48, pp. 107-109.

    Chen Chünhung ³¯¹m¥° (see Chen Junhong)

    Chen Chih-mai

  • Robert van Gulik and the Judge Dee Stories, No. 5, pp. 110-117.

    Chen Dejin ³¯¼wÀA (Chan Tak Kam)

  • Blind Fortune-tellers ¢¤RªÌ (Caroline Mason), No. 66, pp. 103-105.

    Chen Dongdong ³¯ªFªF

  • The North ¥_¤è (Li Fukang with Eva Hung), No. 37, pp. 108-109.
  • Scenery ­·´º (Li Fukang with Eva Hung), No. 37, p. 111.
  • Words µü»y (Li Fukang with Eva Hung), No. 37, p. 110.

    Chen Guanxue ³¯«a¾Ç

  • The Countryside: Past and Present ¥Ð¶é¤µ©õ (D. E. Pollard), Nos. 35 & 36, pp. 18-32.
  • The Countryside of the Past ©õ¤éªº¥Ð¶é (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 350-360.
  • Today's Countryside ¤µ¤éªº¥Ð¶é (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 360-367.

    Chen Hengzhe ³¯¿Å­õ

  • My Childhood Pursuit of Education: In Memory of My Uncle, Mr Chuang Sze-chien §Ú¥®®É¨D¾Çªº¸g¹L¡Ð¡Ð°O©À§Úªº¸¤¤÷²ø«ä½p¥ý¥Í (Janet Ng), May Fourth Women Writers (Memoirs), Renditions Paperbacks, pp. 35-48.

    Chen Hongxu ³¯¥°ºü

  • A Further Letter to Zhou Lianggong ¦A»P¼Ö¶é®Ñ (David Pattinson), No. 41 & 42, pp. 98-101.

    Chen Huiying ³¯´f­^ (Chan Wai Ying)

  • Tied Together by Fate ©R©w¬ÛÀHªºÁpô (Howard Goldblatt), Nos. 47 & 48, pp. 42-44.
  • Tied Together by Fate ©R©w¬ÛÀHªºÁpô (Howard Goldblatt), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 58-63.

    Chen I-Chih ³¯¸qªÛ (see Chen Yizhi)

    Chen Jinghua ³¯«lµØ

  • Our Will to Settle Here Will Never Fail ¤ã®Ú¹A§ø§Ó¤£²¾ (Richard King), No. 50, pp. 20-21.

    Chen Jingrong ³¯·q»T

  • Autumn ¬î (Evangeline Almberg), No. 32, pp. 74-75.
  • Drift ¯B´åªÌ (Evangeline Almberg), No. 32, pp. 78-79.
  • Early Morning Stroll ²M±áº©¨B (Evangeline Almberg), No. 32, p. 82.
  • The Knight's Love ÃM¤h¤§ÅÊ (Evangeline Almberg), No. 32, p. 76.
  • Left Behind ¿ò¯d (Evangeline Almberg), No. 32, pp. 80-81.
  • Night Song ©]ºq (Evangeline Almberg), No. 32, pp. 74-75.
  • October ¤Q¤ë (Evangeline Almberg), No. 32, p. 71.
  • On the Train ¨®¤W (Evangeline Almberg), No. 32, pp. 72-73.

    Chen Jiru ³¯Ä~¾§

  • Reply to Xu Xiake µª®}Áø«È (Julian Ward), No. 61, pp. 19-26.

    Chen Junhong ³¯¹m¥° (Chen Chünhung)

  • To Face ­±¹ï (Maggie Leung with Madeleine Marie Slavick), No. 61, pp. 123-124.

    Chen Kehua ³¯§JµØ (Chen Ko-Hua)

  • this life cage ¦¹¥Í¼ÔÅ¢ (Simon Patton), No. 58, p. 140.
  • containment ¥]®e (Simon Patton), No. 58, p. 141.
  • a dream of one fine day ¹Ú¨£¤@­Ó´¸¤Ñ (Simon Patton), No. 58, p. 144.
  • gazing into the distance one autumn day ¬î¤é»·²· (Simon Patton), No. 58, p. 143.
  • On the After-Dinner Television ¦b±ßÀ\«áªº¹qµø¤W (John and Esther Dent-Young), Nos. 35 & 36, pp. 246-249.
  • The Station at the End of the World ¥@¬ÉºÉÀYªº¨®¯¸ (Simon Patton), No. 61, pp. 102-103.

    Chen Ko-hua ³¯§JµØ (see Chen Kehua)

    Chen Li ³¯¾¤

  • Wooden Fish Ballad ¤ì³½®Ñ (Jane Lai), No. 61, pp. 92-95.

    Chen Rongjie ³¯ºa±¶ (Chan Wing-tsit)

  • Neo-Confucian Philosophical Poems §º©ú²z¾Ç®a¸ÖĶ, No. 4, pp. 5-21.

    Chen Ruoxi ³¯­YÄf (Chen Jo-hsi)

  • Another Fortress Besieged «°¸Ì«°¥~ (Richard Kent and Vivian Hsu), The Old Man and Other Stories, Renditions Paperbacks, pp. 113-142.
  • Ding Yun ¤B¶³ (Richard Kent and Vivian Hsu), The Old Man and Other Stories, Renditions Paperbacks, pp. 63-79.
  • 'I Love Chairman Mao' Âk (ºKͤ@) (Chi-Chen Wang), Two Writers and the Cultural Revolution, Renditions Books, pp. 155-158.
  • My Friend Ai Fen ¤k¤Í¦ãªâ (Richard Kent and Vivian Hsu), The Old Man and Other Stories, Renditions Paperbacks, pp. 81-111.
  • The Old Man ¦Ñ¤H (Diane Cornell and Don Cohn), The Old Man and Other Stories, Renditions Paperbacks, pp. 1-44.
  • Reunion in Nanking Âk (ºKͤG) (Howard Goldblatt), Two Writers and the Cultural Revolution, Renditions Books, pp. 159-169.
  • Ding Yun ¤B¶³ (Chi-chen Wang), Two Writers and the Cultural Revolution, Renditions Books, pp. 133-140.
  • Ding Yun ¤B¶³ (Chi-chen Wang), No. 10, pp. 93-100.
  • The Tunnel ¦a¹D (Chi-chen Wang), Two Writers and the Cultural Revolution, Renditions Books, pp. 141-149.
  • The Tunnel ¦a¹D (Chi-chen Wang), No. 10, pp. 101-109.
  • The Tunnel ¦a¹D (Chi-chen Wang), The Old Man and Other Stories, Renditions Paperbacks, pp. 45-62.

    Chen Shaohua ³¯¤ÖµØ (Chan Siu Wah)

  • White Hair ¥Õ¾v (Duncan Hunter), Nos. 47 & 48, pp. 112-114.

    Chen Shidao ³¯®v¹D

  • Watching the Tidal Bore ¤Q¤C¤éÆ[¼é (A.C. Graham), No. 25, p. 107.

    Chen Tianhua ³¯¤ÑµØ

  • Selections from Alarm Bells ĵ¥@ÄÁ (Ian Chapman), Nos. 53 & 54, pp. 238-246.

    Chen Yizhi ³¯¸qªÛ (Chen I-Chih)

  • A Chinese Valentine's Day Palette ¤C¤i½Õ¦â (Sylvia Lin), No. 61, p. 91.

    Chen Yingzhen ³¯¬M¯u

  • The Mountain Road ¤s¸ô (Anne White with Chu Chiyu and Huang Liangbi), No. 39, pp. 3-25.
  • Poor Poor Dumb Mouths ²YºGªºµL¨¥ªº¼L (Lucien Miller), Trees on the Mountain, Renditions Books, pp. 98-104.
  • Poor Poor Dumb Mouths ²YºGªºµL¨¥ªº¼L (Lucien Miller), Nos. 19 & 20, pp. 98-104.
  • A Race of Generals ±N­x±Ú (Lucien Miller), Trees on the Mountain, Renditions Books, pp. 90-97.
  • A Race of Generals ±N­x±Ú (Lucien Miller), Nos. 19 & 20, pp. 90-97.
  • Zhao Nandong: Part One-Ye Chunmei »¯«n´É²Ä¤@³¹—¸­¬K¬ü (Duncan Hewitt), Nos. 35 & 36, pp. 65-86.

    Chen Yu ³¯¦Ð (Ch'en Yu)

  • On Campaign ±q­x¦æ (Stephen Owen), Nos. 21 & 22, pp. 168-169.

    Chen Yujiao ³¯»P­¥

  • Lady Zhaojun Crosses the Frontier ¬L§g¥X¶ë (Elizabeth Wichmann-Walczak and Fan Xing), Nos. 59 & 60, pp. 181-194.

    Chen Yulan ³¯¥ÉÄõ

  • To Her Husband at the North Frontier ±H¤Ò (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 214-215.
  • To Her Husband at the North Frontier ±H¤Ò (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 82.

    Chen Yuyi ³¯»P¸q (Ch'en Yu-yi)

  • One Poem in "Five Chinese Lyrics" Á{¦¿¥P (D. C. Lau), No. 7, p. 47.
  • Riverbank Faery - climbing up to a hillside pavilion one night, I thought of the friends of my youthful days in Luoyang Á{¦¿¥P¡Ð¡Ð©]µn¤p»Õ¡B¾Ð¬¥¤¤Â¹C (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 200-201.
  • Riverbank Faery - climbing up to a hillside pavilion one night, I thought of the friends of my youthful days in Luoyang Á{¦¿¥P¡Ð¡Ð©]µn¤p»Õ¡B¾Ð¬¥¤¤Â¹C (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 94.

    Chen Zhide ³¯´¼¼w (Chan Chi Tak)

  • Boat and Home ²î©M®a (Janice Wickeri), Nos. 47 & 48, pp. 182-185.
  • Flag ºX (Janice Wickeri), Nos. 47 & 48, pp. 186-187.
  • My Paper-Cut City §Ú°Å¯È«° (Janice Wickeri), Nos. 47 & 48, pp. 188-193.
  • Recycle ¦A´`Àô³y (Janice Wickeri), Nos. 47 & 48, pp. 194-197.

    Chen Ziang ³¯¤l©ù and Bai Juyi

  • Businessmen ·P¹J¸Ö (C. Mulrooney), No. 43, p. 77.

    Cheng Naishan µ{¤D¬À

  • Why Parents Worry ¤÷¥À¤ß (Janice Wickeri), Nos. 27 & 28, pp. 235-248.

    Cheng, Stephen ¾Gºü¹p

  • Sing-song Girls of Shanghai and Its Narrative Methods, Chinese Middlebrow Fiction, Renditions Books, pp. 111-136.
  • Sing-song Girls of Shanghai and Its Narrative Methods, Nos. 17 & 18, pp. 111-136.

    Cheng Te-k'un ¾G¼w©[

  • Chinese Nature Painting, No. 9, pp. 5-29.

    Cheung, Dominic ±i¿ù (see Zhang Cuo)

    Cheung Kwok Man ±i°ê¤å (see Zhang Guowen)

    Cheung Siu Por ±i¤Öªi (see Zhang Shaobo)

    Chiang Chieh ½±±¶ (see Jiang Jie)

    Ch'i Chun µa§g (see Qi Jun)

    Chi Ta-wei ¬ö¤j°¶ (see Ji Dawei)

    Chi Zijian ¿ð¤l«Ø

  • Night Comes to Calabash Street ¸¬ÄªµóÀY°Û±ß (Janice Wickeri), No. 39, pp. 86-96.

    Choi Chi Fung ½²§Ó®p (see Cai Zhifeng)

    Chou Meng-tieh ©P¹Ú½º (see Zhou Mengdie)

    Chu Guangxi Àx¥ú¿ª

  • Wang Zhaojun ¤ý¬L§g (Julie Landau), Nos. 59 & 60, pp. 56-57.

    Chu Hsi-ning ¦¶¦è?(see Zhu Xining)

    Chu Tien-hsin ¦¶¤Ñ¤ß (see Zhu Tianxin)

    Chu Tien-wen ¦¶¤Ñ¤å (see Zhu Tianwen)

    Chu Yuan-chang (see Zhu Yuanzhang)

    Chung Chiao Áé³ì (see Zhong Qiao)

    Chung Ling Áé¬Â (see Zhong Ling)

    Chung Ling Ling Áé¬Â¬Â (see Zhong Lingling)

    Clark, Sir Kenneth

  • Feeling for Truth and Language, No. 14, p. 110.

    Cooke, Susette ¤ÕĬ¬À and Bonnie S. McDougall §ù³Õ©g

  • The Poetry and Fiction of Bei Dao/Zhao Zhenkai, Trees on the Mountain, Renditions Books, pp. 122-124.
  • The Poetry and Fiction of Bei Dao/Zhao Zhenkai, Nos. 19 & 20, pp. 122-124.

    Cui Guofu ±Z°ê»²

  • The Grass in the Ever-Faithful Palace ªø«H¯ó (Geoffrey R. Waters), No. 64, p. 25.

    Curwen, C. A.

  • Taiping Ideology, The Translation of Things Past, Renditions Books, p. 105.
  • Taiping Ideology, No. 15, p. 105.

    Dai Fugu À¹´_¥j (Tai Fu-ku)

  • Poems on Poetry (John Timothy Wixted), Nos. 21 & 22, pp. 360-361.
  • Pure Serene Music ²M¥­¼Ö (Alice W. Cheang), No. 58, pp. 32-33.
  • Pure Serene Music ²M¥­¼Ö (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 280-281.
  • Pure Serene Music ²M¥­¼Ö (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 139.
  • Song of the Grotto Faery ¬}¥Pºq (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 278-279.
  • Song of the Grotto Faery ¬}¥Pºq (Philip Watson), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 138.

    Dai Hongci À¹¬x·O

  • Selections from Diplomatic Mission to Nine Countries ¥X¨Ï¤E°ê¤é°O (Martha P.Y. Cheung), Nos. 53 & 54, pp. 119-125.

    Dan Ying ²H¼ü (Tan Ying)

  • Hanging Clothes out to Dry ÅΦ窺¤ß±¡ (John Balcom), No. 55, pp. 97-98.
  • Drinking the Wind ¶¼­·ªº¤H (Ling Chung and Kenneth Rexroth), No. 1, pp. 22-23.
  • The Mighty King of Chu ·¡ÅQ¤ý (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 100-103.
  • Unsimplified Characters ÁcÅé¦r (Ni Yibin), No. 55, pp. 99-100.

    DEL ±çÄRµØ

  • The Eight-Thirty Train 830¦C¨® (Louise Ho), Nos. 47 & 48, pp. 160-161.

    Deng Siyu ¾H¶à¬ê (Ssu-Yü Teng)

  • A Note on Mr. T'ao, The Translation of Things Past, Renditions Books, p. 80.

    Deng Xian ¾H½å

  • Dream of the Chinese Urban Youth: excerpts ¤¤°êª¾«C¹Ú (Richard King), No. 50, pp. 93-104.

    Deng Xiaohua ¾H¤p¾ì (Tang Siu Wa)

  • Stilled ©w¦í (Brian Holton), No. 56, pp. 118-120.

    Ding Linfa ¤BªLµo (Ting Lin-fa)

  • The Old Anchorman ¦ÑÁã¤u (Hsu Kai-yu), No. 4, pp. 100-101.

    Ding Ling ¤B¬Â (Ting Ling)

  • A Bullet Never Fired ¤@Áû¥¼¥X½£ªººj¼u (T.M. McClellan), No. 58, pp. 117-126.
  • In the Hospital ¦bÂå°|ùØ (Susan M. Vacca), No. 8, pp. 123-135.

    Ding Xilin ¤B¦èªL (Ting Hsi-lin)

  • Oppression À£­¢ (Joseph S. M. Lau), No. 3, pp. 117-124.

    Dong Jieyuan ¸³¸Ñ¤¸ (Tung Chieh-yuan)

  • The Romance of the Western Chamber (Chapter 6) ¦è´[°O½Ñ®c½Õ (Shiao-ling Yu), No. 7, pp. 115-131.

    Dong Qizhang ¸³±Ò³¹ (Dung Kai Cheung)

  • Spring Garden Lane ¬K¶éµó (Bonnie S. McDougall with Wong Yim Yan), No. 66, pp. 111-113.
  • The Young Shen Nong: excerpts ¤Ö¦~¯«¹A (Ian Chapman), Nos. 47 & 48, pp. 11-22.
  • The Young Shen Nong ¤Ö¦~¯«¹A (Ian Chapman), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 92-125.

    Dong Qiao ¸³¾ô

  • On Taste »¡«~¨ý (Jon Solomon), Nos. 29 & 30, pp. 163-165.
  • This Generation ³o¤@¥Nªº¬G¨Æ (Jon Solomon), Nos. 29 & 30, pp. 159-162.

    Dou Gong Äu¾d

  • The Graves of the Palace Women ®c¤H±× (Geoffrey R. Waters), No. 64, p. 36.

    Du Du §ù§ù

  • Going to the Movies ¬Ý¹q¼v (Eva Hung), No. 66, pp. 91-93.

    Du Fu §ù¨j (Tu Fu)

  • A Ballad of Beautiful Women, By the River's Edge ÄR¤H¦æ (Mimi Chan and Piers Gray), No. 14, p. 85.
  • Ballad of Lovely Women ÄR¤H¦æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 18-27.
  • Ballad of the Army Carts §L¨®¦æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 5-17.
  • Ballad of the Old Cypress ¥j¬f¦æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 156-164.
  • Border Campaigning «e¥X¶ë (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 134-135.
  • Border Campaigning «e¥X¶ë (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 50.
  • By the Lake «s¦¿ÀY (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 49-55.
  • By the River's Edge «s¦¿ÀY (Mimi Chan and Piers Gray), No. 14, p. 86.
  • The Chancellor of Shu ¸¾¬Û (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 103-108.
  • Dayun Temple, abbot Zan's Room, Four Poems ¤j¶³¦xÃÙ¤½©Ð¥|­º (Burton Watson), No. 55, pp. 10-15.
  • Distant View of the Temple on Ox Head ±æ¤ûÀY¦x (Burton Watson), No. 55, p. 24.
  • Dreaming of Li Po (1) ¹Ú§õ¥Õ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 87-92.
  • Dreaming of Li Po (2) ¹Ú§õ¥Õ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 93-98.
  • The Eight Formations ¤K°}¹Ï (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 185-187.
  • A Fine Lady ¨Î¤H (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 78-86.
  • For the Admonisher, Han Chu ±HÁú¿Ïijª` (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 165-173.
  • From a Height µn°ª (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 203-205.
  • Gazing at the Great Mount ±æÀ® (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 132-133.
  • Gazing at the Great Mount ±æÀ® (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 51.
  • The Guest «È¦Ü (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 109-112.
  • Leaving-taking at the Grave of Grand Marshal Fang §O©Ð¤Ó±L¹Ó (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 121-124.
  • Moonlit Night ¤ë©] (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 28-32.
  • Moonlight Night ¤ë©] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 140-141.
  • Moonlight Night ¤ë©] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 53.
  • A Night at Headquarters ±J©² (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 129-132.
  • Night at West House »Õ©] (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 181-184.
  • On a Prospect of T'ai-Shan ±æÀ® (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 1-4.
  • On Learning of the Recovery of Honan and Hopei by the Imperial Army »D©x­x¦¬ªe«nªe¥_ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 117-120.
  • On Meeting Li Kuei-nien in the South ¦¿«n³{§õÀt¦~ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 210-212.
  • On Seeing a Horse-painting by Ts'ao Pa in the House of the Recorder Wei Feng ­³¿Ø¿ý¨Æ¦vÆ[±ä±N­xµe°¨¹Ï (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 145-155.
  • On Seeing a Pupil of Kung-sun Dance the Chine-ch'I Æ[¤½®]¤j®Q§Ì¤l»R¼C¾¹¦æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 188-199.
  • On Yo-yang Tower µn©¨¶§¼Ó (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 206-209.
  • On the Tower µn¼Ó (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 125-128.
  • Quiet Moment µ´¥yº©¿³¤E­º¤§¤C (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 146-147.
  • Quiet Moment µ´¥yº©¿³¤E­º¤§¤C (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 56.
  • Sad Memories ¦Ü¼w¤G¸ü¨j¦Ûª÷¥úªù¥X¡A¶¡¹DÂk»ñµ¾¡C°®¤¸ªì±q¥ª¬B¿ò²¾µØ¦{Ùd¡C»P¿Ë¬G§O¡A¦]¥X¦¹ªù¡C¦³´d©¹¨Æ¡C (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 60-65.
  • A Second Farewell at the Feng-chi Post-station to His Grace the Duke of Cheng ©^ÀÙÅæ­«°eÄY¤½¥|Ãý (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 113-116.
  • Six Quatrains Written in Jest À¸¬°¤»µ´ (John Timothy Wixted), No. 14, pp. 39-41.
  • A Song of Painting: To General Cao Ba ¤¦«C¤Þ ÃØ±ä±N­xÅQ (David Lunde), No. 52, pp. 86-91.
  • A Song of Painting. To General Ts'ao Pa ¤¦«C¤Þ¡Ð¡ÐÃØ±ä±N­xÅQ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 133-144.
  • South Rampart Temple on the Hilltop ¯³¦{Âø¸Ö¤G¤Q­º¤§¤Q¤G (Burton Watson), No.55, p. 17.
  • Spring Night in the Imperial Chancellery ¬K±J¥ª¬Ù (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 56-59.
  • Spring Scene ¬K±æ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 45-48.
  • Staying Overnight in Abbot Zan's Room ±JÃÙ¤½©Ð (Burton Watson), No.55, p. 16.
  • Taking Leave of Abbot Zan §OÃÙ¤W¤H (Burton Watson), No.55, p. 18.
  • Thinking of My Brothers on a Moonlit Night ¤ë©]¾ÐªÙ§Ì (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 73-77.
  • Thoughts of Li Po from the World's End ¤Ñ¥½Ãh§õ¥Õ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 99-102.
  • Thoughts on an Ancient Site (1) µúÃh¥jÂÝ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 174-177.
  • Thoughts on an Ancient Site (2) µúÃh¥jÂÝ (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 178-180.
  • Thoughts on an Ancient Site III µúÃh¥jÂÝ ¨ä¤T (David Lunde), Nos. 59 & 60, pp. 42-43.
  • Thoughts on Drifting ®È©]®ÑÃh (Louise Ho), No. 66, p. 31.
  • Thoughts Written While Travelling at Night ®È©]®ÑÃh (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 200-202.
  • To the Recluse Wei Pa ÃØ½Ã¤K³B¤h (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 66-72.
  • The Unfortunate Prince «s¤ý®] (David Hawkes), A Little Primer of Tu Fu, Renditions Paperbacks, pp. 33-44.
  • Visiting an Old Friend to the recluse Octavus Wei, eighth member of the Wei family ÃØ½Ã¤K³B¤h (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 136-139.
  • Visiting an Old Friend to the recluse Octavus Wei, eighth member of the Wei family ÃØ½Ã¤K³B¤h (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 52.
  • Visiting the Temple of Abbot Wen ¿Ö¤å¤½¤W¤è (Burton Watson), No.55, pp. 22-23.
  • Visiting the Chan Master of Zhendi Temple ¿Ö¯u¿Í¦xÁI®v (Burton Watson), No.55, p. 25.
  • Visiting Xiujue Temple ¹C­×ı¦x (Burton Watson), No.55, p. 20.
  • The Winsome Bride ¨Î¤H (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 142-145.
  • The Winsome Bride ¨Î¤H (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 54-55.

    Du Jiaqi §ù®aªÂ (Tu, Heather)

  • Child «Ä¤l (Brian Holton), No. 56, p. 99.
  • Daughter ¤k¨à (Brian Holton), No. 56, p. 98.
  • Denial of the Flesh Ãö©ó¸T¼¤ (Louise Ho), Nos. 47 & 48, pp. 166-167.
  • Little Sister's Night ©f©fªº©]±ß (Brian Holton), No. 56, pp. 96-97.
  • Lunch at a Five Star Hotel in Central ¦b¤¤Àô¤­¬P¯Å°s©±¤ÈÀ\ (Louise Ho), Nos. 47 & 48, pp. 168-171.
  • Millennium Eve, Alone in Hokkaido, Japan ¤dÁH¤§©]¡A¿W¦Û¦b¤é¥»¥_®ü¹D (Brian Holton), No. 56, pp. 100-102.
  • The Witch's Song ¤k§Å¤§ºq (Louise Ho), Nos. 47 & 48, pp. 162-165.

    Du Lei §ù¦Ô (aka Du Xiaoshan §ù¤p¤s)

  • Makeshift Entertainment ´H©] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 232-233.
  • Makeshift Entertainment ´H©] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 92.

    Du Mu §ùªª

  • At Zhuzhou ÞQ¦{¦è¼î (Arthur Bull), No. 44, pp. 72-73.
  • Autumn Night Message ¬î©]±Hªô­û¥~ (Arthur Bull), No. 44, pp. 76-77.
  • Basin Pool ¬Ö¦À (Arthur Bull), No. 44, pp. 68-69.
  • Bird µn¼Ö¹C¶é (Graeme Wilson), No. 2, p. 116.
  • A Confession ¿òÃh (Mark Stevenson), No. 66, p. 42.
  • Egrets ÆOÅî (Arthur Bull), No. 44, pp. 66-67.
  • Golden Vale Garden ª÷¨¦¶é (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 202-203.
  • Golden Vale Garden ª÷¨¦¶é (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 71.
  • The Graves of the Palace Women ®c¤H¶ï (Geoffrey R. Waters), No. 64, p. 36.
  • In the Palace ®cµü (Geoffrey R. Waters), No. 64, p. 15.
  • A Monkey ·á (Cornelius Medvei, No. 66, p. 33.
  • Morning on the Qinhuai River ªy¯³²a (Cornelius Medvei), No. 66, p. 34.
  • On Sound µúÁn (Arthur Bull), No. 44, pp. 74-75.
  • On the City Esplanade - whence one sees the Five Tombs of Han Emperors ¼Ö´å­ì¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 200-201.
  • On the City Esplanade - whence one sees the Five Tombs of Han Emperors ¼Ö´å­ì¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 70.
  • Parting ÃØ§O (Cornelious Medvei), No. 66, p. 33.
  • River Tower ¦¿¼Ó (Cornelius Medvei), No. 66, p. 32.
  • A Sad Farewell ÃØ§O (John Turner), No. 1, p. 47.
  • A Sad Farewell ÃØ§O (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 204-205.
  • A Sad Farewell ÃØ§O (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 72.
  • South River Spring ¦¿«n¬K (Arthur Bull), No. 44, pp. 70-71.
  • To Han Chuo, Administrative Assistant, Yangzhou ±H´­¦{Áúºï§P©x (Mark Stevenson), No. 66, p.43.
  • Wisdom Temple, Yangzhou ÃD´­¦{ÁI´¼¦x (Mark Stevenson), No. 66, p. 44.
  • Yangzhou (No. 1 of 3) ´­¦{¤T­º¤§¤@ (Mark Stevenson), No. 66, pp. 41.

    Du Shisan §ù¤Q¤T

  • Needle °w (Andrew Parkin and Chu Chiyu), Nos. 35 & 36, pp. 254-255.
  • The Flesh as Heir ¾v½§½g (D. E. Pollard), Nos. 35 & 36, pp. 251-253.

    Du Xiaoshan §ù¤p¤s (see Du Lei §ù¦Ô)

    Du Yan §ù­l (Tu Yen)

  • Lotus in the Rain «B¤¤²üªá (Louise Ho), No. 10, p. 126.

    Du Ye ´ç¤]

  • The Chrysanthemum and the Sword µâªá»P¼C (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 274.
  • The Chrysanthemum and the Sword µâªá»P¼C (Dominic Cheung), Nos. 19 & 20, p. 274.
  • For Myself ¬°¤F½Ï¥Í (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 273.
  • For Myself ¬°¤F½Ï¥Í (Dominic Cheung), Nos. 19 & 20, p. 273.
  • Messages at the Station ®È«È¯d¨¥ (Eva Hung), Nos. 35 & 36, pp. 256-257.
  • Su Wu Tending Sheep ĬªZªª¦Ï (Eva Hung), Nos. 35 & 36, pp. 258-259.
  • Telephone Booth in the Rain «B¤¤ªº¹q¸Ü«F (Dominic Cheung), Trees on the Mountain, Renditions Books, p. 274.
  • Telephone Booth in the Rain «B¤¤ªº¹q¸Ü«F (Dominic Cheung), Nos. 19 & 20, p. 274.

    Duanmu Hongliang ºÝ¤ìíû¨}

  • Snowy Night ³·©] (Richard Rigby), No. 23, pp. 31-38.

    Dung Kai Cheung ¸³±Ò³¹ (see Dong Qizhang)

    Duo Si ¦·«ä (Tuo Ssu)

  • Between Agony and No Agony «sºE»P«D«sºE¤§¶¡ (Maghiel van Crevel), No. 61, p. 66.
  • Between Drowsiness and Consciousness ¦b´ý¾µ»Pª¾Ä±¤§¶¡ (Maghiel van Crevel), No. 61, p. 66.
  • Night Street ©]µó (Ling Chung and Kenneth Rexroth), No. 1, p. 24.

    Edwards, Louise

  • Late Twentieth Century Orientalism and Discourses of Selection, No. 44, pp. 1-11.

    Edwards, Richard

  • The Artist and the Landscape—Changing Views of Nature in Chinese Painting, The Translation of Art, Renditions Books, pp. 30-52.
  • The Artist and the Landscape—Changing Views of Nature in Chinese Painting, No. 6, pp. 30-52.

    Fan Chengda ­S¦¨¤j (Fan Ch'eng-ta)

  • Butterflies Romancing the Flowers ½ºÅʪá (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 208-209.
  • Butterflies Romancing the Flowers ½ºÅʪá (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 98.
  • Country Life ¥|®É¥Ð¶éÂø¿³ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 264-265.
  • Country Life ¥|®É¥Ð¶éÂø¿³ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 110.
  • Drunk, Down and Out ¾K¸¨¾z (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 210-211.
  • Drunk, Down and Out ¾K¸¨¾z (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 99.
  • Enchanting Eyes ²´¨à´A (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 212-213.
  • Enchanting Eyes ²´¨à´A (Mary M. Y. Fung and David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 100.
  • Five Seasons of a Golden Year - A Chinese Pastoral ¥|®É¥Ð­ìÂø¿³¤»¤Q­º (Gerald Bullett), Five Seasons of a Golden Year - A Chinese Pastoral, Renditions Books, pp. 43-45.
  • The Golden Year of Fan Ch'eng-ta ­S¦¨¤j¥|®É¥Ð¶éÂø¿³ (Gerald Bullett), No. 4, pp. 43-45.

    Fan Sin Piu ¼Ôµ½¼Ð (see Fan Shanbiao)

    Fan Shanbiao ¼Ôµ½¼Ð (Fan Sin Piu)

  • Afternoon Anxieties ¤U¤ÈÄa©À (Ian Chapman), Nos. 47 & 48, pp. 152-153.
  • I Walked Beneath A Light ¨«¹L¿O¤U (Ian Chapman), Nos. 47 & 48, pp. 158-159.
  • Nostalgia imagining a future 1993 in the year 1993 Ãh¡G¦b1993Äa·Q±N¨Óªº1993 (Ian Chapman), Nos. 47 & 48, pp. 154-155.
  • Passing My Father's Old Shop ¨«¹Lª¨ª¨ªºÂ©± (Ian Chapman), Nos. 47 & 48, pp. 156-157.

    Fan Ye ­S¾ç

  • Hou Han Shu: Biographies of Recluses «áº~®Ñ¡G¶h¥Á¦C¶Ç (Burton Watson), Nos. 33 & 34, pp. 35-51.

    Fang Bao ¤è­c (Fang Pao)

  • Letter to Wang Kunsheng »P¤ý±X÷®Ñ (C. T. Hsia), No. 41 & 42, pp. 118-122.
  • Life in Prison º»¤¤Âø°O (D. E. Pollard), Nos. 33 & 34, pp. 195-200.
  • Life in Prison º»¤¤Âø°O (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 171-121.
  • Tso Kuang-tou and Shih K'o-fa ¥ª©¾¼Ý¤½¶h¨Æ (Wen-djang Chu), No. 8, pp. 97-98.

    Fang Si ¤è«ä

  • Bridge ¾ô (John Balcom), No. 61, pp. 54-55.

    Fang Xiaoru ¤è§µÀ©

  • The Mosquito Dialogue °A¹ï (D. E. Pollard), Nos. 33 & 34, pp. 144-147.
  • The Mosquito Dialogue °A¹ï (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 84-86.

    Feng Guifen ¶¾®Ûªâ

  • Selections from Petitions from Jiaobin lu ®ÕˬÃf§Üij (Eva Hung), Nos. 53 & 54, pp. 33-38.

    Feng Menglong ¶¾¹ÚÀs (Feng Meng-lung)

  • The Case of the Dead Infant ªp¤Ó¦u¸ôÂ_¦º«Ä¨à (C. T. Hsia and Susan Arnold Zonana), No. 2, pp. 53-64.
  • The Case of the Gold Hairpins ³¯±s¥v¥©°Éª÷³¦¹f (P. C. Yao), No. 5, pp. 118-136.
  • Caught in the Bushes ±¾ªK¨à (Brian Holton), No. 57, pp. 78-96.
  • Coughing «y¹Â (Brian Holton and Chu Chiyu), No. 57, p. 81.
  • Cuddles And Hugs ºO©ê (Brian Holton and Chu Chiyu), No. 57, p. 82.
  • Everlasting Love ªø±¡ (Brian Holton and Chu Chiyu), No. 57, p. 91.
  • The Fifth Watch Of Night ¤­§ó¤Ñ (Brian Holton and Chu Chiyu), No. 57, pp. 92-96.
  • Fooling Aorund#2 ½Õ±¡ ¤S (Brian Holton and Chu Chiyu), No. 57, p. 87.
  • Fooling Around#3 ½Õ±¡ ¤S (Brian Holton and Chu Chiyu), No. 57, p. 88.
  • Fooling Around#4 ½Õ±¡ ¤S (Brian Holton and Chu Chiyu), No. 57, p. 89.
  • Knocked Up & Worried ·T¥¥ (Brian Holton and Chi Chiyu), No. 57, p. 90.
  • Lovers Meeting ¬Û·| (Brian Holton and Chu Chiyu), No. 57, p. 86.
  • Need You so Bad ©Ê«æ (Brian Holton and Chu Chiyu), No. 57, p. 82
  • Patience ­@¤ß (Brian Holton and Chu Chiyu), No. 57, pp. 83-84.
  • Wedding Night ¨Î´Á (Brian Holton and Chu Chiyu), No. 57, p. 85.
  • Preface to The Hall of Laughter ¯º©²§Ç (Eva Hung), Nos. 33 & 34, pp. 188-189.
  • Wang Xinzhi's Death, and How It Saved His Whole Family ¨L«H¤§¤@¦º±Ï¥þ®a (C. T. Hsia and John Page), No. 23, pp. 6-30.
  • Xingshi Hengyan: How Hailing of the Jurchens was Destroyed through Unbridled Lust ¿ô¥@«í¨¥¡Gª÷®ü³®Áa±ý¤`¨­ (Gophal Sukhu), No. 26, pp. 22-50.

    Feng Qing ¶¾«C

  • Water Ginger Flower ¤ôÁ¤ªá (Ling Chung and Sean Golden), Nos. 27 & 28, p. 106.

    Feng Tai ¶¾®õ

  • A Soul Departed Before Its Time »îÂkÂ÷«ë¤Ñ (Rita Lin), No. 50, pp. 124-127.

    Feng Yansi ¶¾©µ¤x

  • Butterflies Romancing the Flowers (No. 1) ½ºÅʪá¡]¤@¡^ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 60-61.
  • Butterflies Romancing the Flowers (No. 1) ½ºÅʪá¡]¤@¡^ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 21.
  • Butterflies Romancing the Flowers (No. 2) ½ºÅʪá¡]¤G¡^ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 62-63.
  • Butterflies Romancing the Flowers (No. 2) ½ºÅʪá¡]¤G¡^ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 22.
  • Picking Mulberry Leaves ªö®á¤l (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 64-65.
  • Picking Mulberry Leaves ªö®á¤l (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 23.

    Feng Zikai Âפl·_

  • Autumn ¬î (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 224-228.
  • Bombs in Yishan ©y¤s¹J¬µ°O (D. E. Pollard), No. 38, pp. 77-83.
  • Bombs in Yishan ©y¤s¹J¬µ°O (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 228-234.
  • Eating Melon Seeds ¦Y¥Ê¤l (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 218-224.

    Fonoroff, Paul ¤è«Où

  • A Brief History of Hong Kong Cinema, Nos. 29 & 30, pp. 293-308.

    Fu Lujian ³Å¸S«Ø

  • The Humiliation of the Dead ¦ºªÌªº©}°d (Rita Lin), No. 50, pp. 127-131.

    Gan Bao ¤zÄ_ (Kan Pao)

  • In Search of the Supernatural—Selection from Soushen ji ·j¯«°O (Kenneth DeWoskin), No. 7, pp. 103-114.

    Gan Tiesheng ¥ÌÅK¥Í

  • The Reunion »E·| (Mark Caltonhill), No. 50, pp. 83-92.

    Gao Ertai °ªº¸®õ

  • The Blue Coat ÂÅ¥ÖÃÍ (David E. Pollard), No. 65, pp. 80-83.
  • Curious Tales from the Cow Shed ¤û´×§Ó²§ (David E. Pollard), No. 65, pp. 106-114.
  • The Mark of Happiness ©¯ºÖªº²Å¸¹ (David E. Pollard), No. 65, pp. 83-88.
  • Paradise Ungained ®ç·½±æµ´ (David E. Pollard), No. 65, pp. 89-106.
  • Tang Suqin ­ð¯Àµ^ (David E. Pollard), No. 65, pp. 62-79.

    Gao Qi °ª±Ò (Kao Ch'i)

  • The Temple of Chih Tun ¤ä¹PµÚ (Daniel Bryant), No. 8, p. 85.
  • War Tombs °e³¯¨q¤~ÁÙ¨F¤W¬Ù¹Ó (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 292-293.
  • War Tombs °e³¯¨q¤~ÁÙ¨F¤W¬Ù¹Ó (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 121.

    Gao Shi °ª¾A

  • Parting Song - parting from the eldest youth of the Dong family §O¸³¤j (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbooks, pp. 130-131.
  • Parting Song - parting from the eldest youth of the Dong family §O¸³¤j (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 49.

    Gao Xingjian °ª¦æ°·

  • The Bus-stop ¨®¯¸ (Excerpt) (Geremie Barme), Trees on the Mountain, Renditions Books, pp. 379-386.
  • The Bus-stop ¨®¯¸ (Excerpt) (Geremie Barme), Nos. 19 & 20, pp. 379-386.
  • Contemporary Technique and National Character in Fiction ²{¦b§Þ¥©»P¥Á±Úºë¯« (Ng Mau-sang), Trees on the Mountain, Renditions Books, pp. 55-58.
  • Contemporary Technique and National Character in Fiction ²{¦b§Þ¥©»P¥Á±Úºë¯« (Ng Mau-sang), Nos. 19 & 20, pp. 55-58.

    Ge Yi ¸¯©y

  • Zhaojun ¬L§g (Maureen Robertson), Nos. 59 & 60, pp. 110-111.

    Giles, Herbert Allen

  • Gems of Chinese Literature (compiled by Ping-wei Huang), No. 57, pp. 7-27.

    Goldblatt, Howard ¸¯¯E¤å

  • Xiao Hong and Lu Xun, The Translation of Things Past, Renditions Books, p. 168.
  • Xiao Hong and Lu Xun, No. 15, p. 168.

    Gong Weizhai ÅÇ¥¼ÂN

  • Letter from the Snow-Swan Studio ³·ÂE°a¤ØÃ| (Cecile Chu-chin Sun), Nos. 41 & 42, pp. 144-148.

    Gong Zizhen ÅǦ۬Ã

  • On the Departure of the Jinshi Scholar Xia °e®L¶i¤h§Ç (Janice Wickeri), Nos. 33 & 34, p. 204.
  • Passing through Yangzhou ¹L´­¦{ (Mark Stevenson), No. 66, p. 51.
  • Plum Tree Infirmary ¯f±öÀ]°O (Janice Wickeri), Nos. 33 & 34, pp. 210-204.

    Gray, Piers and Mimi Chan

  • The Game of Names: A Note on Rendering Chinese Poetry into English Verse, No. 14, pp. 87-94.

    Gu Cao ©t¯ó

  • Images of Hong Kong in the Tourist Association's Publicity Films ®È¹C¨ó·|«Å¶Çµu¤ù¤¤ªº­»´ä§Î¶H (Eva Hung), Nos. 47 & 48, pp. 218-219.

    Gu Cheng ÅU«° (Ku Cheng)

  • About Bulin Ãö©ó¥¬ªL (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 98.
  • Accomplice ±q¥Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 121.
  • Adolescence À´¨Æ¦~ÄÖ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 113.
  • After the Air Raid ªÅŧ¹L«á (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 123.
  • Afternoon ¤U¤È (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 134.
  • Agenda "0" 0¸¹Ä³®× (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 109.
  • Aid §U (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 145.
  • Alumina ÅK (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 157.
  • Ancient Days ¤é (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 129.
  • Ancient Site ¬G§} (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 7.
  • An Ancient War ¥j¥N¾Ôª§ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 49.
  • And »P (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 135.
  • Antiphony of Ghostly Voices ¨â²ÕÆF»îªº©MÁn (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 59-63.
  • Arc ©·½u (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 27.
  • Ark ¤è¦à (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 113.
  • Arrow ½b (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 161.
  • As Clear as Can be ¤j²M (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 144.
  • At Parting ÃØ§O (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 10.
  • An Autobiographical Montage °Å±µªº¦Û¶Ç (Liu Changying), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. xxi-xxii.
  • Before Sleep ºÎ«e (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 127.
  • The Beginning of Troubled Times ¶Ã¥@¤§ªì (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 132.
  • Birthday ¥Í¤é (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 57.
  • Blank TV Screen ¶Â¹qµø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 116.
  • Blood Relations ¦å½t (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 130.
  • Book Cover «Ê­¶ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 119.
  • Bulin: Birth & Departure from the Country ¥¬ªLªº¥X¥Í¤Î¥X°ê (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 99-100.
  • Bulin is Dead, It Seems ¥¬ªL¦n¹³¦º¤F (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 111.
  • The Bulin File ¥¬ªLªºÀÉ®× (Eva Hung), No. 31, pp. 91-115.
  • The Bulin March ¥¬ªL¶i¦æ¦± (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 108.
  • Bulin Met Bandit ¥¬ªL¹J¨£¤F±jµs (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 104-105.
  • The Bulin Non-March ¥¬ªL¤£¶i¦æ¦± (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 109.
  • Bullin's Composition for the Professional Lullaby Composers' Entrance Exam ¥¬ªL³ø¦Ò¶Ê¯v¦±±M·~ªº§@¤å (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 105.
  • Bulin's Last Will & Testament ¥¬ªLªº¿òÅñ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 111.
  • Bulin's Prayer: a Live Recording ¥¬ªL¬è몺­ìª©¿ý­µ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 106-107.
  • Bulin's Speech to the Nursery Supreme Council ¥¬ªL¦b«O¨|°|³Ì°ª·|ij¤Wªºµo¨¥ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 106.
  • Bungalow ¥­©Ð (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 137.
  • Butterfly ½¹½º (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 127.
  • By the Door ªù«e (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 68.
  • By the Edge of the Dream Sea ¦b¹Ú®üÃä (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 32.
  • Campaign ¹B°Ê (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 116.
  • Child's Play ¹CÀ¸ (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 25.
  • Childhood µ£¦~ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 113.
  • Chimney ·Ï§w (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 1.
  • Cicada Sound ÂÍÁn (Simon Patton), No. 43, p. 122.
  • The Cliffs ¥Û¾À (Tao Tao Liu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 18.
  • The Coming ¨ÓÁ{ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 74.
  • Confession §Ú©Ó»{ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 84.
  • A Couplet ¹ïÁp (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 110.
  • Creditor's Rights ¶ÅÅv (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 130.
  • Curriculum Vitae ²¾ú (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 30.
  • Curtain Pull ÷¤l (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 139.
  • Deedledeedee ºwªº¨½ºw (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 164-167.
  • Departure Â÷ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 134.
  • Developing Äá (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 6.
  • The Dharma Gate ªkªù (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 159.
  • Distribution ¤À¥¬ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 89.
  • Discovery µo²{ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 102-103.
  • Don't Say Anything Anymore, I'm not Going to Give in ¤£­n»¡¤F¡A§Ú¤£·|©}ªA (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 11-12.
  • Dream Garden ¹Ú¶é (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 68.
  • Durge ³àºq (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 128.
  • Early Riser ¦­°_ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 122.
  • Early Summer ªì®L (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 45-46.
  • Edge Ãä (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 152.
  • An Ending µ²§ô (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 6.
  • A Eulogy World ¹|ºq¥@¬É (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 132.
  • Evasion ³WÁ× (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 32-33.
  • The Evening of Life ¼Ç¦~ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 78-80.
  • Eye ¥Ø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 136.
  • A Fantasia to Life ¥Í©R¤Û·Q¦± (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 3-5.
  • Far and Near »·©Mªñ (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 211.
  • Far and Near »·©Mªñ (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 211.
  • Final Farewell to a Graveyard ¥Ã§O¤F¡A¹Ó¦a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 34-40.
  • Flowers of Morning ¦­±áªºªá (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 82-83.
  • For My Revered Master Hans Andersen µ¹§Úªº´L®v¦w®{¥Í (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 211.
  • For My Revered Master Hans Andersen µ¹§Úªº´L®v¦w®{¥Í (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 211.
  • For My Revered Master Hans Andersen µ¹§Úªº´L®v¦w®{¥Í (Tao Tao Liu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 16.
  • Going to School ¤W¾Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 141.
  • Halfback «e½Ã (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 163.
  • Handling the World À³¥@ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 131.
  • Harvest ¦¬Àò (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 46.
  • Heap °ï (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 140.
  • Here We Cannot Get to Know Each Other ³o¸Ì¡A§Ú­Ì¤£¯à¬ÛÃÑ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems Renditions Paperbacks, p. 13.
  • Home. Home ®a¡D®a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 156-157.
  • Homework §@·~ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 153.
  • Horned Toad ¨¤ÃÊ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 128.
  • Huadiao's Apologia ªáÀJªº¦Û»y (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 19.
  • I am Still Collecting Golden Pipe Tobacco §ÚÁÙ¦b¦¬¶°ª÷¶Àªº·Ïµ· (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 117.
  • I Can Breathe Like Green Grass §Ú·|¹³«C¯ó¤@¼Ë©I§l (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 63.
  • I Give You Each a Knife §Ú§â¤Mµ¹§A­Ì (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 154.
  • I'm an Obstinate Child §Ú¬O¤@­Ó¥ô©Êªº«Ä¤l (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 46-49.
  • Images in Black and White ¨S¦³µÛ¦âªº·N¹³ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 77.
  • Impressions ·Pı (Shiao-ling Yu), No. 16, p. 72.
  • In the Calm Before the Storm ¦b¤j­·¼É¨ÓÁ{ªº®É­Ô (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 58.
  • In the Gobi Desert I Became a Nomad ¦b¤à¾À¡A§Ú¦¨¤F´åªªªÌ (Simon Patton), No. 43, pp. 120-121.
  • In this Broad, Bright World ¦b³o¼e¤j©ú«Gªº¥@¬É¤W (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 53.
  • Ink Brush ­Ý²@ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 138.
  • Iron Bell ÅK¹a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 89-93.
  • It is the Tree's Capacity to Swim ¬O¾ð¤ì´åªaªº¤O¶q (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 112.
  • Lacuna ªÅ»Ø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 44.
  • The Land Roll Off ¤g¦a¬OÅs¦±ªº (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 44.
  • Leo §Q­Y (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 160.
  • Lesser Spirit ¤p¯« (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 167.
  • The Look of the Wind ­·ªº¼Ë¤l (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 138.
  • The Machine Makes Its Nest in the City ¾÷¾¹¦b«°¥«¸Ì°µ±_ (Simon Patton), No. 43, pp. 114-115.
  • Man ¨k¤l (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 149.
  • Martyrdom ´N¸q (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 17.
  • Mid-Month ¤ë¥b (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 121.
  • Misfortune Arrives as Expected ¦p´Á¦Ó¨Óªº¤£©¯ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 122.
  • Misty Mondo ÂaÄg¸Ö°Ýµª (Sean Golden with David Wakefield and Su Kuichun), Trees on the Mountain, Renditions Books, pp. 187-220.
  • Misty Mondo ÂaÄg¸Ö°Ýµª (Sean Golden with David Wakefield and Su Kuichun), Nos. 19 & 20, pp. 187-220.
  • Misty Mondo ÂaÄg¸Ö°Ýµª (Shi Liang), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 168-171.
  • Mountain City ¤s«° (Simon Patton), No. 43, pp. 106-107.
  • My Graveyard §Úªº¹Ó¦a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 50.
  • Name ¦W (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 136.
  • Nameless Flower µL¦Wªº¤pªá (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 2.
  • Narrative ±Ô¨Æ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 119.
  • Nature ¦ÛµM (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 131.
  • Near And Far »·©Mªñ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 26.
  • New Year's Eve ¦~©] (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 41.
  • New Year's Painting ¦~µe (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 128.
  • No More Goodbyes ¤£¬O¦A¨£ (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 56.
  • Nostos ¦^Âk (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 214.
  • Nostos ¦^Âk (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 214.
  • Nostos I ¦^Âk¡]¤@¡^ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 42-43.
  • Nostos II ¦^Âk¡]¤G¡^ (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 43.
  • Not Many Birds are Left in the Village §ø¤l¸Ì³¾¤£¦h¤F (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 148.
  • Ode to Spring ¤p¬K¤ÑªºÁÁ¦± (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 64.
  • Of ¨ä (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 135.
  • Old Times ³uªÌ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 69-73.
  • On Parting ÃØ§O (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 210.
  • On Parting ÃØ§O (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 210.
  • One Generation ¤@¥N¤H (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 1.
  • The One in the Sun ¶§¥ú¤Uªº¤H (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 149.
  • Or ©Î (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 150.
  • The Origin of Moon and Stars ¬P¤ëªº¨Ó¥Ñ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 1.
  • Overlapping Shadows ­¡¼v (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 65-66.
  • A Pack of Wolves ¯T¸s (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 130.
  • A Painting Inside a Snuff Bottle ¤ºµe (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 115.
  • The Parted Sea ¤À§Oªº®ü (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 74-76.
  • The Patterns of the Sea ®üªº¹Ï®× (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 84-87.
  • A Peck ¤p¤û (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 144.
  • Physiognomy of the Scholar in Sackcloth ³Â¦ç¬Ûªk (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 147.
  • Photographing Äá (Shiao-ling Yu), No. 16, p. 73.
  • Primary School ¤p¾Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 127.
  • A Prompt ´£¥Ü (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 112.
  • Poetic Emotion ¸Ö±¡ (Simon Patton), No. 43, pp. 110-111.
  • Poverty, the Tip of His Nose is Cold ½a¡A¦³­Ó²D²Dªº»ó¦y (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 81.
  • Primary School ¤p¾Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 127.
  • Prospect ®i±æ (Simon Patton), No. 43, pp. 118-119.
  • Pure Land ²b¤g (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 80.
  • The Queen on the Coin µw¹ô¤¤ªº¤k¬Ó (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 133.
  • Quicksilver ¤ô»È (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 150-151.
  • Red Wheat ¬õ³Á (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 158.
  • Red Wine ¬õ°s (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 139.
  • Résumé ²¾ú (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, pp. 218-219.
  • Résumé ²¾ú (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, pp. 218-219.
  • Right there, in that Small Village ´N¦b¨º­Ó¤p§ø¸Ì (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 120.
  • Rite ²½ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 26.
  • River Mouth ªe¤f (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 123-124.
  • Scarlet ´i (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 140.
  • The Season - Preserving Evening and Morning ©u¸`¡D«O¦s¶À©ü©M¦­±á (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems Renditions Paperbacks, pp. 124-126.
  • See You Again ¦A¨£ (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 33.
  • Self ¥»¨­ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 120.
  • Shadow of Mountain ¤s¼v (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 7.
  • Silver Jewels of the Afternoon ¤U¤Èªº»È¹¢ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 135.
  • Sketch on Demand ¨Dµe (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 114-115.
  • The Sky is There Above ¤WÃ䦳¤Ñ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 142.
  • A Small Lane ¤p«Ñ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 25.
  • Smoking §l·Ï (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 158.
  • A Snowman ³·¤H (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 9.
  • Solace ¦w¼¢ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 41.
  • Solar Halo ¤é·w (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 163.
  • Sometimes, I Really Wish ¦³®É¡A§Ú¯u·Q (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 67.
  • The Soul Lives in a Lonely House ÆF»î¦³¤@­Ó©t±Iªº¦í©Ò (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 134.
  • Source ¨Ó·½ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 118.
  • A Split Pair ¨â¦a (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 28-29.
  • Spring ¬K¥ú (Simon Patton), No. 43, pp. 108-109.
  • A Stare ¾®µø (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 212.
  • A Stare ¾®µø (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 212.
  • A Stare ¾®µø (Tao Tao Liu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 15.
  • Stillness, a Man Falls from a Horse ÀRÀRªº¸¨°¨ªÌ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 94-97.
  • Stop °± (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 137.
  • Table ®× (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 145.
  • Telex ¹q¶Ç (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 162.
  • Tenebrous îî (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 156.
  • Thatched Hut ¯ó´× (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 27.
  • The Things We Write §Ú­Ì¼gªF¦è (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 148.
  • Thoroughfare Åü (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 162-163.
  • Time ®É (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 149.
  • To A Null Star µ¹¤@Áû¨S¦³ªº¬P¬P (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 220.
  • To A Null Star µ¹¤@Áû¨S¦³ªº¬P¬P (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 220.
  • To a Null Star µ¹¤@Áû¨S¦³ªº¬P¬P (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 30-31.
  • To My Deceased Grandmother µ¹§Ú³u¥hªº¦Ñ¯ª¥À (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 50-51.
  • Trap Door ¾÷Ãö (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 143.
  • Two Love Arenas ¨â­Ó±¡³õ (Shiao-ling Yu), No. 16, p. 72.
  • Two Love Markets ¨â­Ó±¡³õ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 8.
  • Twittering and Chattering Stillness ¼T¼T³å³åªº±IÀR (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 14.
  • Three Poems in "Voices of Young Poets from the PRC" (Shiao-ling Yu), No. 16, pp. 72-73.
  • Tragedy of the Poet ¸Ö¤Hªº´d¼@ (Simon Patton), No. 43, pp. 112-113.
  • Truly, This is the World ªº½T¡A³o´N¬O¥@¬É (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 88.
  • Tuning in ½ÕÀW (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 129.
  • Uprising °_¸q (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 118.
  • Vehicle ¨®½ø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 118.
  • Warm Day ·x¤Ñ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 155.
  • Waterlands ¤ô¶m (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, pp. 21-24.
  • Weekend ¶g¥½ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 133.
  • When the Time Comes ©¡®É (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 146.
  • White Nights ¥Õ©] (John Cayley), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 54.
  • Who'd Have Thought ½Ö¯à·Q¨ì¡H (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 101.
  • Wicker Vat ¬hÅø (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 143.
  • The Wind Stole Our Oar ­·°½¥h¤F§Ú­Ìªº¼Õ (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, pp. 216-217.
  • The Wind Stole Our Oar ­·°½¥h¤F§Ú­Ìªº¼Õ (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, pp. 216-217.
  • The Wind Stole Our Oar ­·°½¥h¤F§Ú­Ìªº¼Õ (David Wakefield and Su Kuichun), Renditions Paperbacks, pp. 52-53.
  • Winter Day's Longing ¥V¤éªº·Å±¡ (Sean Golden, Tao Tao Liu et al.), Trees on the Mountain, Renditions Books, p. 213.
  • Winter Day's Longing ¥V¤éªº·Å±¡ (Sean Golden, Tao Tao Liu et al.), Nos. 19 & 20, p. 213.
  • Winter Day's Longing ¥V¤éªº·Å±¡ (David Wakefield and Su Kuichun), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 31.
  • Wish Ä@ (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 146.
  • Words ¦r (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 115.
  • Worm ³L°C (Simon Patton), No. 43, pp. 116-117.
  • Yeah §r (Sean Golden and Chu Chiyu), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 151.
  • A Yellow Mud Track in Winter ¨º¬O¥V¤Ñªº¶À¤g¸ô (Eva Hung), Gu Cheng: Selected Poems, Renditions Paperbacks, p. 55.

    Gu Kuang ÅUªp

  • In the Palace ®cµü (Geoffrey R. Waters), No. 64, p. 14.
  • The Poem Written on a Leaf that Floated out of the Palace Garden ¸­¤WÃD¸Ö±q­b¤¤¬y¥X (Geoffrey R. Waters), No. 64. pp. 16-17.

    Gu Qinghai ÅU«C®ü

  • Zhaojun: Act III ¬L§g (²Ä¤T¹õ) (David E. Pollard), Nos. 59 & 60, pp. 211-220.

    Gu Sui ÅUÀH (Ku Sui)

  • Interpretation of Su Tung-p'o's Ci ­Â¾mµÚªF©Yµü»¡ (Huang Kuo-pin and Teresa Yee-wha Yu), Nos. 11 & 12, pp. 157-176.

    Gu Xiong ÅUåÀ

  • Heart's Utterance ¶D°J±¡ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 216-217.
  • Heart's Utterance ¶D°J±¡ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 83.

    Gu Yanwu ÅUª¢ªZ

  • Discussing the Matter of Learning with a Friend »P¤Í¤H½×¾Ç®Ñ (D. C. Lau), Nos. 41 & 42, pp. 102-105.

    Guan Guan ºÞºÞ

  • long alley song ªø«Ñµü (Eva Hung), No. 61, p. 57.

    Guan Hanqing Ãöº~­ë (Kuan Han-ch'ing)

  • On Love ÃD±¡ (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 225.
  • A Sister Courtesan Comes to the Rescue »¯¬ß¨à­·¤ë±Ï­·¹Ð (George Kao), No. 49, pp. 7-41.
  • Songs of Kuan Han-ch'ing Ãöº~­ë´²¦±¤G­º (Allen P. Alsop and C. Godwin), No. 3, pp. 28-30.
  • Title Missing To the Tune of Four Pieces of Jade ¥¢ÃD ¥|¶ô¥É (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 227.

    Guan Lishan ÃöÄR¬À (Kwan, Lai Shan Patsy)

  • The Angel and the Angel's Halo ¤Ñ¨Ï»P¤Ñ¨Ïªº¥úÀô (D. E. Pollard), Nos. 47 & 48, pp. 23-41.
  • The Angel and the Angel's Halo ¤Ñ¨Ï»P¤Ñ¨Ïªº¥úÀô (D. E. Pollard), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 58-63.

    Guan Yunshi ³e¶³¥Û (Kuan Yün-shih)

  • Title Missing To the Tune A Clear River ¥¢ÃD ²M¦¿¤Þ (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 228.

    Gui Youguang Âk¦³¥ú

  • My Mother: A brief Life ¥ý§­¨Æ²¤ (D. E. Pollard), Nos. 33 & 34, pp. 151-152.
  • My Mother: A brief Life ¥ý§­¨Æ²¤ (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 89-91
  • To the Students at My Mountain Lodgings ¤sªÙ¥Ü¾ÇªÌ®Ñ (Robert E. Hegel), Nos. 41 & 42, pp. 85-88.
  • The Xiangji Studio ¶µ¯á°a§Ó (D. E. Pollard), Nos. 33 & 34, pp. 153-154.
  • The Xiangji Studio ¶µ¯á°a§Ó (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 91-93

    Gunn, Edward ¯Õ¼wµØ

  • On Yang Chiang ·¨©u±d, No. 14, p. 42.

    Guo Moruo ³¢ªz­Y

  • Marx Enters the Confucian Temple °¨§J´µ¶i¤å¼q (John Timothy Wixted and Matthew Finkbeiner), No. 51, pp. 77-86.
  • Wang Zhaojun: Act II ¤ý¬L§g (²Ä¤G¹õ) (T.M. McClellan), Nos. 59 & 60, pp. 195-210.

    Guo Shuyu ³¢º¤¥É

  • Bright Consort ©ú¦m (Maureen Robertson), Nos. 59 & 60, p. 122.

    Guo Songdao ³¢·CÂv

  • Selections from London and Paris Diary ­Û´°»P¤Ú¾¤¤é°O (Eva Hung), Nos. 53 & 54, pp. 74-83.

    Guo Xianhong ³¢¥ý¬õ

  • The Journey: excerpts ©º³~ (Richard King), No. 50, pp. 10-17.

    Guo Yongxiu ³¢¥Ã¨q

  • Butterfly Dreaming ½º¹Ú (Simon Patton), No. 55, pp. 117-118.

    Guo Zheng ³¢ºå

  • The Journey of the Wolf ¯T¦æ¤d¨½ (Susan Wilf), No. 57, pp. 68-77.

    Gulik, Van Robert

  • More About Judge Dee, No. 5, p. 117.

    Ha Gong «¢¤½

  • Four Essays «¢¤½©Ç½× (Don J. Cohn), Nos. 29 & 30, pp. 320-327.

    Hai Zi ®ü¤l

  • Autumn Dusk ¬î¤é¶À©ü (Li Fukang with Eva Hung), No. 37, pp. 116-117.
  • Nostalgia: my previous incarnation «ä©À«e¥Í (Li Fukang with Eva Hung), No. 37, pp. 118-119.
  • September ¤E¤ë (Li Fukang with Eva Hung), No. 37, pp. 114-115.
  • Sunrise ¤é¥X (Li Fukang with Eva Hung), No. 37, p. 113.

    Han Dong ÁúªF

  • Afternoon Sunlight ¤U¤Èªº¶§¥ú (Tony Prince and Tao Naikan), No. 57, p. 112.
  • Apparition of the Moon ©ú¤ë­°Á{ (Li Fukang with Eva Hung), No. 37, pp. 120-121.
  • In Shenzhen Beneath the Streetlights ¦b²`¦`ªº¸ô¿O¤U (Tony Prince and Tao Naikan), No. 57, p. 113.
  • Night Flight ©]¯è (Tony Prince and Tao Naikan), No. 57, p. 115.
  • Of the Wild Goose Pagoda ¦³Ãö¤j¶­¶ð (Li Fukang with Eva Hung), No. 37, pp. 122-123.
  • Return Âk¨Ó (Tony Prince and Tao Naikan), No. 57, p. 117.
  • Striking Root: excerpts ¤ã®Ú (Nicky Harman), No. 67, pp.70-125.
  • Worldly Love ¥@«Uªº·R (Tony Prince and Tao Naikan), No. 57, p. 120.
  • Your Hand §Aªº¤â (Li Fukang with Eva Hung), No. 37, p. 124.

    Han Bangqing Áú¨¹¼y (Han Pang-ch'ing)

  • Shanghai Demi-monde: Chapters I and II ®ü¤Wªá¦C¶Ç (Eileen Chang and Eva Hung), Chinese Middlebrow Fiction, Renditions Books, pp. 98-110.
  • Shanghai Demi-monde: Chapters I and II ®ü¤Wªá¦C¶Ç (Eileen Chang and Eva Hung), No. 58, pp. 98-110.
  • Sing-song Girls of Shanghai ®ü¤Wªá¦C¶Ç (Eileen Chang), Nos. 17 & 18, pp. 95-110.

    Han Shaogong Áú¤Ö¥\

  • The Blue Bottle-Cap ÂÅ»\¤l (Martha Cheung), Homecoming? And Other Stories, Renditions Paperbacks, pp. 21-34.
  • The Divagations of Metaphysex ©Ê¦Ó¤Wªº°g¥¢ (Simon Patton), No. 62, pp. 70-85.
  • Homecoming? Âk¥h¨Ó (Martha Cheung), Homecoming? And Other Stories, Renditions Paperbacks, pp. 1-20.
  • Pa Pa Pa ª¨ª¨ª¨ (Martha Cheung), Homecoming? And Other Stories, Renditions Paperbacks, pp. 35-90.
  • Woman Woman Woman ¤k¤k¤k (Martha Cheung), Homecoming? And Other Stories, Renditions Paperbacks, pp. 91-161.

    Han Xiaochuang Áú¤pµ¡

  • Chunmei Visits the Garden at Her Old Home ¬K±ö´å®a¦ÀÀ] (Mary Scott), No. 44, pp. 57-65.
  • Departing Without Tears ¤£««§O²\ (Mary Scott), No. 44, pp. 36-45.
  • The Temple of Eternal Happiness ¥ÃºÖ¦x¥|¦^ (Mary Scott), No. 44, pp. 46-56.

    Han Yu Áú·U

  • Address to the Crocodiles of Chaozhou ²½Æs³½¤å (D.E. Pollard), No. 51, pp. 8-10.
  • Address to the Crocodiles of Chaozhou ²½Æs³½¤å (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 49-51
  • Biography of Wang Ch'eng-fu, the Mason ¦dªÌ¤ý©ÓºÖ¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 54-59
  • Censorial Memorial on Drought and Famine ±s¥v»O¤W½×¤Ñ§ò¤HÄȪ¬ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 50-51
  • Eulogy of Po-I §B¦i¹| (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 38-41
  • Farewell Message to Shao-yin Yang °e·¨¤Ö¤¨§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 68-71
  • Funerary Message to Nephew No. 12 ²½¤Q¤G­¦¤å (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 82-89
  • Goodbye to Penury °e½a¤å (D.E. Pollard), No. 51, pp. 11-13.
  • Goodbye to Penury °e½a¤å (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 51-53
  • Inscription on Liu Tzu-hou's Tomb Tablet ¬h¤l«p¹Ó»x»Ê (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 90-98
  • Inscription on the Tomb Tablet of My Wet-Nurse ¨Å¥À¹Ó»Ê (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 80-81
  • Late Spring ±ß¬K (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 156-157.
  • Late Spring ±ß¬K (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 60.
  • Letter to the Chancellors ¤W®_¬Û®Ñ (Huang Kuo-pin), Nos. 41 & 42, pp. 38-45.
  • Listening to Master Ying Playing the Zither Å¥¿o®v¼uµ^ (Jianqing Zheng with Angela Ball), No. 66, pp. 52-53.
  • Memorial against the Use of Men and Women as Surety À³©Ò¦b¨å¶K¨}¤H¨k¤kµ¥ª¬ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 52-53
  • Memorial on the Bone of Buddha ½×¦ò°©ªí (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 44-49
  • On Reading Hsun-tzu Ū¯û (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 42-43
  • On the Teacher ®v»¡ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 34-37
  • Origin of Defamation ­ì·´ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 30-33
  • Postscript to the Biography of Chief Censor Chang ±i¤¤¥à¶Ç«á§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang- Sung Period, Renditions Books, pp. 60-67
  • Preface to Poetry Addressed to Retired Scholar Shih °e¥Û³B¤h§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang- Sung Period, Renditions Books, pp. 72-75
  • Preface to the Poem on Retired Scholar Wen's Departure for Hoyang Chun °e·Å³B¤h­uªe¶§­x§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 76-79
  • Selected Essays Áú·U¥j¤å (Shih Shun Liu), No. 8, pp. 77-81.
  • The Thousand-li Horse Âø»¡¥| (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 28-29

    Hanshan Deqing éw¤s¼w²M

  • From 'Living in the Mountains: twenty-eight poems' (No. 13) ¤s©~¤G¤Q¤K­º¤§¤Q¤T (Mary M. Y. Fung with David Lunde), No. 66, p. 61.
  • From 'Living in the Mountains: twenty-eight poems' (No. 19) ¤s©~¤G¤Q¤K­º¤§¤Q¤E (Mary M. Y. Fung with David Lunde), No. 66, p. 62.
  • Happy Return to Mt. Kuang ³ßÂk¦J¤s (Mary M. Y. Fung with David Lunde), No. 66, p. 59.
  • Inscribed on the Wall at Hearing Zen Master Zhideng Chanting the Lotus Sutra at the Foot of Miaogao Peak while Travelling in Fushan ´å¯B¤s©ó§®°ª®p¤U»D´¼¿OÁI¤H»wªkµØ¸g¦]ÃD©ó¾À (Mary M. Y. Fung with David Lunde), No. 66, p. 57.
  • On Clouds µú¶³ (Mary M. Y. Fung with David Lunde), No. 66, p. 60.
  • Returning Late after Begging for Food ¤^­¹±ßÂk (Mary M. Y. Fung with David Lunde), No. 66, p.58.

    Hao Ran ¯EµM

  • Dawn Clouds Red as Flame ´ÂÁø¬õ¦ü¤õ (Haydn Shook and Richard King), No. 68, pp, 17-40.

    Hartman, Charles ½²²[¾¥

  • Han Yu and T.S. Eliot—A Sinological Essay in Comparative Literature, No. 8, pp. 59-76.

    Haugaard, Erik

  • A Race Without Winners, No. 8, p. 96.

    Hawkes, David ÀN§J«ä

  • On Lin Shu, No. 5, p. 21.
  • The Story of the Stone: A Symbolist Novel, No. 25, pp. 6-17.
  • The Translator, the Mirror and the Dream—Some Observations on a New Theory, No. 13, pp. 5-20.
  • Translator to Critic, No. 7, p. 72.

    He Jingming ¦ó´º©ú (Ho Ching-ming)

  • Enjoying the Moonlight while Moored at the Mouth of the Yün-yang River ªy¶³¶§¦¿ÀYª±¤ë (Daniel Bryant), No. 8, p. 89.

    He Li

  • Modernism and China: A Summary (Geremie Barme), Trees on the Mountain, Renditions Books, pp. 44-54.
  • Modernism and China: A Summary (Geremie Barme), Nos. 19 & 20, pp. 44-54.

    He Qifang ¦ó¨äªÚ

  • Elegy «sºq(D.E. Pollard), The Chinese Essay, Renditions Books, pp. 300-304.

    He Wen ¦ó»D

  • Postscript: On Seeing the Play The Bus-stop ¸Ü¼@¡u¨®¯¸¡vÆ[«á (Chan Sin-wai), Trees on the Mountain, Renditions Books, pp. 387-392.
  • Postscript: On Seeing the Play The Bus-stop ¸Ü¼@¡u¨®¯¸¡vÆ[«á (Chan Sin-wai), Nos. 19 & 20, pp. 387-392.

    He Zhizhang ¶Pª¾³¹

  • Homecoming - jotted down on returning home after long separation ¦^¶m°¸®Ñ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 84-85.
  • Homecoming - jotted down on returning home after long separation ¦^¶m°¸®Ñ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 27.

    He Zhu ¶Pű (Ho Chu)

  • Beaters' Sounds Make Chorus ªSÁn»ô (Stuart H. Sargent), No. 5, p. 107.
  • Half-Dead T'ung Tree ¥b¦º®ä (Stuart H. Sargent), No. 5, p. 109.
  • Heng-T'ang Road ¾î¶í¸ô (Stuart H. Sargent), No. 5, p. 106.
  • Hoping for A Letter ±æ®ÑÂk (Stuart H. Sargent), No. 5, p. 107.
  • Night So Like A Year ©]¦p¦~ (Stuart H. Sargent), No. 5, p. 108.
  • Pounding Clothes by Night ©]ìê¦ç (Stuart H. Sargent), No. 5, p. 108.

    Hess, Albert G.

  • The "Memoirs" of Li Hung-chang—the Story of a Non-translation, The Translation of Things Past, Renditions Books, pp. 155-167.
  • The "Memoirs" of Li Hung-chang—the Story of a Non-translation, No. 15, pp. 155-167.

    Hong Hong ÂEÂE

  • Terrorist ®£©Æ¥÷¤l (Yau Wai-ping), No. 61, pp. 106-107.

    Hong Huang ¬x¯î

  • The New Poetry—A Turning Point— ·s¸Ö—¤@­ÓÂà§é¶Ü¡H(A Misty Manifesto) (Zhu Zhiyu with John Minford), Trees on the Mountain, Renditions Books, pp. 191-194.
  • The New Poetry—A Turning Point— ·s¸Ö—¤@­ÓÂà§é¶Ü¡H(A Misty Manifesto) (Zhu Zhiyu with John Minford), Nos. 19 & 20, pp. 191-194.

    Hong Mai ¬xÁÚ

  • The Three Taoists of Jade Ford ¥É¬z¤T¹D¤h (Alister Inglis), No. 57, pp. 30-31.
  • Third Daughter Xie ¸Ñ¤T®Q (Alister Inglis), No. 57, pp. 32-34.

    Hou, Lady «J¤Ò¤H

  • Setting My Feelings Free »º·N (Carolyn Ford), Nos. 59 & 60, pp. 38-39.

    Hou Fangyu «J¤è°ì

  • To Ruan Dacheng on Leaving Nanjing, 1643 ¬Ñ¥¼¥hª÷³®¤é»P¨¿¥ú¸S®Ñ (D.E. Pollard), Nos. 41 & 42, pp. 106-109.

    Hsi Muren ®