Ma Jianzhong °¨«Ø©¾
  • Letter to His Excellency Li Hongzhang: excerpts ¤W§õ§B¬Û¨¥¥X¬v¥\½Ò®Ñ (Kam Louie), Nos. 53 & 54, pp. 174-180.

    Ma Guoming °¨°ê©ú (Ma Kwok Ming)

  • My Childhood in Tsuen Wan: excerpts ¯þÆWªºµ£¦~ (Tam Pak Shan), Nos. 47 & 48, pp. 118-123.

    Ma Kwok Ming °¨°ê©ú (see Ma Guoming)

    Ma Sen °¨´Ë

  • Thoughts on the Current Literary Scene ¥xÆW·í¤Uªº¤å¾Â·§ªp (Janice Wickeri), Nos. 35 & 36, pp. 290-293.

    Ma Shizeng °¨®v´¿

  • Theme Song from Zhaojun Crossing the Frontiers ¡m¬L§g¥X¶ë¡n¥DÃD¦± (Rupert Chan), Nos. 59 & 60, pp. 255-260.

    Ma Yuan °¨´© (14BC-AD49)

  • Letter to His Nephews Ma Yan and Ma Dun »|¥S¤lÄY´°®Ñ (Hans Frankel), Nos. 41 & 42, pp. 4-6.

    Ma Yuan °¨­ì

  • Three Ways to Fold a Paper Hawk Å|¯ÈÅcªº¤TºØ¤èªk (Herbert J. Batt), No. 63, pp. 109-127.

    Ma Zhiyuan °¨­P»· (Ma Chih-yuan)

  • Autumn Moon on the Tung T'ing Lake ¬}®x¬î¤ë (Gary G. Gach and C. H. Kwock), A Brotherhood in Song, Renditions Books, p. 222.
  • Autumn Moon on the Tung T'ing Lake ¬}®x¬î¤ë (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 222.
  • Autumn Moon Over Dongting Lake: Twenty-four Sanqu lyrics to the tune Shou yang qu ¬}®x¬î¤ë¤G¤Q¥|­º (Linda G. Wang), Nos. 43, pp. 79-104.
  • "Autumn Thoughts" °¨­P»·¬î«ä (Kenneth P. H. Ho), No. 3, pp. 125-127.
  • Rustic Joy ³¥¿³ (Gary G. Gach and C. H. Kwock), A Brotherhood in Song, Renditions Books, p. 221.
  • Rustic Joy ³¥¿³ (Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 221.
  • Tears on the Blue Gown «C­m²\ (Shiao-ling Yu), No. 10, pp. 131-154.
  • To the Tune 'Purple Fungus Route' µµªÛ¸ô (David E. Pollard), Nos. 59 & 60, pp. 82-84.

    Mair, Victor H. ±öºû«í

  • Toadyism—A Study in Contrasts, No. 9, pp. 81-84.

    Mang Ke ¨~§J

  • Ape Herd ¸s·á (Nicholas Jose and Wu Baohe), No. 31, pp. 116-139.
  • Frozen Land ­á¤g¦a (Susette Cooke and David Goodman), Nos. 19 & 20, p. 235.
  • A Poem for October ¤Q¤ëªºÄm¸Ö (Susette Cooke and David Goodman), Nos. 19 & 20, pp. 236-242.
  • Smoke From the White House ¥Õ©Ð¤lªº·Ï (Susette Cooke and David Goodman), Nos. 19 & 20, p. 235.

    Manheim, Ralph

  • Vocational Guidance (On Translating), No. 2, p. 114.

    Mao Dun ¥Ù¬Þ (Mao Tun)

  • Creation ³Ð³y (Susan W. Chen), No. 16, pp. 84-98.

    Mao Yu ¤òÒ·

  • Bambooks in Ink ®Ñ¾¥¦Ë (Louise Ho), No. 10, p. 130.

    McCarthy, Richard M.

  • Chen Jo-hsi: Memories and Notes, Two Writers and the Cultural Revolution, Renditions Books, pp. 129-130.
  • Chen Jo-hsi: Memories and Notes, No. 10, pp. 90-92.

    McDougall, Bonnie S. §ù³Õ©g and Susette Cooke ¤ÕĬ¬À

  • The Poetry and Fiction of Bei Dao/Zhao Zhenkai, Nos. 19 & 20, pp. 122-124.

    Mei Lanfang ±öÄõªÚ

  • An Actor Prepares (Stephen C. Soong), No. 3, pp. 115-116.

    Mei Yaochen ±ö³ó¦Ú

  • The Tile-maker ³³ªÌ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 226-227.
  • The Tile-maker ³³ªÌ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 89.

    Meng Chi ©s¿ð

  • The Graves of the Palace Women ®c¤H±× (Geoffrey R. Waters), No. 64, p. 35.

    Meng Haoran ©s¯EµM (Meng Hao-jan)

  • Dawn in Spring ¬K¾å (John Turner), No. 1, p. 45.
  • Dawn in Spring ¬K¾å (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 92-93.
  • Dawn in Spring ¬K¾å (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 32.
  • Home to Deer-Gate at Night ©]Âk³Àªùºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 94-95.
  • Home to Deer-Gate at Night ©]Âk³Àªùºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 33.
  • Mooring on the Jiande River ±J«Ø¼w¦¿ (Jianqing Zheng with Angela Ball), No. 66, p. 54.

    Meng Jiao ©s­¥ (Meng Chiao)

  • Risks °¸§@ (Graeme Wilson), No. 2, p. 116.
  • Song for the Wanderer ¹C¤l§u (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 150-151.
  • Song for the Wanderer ¹C¤l§u (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 58.

    Miao Yue Á[ൠ(Miao Yueh)

  • The Chinese Lyric ½×µü (John Minford), Song Without Music: Chinese Tz'u Poetry, Renditions Books, pp. 25-44.
  • The Chinese Lyric ½×µü (John Minford), Nos. 11 & 12, pp. 25-44.

    Miller, Arthur

  • Never Quite Got It, No. 9, p. 131.

    Miller, Henry

  • Letter to Pai Hsien-yung, No. 14, p. 21.

    Miller, Lucien ¦Ì¼Ö¤s

  • Two Stories by Chen Yingzhen—Translator's Introduction, Nos. 19 & 20, pp. 83-89.

    Minford, John ¶{ºÖ¼w

  • Into the Mist, Nos. 19 & 20, pp. 182-186.

    Mo Yan ²ö¨¥

  • The Amputee Â_¤â (Duncan Hewitt), Explosions and Other Stories, Renditions Paperbacks, pp. 115-134.
  • The Cat Specialist ¾i¿ß±M·~¤á (Janice Wickeri), No. 32, pp. 59-68.
  • Explosions Ãz¬µ (Janice Wickeri), Explosions and Other Stories, Renditions Paperbacks, pp. 1-58.
  • Flies »aÃÇ¡Dªù¤ú (Duncan Hewitt), Explosions and Other Stories, Renditions Paperbacks, pp. 77-94.
  • The Flying Ship ­¸¸¥ (Janice Wickeri), Explosions and Other Stories, Renditions Paperbacks, pp. 95-114.
  • The Old Gun ¦Ñºj (Duncan Hewitt), Explosions and Other Stories, Renditions Paperbacks, pp. 59-76.
  • The Yellow-haired Baby ª÷¾vÀ¦¨à (Duncan Hewitt), Explosions and Other Stories, Renditions Paperbacks, pp. 135-213.

    Mu Dan ¿p¥¹ (Mu Tan)

  • After the Power Failure °±¹q¤§«á (Pang Bingjun), A Brotherhood in Song, Renditions Books, p. 272.
  • After the Power Failure °±¹q¤§«á (Pang Bingjun), Nos. 21 & 22, p. 272.
  • Autumn ¬î (Pang Bingjun), A Brotherhood in Song, Renditions Books, pp. 268-270.
  • Autumn ¬î (Pang Bingjun), Nos. 21 & 22, pp. 268-270.
  • The Besieged ³Q³òªÌ (Pang Bingjun), A Brotherhood in Song, Renditions Books, pp. 260-261.
  • The Besieged ³Q³òªÌ (Pang Bingjun), Nos. 21 & 22, pp. 260-261.
  • Fissure µõ¯¾ (Pang Bingjun), A Brotherhood in Song, Renditions Books, pp. 258-259.
  • Fissure µõ¯¾ (Pang Bingjun), Nos. 21 & 22, pp. 258-259.
  • Hands ¤â (Pang Bingjun), A Brotherhood in Song, Renditions Books, p. 255.
  • Hands ¤â (Pang Bingjun), Nos. 21 & 22, p. 255.
  • Performance ºt¥X (Pang Bingjun), A Brotherhood in Song, Renditions Books, p. 271.
  • Performance ºt¥X (Pang Bingjun), Nos. 21 & 22, p. 271.
  • The Newspaper Vendors ³ø³c (Pang Bingjun), A Brotherhood in Song, Renditions Books, p. 256.
  • The Newspaper Vendors ³ø³c (Pang Bingjun), Nos. 21 & 22, p. 256.
  • Self ¦Û¤v (Pang Bingjun), A Ren, pp. 264-265.
  • Self ¦Û¤v (Pang Bingjun), Nos. 21 & 22, pp. 264-265.
  • Song of Wisdom ´¼¼z¤§ºq (Pang Bingjun), A Brotherhood in Song, Renditions Books, pp. 266-267.
  • Song of Wisdom ´¼¼z¤§ºq (Pang Bingjun), Nos. 21 & 22, pp. 266-267.
  • Spring ¬K (Pang Bingjun), A Brotherhood in Song, Renditions Books, p. 257.
  • Spring ¬K (Pang Bingjun), Nos. 21 & 22, p. 257.
  • Spring and Honeybee ¬K¤Ñ©M»e¸Á (Pang Bingjun), A Brotherhood in Song, Renditions Books, pp. 262-263.
  • Spring and Honeybee ¬K¤Ñ©M»e¸Á (Pang Bingjun), Nos. 21 & 22, pp. 262-263.

    Mu Shiying ¿p®É­^

  • Black Whirlwind ¶Â±Û­· (Siu-kit Wong and Wanhoi Pak), No. 37, pp. 23-34.
  • Five in a Nightclub ©]Á`·|ùتº¤­­Ó¤H (Randolph Trumbull), No. 37, pp. 5-22.

    Mu Xiangyue ¿p´ðªµ

  • Selections from Autobiography of Ouchu at Fifty ê줭¤Q¦Û­z (Eva Hung), Nos. 53 & 54, pp. 219-226.

    Mu Zhongnan ¿p¤¤«n (Mu Chung-nan)

  • The Ancient City ¥j«° (Victoria D. L. Tsai), No. 16, pp. 122-137.

    Nalan Xingde ¯ÇÄõ¸t¼w (Nara Singde)

  • Picking Mulberry ªö¶Ú¤l (Eva Hung), No. 58, p. 46.
  • To His Lost Bride - to the Tune of 'Springtime in Provincial Garden' ¨G¶é¬K (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 302-305.
  • To His Lost Bride - to the Tune of 'Springtime in Provincial Garden' ¨G¶é¬K (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 126-127.
  • To the Tune of "Blossoms Loved by Butterflies" ½ºÅʪá (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 308-309.
  • To the Tune of "Blossoms Loved by Butterflies" ½ºÅʪá (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 129.
  • To the Tune of Chin-lü ch'ü ª÷Á\¦± (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, pp. 258-259.
  • To the Tune of Chin-lü ch'ü ª÷Á\¦± (John C. H. Wu), Nos. 11 & 12, pp. 258-259.
  • To the Tune of Ch'in-yü ch'un ¨G¶é¬K (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, pp. 254-255.
  • To the Tune of Ch'in-yü ch'un ¨G¶é¬K (John C. H. Wu), Nos. 11 & 12, pp. 254-255.
  • To the Tune of Huan hsi sha ÒF·Ë¨F (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 262.
  • To the Tune of Huan hsi sha ÒF·Ë¨F (John C. H. Wu), Nos. 11 & 12, p. 262.
  • To the Tune of I chiang-nan ¾Ð¦¿«n (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 264.
  • To the Tune of I chiang-nan ¾Ð¦¿«n (John C. H. Wu), Nos. 11 & 12, p. 264.
  • To the Tune of 'Love-longing' ªø¬Û«ä (John Turner), No. 1, p. 49.
  • To the Tune of 'Love-longing' ªø¬Û«ä (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 300-301.
  • To the Tune of 'Love-longing' ªø¬Û«ä (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 125.
  • To the Tune of P'u-sa man A Gale is Blowing µÐÂÄÆZ (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 252.
  • To the Tune of P'u-sa man A Gale is Blowing µÐÂÄÆZ (John C. H. Wu), Nos. 11 & 12, p. 252.
  • To the Tune of P'u-sa man Yearnings of Love µÐÂÄÆZ (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 260.
  • To the Tune of P'u-sa man Yearnings of Love µÐÂÄÆZ (John C. H. Wu), Nos. 11 & 12, p. 260.
  • To the Tune of T'ai-ch'ang yin ¤Ó±`¤Þ (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 256.
  • To the Tune of T'ai-ch'ang yin ¤Ó±`¤Þ (John C. H. Wu), Nos. 11 & 12, p. 256.
  • To the Tune of Tieh lien hua ½ºÅʪá (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 263.
  • To the Tune of Tieh lien hua ½ºÅʪá (John C. H. Wu), Nos. 11 & 12, p. 263.
  • To the Tune of Ts'ai-sang tzu A Regret ªö®á¤l (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 253.
  • To the Tune of Ts'ai-sang tzu A Regret ªö®á¤l (John C. H. Wu), Nos. 11 & 12, p. 253.
  • To the Tune of Ts'ai-sang tzu Boredom ªö®á¤l (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 257.
  • To the Tune of Ts'ai-sang tzu Boredom ªö®á¤l (John C. H. Wu), Nos. 11 & 12, p. 257.
  • To the Tune of Ts'ai-sang tzu The Moon is Mocking Me ªö®á¤l (John C. H. Wu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 261.
  • To the Tune of Ts'ai-sang tzu The Moon is Mocking Me ªö®á¤l (John C. H. Wu), Nos. 11 & 12, p. 261.
  • Written While Staying at Double-Grove Monastery ¾Ð¦¿«n¡Ð¡Ð±JÂùªLÁI°|¦³·P (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 306-307.
  • Written While Staying at Double-Grove Monastery ¾Ð¦¿«n¡Ð¡Ð±JÂùªLÁI°|¦³·P (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 128.

    Ng, Margaret §dħ»ö (see Wu Aiyi)

    Ng Mau-sang §d­Z¥Í

  • Symbols of Anxiety in Wild Grass ³¥¯ó¿ïĶ, No. 26, pp. 155-164.

    Ng Suk Yin ¥î²Q½å (see Wu Shuxian)

    Ngan Shun Kau ÃC¯Â? (see Yan Chungou)

    Ni Kuang ­Ù¦J

  • Antiques Alley: Two Short Stories ³f«Ñ¬G¨Æ¨â«h (Don J. Cohn), Nos. 29 & 30, pp. 146-152.
  • Antiques Alley: A Short Story ³f«Ñ¬G¨Æ¤@«h (Don J. Cohn), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 34-37.

    Niu Xiji ¤û§ÆÀÙ (Niu Hsi-chi)

  • Mountain Hawthorne ¥Í¬d¤l (D. C. Lau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 24-25.
  • Mountain Hawthorne ¥Í¬d¤l (D. C. Lau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 9.
  • To the tune of Sheng-cha-tzu ¥Í¬d¤l (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 6.
  • To the tune of Sheng-cha-tzu ¥Í¬d¤l (D. C. Lau), Nos. 11 & 12, p. 6.

    Ouyang Jianghe ¼Ú¶§¦¿ªe

  • Comet ±k¬P (Li Fukang with Eva Hung), No. 37, pp. 134-135.
  • Fruit Trees in the Sun ¶§¥ú¤UªºªG¾ð (Li Fukang with Eva Hung), No. 37, pp. 130-131.
  • Summer's Child ®L¤Ñªº«Ä¤l (Li Fukang with Eva Hung), No. 37, pp. 132-133.
  • The Old Man ¦Ñ¤H (Li Fukang with Eva Hung), No. 37, pp. 136-137.

    Ouyang Jiong ¼Ú¶§”T

  • River Town ¦¿«°¤l (Mark Francis), No. 58, p. 13.
  • River Town ¦¿«°¤l (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 32-33.
  • River Town ¦¿«°¤l (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 11.
  • The South Country «n¶m¤l (Mark Francis), No. 58, p. 12.
  • The South Country «n¶m¤l (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 30-31.
  • The South Country «n¶m¤l (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 11.

    Ouyang Xiu ¼Ú¶§­× (Ouyang Hsiu)

  • Biography of Retired Scholar Liu-I ¤»¤@©~¤h¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 196-199.
  • The Daylight Brocade Hall ±ÞÀA°ó°O (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 174-177.
  • Handprint of a Tang Princess ­ð±RÀ²¤½¥D¤â²ª (Li C. Tien with John Palen), No. 66, pp. 36-37.
  • The Hsien Hill Pavilion ®s¤s«F°O (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 178-181.
  • The Huamei's Song µe¬Ü³¾ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 228-229.
  • The Huamei's Song µe¬Ü³¾ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 90.
  • Inscription on the Memorial Tablet for the Passage to the Shuangkang Tomb ò]©£¦éªí (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 200-207.
  • Memorial on a Wrongful Decision of the Ministry of Justice ½×¤j²z¦xÂ_­Þº»¤£·íãZ¤l (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 170-173.
  • Memorial on the Prohibition of the Anonymous Slandering of Trusted Court Officials ½×¸T¤îµL¦W¤l¶Ë·´ªñ¦Úª¬ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 164-169.
  • Memorial on the Refusal to Accept the Remonstrances of the Censor ½×»O¿Ï©x¨¥¨Æ¥¼»XÅ¥¤¹®Ñ (Shih Shun Liu), Chinese Classical Prose -The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 148-157.
  • Night Mooring at Yueyang ±ßªy¥P©¨¶§ (Li C. Tien with John Palen), No. 66, P. 38.
  • The Old Drunkard's Pavilion ¾K¯Î«F°O (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 186-189.
  • The Old Toper's Pavilion ¾K¯Î«F°O (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 66-67.
  • On the Difficulties of Being a Ruler (II) ¬°§gÃø½×(¤U) (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 158-163.
  • On the Partisanship of Friends ªBÄÒ½× (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 140-143.
  • On the Portraits of the Seven Worthy Men ¤C½åµe§Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 208-210.
  • On the Release of Prisoners Áa¥}½× (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 144-147.
  • The Pavilion of Prosperity and Happiness Â×¼Ö«F°O (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 182-185.
  • Picking Mulberry Leaves (No. 1) ªö®á¤l¡]¤@¡^ (Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 112-113.
  • Picking Mulberry Leaves (No. 1) ªö®á¤l¡]¤@¡^ (Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 48.
  • Picking Mulberry Leaves (No. 2) ªö®á¤l¡]¤G¡^ (Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 114-115.
  • Picking Mulberry Leaves (No. 2) ªö®á¤l¡]¤G¡^ (Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 49.
  • Playful reply-to Yuanzhen À¸µª¤¸¬Ã (Li C. Tien with John Palen), No. 66, P. 35.
  • The Portrait of Wang Yen-chang ¤ý«Û³¹µe¹³°O (Shih Shun Liu), Chinese Classical Prose-The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 190-195.
  • Reply to Wang Anshi's Poems on the Luminous Lady (No. 2) ©ú¦m¦±©M¤ý¤¶¨j§@ ²Ä¤G­º (John Dent-Young), Nos. 59 & 60, pp. 64-65.
  • Riverbank Faery Á{¦¿¥P (Teresa Yu with David Lunde), No. 58, p. 18.
  • Riverbank Faery Á{¦¿¥P (Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 108-109.
  • Riverbank Faery Á{¦¿¥P (Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 47.
  • A Southern Song «nºq¤l (Teresa Yu with David Lunde), No. 58, p. 19.
  • A Southern Song «nºq¤l (Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 106-107.
  • A Southern Song «nºq¤l (Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 45.
  • Sweet is the Western Lake - to the Tune of "Mulberry-pickers" ªö®á¤l(John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 230-231.
  • Sweet is the Western Lake - to the Tune of "Mulberry-pickers" ªö®á¤l(John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 91.
  • To the Tune of Lang t'ao sha ®ö²^¨F (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 9.
  • To the Tune of Lang t'ao sha ®ö²^¨F (D. C. Lau), Nos. 11 & 12, p. 9.
  • To the Tune of Sheng-cha-tzu ¥Í¬d¤l (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 11.
  • To the Tune of Sheng-cha-tzu ¥Í¬d¤l (D. C. Lau), Nos. 11 & 12, p. 11.
  • To the Tune of Tieh lien hua ½ºÅʪá (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 10.
  • To the Tune of Tieh lien hua ½ºÅʪá (D. C. Lau), Nos. 11 & 12, p. 10.
  • To the Tune of Ts'ai-sang tzu ±Ä®á¤l (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 12.
  • To the Tune of Ts'ai-sang tzu ±Ä®á¤l (D. C. Lau), Nos. 11 & 12, p. 12.
  • To Wang Yuanshu, a Letter of Enquiry Concerning a Character on an Ancient Tombstone »P¤ý·½¨û°Ý¥j¸O¦r®Ñ (T. H. Barrett), Nos. 41 & 42, pp. 56-59.
  • Twenty-one Ci by Ouyang Xiu ¼Ú¶§­×µü (Teresa Yee-wha Yu), Song Without Music: Chinese Tz'u Poetry, Renditions Books, pp. 100-120.
  • Twenty-one Ci by Ouyang Xiu ¼Ú¶§­×µü (Teresa Yee-wha Yu), Nos. 11 & 12, pp. 100-120.
  • Waves Scour the Sands ®ö²^¨F(Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 110-111.
  • Waves Scour the Sands ®ö²^¨F(Teresa Yu with David Lunde), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 47.
  • Written in a Dream ¹Ú¤¤§@ (Li C. Tien with John Palen), No. 66, P. 39.

    Ouyang Zi ¼Ú¶§¤l (Ouyang Tzu)

  • Near Dusk ªñ¶À©ü®É (Audrey Heijns with David Lunde), No. 63, pp. 33-46.
  • The Fictional World of Pai Hsien-yung (Cynthia Liu), No. 5, pp. 79-86.

    Owen, Peter

  • Cats, Black and White, Two Writers and the Cultural Revolution, Renditions Books, p. 76.

    Owen, Stephen

  • Some Mid-Tang Quatrains, A Brotherhood in Song, Renditions Books, pp. 145-152.
  • Some Mid-Tang Quatrains, Nos. 21 & 22, pp. 145-152.

    Others:

  • Balloons and Flying Machines: excerpts from Dianshizhai Pictorial, (D.E. Pollard), Nos. 53 & 54, pp. 256-262.
  • Selections from 'Around the World', Youth Magazine «C¦~Âø»x¡G¥@¬É»¡­b, (Alice W. Cheang), Nos. 53 & 54, pp. 263-267.

    Palace Woman, A ¤ÑÄ_®c¤H

  • Written on a Wutong Leaf from the Luoyang Palace Garden ÃD¬¥­b±ï¸­¤W (Geoffrey R. Waters), No. 64, p. 16-17.

    Pan Yue ¼ï©¨

  • Dirge for Yang Zhao ·¨¯ð¦{¸Ý (David R. Knechtges), Nos. 33 & 34, pp. 95-101.

    Pei Jiaotai »p¥æ®õ

  • Sadness in the Long Door Palace ªøªù«è (Geoffrey R. Waters), No. 64, p. 32.

    Peng Cao ½´¯ó

  • No End to It ©Ô¤£­Ë (Louise Ko), Nos. 47 & 48, pp. 133-136.
  • Persimmons ¬U¤l (Hannah Cheung with Janice Wickeri), Contemporary Women Writers: Hong Kong and Taiwan, Renditions Paperbacks, pp. 3-17.
  • The Red Horse ¬õ¤ì°¨ (Janice Wickeri), Nos. 29 & 30, pp. 118-124.
  • The Red Horse ¬õ¤ì°¨ (Janice Wickeri), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 110-116.
  • Wings ¯Í»H (Hannah Cheung with D. E. Pollard), Nos. 27 & 28, pp. 123-126.

    Peng Hua ´^µØ

  • Song of the Luminous Lady ©ú¦m¦± (Jianqing Zheng and Margo Stever), Nos. 59 & 60, pp. 90-91.

    Perng, Ching-hsi ´^ÃèÁH

  • Language as Discovery: An Aspect of Yuan Drama, No. 9, pp. 92-101.

    Plum-Blossom Sister, A Buddhist Nun ±öªá¥§

  • A Song of Plum-blossom µú±öªá (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 120.

    Pollard, D. E. ¤R¥ß¼w

  • H. A. Giles and His Translations, No. 40, pp. 103-121.

    Pu Songling »ZªQÄÖ (P'u Sung-ling)

  • Ma Jiefu °¨¤¶¨j (Yenna Wu), No. 43, pp. 16-24.
  • Marriage as Retribution ¿ô¥@«Ã½t¶Ç (Chi-chen Wang), Chinese Middlebrow Fiction, Renditions Books, pp. 41-94.
  • Marriage as Retribution ¿ô¥@«Ã½t¶Ç (Chi-chen Wang), Nos. 17 & 18, pp. 41-94.
  • Selections from Liaozhai zhi yi: 'Abao', 'Xia Nu' ªüÄ_¡A«L¤k (Lo Yuk-ying), No. 13, pp. 105-115.
  • Selections from Liaozhai zhi yi: 'Chang-ting', 'Huan Niang', 'Axia' ªø«F¡A«Æ®Q¡AªüÁø (C.Y. Hsu), No. 13, pp. 125-139.
  • Selections from Liaozhai zhi yi: 'Liansuo', 'Xiangyu', 'Heng Niang', 'Ruiyun' ²áÂN»x²§¡G³sº¾¡A­»¥É¡A«í®Q¡A·ç¶³ (Y. K. Martin), No. 13, pp. 82-104.
  • Selections from Liaozhai zhi yi: 'Qiangcheng' ¦¿«° (Katherine Carlitz), No. 13, pp. 116-124.
  • Two Stories from Liaozhai zhiyi ²áÂN»x²§¬G¨Æ¤G«h (Rick Yuan), No. 55, pp. 26-41.

    Qi Baishi »ô¥Õ¥Û (Ch'i Pai-shih)

  • From Carpenter to Painter—My Early Years ¥Õ¥Û¦Ñ¤H¦Û­z (T. C. Lai), No. 1, pp. 76-90.

    Qi Huan »ô¨J

  • Sadness in the Long Door Palace ªøªù«è (Geoffrey R. Waters), No. 64, p. 24.

    Qi Jiguang ±­Ä~¥ú

  • Song of the Bright Consort ©ú¦m¦± (David E. Pollard), Nos. 59 & 60, pp. 104-105.

    Qi Jun µa§g (Ch'i Chun)

  • Chignon Àg (D.E. Pollard), No. 52, pp. 8-12.
  • Chignon Àg (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 306-310.

    Qi Muqian ãu¥À¼ç

  • Night at Lung-hsing Monastery ±JÀs¿³¦x (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 98-99.
  • Night at Longxing Monastery ±JÀs¿³¦x (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 34.

    Qi Zhaoxi ªÂ¥üº³

  • Selections from Diary of Travels in America ´å¬ü¬w¤é°O (Brian Holton), Nos. 53 & 54, pp. 145-148.

    Qian Bingdeng ¿úªÃôñ

  • One Wine, After Yuanming ®Ä²W©ú¶¼°s (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 296-297.
  • One Wine, After Yuanming ®Ä²W©ú¶¼°s (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 124.

    Qian Qi ¿ú°_

  • Homing Wild Geese Âk¶­ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 162-163.
  • Homing Wild Geese Âk¶­ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 57.

    Qian Zhongshu ¿úÁé®Ñ (Ch'ien Chung-shu)

  • Lin Ch'in-nan Revisited ªLÓVªºÂ½Ä¶ (George Kao), No. 5, pp. 8-21.
  • Poetry as a Vehicle for Grief ¸Ö¥i¥H«è (Siu-kit Wong), A Brotherhood in Song, Renditions Books, pp. 21-40.
  • Poetry as a Vehicle for Grief ¸Ö¥i¥H«è (Siu-kit Wong), Nos. 21 & 22, pp. 21-40.
  • The Besieged City ³ò«° (Jeanne Kelly), No. 2, pp. 65-80.
  • Tragedy in Old Chinese Drama, No. 9, pp. 85-91.

    Qiao Ji ³ì¦N (Qiao Mengfu) (³ì¹Ú²Å )

  • Circumstance To the Tune of A Clear River §Y´º ²M¦¿¤Þ (C.H. Kwock and Gary G. Gach), A Brotherhood in Song, Renditions Books, p. 217.
  • Circumstance To the Tune of A Clear River §Y´º ²M¦¿¤Þ (C.H. Kwock and Gary G. Gach), Nos. 21 & 22, p. 217.
  • The Golden Coins ª÷¿ú°O (Dale R. Johnson), No. 24, pp. 130-154.
  • Visiting the Prince's Estate ¤ô¥P¤l-¹C¶VºÖ¤ý©² (David Lunde), No. 56, p. 9.

    Qin Guan ¯³Æ[ (Ch'in Kuan)

  • At Ning P'u ¹ç®ú®Ñ¨Æ (Louise Ho), No. 10, p. 130.
  • Courtyard Filled with Fragrance º¡®xªÚ (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 154-155.
  • Courtyard Filled with Fragrance º¡®xªÚ (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 70.
  • Eight Sixes ¤K¤»¤l (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 156-157.
  • Eight Sixes ¤K¤»¤l (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 71.
  • Much Ado ¦n¨Æªñ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 158-159.
  • Much Ado ¦n¨Æªñ (Julie Landau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 72.
  • To the Tune of Ju meng ling ¦p¹Ú¥O (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 19.
  • To the Tune of Ju meng ling ¦p¹Ú¥O (D. C. Lau), Nos. 11 & 12, p. 19.

    Qin Jia ¯³¹Å

  • A Farewell Poem for His Absent Wife ÃØ°ü¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 46-47.
  • A Farewell Poem for His Absent Wife ÃØ°ü¸Ö (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 10.
  • Letters Between Qin Jia and His Wife Xu Shu ¯³¹Å­P®}²Q®Ñ¡B®}²Qµª¯³¹Å®Ñ (Goran Malmqvist), Nos. 41 & 42, pp. 1-3.

    Qin Zhaoyang ¯³¥ü¶§

  • My Quest °l¨D (Eva Hung), No. 65, pp. 54-61.

    Qiu Cheng ”ǡ

  • Return Âk (Louise Ho), Nos. 47 & 48, pp. 212-213.

    Qiu Jin ¬î½@

  • Aspirations ¦³Ãh (Audrey Heijns and David Lunde), No. 64, p. 109.
  • In Reply to Mr Ishii ¤é¤H¥Û¤«§g¯Á©M§Y¥Î­ìÃý (Audrey Heijns and David Lunde), No. 64, p. 110.

    Qiu Jun ªôÀà

  • On a Portrait of Zhaojun ÃD©ú¦m¹Ï (John Dent-Young), Nos. 59 & 60, pp. 92-93.

    Ren Yongxing ¥ô¥Ã¿³

  • And Now, 'Mouth Borrowing' ¥B»¡¡u­É¼L¡v ( D. E. Pollard), No. 31, pp. 158-159.

    Ren Yu ¥ô¬R (Jen Yu)

  • Lakeshore ´ò¤W (Gary Gach and C. H. Kwock), A Brotherhood in Song, Renditions Books, p. 219.
  • Lakeshore ´ò¤W (Gary Gach and C. H. Kwock), Nos. 21 & 22, p. 219.

    Rong Yu ¦¥¬R

  • Marriage to the Barbarians ©M¿» (David E. Pollard), Nos. 59 & 60, pp. 44-45.

    Rong Zi »T¤l

  • Flowers No Longer Drift through the Air in Our City §Ú­Ìªº«°¤£¦A­¸ªá (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 78-79.
  • The Transcendence of Verna Lisa ºû¯ÇÄR¨F¤§¶W¶V (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 80-81.

    Roulston, William A. «À§»¹D

  • After 3,000 Years—A Scene from an Ancient Chinese Classic Comes to Life, The Translation of Things Past, Renditions Books, pp. 151-154.
  • After 3,000 Years—A Scene from an Ancient Chinese Classic Comes to Life, No. 15, pp. 151-154.

    Ruan Dacheng ¨¿¤jä¨

  • Three Scenes from The Swallow Letter ¿P¤lºà (Cyril Birch), No. 40, pp. 10-31.

    Ruan Ji ¨¿Äy (Juan Chi)

  • Poem of My Heart: 72 µúÃh¸Ö¨ä¤C¤Q¤G (David Hawkes), A Brotherhood in Song, Renditions Books, p. 137.
  • Poem of My Heart: 72 µúÃh¸Ö¨ä¤C¤Q¤G (David Hawkes), Nos. 21 & 22, p. 137.

    San Su ¤TĬ (see Gao Xiong)

    Sha Yexin ¨F¸­·s

  • Jesus, Confucius and John Lennon: Act I ­C¿q¡B¤Õ¤l¡B©ÜÀY¤h¦C»ú (Alec Stockwell), No. 43, pp. 1-15.
  • Secret History of Marx: Prelude °¨§J«ä¯µ¥v (Geremie Barmé), Nos. 19 & 20, pp. 370-372.
  • The Impostor (If I Were Real) °²¦p§Ú¬O¯uªº (Daniel Kane), Nos. 19 & 20, pp. 333-369.

    Shan Shili ³æ¤hÂç

  • Selections from Travels in the Year Guimao ¬Ñ¥f®È¦æ°O (Editorial Team), Nos. 53 & 54, pp. 214-218.

    Shang Qin °Ó¸V

  • Eight Prose-poems ´²¤å¸Ö¤K«h (Göran Malmqvist), Nos. 35 & 36, pp. 33-41.
  • With Time on its Back Waiting for Time ­IµÛ®É¶¡µ¥®É¶¡ (David E. Pollard), No. 61, p. 58.

    Shen Biao ¨H? (Shen Piao)

  • In My Net I Pull up A Trembling Heaven and Earth ¤@ºô©Ô±o¤Ñ¦a®Ì (Hsu Kai-yu), No. 4, p. 100.

    Shen Congwen ¨H±q¤å

  • While in Kunming ¦b©ø©úªº®É­Ô (Jeffrey C. Kinkley and Wong Kam-ming), No. 31, pp. 67-72.

    Shen Jiji ¨H¬JÀÙ (Shen Chi-chi)

  • Miss Jen ¥ô¤ó¶Ç, No. 8, pp. 52-58.

    Shen Manyuan ¨Hº¡Ä@

  • Zhaojun's Regret ¬L§g¹Ä ¤G­º (Maureen Robertson), Nos. 59 & 60, pp. 34-35.

    Shen Mingchen ¨H©ú¦Ú

  • Paean ³Íºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 298-299.
  • Paean ³Íºq (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 123.

    Shen Rong ¿Û®e

  • Not Your Average Girl ¤@­Ó¤£¥¿±`ªº¤k¤H (Geremie Barme), Nos. 27 & 28, pp. 158-162.

    Shen Zhifang ¨H§Ó¤è

  • Nocturnal Revels ®Ñ©Ð©]À¸ (D. E. Pollard), Nos. 35 & 36, pp. 271-272.

    Sheng Yin ¤É±G

  • Ballad of Greengrave «C¶ï¦æ (Daniel Bryant), Nos. 59 & 60, pp. 128-131.

    Shi Chengjin ¥Û¦¨ª÷

  • Preface to A Good Laugh ¯º±o¦n¦Û§Ç (Eva Hung), Nos. 33 & 34, pp. 190-191.

    Shi Chong ¥Û±R

  • The Words of Wang Mingjun, with Preface ¤ý©ú§gÃã¨Ã§Ç (Burton Watson), Nos. 59 & 60, pp. 28-31.

    Shi Dazu ¥v¹F¯ª

  • Perfumed Silks - spring rain ºöù­»¡Ð¡Ð¬K«B (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 272-273.
  • Perfumed Silks - spring rain ºöù­»¡Ð¡Ð¬K«B (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 135.
  • Three Lovely Maidens ¤TÎg´A (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 274-275.
  • Three Lovely Maidens ¤TÎg´A (Mark Francis), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 136.

    Shi Jianwu ¬IªÓ§^ (Shih Chien-wu)

  • Enjoying a While Deer in the Mountains ¤s¤¤ª±¥Õ³À (Stephen Owen), A Brotherhood in Song, Renditions Books, pp. 174-175.
  • Enjoying a While Deer in the Mountains ¤s¤¤ª±¥Õ³À (Stephen Owen), Nos. 21 & 22, pp. 174-175.
  • Song of an Old Farmer ¥N¹A­î§u (Stephen Owen), A Brotherhood in Song, Renditions Books, pp. 156-157.
  • Song of an Old Farmer ¥N¹A­î§u (Stephen Owen), Nos. 21 & 22, pp. 156-157.
  • Watching a Dancing Girl Æ[»R¤k (Stephen Owen), A Brotherhood in Song, Renditions Books, pp. 154-155.
  • Watching a Dancing Girl Æ[»R¤k (Stephen Owen), Nos. 21 & 22, pp. 154-155.

    Shi Naian ¬I­@±g

  • The Marshes of Mount Liang: excerpts ¤ôâq¶Ç (John and Alex Dent-Young), No. 40, pp. 32-60.

    Shi Pingmei ¥Ûµû±ö (Shih P'ing-mei)

  • Amid the Sound of Firecrackers on New Year's Eve Ãz¦ËÁn¤¤ªº°£¤i (Janet Ng), May Fourth Women Writers (Memoirs), Renditions Paperbacks, pp. 49-62.

    Shi Tao ¥ÛÀÜ (Shih T'ao)

  • Friar Bitter-Melon on Painting ­W¥Ê©M©|¸Ü»y¿ý (Lin Yutang), No. 1, pp. 50-61.

    Shi Zhao ¥Û¥l (Shih Chao)

  • Snow at Morning ¦­¦æ¹J³· (John Turner), No. 1, p. 46.
  • Snow at Morning ¦­¦æ¹J³· (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 86-87.
  • Snow at Morning ¦­¦æ¹J³· (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 28.

    Shi Xueyan ®É¾ÇÃC (Shih, Hsio-yen)

  • Poetry Illustration and the Works of Ku K'ai-chih, The Translation of Art, Renditions Books, pp. 6-29.
  • Poetry Illustration and the Works of Ku K'ai-chih, No. 6, pp. 6-29.

    Shih, Vincent Y.C. ¬I¤Í©¾

  • Literature and Art in The Analects ½×»yªº¤åÃÀ (C.Y. Hsu), No. 8, pp. 5-38.

    Shu Ting µÎ´@

  • The Age of Autumn ¥ß¬î¦~µØ (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 127-128.
  • Archaeopteryx ©l¯ª³¾ (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 97-98.
  • Assembly Line ¬y¤ô½u (Eva Hung), Nos. 27 & 28, pp. 264-265.
  • Assembly Line ¬y¤ô½u (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 33.
  • Autumn thoughts ¬î«ä (Eva Hung), No. 39, pp. 132-133.
  • Autumn thoughts ¬î«ä (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 100-101.
  • A Boat ²î (Tao Tao Liu), Nos. 19 & 20, p. 248.
  • A Boat ²î (Tao Tao Liu), Shu Ting: Selected Poems, Renditions Paperbacks, p. 21.
  • A Boat with Two Masts Âù®é²î (Tao Tao Liu), Nos. 19 & 20, p. 244.
  • A Boat with Two Masts Âù®é²î (Tao Tao Liu), Shu Ting: Selected Poems, Renditions Paperbacks, p. 19.
  • Brother, I'm Here ¥S§Ì¡A§Ú¦b³o¨à (Eva Hung), Nos. 27 & 28, pp. 268-269.
  • Brother, I'm Here ¥S§Ì¡A§Ú¦b³o¨à (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 39-40.
  • Christmas Eve Is Coming ¥­¦w©]§Y±N¨ÓÁ{ (Mary M.Y. Fung), No. 57, pp. 103-104.
  • The Cry of a Generation ¤@¥N¤Hªº©IÁn (Richard King), No. 50, pp. 105-107.
  • Curriculum Vitae ¼i¾úªí (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 119-120.
  • Death of the Monk ¶ê±I (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 97-98.
  • Death of the Monk ¶ê±I (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 97-98.
  • End of Hibernation Ååîh (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 87-88.
  • Evening Montage ¶À©ü°Å¿è (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 44-47.
  • Evening Star ¶À©ü¬P (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 41-43.
  • Fallen Leaf ¸¨¸­ (Gordon Osing & De-an Wu Swihart), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 34-35.
  • Fallen Leaves ¸¨¸­ (Tao Tao Liu), Nos. 19 & 20, pp. 246-247.
  • 'Forget-me-not' ¡u¤Å§Ñ§Ú¡v (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 107.
  • Gifts õXÃØ (Tao Tao Liu), Nos. 19 & 20, p. 243.
  • Gifts õXÃØ (Tao Tao Liu), Shu Ting: Selected Poems, Renditions Paperbacks, p. 17.
  • Goodbye in the Rain «B§O (Tao Tao Liu), Nos. 19 & 20, pp. 244-245.
  • Goodbye in the Rain «B§O (Tao Tao Liu), Shu Ting: Selected Poems, Renditions Paperbacks, p. 20.
  • Goodbye, White Handkerchief §O¤F¡A¥Õ¤â©¬ (Eva Hung), No. 39, pp. 136-139.
  • Goodbye, White Handkerchief §O¤F¡A¥Õ¤â©¬ (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 108-109.
  • Homeward Bound ÁÙ¶m (Eva Hung), Nos. 27 & 28, pp. 256-57.
  • Homeward Bound ÁÙ¶m (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 36.
  • Husum Game Restaurant ­JĬ©i³¥¨ýÀ\ÆU (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, p. 94.
  • ...in between ...¤§¶¡ (Eva Hung), No. 39, pp. 128-131.
  • ...in between ...¤§¶¡ (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 89-90.
  • In Memory of My Late Grandmother Ãh©À (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 60.
  • In the Night-club ©]°s§a (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, p. 93.
  • July That Year ¨º¤@¦~¤C¤ë (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 108-109.
  • A Late Autumn Evening in Beijing ¥_¨Ê²`¬îªº±ß¤W (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 100-101.
  • A Letter to Second Uncle µ¹¤G¸¤¸¤ªº®a®Ñ (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 121-122.
  • A Letter to the Guitar Girl ¥N¶lµ²¥L¤k­¦ (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 91-92.
  • Longing «ä©À (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 26.
  • A Love Song for this Land ¤g¦a±¡¸Ö (Eva Hung), Nos. 27 & 28, pp. 266-267.
  • A Love Song for this Land ¤g¦a±¡¸Ö (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 37-38.
  • A Min in the Cafeˆmªü±Ó¦b©@°ØÀ] (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 58-59.
  • Mirror Ãè (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 112-113.
  • A Night at an Inn ®ÈÀ]¤§©] (Eva Hung), No. 39, pp. 140-141.
  • A Night at an Inn ®ÈÀ]¤§©] (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 110.
  • Perhaps ¤]³\ (Gordon Osing & De-an Wu Swihart), Shu Ting: Selected Poems, Renditions Paperbacks, p. 29.
  • The Primary Colour ­ì¦â (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, p. 104.
  • Reading at Night ©]Ū (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 127.
  • Reading Snow Ū³· (Mary M.Y. Fung), No. 57, p. 111.
  • Resurrection ´_¬¡ (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 61-62.
  • A Roadside Encounter ¸ô¹J (Eva Hung), Nos. 27 & 28, pp. 262-263.
  • A Roadside Encounter ¸ô¹J (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 28.
  • The Singing Iris ·|°Ûºqªº»ð§Àªá (Janice Wickeri), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 48-57.
  • The Sleeping Clock ¯vÄÁ (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, p. 103.
  • A Style of Playing ¤@ºØºt«µ­·®æ (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 125-126.
  • Sunset on White Creeper Lake ¤é¸¨¥ÕÃôò (Eva Hung), No. 39, pp. 142-143.
  • Sunset on White Creeper Lake ¤é¸¨¥ÕÃôò (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 117-118.
  • The Time of Power Failure °±¹qªº¤é¤l (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 123-124.
  • To an Oak ­P¾ó¾ð (Eva Hung), Nos. 27 & 28, pp. 260-261.
  • To an Oak ­P¾ó¾ð (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 24-25.
  • Truth ¯u¿á (Mary M.Y. Fung), No. 57, pp. 107-108.
  • Two, Maybe Three Different Memories ©¹¨Æ¤G¤T (Gordon Osing & De-an Wu Swihart), Shu Ting: Selected Poems, Renditions Paperbacks, p. 27.
  • Water Metasequoia ¤ô§ü (Henry Y H Zhao & D. E. Pollard), Shu Ting: Selected Poems, Renditions Paperbacks, p. 94.
  • Waters of Green Lake ºÑ¼æ¤ô (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, pp. 114-116.
  • When You Walk Past My Window ·í§A±q§Úªºµ¡¤U¨«¹L (Eva Hung), Nos. 27 & 28, pp. 258-259.
  • When You Walk Past My Window ·í§A±q§Úªºµ¡¤U¨«¹L (Gordon Osing & De-an Wu Swihart), Shu Ting: Selected Poems,
  • Renditions Paperbacks, pp. 22-23.
  • Where the Soul Dwells »î¤§©Ò¨t (Eva Hung), No. 39, pp. 134-135.
  • Where the Soul Dwells »î¤§©Ò¨t (Eva Hung), Shu Ting: Selected Poems, Renditions Paperbacks, p. 104.
  • White Crane ¥ÕÅb (Mary M.Y. Fung), No. 57, pp. 109-110.

    Shu Wei µÎ¦ì

  • One Poem in 'Brush and Breath: Poems on Poetry from the Qing Dynasty' ½×¸Ö (John Minford), A Brotherhood in Song, Renditions Books, pp. 374-375.
  • One Poem in 'Brush and Breath: Poems on Poetry from the Qing Dynasty' ½×¸Ö (John Minford), Nos. 21 & 22, pp. 374-375.

    Shu Xiangcheng µÎ«Ñ«°

  • Anchor Áã (Eva Hung), Nos. 29 & 30, p. 195.
  • Birdsong in a City ¾x¥«³¾Án (Eva Hung), Nos. 29 & 30, p. 196.
  • Cable Car on Victoria Peak ¤s³»Æl¨® (Eva Hung), Nos. 29 & 30, p. 197.
  • Resurrection ´_¬¡ (Eva Hung), Nos. 29 & 30, p. 194.
  • Seven Lines ¤C¦æ (Eva Hung), Nos. 29 & 30, p. 198.
  • Ten Lines ¤Q¦æ (Eva Hung), Nos. 29 & 30, p. 198.
  • Walking past a Monumental Mason ¹L¹Ó¸O©± (Eva Hung), Nos. 29 & 30, p. 197.

    Shu Yi µÎ¤A

  • Father's Last Two Days ¤÷¿Ë³Ì«áªº¨â¤Ñ (Harriet Clompus), No. 38, pp. 107-122.

    Shum Ching Man, Olivia §ÂÀR¶²

  • Domestic Education of Women in the Tang Dynasty ­ð¥N°ü¤kªº®a®x±Ð¨| (Chi-yin Ip with Janice Wickeri), No. 64, pp. 38-57.

    Si Guo «äªG (see Cai Zhuotang)

    Shum K.N. ±X«n (see Kun Nan)

    Sima Chi ¥q°¨¦À (Ssu-ma Ch'ih)

  • Travelling ¦æ¦â (Louise Ho), No. 10, p. 127.

    Sima Guang ¥q°¨¥ú (Ssu-ma Kuang)

  • Letter to Wang Anshi »P¤ý¤¶¨j®Ñ (Chu Chiyu and D. E. Pollard), Nos. 41 & 42, pp. 60-72.
  • Still Night ÀR©] (Louise Ho), No. 10, p. 127.
  • Reply to 'Songs of the Luminous Lady' by Wang Anshi ©M¤ý¤¶¨j©ú¦m¦± (Jianqing Zheng and Margo Stever), Nos. 59 & 60, pp. 66-67.

    Sima Qian ¥q°¨¾E

  • Records of the Grand Historian ¥v°O (Burton Watson), Records of the Grand Historian, Renditions Books.
  • Shi Ji: The Biography of Lord Shang ¥v°O¡G°Ó§g¦C¶Ç (Burton Watson), Nos. 33 & 34, pp. 24-32.

    Simpson, Robert

  • Camp—Hong Kong Volunteers, Nos. 29 & 30, pp. 69-70.

    Slupski, Zbigniew

  • Lao She's Fictions, No. 10, p. 67.

    Snyder, Gary

  • Picture in the Mind, No. 8, p. 96.

    Song Boren §º§B¤¯ (Sung Po-jen)

  • Autumn Evening ¬î±ß (Louise Ho), No. 10, p. 128.

    Song Lian §º¾ü (Sung Lien)

  • The Iron-Cap Taoist ±i¤¤¶Ç (Hok-lam Chan), No. 4, pp. 90-95.

    Song Qi §º¬è

  • Biography of Li Bai §õ¥Õ¶Ç (William Dolby), Nos. 33 & 34, pp. 111-115.

    Song Xiaolian §º¤p¾ü

  • Selections from Notes on a Journey to the Northern Borders ¥_éu¬ö´å (Anna Di Toro with D.E. Pollard), Nos. 53 & 54, pp. 181-184.

    Song Xiaoxian §º¾å½å

  • 1958¦~(Simon Patton), No. 68, p. 143

    Soong, Stephen C. §º²N

  • Building a House: Introducing Xi Xi §ó¤W¤@¼h¼Ó¡G¹³¦è¦è³o¼Ëªº¤@¦ì¤p»¡®a (Kwok-kan Tam), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 127-134.
  • Introducing Xi Xi, Nos. 19 & 20, pp. 105-106.
  • Introduction: The Chinese Poetic Tradition, A Brotherhood in Song, Renditions Books, pp. 1-18.
  • Introduction: The Chinese Poetic Tradition, Nos. 21 & 22, pp. 1-18.
  • My Father and Maugham ¤ò©i»P§Úªº¤÷¿Ë (Diana Yu), No. 3, pp. 81-90.
  • Notes on Translating Poetry ͏ִ²½×, No. 1, pp. 36-44.
  • A Poet's Eye View of History ¸Ö¤H²´¤¤ªº¾ú¥v (Mok Wing-yin), The Translation of Things Past, Renditions Books, pp. 62-66.
  • A Poet's Eye View of History ¸Ö¤H²´¤¤ªº¾ú¥v (Mok Wing-yin), No. 15, pp. 62-66.
  • The "Biased Compound" in Chinese Poetic Diction, A Brotherhood in Song, Renditions Books, pp. 287-306.
  • The "Biased Compound" in Chinese Poetic Diction, Nos. 21 & 22, pp. 287-306.
  • A Tribute to Song Poetry, No. 10, pp. 121-124.
  • Two Types of Misinterpretation-Some Poems from Red Chamber Dream, No. 7, pp. 73-92.

    Spence, Jonathan

  • The Explorer Who Never Left Home-Arthur Waley, No. 5, pp. 32-37.

    Struve, Lynn A. ¥q®{µY

  • The Peach Blossom Fan as Historical Drama, No. 8, pp. 99-114.

    Su Che ĬÂá

  • Biography of Ch'ao Ku ±_¨¦¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 298-304.
  • Letter to Prime Minister Han ¤W¼Ï±KÁú¤Ó±L®Ñ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 294-297.
  • On the Six States ¤»°ê½× (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 290-293.
  • The Pavilion of Elation ¶À¦{§Ö«v«F°O (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 81-82.

    Su Manshu Ĭ°Ò®í

  • The Tale of the Burning of the Sword µI¼C°O (T. M. McClellan), No. 67, pp. 9-27.

    Su Qing Ĭ«C (Su Ch'ing)

  • Going Home Âk±J (Janet Ng), May Fourth Women Writers (Memoirs), Renditions Paperbacks, pp. 121-133.

    Su Shaolian Ĭ²Ð³s

  • Chins ¤U¤Ú (Mary M.Y. Fung), No. 61, pp. 88-89.
  • Scars ¬Í²ª (Mary M.Y. Fung), No. 61, pp. 88-89.
  • Tongues ¦ÞÀY (Mary M.Y. Fung), No. 61, pp. 88-89.

    Su Shi Ĭ¸ý

  • Admiring Peony-blossoms at the Monastery of Good Omens ¥j²»¦x½à¨d¤¦ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 242-243.
  • Admiring Peony-blossoms at the Monastery of Good Omens ¥j²»¦x½à¨d¤¦ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 96.
  • An Anecdote about Ti Ch'ing ®Ñ¨fªZÁ¸¨Æ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 272-273.
  • Biography of Master Fang-shan (Square Hat) ¤è¤s¤l¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 268-271.
  • Butterflies Romancing the Flowers ½ºÅʪá (Stuart Sargent), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 136-137.
  • Butterflies Romancing the Flowers ½ºÅʪá (Stuart Sargent), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 61.
  • The Charms of Niannu - thinking about the past at the Red Scarp ©À¥£¼b¡Ð¡Ð¨ª¾ÀÃh¥j (Stuart Sargent), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 126-127.
  • The Charms of Niannu - thinking about the past at the Red Scarp ©À¥£¼b¡Ð¡Ð¨ª¾ÀÃh¥j (Stuart Sargent), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 56.
  • Courtyard Filled with Fragrance º¡®xªÚ (Stuart Sargent), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 128-129.
  • Courtyard Filled with Fragrance º¡®xªÚ (Stuart Sargent), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 57.
  • The Diviner - written while in temporary lodgings at Dinghui Temple in Huangzhou ¤Rºâ¤l¡Ð¡Ð¶À¦{©w¼z°|´J©~§@ (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 130-131.
  • The Diviner - written while in temporary lodgings at Dinghui Temple in Huangzhou ¤Rºâ¤l¡Ð¡Ð¶À¦{©w¼z°|´J©~§@ (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 58.
  • Dongpo's Miscellaneous Records: excerpts ªF©Y§ÓªL (Eva Hung), Nos. 33 & 34, pp. 123-140.
  • The Drunken Po Hall ¾K¥Õ°ó°O (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 256-259.
  • Evening View from Sea Prospect Tower ±æ´ò¼Ó±ß´º (A. C. Graham), No. 25, p. 106.
  • Feasting the Bridegroom ¶P·s­¦ (Stuart Sargent), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 134-135.
  • Feasting the Bridegroom ¶P·s­¦ (Stuart Sargent), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 60.
  • First Fu on the Ch'ih-pi (Red Cliff) «e¨ª¾À½á (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 260-263.
  • The Happy Rain Pavilion ³ß«B«F°O (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 252-255.
  • Inscription for the Temple of Han Yu at Chaozhou ¼é¬wÁú¤å¤½¼q¸O (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 76-79.
  • Letter to Chih-chiang Mei ¤W±öª½Á¿®Ñ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 248-251.
  • Master Table Mountain ¤è¤s¤l¶Ç (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 71-73.
  • The Most Gracious Penalties and Rewards ¦D½à©¾«p¤§¦Ü½× (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 232-235.
  • On Chang Liang ¯d«J½× (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 244-247.
  • On Fan Li ­SÄù½× (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 236-239.
  • On Fan Tseng ­S¼W½× (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 240-243.
  • One Poem in "Five Chinese Lyrics" ¦¿«°¤l (D. C. Lau), No. 7, p. 46.
  • Preface to the Collected Works of Fan Chung-yen ­S¤å¥¿¤½¤å¶°±Ô (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 274-279.
  • Preface to the Collected Works of the Retired Scholar ©~¤h¶°±Ô (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 280-286.
  • Prelude to Water Music ¤ô½ÕºqÀY (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 124-125.
  • Prelude to Water Music ¤ô½ÕºqÀY (Alice W Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 55.
  • Red Cliff: One «e¨ª¾À½á (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 73-76.
  • Remembrance in Mid-Autumn - to the Tune of "Barcarole Prelude" ¤ô½ÕºqÀY (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 234-237.
  • Remembrance in Mid-Autumn - to the Tune of "Barcarole Prelude" ¤ô½ÕºqÀY (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 94.
  • Reply to Bi Zhongju µª²¦¥òÁ|®Ñ (Yang Xianyi), Nos. 41 & 42, pp. 76-78.
  • Riverbank Faery - returning to Lin'gao at night Á{¦¿¥P¡Ð¡Ð©]ÂkÁ{¯o (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 132-133.
  • Riverbank Faery - returning to Lin'gao at night Á{¦¿¥P¡Ð¡Ð©]ÂkÁ{¯o (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 59.
  • River Town (No.1) - recording my dream on the twentieth night of the first month in the year yimao (1075) ¦¿«°¤l¡]¤@¡^¡Ð¡Ð¤A¥f¥¿¤ë¤G¤Q¤@¤é°O¹Ú (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 120-121.
  • River Town (No.1) - recording my dream on the twentieth night of the first month in the year yimao (1075) ¦¿«°¤l¡]¤@¡^¡Ð¡Ð¤A¥f¥¿¤ë¤G¤Q¤@¤é°O¹Ú (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 53.
  • River Town (No.2) - hunting in Mizhou ¦¿«°¤l¡]¤G¡^¡Ð¡Ð±K¦{¥XÂy (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 122-123.
  • River Town (No.2) - hunting in Mizhou ¦¿«°¤l¡]¤G¡^¡Ð¡Ð±K¦{¥XÂy (Brian Holton), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 54.
  • Second Fu on the Ch'ih-pi (Red Cliff) «á¨ª¾À½á (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 264-267.
  • Sixth month, 27th day: written while drunk on Lake Prospect Tower ¤»¤ë¤G¤Q¤C¤é±æ´ò¼Ó¾K®Ñ (A. C. Graham), No. 25, p. 106.
  • The Terrace over the Void ­âµê¥x°O (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 69-71.
  • The Western Lake When Rain is Falling ¶¼´ò¤Wªì´¸«á«B (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 240-241.
  • The Western Lake When Rain is Falling ¶¼´ò¤Wªì´¸«á«B (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 93.
  • To the Tune of Huan hsi sha ÒF·Ë¨F (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 16.
  • To the Tune of Huan hsi sha ÒF·Ë¨F (D. C. Lau), Nos. 11 & 12, p. 16.
  • To the Tune of Lin-chiang hsien Á{¦¿¥P (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 15.
  • To the Tune of Lin-chiang hsien Á{¦¿¥P (D. C. Lau), Nos. 11 & 12, p. 15.
  • To the Tune of Shao-nien yu ¤Ö¦~¹C (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 17.
  • To the Tune of Shao-nien yu ¤Ö¦~¹C (D. C. Lau), Nos. 11 & 12, p. 17.
  • To the Tune of Tieh lien hua ½ºÅʪá (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 18.
  • To the Tune of Tieh lien hua ½ºÅʪá (D. C. Lau), Nos. 11 & 12, p. 18.
  • Winter ÃØ¼B´º¤å (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 244-245.
  • Winter ÃØ¼B´º¤å (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 97.
  • Written on a Painting of Flowers Done by Intendant Wang of Yanling ®Ñäk³®¤ý¥Dï©Òµe§éªK (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 238-239.
  • Written on a Painting of Flowers Done by Intendant Wang of Yanling ®Ñäk³®¤ý¥Dï©Òµe§éªK (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 95.
  • Zhaojun Village ¬L§g§ø (Jam Ismail and Tam Pak Shan), Nos. 59 & 60, pp. 68-69.

    Su Weizhen Ĭ°¶­s

  • Missing Â÷®a¥X¨« (Agnes Tang and Eva Hung), Contemporary Women Writers: Hong Kong and Taiwan, Renditions Paperbacks, pp. 89-112.

    Su Xun Ĭ¬¬ (Su Hsun)

  • Letter to Mei Sheng-yu »P±ö¸t«\®Ñ (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 220-224.
  • On Kuan Chung ºÞ¥ò½× (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 214-219.

    Su Ye Ĭ¸­

  • Always in My Heart Á`¬OÃø§Ñ (Janice Wickeri), No. 44, pp. 103-114.

    Su Yu Ĭ­§

  • On the Policy of Giving a Bride to Cement the Peace µú©M¿Ë (Julie Landau), Nos. 59 & 60, pp. 50-51.

    Sun Jingxuan ®]ÀR°a

  • A Seriously Flawed Work—Self Criticism (Don J. Cohn), No. 25, pp. 50-51.
  • A Spectre Prowls our Land ¤@­Ó«ÕÆF¦b¤¤°ê¤j¦a¤W´å¿º (John Minford), No. 25, pp. 38-49.

    Sun, Phillip S.Y. ®]­z¦t

  • The Seditious Art of The Water Margin ¤ôâq¶Çªºº´°ÊÃÀ³N, No. 1, pp. 99-106.
  • The Structure and Achievements of Jin Ping Mei ª÷²~±öªºÃÀ³N¡G§G§½»P¦¨´N (Don J. Cohn), No. 24, pp. 102-108.

    Sun Tzu ping ®]±êµû (see Sun Ziping)

    Sun Yat-sen ®]¶h¥P

  • Address to the Students of Hong Kong University °ê¤÷®]¤¤¤s¥ý¥Í©ó­»´ä¤j¾ÇºtÁ¿¤§Á¿µü , Nos. 29 & 30, pp. 42-44.

    Sun Ziping ®]±êµû (Sun Tzu Ping)

  • Roar of the Tide at Chinpi ªà¾À¼éÁn (Simon Patton), No. 61, pp. 116-117.

    Sung Lien §º¾ü (see Song Lian)

    Tam, Laurence C.S. ÃÓ§Ó¦¨

  • Plant Paintings of Two Yangzhou Masters, The Translation of Art, Renditions Books, pp. 124-137.
  • Plant Paintings of Two Yangzhou Masters, No. 6, pp. 124-137.

    Tam Pak Shan ÃÓ¬f¤s

  • Eileen Chang: A Chronology, No. 45, pp. 6-12.

    Tan Yuanchun ÃÓ¤¸¬K

  • Zeng Xi was fond of eating jujubes ¡u´¿Þնݦϴǡv¤@³¹ (Andrew Lo), Nos. 33 & 34, pp. 179-181.

    Tang Juan ­ð®½

  • I want to but I can't §Ú·Q­n¦ý§Ú¤£¯à (Chi-yin Ip), No. 61, p. 114.

    Tang Shunzhi ­ð¶¶¤§

  • Zi Mo holds on to the middle ¡u¤l²ö°õ¤¤¡A°õ¤¤¬°ªñ¤§¡A°õ¤¤µLÅv¡AµS°õ¤@¤]¡v(Andrew Lo), Nos. 33 & 34, pp. 169-172.

    Tang Siu Wa ¾H¤p¾ì (see Deng Xiaohua)

    Tang Xianzu ´öÅ㯪 (T'ang Hsien-tsu)

  • The Peony Pavilion ¨d¤¦«F (Scenes i-v, vii, ix, x) (Cyril Birch), No. 3, pp. 149-173.

    Tao Chengzhang ³³¦¨³¹ (Tao Cheng-chang)

  • The Evolution of China's Secret Sects and Societies ±Ð·|·½¬y¦Ò (Ssu-yü Teng), The Translation of Things Past, Renditions Books, pp.81-102.
  • The Evolution of China's Secret Sects and Societies ±Ð·|·½¬y¦Ò (Ssu-yü Teng), No. 15, pp.81-102.

    Tao Fen Ãü¾Ä

  • In Hong Kong ¨ì­»´ä¥H«á (Zhu Zhiyu), Nos. 29 & 30, pp. 56-58.

    Tao Jie ³³³Ç

  • The Rings of a Tree ¦~½ü (Josephine Kung), Nos. 47 & 48, pp. 130-132.

    Tao Jun ³³Â@

  • The Detour Å]¤è—¶¹D¦Ó¦æ (Geremie Barmé), No. 25, pp. 95-100.

    Tao Qian ³³¼ç (T'ao Ch'ien)

  • Letter to His Sons »P¤lÅkµ¥²¨ (James R. Hightower), Nos. 41 & 42, pp. 15-17.
  • Peach-blossom Fount ®çªá·½°O (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 72-77.
  • Peach-blossom Fount ®çªá·½°O (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 21-23.
  • Peach-Blossom Fount—Preface and Poem ®çªá·½°O¦}°O (John Turner), No. 1, pp. 63-65.
  • Requiem for Myself ¦Û²½¤å (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 45-46.
  • Sons ³d¤l (Graeme Wilson) No. 31, p. 88.

    Tao Wangling ³³±æÄÖ

  • The Master asked about Gongshu Wenzi ¡u¤l°Ý¤½¨û¤å¤l¡v¤@³¹ (Andrew Lo), Nos. 33 & 34, pp. 173-175.

    Tao Zongyi ³³©v»ö (T'ao Tsung-i)

  • Notes Made While Resting from Farm Work ½ù¯Ñ¿ý (Victor H. Mok), No. 9, pp. 81-83.

    Tian Jian ¥Ð¶¡ (T'ien Chien)

  • Thoughts, Thousands of Miles Away ¤d¨½«ä (Hsu Kai-yu), No. 4, pp. 96-97.

    Tian Yunliang ¥Ð¹B¨}

  • 1999. A Record of Civilization ¤@¤E¤E¤E. ¤å©ú¬ö¨Æ (John and Esther Dent-Young), Nos. 35 & 36, pp. 240-245.

    Tsai, Frederick C. ½²ÀÞ°ó (see Cai Zhuotang)

    Tseng, H.P. ´¿µê¥Õ

  • My Father's Literary Journey ¥ý¤÷¤å¾Ç®Èµ{ (Colin Modini), Chinese Middlebrow Fiction, Renditions Books, pp. 193-198.
  • My Father's Literary Journey ¥ý¤÷¤å¾Ç®Èµ{ (Colin Modini), Nos. 17 & 18, pp. 193-198.

    Tseng P'u ´¿¾ë (see Zeng Pu)

    Tsim, Cecilia ¸â¥ª¥É¨}

  • About The Drum Singers—A Lost Original, Two Writers and the Cultural Revolution, Renditions Books, p. 66.
  • About The Drum Singers—A Lost Original, No. 10, p. 52.

    Tu, Heather §ù®aªÂ (See Du Jiaqi)

    Tuo Ssu ¦·«ä (see Duo Si)

    Turner, John

  • More Translations by John Turner (John Turner), No. 9, pp. 62-64.
  • Translating Chinese Poetry—My Aim and Scope, No. 5, pp. 50-58.
  • Translations by John Turner (John Turner), No. 1, pp. 45-49.

    Tytler, Alexander Fraser

  • Laws of Translation, No. 1, p. 6.

    Tzeng Ching-wen ¾G²M¤å (see Zheng Qingwen)

    van Gulik, Robert

  • More About Judge Dee, No. 5, p. 117.

    Waley, Arthur

  • Monkey Talk, No. 2, p. 98.
  • On Lin Shu, No. 5, pp. 29-31.

    Wan Zhi ¸U¤§ (Chen Maiping ³¯ÁÚ¥­)

  • The Clock ¦Û»ïÁé¤U (Kam Louie and Bonnie S. McDougall), No. 26, pp. 7-10.
  • In the Distance, Snow »·¤è—³· (Bonnie S. McDougall and Kam Louie), No. 52, pp. 56-70.
  • A Mystery Á¼ (Bonnie S. McDougall and Kam Louie), No. 52, pp. 45-49.
  • Sand ¨F (Bonnie S. McDougall and Kam Louie), No. 52, pp. 50-55.

    Wang Anshi ¤ý¦w¥Û (Wang An-shih)

  • After Reading the Biography of Prince Meng-ch'ang Ū©s¹Á§g¶Ç (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 348-349.
  • Amidst the Bamboos ¦ËùØ (James J. Y. Liu), No. 1, p. 93.
  • Criticism of the Form of Confucius' Biography ¤Õ¤l¥@®aij (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 350-351.
  • Dyeing Clouds ¬V¶³ (James J. Y. Liu), No. 1, p. 92.
  • Inscription on the Tomb Tablet of Mr. Hsu, Chu-pu of Hailing Hsien, T'aichow ®õ¦{®ü³®¿¤¥Dï³\§g¹Ó»x»Ê (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 356-360.
  • New Flowers ·sªá (James J. Y. Liu), No. 1, p. 91.
  • Two Impromptu Poems §Y¨Æ¤G­º (James J. Y. Liu), No. 1, p. 92.
  • Written on the Walls of T'ai-I Palace ÃD¦è¤Ó¤@®c¾À (Louise Ho), No. 10, p. 129.
  • Reply to Sima Guang µª¥q°¨¿Ïij®Ñ (John Jamieson), Nos. 41 & 42, pp. 73-75.
  • Songs of the Luminous Lady: two poems ©ú¦m¦±²Ä¤G­º (Eva Hung), Nos. 59 & 60, pp. 59-63.
  • Southern Shores «n®ú (James J. Y. Liu), No. 1, p. 93.
  • A Visit to the Pao-ch'an Mountain ¹CçÌÁI¤s°O (Shih Shun Liu), Chinese Classical Prose - The Eight Masters of the T'ang-Sung Period, Renditions Books, pp. 352-355.

    Wang Anyi ¤ý¦w¾Ð

  • Birds Fighting for a Nest ³¶¹§¤@¾Ô (Nigel Bedford), No. 39, pp. 45-68.
  • Love in a Small Town ¤p«°¤§ÅÊ (Eva Hung), Nos. 27 & 28, pp. 184-203.
  • Love in a Small Town ¤p«°¤§ÅÊ (Eva Hung), Love in a Small Town, Renditions Paperbacks 1988.
  • Love on a Barren Mountain ¯î¤s¤§ÅÊ (Eva Hung), Love on a Barren Mountain, Renditions Paperbacks.
  • The Mouth of the Famous Female Impersonator ¦W¥¹¤§¤f (Janice Wickeri and Zhu Zhiyu), Nos. 27 & 28, pp. 174-183.
  • Uncle's Story: excerpts ¨û¨ûªº¬G¨Æ (Willard Woodworth White), No. 67, pp. 63-69.

    Wang Chi-Chen

  • The Repatriates, Two Writers and the Cultural Revolution, Renditions Books, pp. 150-154.

    Wang, C.H. ¤ý¹tÄm

  • Chou Tso-jen's Hellenism, No. 7, pp. 5-28.

    Wang Changling ¤ý©÷ÄÖ

  • Autumn Sadness in the West Palace ¦è®c¬î«è (Geoffrey R. Waters), No. 64, p. 26.
  • Regret »Ó«è (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 106-107.
  • Regret »Ó«è (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 36.
  • Spring in the Palace ¬K®c¦± (Geoffrey R. Waters), No. 64, p. 18.

    Wang Dingjun ¤ý¹©¶v (Wang Ting-chün)

  • The Last Word in Beauty and Ugliness ³Ì¬ü©M³ÌÁà (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 324-329.
  • The Wailing Chamber ­ú«Î (Simon S.C. Chau), No. 8, pp. 137-146.
  • Footprints ¸}¦L (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 329-332.

    Wang Erbei ¤ýº¸¸O

  • Mirror Ãè¤l (Amy Klauke and Zhu Zhiyu),Nos. 27 & 28, p. 250.

    Wang Fangyu ¤ý¤è¦t

  • Levels of Difficulty in Translation, No. 4, pp. 46-48.
  • Chu Ta's Shi Shuo Xin Yu Poems ¦¶ÐU¥@»¡·s»y¸Ö (Aileen Huang Wei and Wang Fangyu), The Translation of Art, Renditions Books, pp. 70-84.
  • Chu Ta's Shi Shuo Xin Yu Poems ¦¶ÐU¥@»¡·s»y¸Ö (Aileen Huang Wei and Wang Fangyu), No. 6, pp. 70-84.

    Wang Fu ¤ý²Å

  • Thinking of Worthies «ä½å (Margaret J. Pearson), Nos. 33 & 34, pp. 52-57.

    Wang Fuzhi ¤ý¤Ò¤§

  • Three excerpts from Shi Guangzhuan ¸Ö¼s¶Ç (Siu-kit Wong), Nos. 33 & 34, pp. 182-187.

    Wang Jian ¤ý«Ø

  • Taking in Yangzhou Market One Night (Mark Stevenson), No. 66, P. 49.
  • To the Tune of "Palace Laughter" ®c¤¤½Õ¯º (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 148-149.
  • To the Tune of "Palace Laughter" ®c¤¤½Õ¯º (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 59.

    Wang Jiusi ¤ý¤E«ä (Wang Chiu-ssu)

  • The Wolf of Zhong Shan ¤¤¤s¯T°|¥» (J. I. Crump), No. 7, pp. 29-38.

    Wang Kaiyun ¤ýñm¹B

  • A Memorial on Barbarian Affairs: excerpts ³¯¦i°È²¨ (Burton Watson), Nos. 53 & 54, pp. 27-32.

    Wang Keping ¤ý§J¥­

  • The Retrial of Wei Jingsheng ­«¼fÃQ¨Ê¥Í (Charles Fosselman and Janice Wickeri), No. 31, pp. 160-170.

    Wang Lingwen ¤ý¥O»D

  • Zhaojun's Complaint ¬L§g«è (Maureen Robertson), Nos. 59 & 60, p. 123.

    Wang Meng ¤ý»X

  • On the Cross ¤Q¦r¬[¤W (Janice Wickeri), No. 37, pp. 43-68.
  • Thick Congee °íµwªºµ}µ° (Joyce Nip), No. 43, pp. 58-76.

    Wang Min ¤ý±Ó (Wong Man)

  • Hooves of Memories °O¾Ðªº°¨¿á (Jane Lai), No. 56, p. 113.
  • Obdurate µw (Jane Lai), No. 56, p. 112.

    Wang Pan ¤ý½Y (Wang P'an)

  • Ode to the Trumpet ?³â¥z (K. C. Leung), A Brotherhood in Song, Renditions Books, p. 240.
  • Ode to the Trumpet ?³â¥z (K. C. Leung), Nos. 21 & 22, p. 240.

    Wang Peigong ¤ý°ö¤½

  • Urbling Winter W M—¥V (Geremie Barme), No. 25, pp. 86-94.

    Wang Pu ¤ý¿\ (Wong Pok)

  • Experience in Letters of Appeal ¥Ó¶D«H¸gÅç (Heidi Chan), Nos. 47 & 48, pp. 139-141.
  • On Forbearance ¤]»¡¼e®e (Heidi Chan), Nos. 47 & 48, pp. 141-145.
  • Topic of Conversation ¸ÜÃD (Maggie Leung and Janice Wickeri), No. 63, pp. 73-82.
  • Topic of Conversation ¸ÜÃD (Maggie Leung and Janice Wickeri), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 138-145.

    Wang Qingcheng ¤ý¼y¦¨ (Wang Ch'ing-ch'eng)

  • Hung Hsiu-ch'üan's Early Thought and the Taiping Revolution ½×¬x¨q¥þªº¦­´Á«ä·Q¤Î¨äµo®i (C. A. Curwen), The Translation of Things Past, Renditions Books, pp. 103-138.
  • Hung Hsiu-ch'üan's Early Thought and the Taiping Revolution ½×¬x¨q¥þªº¦­´Á«ä·Q¤Î¨äµo®i (C. A. Curwen), No. 15, pp. 103-138.

    Wang Rui ¤ýèû

  • Why Grieve, Zhaojun? ¸Ñ¬L§g«è (Audrey Heijns and David Lunde), Nos. 59 & 60, pp. 52-53.

    Wang Runhua ¤ý¼íµØ (Wang Yoon Wah, Wong Yoon Wah)

  • A Close Look at the 'Pear Blossom'§Ú¬Ý¡uªø«ëºq¡vªº±ùªá, No. 5, pp. 66-72.
  • Ear-Fungi Failed to Hear the Tree Moaning ¤ì¦Õ¨SÅ¥¨£¾ð¤ìªº©D§u (Ni Yibin), No. 55, p. 95.
  • Fingerprint of the Killer Fig µLªáªG±þ¤âªº«ü¯¾ (Ni Yibin), No. 55, p. 96.
  • Murder in the Forest ¾ðªL¤¤ªº©R®× (Ni Yibin), No. 55, p. 94.
  • Introduction (Ian Chapman), No. 55, pp. 89-93.
  • Yu Dafu in Exile: His Last Days in Sumatra ¤¤¤é¤H¤h©Ò¨£­§¹F¤Ò¦bĬªùµªÃ¾ªº¬y¤`¥Í¬¡, No. 23, pp. 71-83.

    Wang Shipeng ¤ý¤QªB

  • Zhaojun's Home Village ¬L§g§ø (Jane Lai), Nos. 59 & 60, pp. 74-75.

    Wang Shizhen ¤ý¥@­s (Wang Shih-chen, Ming dynasty)

  • Roaming on South Peak ´å«n°ª®p (A. C. Graham), No. 25, p. 112.
  • Presented to Liang Kung-shih, Who Is Going Home, Having Resigned on Account of Illness ÃØ±ç¤½¹êÁ¯fÂk (Daniel Bryant), No. 8, p. 91.
  • Western Palance Complaint ¦è®c«è (Daniel Bryant), No. 8, p. 91.

    Wang Shizhen ¤ý¤hºÕ¡@(Qing dynasty)

  • Reply to Zhang Yihu ´_±i¤ÍÂE¡@(David Pattinson), Nos. 41 & 42, pp. 114-117.

    Wang Tao ¤ýÃü

  • My Sojourn in Hong Kong: excerpts ­»®ü?? (Yang Qinghua), Nos. 29 & 30, pp. 37-41.
  • Selections from Jottings of Carefree Travels º©´åÀH¿ý (Ian Chapman), Nos. 53 & 54, pp. 164-173.

    Wang Tianyuan ¤ý²K·½

  • My Heart that Never Trembles §Ú¤£·|±ª°Êªº¤ß (Eva Hung), Nos. 35 & 36, pp. 280-289.

    Wang Ting-chün ¤ý¹©¶v (see Wang Dingjun)

    Wang Tingzhi ¤ý«F¤§

  • Support the Construction of Daya Bay Power Plant ¤ä«ù¿³«Ø¤j¨ÈÆW®Ö¹q¼t (John Steinhardt), Nos. 29 & 30, pp. 170-171.

    Wang Wei ¤ýºû

  • Empty Hills ³À®ã (Louise Ho), No. 66, p. 28.
  • From the Chinese of Wang Wei ¤ýºû¤­¨¥¸Ö (Albert Faurot), No. 6, pp. 92-94.
  • Green Brook «CÁÆ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 102-103.
  • Green Brook «CÁÆ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 38.
  • Grievance of a Lady of Handsome Fairness ¯ZÔЧ±¤T­º (Geoffrey R. Waters), No. 64, p. 25.
  • In Bamboo-Alley Grange ¦Ë¨½À] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 104-105.
  • In Bamboo-Alley Grange ¦Ë¨½À] (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 37.
  • Letter from the Hills to Scholar Pei Di ¤s¤¤»P»p­}¨q¤~®Ñ (Cyril Birch), Nos. 41 & 42, pp. 32-33.

    Wang Wenxing ¤ý¤å¿³

  • Family Dysposition: excerpts ®aÅÜ (Susan Wan Dolling), No. 39, pp. 26-38.

    Wang Xianlu ¤ý¬¨ (Wang Wei)

  • Lingering snow on Broken Bridge Â_¾ô´Ý³· (A. C. Graham), No. 25, p. 110.

    Wang Xiaoming ¤ý¾å©ú

  • The 'Good Fortune' of Eileen Chang ±i·R¬Âªº¡u©¯¹B¡v(Cecile Chu-chin Sun), No. 45, pp. 136-140.

    Wang Xiaoni ¤ý¤p©g

  • I Feel the Sunshine §Ú·P¨ì¤F¶§¥ú (Amy Klauke and Zhu Zhiyu), Nos. 27 & 28, p. 251.

    Wang Xiaoying ¤ý¤pÆN

  • Faces Remembered ªø¬Û¾Ð (Jennifer Eagleton), No. 50, pp. 154-157.

    Wang Xipeng ¤ý¿üÄP

  • A Group of Urban Youths is on Its Way ª¾ÃÑ«C¦~¤U¶m¨Ó (Richard King), No. 50, pp. 18-19.

    Wang Xiyan ¤ý¦è«Û

  • Heart-scorching, Bone-burning Days: Memoirs of the Cultural Revolution: excerpts µI¤ßµN°©ªº¤é¤l (Eva Hung and D. E. Pollard), No. 38, pp. 123-143.

    Wang Xun ¨L´`

  • Lady Luminous ©ú¦m (Jam Ismail and Tam Pak Shan), Nos. 59 & 60, pp. 94-95.

    Wang Ya ¤ý²P

  • Autumn Night ¬î©]¦± (Geoffrey R Waters), No. 64, p. 29.
  • In the Palace ®cµü¤T¤Q­º (Geoffrey R Waters), No. 64, p. 33.

    Wang Yisun ¤ý¨^®]

  • Bewitching Beauty -new moon ¬Ü¼a¡Ð¡Ð·s¤ë (Grace S Fong), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 318-319.
  • Bewitching Beauty -new moon ¬Ü¼a¡Ð¡Ð·s¤ë (Grace S Fong), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 158.
  • Joyous as Heaven - cicada »ô¤Ñ¼Ö¡Ð¡ÐÂÍ (Grace S Fong), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 320-321.
  • Joyous as Heaven - cicada »ô¤Ñ¼Ö¡Ð¡ÐÂÍ (Grace S Fong), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 159.

    Wang Yitong ¤ý¥ì¦P (Wang Yi-t'ung)

  • The Political and Intellectual World in the Poetry of Juan Chi ¨¿ÄyµúÃh¸Ö?¨I, No. 7, pp. 48-61.

    Wang Yoon Wah ¶À¼íµØ (see Wang Runhua)

    Wang Yun ¤ýÙ@ (1227-1304)

  • Painting of Wang Zhaojun Going Out the Border Passes (first of two poems) ¬L§g¥X¶ë¹Ï (Jane Lai), Nos. 59 & 60, pp. 80-81.

    Wang Yun ¤ý¸a (1749-1819)

  • A Dream of Glory: excerpts ÁcµØ¹Ú (Qingyun Wu), No. 64, pp. 96-106.

    Wang Zengqi ¨L´¿¸R

  • Revenge ´_¤³ (Shu-mei Shih and Adam Schorr), No. 37, pp. 35-42.

    Wang Zhichun ¤ý¤§¬K

  • Selections from Notes from a Mission to Russia ¨Ï«X¯ó (Ian Chapman), Nos. 53-54, pp. 140-144.

    Wang Zhihuan ¤ý¤§µA

  • On Top of Stork-bird Tower µnÅb³¶¼Ó (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 96-97.
  • On Top of Stork-bird Tower µnÅb³¶¼Ó (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 31.

    Wang Zhizhen (see Wang Shizhen)

    Watson, Burton µØ¯÷¥Í

  • Some Remarks on Early Chinese Historical Works, The Translation of Things Past, Renditions Books, pp. 35-47.
  • Some Remarks on Early Chinese Historical Works, No. 15, pp. 35-47.

    Watt, James C.Y.

  • Peasant Paintings from Huxian, The Translation of Art, Renditions Books, pp. 102-105.
  • Peasant Paintings from Huxian, No. 6, pp. 102-105.

    Wei Cheng ÃQÔW

  • Wang Zhaojun ¤ý¬L§g (John Dent-Young), Nos. 59 & 60, pp. 100-101.

    Wei Yingwu ­³À³ª«

  • At Zhuzhou ÞQ¦{¦è¼î (Arthur Bull), No. 44, pp. 72-73.
  • Autumn Night Message ¬î©]©v±Hªô­û¥~ (Arthur Bull), No. 44, pp. 76-77.
  • Night µú©] (Graeme Wilson), No. 2, p. 115.
  • On Sound µúÁn (Arthur Bull), No. 44, pp. 74-75.

    Wei Yuan ÃQ·½

  • Selections from An Illustrated World Geography ®ü°ê¹Ï§Ó (Tam Pak Shan), Nos. 53-54, pp. 14-17.

    Wei Zhiyuan ÃQ§Ó»·

  • I Didn't Think You Cared §Ú¥H¬°§A¤£¦Ç¦b¥G (Gordon Sites), No. 39, pp. 97-104.

    Wei Zhuang ­³²ø (Wei Chuang)

  • Heavenly Barbarian (No. 1) µÐÂÄÆZ¡]¤@¡^(Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 52-53.
  • Heavenly Barbarian (No. 1) µÐÂÄÆZ¡]¤@¡^(Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 19.
  • Heavenly Barbarian (No. 2) µÐÂÄÆZ¡]¤G¡^(Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 54-55.
  • Heavenly Barbarian (No. 2) µÐÂÄÆZ¡]¤G¡^(Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 19.
  • Heavenly Barbarian (No. 3) µÐÂÄÆZ¡]¤T¡^(Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 56-57.
  • Heavenly Barbarian (No. 3) µÐÂÄÆZ¡]¤T¡^(Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 19.
  • Priestess of Taoist Mysteries ¤k«a¤l (No. 1-2) (Michael Farman), No. 58, pp. 10-11.
  • Priestess of Taoist Mysteries (No. 1) ¤k«a¤l(¤@) (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 48-49.
  • Priestess of Taoist Mysteries (No. 1) ¤k«a¤l(¤@) (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 18.
  • Priestess of Taoist Mysteries (No. 2) ¤k«a¤l(¤G) (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 50-51.
  • Priestess of Taoist Mysteries (No. 2) ¤k«a¤l(¤G) (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 18.
  • Returning through Yangzhou ¹L´­¦{ (Mark Stevenson), No. 66, P. 50.
  • South River Land - to the Tune of "Fair Alien Divine" µÐÂÄÆZ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 196-197.
  • South River Land - to the Tune of "Fair Alien Divine" µÐÂÄÆZ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 81.
  • To the Tune of Ho-yeh pei ²ü¸­ªM (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, pp. 46 & 52.
  • To the Tune of Ho-yeh pei ²ü¸­ªM (D. C. Lau), Nos. 11 & 12, pp. 46 & 52.
  • To the Tune of P'u-sa man µÐÂÄÆZ (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 45, 48-49, 54-55.
  • To the Tune of P'u-sa man µÐÂÄÆZ (D. C. Lau), Nos. 11 & 12, pp. 45, 48-49, 54-55.
  • To the Tune of P'u-sa man µÐÂÄÆZ (D. C. Lau), No. 7, p. 45.
  • To the Tune of Kuei kuo yao Âk°ê»» (David Hawkes), A Brotherhood in Song, Renditions Books, p. 140.
  • To the Tune of Kuei kuo yao Âk°ê»» (David Hawkes), Nos. 21 & 22, p. 140.
  • To the Tune of "Maid's Diadem" ¤k«a¤l (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 194-195.
  • To the Tune of "Maid's Diadem" ¤k«a¤l (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 80.
  • To the Tune of Nu kuan tzu ¤k«a¤l (D. C. Lau), A Brotherhood in Song, Renditions Books, p. 196.
  • To the Tune of Nu kuan tzu ¤k«a¤l (D. C. Lau), Nos. 21 & 22, p. 196.
  • To the Tune of P'u-sa man µÐÂÄÆZ (D. C. Lau), A Brotherhood in Song, Renditions Books, pp. 198-199.
  • To the Tune of P'u-sa man µÐÂÄÆZ (D. C. Lau), Nos. 21 & 22, pp. 198-199.
  • To the Tune of T'ien hsien tzu ¤Ñ¥P¤l (D. C. Lau), A Brotherhood in Song, Renditions Books, p. 195.
  • To the Tune of T'ien hsien tzu ¤Ñ¥P¤l (D. C. Lau), Nos. 21 & 22, p. 195.
  • To the Tune of Nü kuan tzu ¤k«a¤l (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 5, 47 & 53.
  • To the Tune of Nü kuan tzu ¤k«a¤l (D. C. Lau), Nos. 11 & 12, pp. 5, 47 & 53.

    Wells, Henry W. ©}§Ó¤¯

  • A Singular Gift, No. 9, p. 36.

    Wen Jie ·Å¼ä

  • 'My Psychiatrist': a poem cycle §Úªººë¯«¯fÂå¥Í (²Õ¸Ö) (Birgit Linder), No. 62, pp. 86-102.

    Wen Kai ¤å·_

  • A Widower's Drunken Words Å`¤Ò¾K»y (Eva Hung), No. 55, p. 101

    Wen Tianxiang ¤å¤Ñ²»

  • Song of Honour - written in prison in 1281, with a preface in prose ¥¿®ðºq¡]¨Ã§Ç¡^(John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 280-287.
  • Song of Honour - written in prison in 1281, with a preface in prose ¥¿®ðºq¡]¨Ã§Ç¡^(John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, pp. 116-119.

    Wen Tingyun ·Å®x¸a (Wen T'ing-yun)

  • Heavenly Barbarian µÐÂÄÆZ (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 42-43.
  • Heavenly Barbarian µÐÂÄÆZ (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 15.
  • Searching for Tao Master Chang at South Stream ´M«n·Ë±`¹D¤h (David Lunde), No. 44, pp. 78-79.
  • A Southern Song (No. 1) «nºq¤l¡]¤@¡^ (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 38-39.
  • A Southern Song (No. 1) «nºq¤l¡]¤@¡^ (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 14.
  • A Southern Song (No. 2) «nºq¤l¡]¤G¡^ (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 40-41.
  • A Southern Song (No. 2) «nºq¤l¡]¤G¡^ (D C Lau), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 14.
  • To the Tune of "Dreaming of South River Land" ¾Ð¦¿«n (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 192-193.
  • To the Tune of "Dreaming of South River Land" ¾Ð¦¿«n (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 78.
  • To the Tune of Kenf lou tsu §óº|¤l (D. C. Lau), A Remditions Book 1985, p. 193.
  • To the Tune of Kenf lou tsu §óº|¤l (D. C. Lau), Nos. 21 & 22, p. 193.
  • To the Tune of Nan-ko tzu «nºq¤l (D. C. Lau), A Brotherhood in Song, Renditions Books, p. 189.
  • To the Tune of Nan-ko tzu «nºq¤l (D. C. Lau), Nos. 21 & 22, p. 189.
  • To the Tune of P'u-sa man µÐÂÄÆZ (D. C. Lau), A Brotherhood in Song, Renditions Books, pp. 190-192, 194.
  • To the Tune of P'u-sa man µÐÂÄÆZ (D. C. Lau), Nos. 21 & 22, pp. 190-192, 194.
  • To the Tune 'Song of the Water-clock at Night' §óº|¤l (David Lunde), No. 44, pp. 80-81.
  • Water Clock by Night §óº|¤l (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 44-45.
  • Water Clock by Night §óº|¤l (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 16.

    Wen Yiduo »D¤@¦h (Wen I-to)

  • Form in Poetry ¸Öªº®æ«ß (Randy Trumbull), A Brotherhood in Song, Renditions Books, pp. 127-134.
  • Form in Poetry ¸Öªº®æ«ß (Randy Trumbull), Nos. 21 & 22, pp. 127-134.
  • Hong Kong ­»´ä (Zhu Zhiyu), Nos. 29 & 30, p. 65.
  • Kowloon ¤EÀs (Zhu Zhiyu), No. 29 & 30, p. 66.

    Wilson, Sir David, Governor of Hong Kong ´ä·þ½Ã«³«HÀï¤h

  • Foreword, Nos. 29 & 30, p. 6.

    Winter, Werner

  • The Ultimately Impossible, No. 13, p. 39.

    Wixted, John Timothy ÃQ¥@¼w

  • Song Dynasty and Western Poems on Poetry, A Brotherhood in Song, Renditions Books, pp. 351-359.
  • Song Dynasty and Western Poems on Poetry, Nos. 21 & 22, pp. 351-359.

    Wong Bik Wan ¶ÀºÑ¶³ (see Huang Biyun)

    Wong Man ¤ý±Ó (see Wang Min)

    Wong Pok ¤ý¿\ (see Wang Pu)

    Wong Siu-kit ¶À¥ü³Ç and Li Kar-shu §õ®a¾ð

  • Three English Translations of the Shijing, No. 25, pp. 113-139.

    Wong Wai-leung ¶Àºû¼Ù (see Huang Weiliang)

    Wong Yoon Wah ¤ý¼íµØ (see Wang Runhua)

    Woo Hoong Niok §d­i¥É (see Wu Hongyu)

    Woo Kwok Yin ­J°ê½å (see Hu Guoxian)

    Woo Yin Ching ­J¿P«C (see Hu Yanqing)

    Wu Aiyi §dħ»ö (Ng, Margaret)

  • A Place of One's Own ®e¨­³B (Paul M. H. Or), Nos. 47 & 48, pp. 115-117.

    Wu, Gabriel §dÄ£©v (see Wu Yaozong)

    Wu Hongyu §d­i¥É (Woo Hoong Niok)

  • Selections from Autobiography of Rev. H.N. Woo §d­i¥Éªª®v¦Û¶Ç , Nos. 53 & 54, pp. 227-231.

    Wu, Nelson I. §d³[®]

  • The Chinese Pictorial Art, Its Format and Program, The Translation of Art, Renditions Books, pp. 179-203.
  • The Chinese Pictorial Art, Its Format and Program, No. 6, pp. 179-203.
  • The Juggler ©úÁÙ (Nelson I. Wu), No. 16, pp. 77-83.

    Wu Cheng §dÑÔ (see Wu Sheng)

    Wu Cheng'en §d©Ó®¦ (Wu Ch'eng-en)

  • The Journey to the West ¦è¹C°O (Chapter 1) (Anthony C. Yu), No. 2, pp. 83-98.
  • The Journey to the West ¦è¹C°O (Chapter 64) (Anthony C. Yu), No. 13, pp. 21-39.

    Wu Daiying §d©§¿o (Wu Tai-ying)

  • Sitting in front of the TV, cursing §¤¦b¹qµø¾÷«e¥s½| (Yau Wai-ping and David E. Pollard), No. 61, pp. 118-119.

    Wu Deliang §d¼w«G

  • Night Guards ©]±ß½Ã§L (Dominic Cheung), Nos. 19 & 20, pp. 292-293.
  • Sharpshooters ª®À»¤â (Dominic Cheung), Nos. 19 & 20, pp. 290-291.

    Wu Jianren ­J×Ö¤H

  • A Strange Case of Nine Murders: Chapters I and II ¤E©R©_­Þ (Douglas Lancashire), No. 62, pp. 24-40.

    Wu Mingxing §d©ú¿³

  • In the Mirror Á{Ãè (Eva Hung), Nos. 35 & 36, p. 266.
  • Words that are inaudible Å¥¤£¨ìªº»¡¸Ü (Eva Hung), Nos. 35 & 36, p. 267.

    Wu Qingyun ªZ¼y¶³

  • Daring to Dream: Wang Yun and Her Play A Dream of Glory, No. 64, pp. 83-95.

    Wu Sheng §dÑÔ (Wu Cheng)

  • An Accident ·N¥~ (Dominic Cheung), Nos. 19 & 20, pp. 296-297.
  • An Age Without Shame ¤£¨£¯º¦~¥N (Duncan Campbell), No. 35 & 36, pp. 11-12.
  • Elegy »µºq (Dominic Cheung), Nos. 19 & 20, pp. 294-295.
  • Enduring the Din of Life's Hardships §ÔÅ¥¥Í¬¡ªºÁ}¨¯ (Duncan Campbell), No. 35 & 36, pp. 13-17.
  • Impression of My Village §^¶m¦L¶H (Dominic Cheung), Nos. 19 & 20, p. 298.
  • Who Led Our Kids Astray Ô£¤H±ÐÃa¦_¥J¤j¤p (Duncan Campbell), No. 35 & 36, pp. 8-10.
  • Three Poems in "Dawn Light: Six Young Poets from Taiwan" (Dominic Cheung), Nos. 19 & 20, pp. 294-298.

    Wu Shuxian ¥î²Q½å (Ng Suk Yin)

  • Father ¤÷¿Ë (Duncan Hewitt), Nos. 47 & 48, pp. 45-52.
  • Father ¤÷¿Ë (Duncan Hewitt), Hong Kong Stories: Old Themes New Voices, Renditions Paperbacks, pp. 15-28.
  • Father ¤÷¿Ë (Duncan Hewitt), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 74-82.

    Wu Tai-ying §d©§¿o (see Wu Daiying)

    Wu Wenying §d¤å­^

  • The Oriole Song Sequence Åa³Ú§Ç (Grace S. Fong), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 292-295.
  • The Oriole Song Sequence Åa³Ú§Ç (Grace S. Fong), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 146-147.
  • The Sands at Silk-washing Creek ÒF·Ë¨F (Grace S. Fong), A Silver Treasury of Chinese Lyrics, Renditions Books, p. 298-299.
  • The Sands at Silk-washing Creek ÒF·Ë¨F (Grace S. Fong), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 148.
  • To the Tune of Ch'i t'ien Yüeh »ô¤Ñ¼Ö (Grace S. Fong), A Brotherhood in Song, Renditions Books, p. 207.
  • To the Tune of Ch'i t'ien Yüeh »ô¤Ñ¼Ö (Grace S. Fong), Nos. 21 & 22, p. 207.
  • To the Tune of Feng-ju sung ­·¤JªQ (Grace S. Fong), A Brotherhood in Song, Renditions Books, p. 213.
  • To the Tune of Feng-ju sung ­·¤JªQ (Grace S. Fong), Nos. 21 & 22, p. 213.
  • To the Tune of Huan-hui sha ÒF·Ë¨F (Grace S. Fong), A Brotherhood in Song, Renditions Books, p. 214.
  • To the Tune of Huan-hui sha ÒF·Ë¨F (Grace S. Fong), Nos. 21 & 22, p. 214.
  • To the Tune of Mu-lan-hua man ¤ìÄõªáºC (Grace S. Fong), A Brotherhood in Song, Renditions Books, pp. 208-209.
  • To the Tune of Mu-lan-hua man ¤ìÄõªáºC (Grace S. Fong), Nos. 21 & 22, pp. 208-209.
  • To the Tune fo Ying-y'i hsü Åa³Ú§Ç (Grace S. Fong), A Brotherhood in Song, Renditions Books, pp. 210-212.
  • To the Tune fo Ying-y'i hsü Åa³Ú§Ç (Grace S. Fong), Nos. 21 & 22, pp. 210-212.
  • Wind Enters the Pines ­·¤JªQ (Grace S. Fong), A Silver Treasury of Chinese Lyrics, Renditions Books, p. 296-297.
  • Wind Enters the Pines ­·¤JªQ (Grace S. Fong), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 148.

    Wu Woyao §d¨U³ó

  • A Bannerman at the Teahouse (Gloria Bien), No. 4, pp. 148-150.
  • Bizarre Happenings Eyewitnessed in Two Decades ¤G¤Q¦~¥Ø¸@¤§©Ç²{ª¬ (Shih Shun Liu), Chinese Middlebrow Fiction, Renditions Books, pp. 341-363.
  • Bizarre Happenings Eyewitnessed in Two Decades ¤G¤Q¦~¥Ø¸@¤§©Ç²{ª¬ (Shih Shun Liu), No. 4, pp. 129-148.

    Wu Xubin §d·ÖÙy

  • The Sea ®ü (Audrey Hijns with Janice Wickeri), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 107-109.

    Wu Yaozong §dÄ£©v (Wu, Gabriel)

  • Cutting Class °k½Ò (John Balcom), No. 55, p. 114.

    Wu Yin Ching ­J¿P«C (See Hu Yanqing)

    Wu Youru §d¤Í¦p

  • Selections from the Dianshizhai Pictorial ÂI¥ÛÂNµe³ø¿ï (Don J. Cohn), No. 23, pp. 47-70.
  • Selections from the Dianshizhai Pictorial ÂI¥ÛÂNµe³ø¥|«h (Yang Qinghua with Don J. Cohn), Nos. 29 & 30, pp. 31-34.

    Wu Zetian ªZ«h¤Ñ

  • Proclaiming Our Visit to the Imperial Gardens on the Day of the Winter Sacrifice þ¤é«Å¶@©¯¤W­b (Geoffrey R. Waters), No. 64, p. 20.

    Wu Zhichun §d§Ó²E (Wu Chih-ch'un)

  • A Cool Spell in My Garden on a Summer Day ®L¤é¶é¤¤²M´»¤T­º(¿ï¤G­º) (Daniel Bryant), No. 8, p. 86.

    Wu Zhiying §dªÛ·ë

  • A Lament for Shanyin «s¤s³± (Eva Hung), No. 64, p. 113.

    Wu Zhuoliu §d¿B¬y

  • The Fig Tree: excerpts µLªáªG (Duncan B. Hunter), No. 38, pp. 84-106.

    Xi Chuan ¦è¤t

  • Darkness ¶Â·t (Li Fukang with Eva Hung), No. 37, pp. 138-139.
  • Salute ­P·q (Maghiel van Crevel), No. 51, pp. 87-102.
  • Twilight ¼Ç¦â (Li Fukang with Eva Hung), No. 37, pp. 140-141.

    Xi Murong ®u¼}»T (Hsi Muren)

  • A Beautiful Moment ¬üÄRªº®É¨è (Ling Chung and Sean Golden), Nos. 27 & 28, p. 104.
  • A Blossoming Tree ¤@´Ê¶}ªáªº¾ð (Angela Ball and J.Q. Zheng), No. 57, P. 99.
  • Bride in Loulan ¼ÓÄõ·s®Q (Angela Ball and J.Q. Zheng), No. 57, p. 101.
  • Experiment (1) ¸ÕÅ礧¤@ (Angela Ball and J.Q. Zheng), No. 57, p. 97.
  • Experiment (2) ¸ÕÅ礧¤G (Angela Ball and J.Q. Zheng), No. 57, p. 98.
  • Looking Back ¦^­º (Angela Ball and J.Q. Zheng), No. 57, p. 100.
  • Moonlight Illustrations ¤ë¥ú´¡¹Ï (Mamie Osborne and Zheng Jianqing), No. 61, pp. 84-85.
  • A Tree in Bloom ¤@´Ê¶}ªáªº¾ð (Ling Chung and Sean Golden), Nos. 27 & 28, p. 105.

    Xi Xi ¦è¦è

  • Asuo ªü²ï (Maria Chi and John Minford), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 59-62.
  • Begonia ®ü´Å (Hannah Cheung), Nos. 29 & 30, pp. 114-117.
  • Begonia ®ü´Å (Hannah Cheung), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 93-98.
  • The Cold ·P«_ (Hannah Cheung and John Minford), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 25-52.
  • Cross of Gallantry ¤Q¦r¾±³¹ (Cecilia Y. L. Tsim), Nos. 19 & 20, pp. 115-121.
  • Cross of Gallantry ¤Q¦r¾±³¹ (Cecilia Tsim), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 77-92.
  • The Drawer ©â±P (Douglas Hui and John Minford), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 99-102.
  • Elegy for a Breast: excerpts «s±¥¨Å©Ð¡G¸`¿ý (Caroline Mason), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 113-126.
  • Feather Dusters Âû¤ò帤l (Lau Ming Pui), Nos. 47 & 48, pp. 86-88.
  • The Fertile Town Chalk Circle ªÎ¤gÂí¦ÇÁñ°O (John & Esther Dent-Young), Marvels of A Floating City, Renditions Paperbacks, pp. 65-106.
  • Flying Carpet: excerpts ­¸ÀÖ (Lau Ming Pui), Nos. 47 & 48, pp. 83-92.
  • Gently Down the Stream ¯B¥Í¤£Â_°O (Hannah Cheung and Eva Hung), No. 39, pp. 39-44.
  • Gently Down the Stream ¯B¥Í¤£Â_°O (Hannah Cheung and John Minford), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 103-112.
  • A Girl Like Me ¹³§Ú³o¼Ëªº¤@­Ó¤k¤l (Rachel May and Zhu Zhiyu), Nos. 19 & 20, pp. 107-114.
  • A Girl Like Me ¹³§Ú³o¼Ëªº¤@­Ó¤k¤l (Rachel May and Zhu Zhiyu), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 7-24.
  • A Girl Like Me ¹³§Ú³o¼Ëªº¤@­Ó¤k¤l (Rachel May and Zhu Zhiyu), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 117-130.
  • Lotus-heart Tea ½¬ªá¯ù (Lau Ming Pui), Nos. 47 & 48, pp. 83-85.
  • Maria º¿²ú¨È (Douglas Hui and John Minford), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 63-76.
  • Marvels of A Floating City ¯B«°»x²§ (Eva Hung), Marvels of A Floating City, Renditions Paperbacks, pp. 1-28.
  • Marvels of A Floating City ¯B«°»x²§ (Eva Hung), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 41-54.
  • My City: a hong kong story §Ú«° (Eva Hung), My City: a hong kong story, Renditions Paperbacks.
  • Nanny the Housekeeper ¨Å®QºÞ®a (Lau Ming Pui), Nos. 47 & 48, pp. 89-90.
  • Piñata ³o¬O²¦Ã¹¯Á (Hannah Cheung and John Minford), Nos. 27 & 28, pp. 113-122.
  • Piñata ³o¬O²¦Ã¹¯Á (Hannah Cheung and John Minford), Contemporary Women Writer: Hong Kong and Taiwan, Renditions Paperbacks, pp. 18-40.
  • The Story of Fertile Town ªÎ¤gÂíªº¬G¨Æ (Eva Hung), Marvels of A Floating City, Renditions Paperbacks, pp. 29-64.
  • Summer-Heat Disease ´»¼ö¯g (Lau Ming Pui), Nos. 47 & 48, pp. 91-92.
  • Toys ª±¨ã (Douglas Hui and John Minford), A Girl Like Me and Other Stories, Renditions Paperbacks, pp. 53-58.

    Xia Guo ®LªG

  • The Emotional Appeal of Wonton Noodles ¶³§]ÄѪº±¡½Õ (Heidi Chan), No. 66, pp. 79-81.

    Xia Mianzun ®LÉM´L

  • The Ornamental Iron Mountain ¥Õ°¨´ò¤§¥V (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 190-192.
  • Winter at White Horse Lake ¿ûÅK°²¤s (D.E. Pollard), The Chinese Essay, Renditions Books, pp. 192-194.

    Xia Wanchun ®L§¹²E

  • The Bright Consort ©ú¦m½g (David E. Pollard), Nos. 59 & 60, pp. 102-103.
  • From the Death Cell, to His Mother º»¤¤¤W¥À®Ñ (D. E. Pollard), Nos. 41 & 42, pp.110-113.

    Xia Yan ®L­l (Hsia Yen)

  • Under the Eaves of Shanghai ¤W®ü«Îò¤U (Act I) (Yao Hsin-nung), No. 3, pp. 128-148.

    Xia Yu ®L¦t

  • Crime of Passion ±¡±þ®× (John Balcom), Nos. 35 & 36, pp. 276-277.
  • Love ·R±¡ (John Balcom), Nos. 35 & 36, p. 275.

    Xia Zhiyan ®L¤§ª¢ (Hsia Chi-yen)

  • A Saturday in Shanghai ­ðµú«Cªº¬P´Á¤» (Donald Holzman), No 14, pp. 95-109.

    Xiang Chuan ¦V¤t

  • Differing Views on Yang Lian's Recent Works ¹ï·¨·Òªñ§@ªº¤£¦Pµû»ù (Zhu Zhiyu), No. 23, pp. 164-165.

    Xiang Da ¦V¹F (Hsiang Ta)

  • European Influences on Chinese Art in the Late Ming and Early Qing Period ©ú²M¤§»Ú¤¤°ê¬ü³N©Ò¨ü¦è¬vªº¼vÅT (Wang Teh-chao), The Translation of Art, Renditions Books, pp. 152-178.
  • European Influences on Chinese Art in the Late Ming and Early Qing Period ©ú²M¤§»Ú¤¤°ê¬ü³N©Ò¨ü¦è¬vªº¼vÅT (Wang Teh-chao), No. 6, pp. 152-178.

    Xiang Ling µ¾²Þ

  • A Poem Written at the End of the Year ·³¼Ç¤@«h (Ling Chung and Sean Golden), Nos. 27 & 28, p. 107.

    Xiang Ming ¦V©ú

  • Last Call for Sowing ¨~ºØ (Martha P.Y. Cheung ), No. 61, p. 56.

    Xiang Si ¶µ´µ

  • Mooring at Night by a Riverside Village ¦¿§ø©]ªy (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 154-155.
  • Mooring at Night by a Riverside Village ¦¿§ø©]ªy (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 77.

    Xiang Yang ¦V¶§

  • Sailing in the Rain ¦b«B¤¤¯è¦æ (Dominic Cheung), Nos. 19 & 20, pp. 300-303.
  • Ten Lines: Autumn ¬îÃã¤Q¦æ (Dominic Cheung), Nos. 19 & 20, p. 299.
  • Ten Lines: Seed ºØ¬ó¤Q¦æ (Dominic Cheung), Nos. 19 & 20, p. 304.
  • The Frost Comes Down ­°Á÷ (John and Esther Dent-Young), Nos. 35 & 36, pp. 260-261.

    Xiang Zhuang ¶µ²ø

  • The Overdevelopment of Language »y¨¥ªº¹L¥÷µo®i (D. E. Pollard), Nos. 29 & 30, pp. 172-173.

    Xiao Hong ¿½¬õ (Hsiao Hung)

  • A Remembrance of Lu Xun ¦^¾Ð¾|¨³¥ý¥Í(Howard Goldblatt), The Translation of Things Past, Renditions Books, pp. 169-190.
  • A Remembrance of Lu Xun ¦^¾Ð¾|¨³¥ý¥Í(Howard Goldblatt), No. 15, pp. 169-190.

    Xiao Jun ¿½§g (Hsiao Chun)

  • An Author's Mentors, No. 4, p. 39.
  • Goats ¦Ï (Howard Goldblatt), No. 4, pp. 22-39.

    Xiao Sa ¿½»ã

  • The Colours of Love ·R±¡ªºÃC¦â (Eva Hung), Nos. 35 & 36, pp. 103-120.
  • The Colours of Love ·R±¡ªºÃC¦â (Eva Hung), City Women: Contemporary Taiwan Women Writers, Renditions Paperbacks, pp. 111-138.

    Xiao Si ¤p«ä

  • A History in Books ®Ñ½t (Eva Hung), Nos. 47 & 48, pp. 128-129.
  • Loneliness Among the Mountain Flowers—Xiao Hong in Hong Kong ¤Q¨½¤sªá±I¹æ¬õ—¿½¬õ¦b­»´ä (Janice Wickeri), Nos. 29 & 30, pp. 177-181.
  • Night Market ©]¥« (D.E. Pollard), Nos. 29 & 30, pp. 174-176.
  • Treasures ÀòÄ_ (Eva Hung), Nos. 47 & 48, pp. 126-127.

    Xiao Wenyuan ¿½¤å­b

  • A Bizarre Kind of Robbery Â÷©_ªº·m§T (D. E. Polland), No. 31, pp. 156-158.

    Xiao Xi ¤p¦è

  • You Don't Want Roses ¡u§A¤£­nª´ºÀ¡v (Eva Hung), Nos. 47 & 48, pp. 216-217.

    Xiao Xiao ¿½¿½

  • After the Lifting of Martial Law ¸ÑÄY¥H«á (Duncan Hewitt), Nos. 35 & 36, p. 265.
  • That Continent and Another Continent ¨º­Ó¤j³°»P¥t¤@­Ó¤j³° (Duncan Hewitt), Nos. 35 & 36, p. 264.
  • The Labour Market ¤H¤O¥«³õ (Duncan Hewitt), Nos. 35 & 36, p. 263.
  • The Sight of Someone Lying in the Subway in the Depths of Night ²`©]¨£¦a¤U¹D¦³¤H½öª× (Duncan Hewitt), Nos. 35 & 36, p. 262.

    Xie Bingying Á¦B¼ü

  • Autobiography of a Woman Soldier: excerpts ¤k§L¦Û¶Ç (Janice Wickeri), No. 38, pp. 70-76.

    Xie Qinggao Á²M°ª

  • Selections from Jottings of Sea Voyages ¨ÄâAµ§°O (Mark Caltonhill), Nos. 53 & 54, pp. 159-163.

    Xie Ye ÁÂêM

  • Wish ­n¨D (Amy Klauke and Zhu Zhiyu), Nos. 27 & 28, p. 252.

    Xie Zhaozhe Á»F²R

  • Letter from the Capital to a Friend ¨Êªó»P¤H®Ñ (David Pattinson), Nos. 41 & 42, pp. 92-93.

    Xie Zhen Áºd (Hsieh Chen)

  • A Winter Night at Ta-liang ¤j±ç¥V©] (Daniel Bryant), No. 8, p. 90.

    Xin Cheng ¨¯µ{

  • Ties of Friendship Solid as Mountains ±¡¸q­«¦p¤s (Rita Lin), No. 50, pp. 131-133.

    Xin Qiji ¨¯±ó¯e (Hsin Ch'i-chi)

  • A Truce to Sorrow ¦è¦¿¤ë (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 272-273.
  • A Truce to Sorrow ¦è¦¿¤ë (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 112.
  • The Bliss of Eternal Union - at the Beigu Pavillion at Jingkou, thinking about the past ¥Ã¹J¼Ö¡Ð¡Ð¨Ê¤f¥_©T«FÃh¥j (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 252-255.
  • The Bliss of Eternal Union - at the Beigu Pavillion at Jingkou, thinking about the past ¥Ã¹J¼Ö¡Ð¡Ð¨Ê¤f¥_©T«FÃh¥j (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 124-125.
  • Breaking Through the Ranks ¯}°}¤l (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 248-249.
  • Breaking Through the Ranks ¯}°}¤l (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 122.
  • Drinking makes you ill ¶¼°s¦¨¯f (D. E. Pollard), No. 46, p. 56.
  • Drinking ruins your reputation ¶¼°s±Ñ¼w (D. E. Pollard), No. 46, p. 57.
  • Drinking stops you writing ¶¼°s¤£¼g®Ñ (D. E. Pollard), No. 46, p. 55.
  • Enlightenment Áॣ¨à (John Turner), No. 1, p. 48.
  • Enlightenment Áॣ¨à (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 274-275.
  • Enlightenment Áॣ¨à (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 113.
  • Feasting the Bridegroom ¶P·s­¦ (Alice W. Cheang), No. 58, pp. 30-31.
  • Feasting the Bridegroom ¶P·s­¦ (Alice W. Cheang), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 244-247.
  • Feasting the Bridegroom ¶P·s­¦ (Alice W. Cheang), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 120-121.
  • Green Jade Wine Jar - Lantern Festival «C¥É®×¡Ð¡Ð¤¸¤i (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 234-235.
  • Green Jade Wine Jar - Lantern Festival «C¥É®×¡Ð¡Ð¤¸¤i (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 114.
  • In Exile ²M¥­¼Ö¡Ð¡Ð¿W±J³Õ¤s¤ý¤ó±g (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 276-277.
  • In Exile ²M¥­¼Ö¡Ð¡Ð¿W±J³Õ¤s¤ý¤ó±g (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 114.
  • Partridge Weather ÅÂÀl¤Ñ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 250-251.
  • Partridge Weather ÅÂÀl¤Ñ (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 123.
  • Picking Mulberry Leaves ªö®á¤l (Arthur Cooper), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 238-239.
  • Picking Mulberry Leaves ªö®á¤l (Arthur Cooper), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 116.
  • Pure Serene Music ²M¥­¼Ö (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 236-237.
  • Pure Serene Music ²M¥­¼Ö (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 115.
  • One Poem in "Five Chinese Lyrics" ¦è¦¿¤ë (D. C. Lau), No. 7, p. 46.
  • Spring in the Princess's Garden ¨G¶é¬K (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 240-241.
  • Spring in the Princess's Garden ¨G¶é¬K (D. E. Pollard), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 117-118.
  • Song of Zhu Yingtai ¯¬­^»Oªñ (Michael Farman), No. 58, pp. 28-29.
  • Song of Zhu Yingtai ¯¬­^»Oªñ (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 232-233.
  • Song of Zhu Yingtai ¯¬­^»Oªñ (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, pp. 112-113.
  • To the Tune of Ch'ou nu eh Áॣ¨à (Arthur Cooper), A Brotherhood in Song, Renditions Books, p. 185.
  • To the Tune of Ch'ou nu eh Áॣ¨à (Arthur Cooper), Nos. 21 & 22, p. 185.
  • To the Tune of Ch'ou nu eh Áॣ¨à (Graeme Wilson), No. 2, p. 117.
  • To the Tune of Ch'ou nu eh Áॣ¨à (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 23.
  • To the Tune of Ch'ou nu eh Áॣ¨à (D. C. Lau), Nos. 11 & 12, p. 23.
  • To the Tune of Moon over the West River ¦è¦¿¤ë (D. E. Pollard), No. 46, p. 49.
  • To the Tune of Spring at the Jade Pavilion ¥É¼Ó¬K (D. E. Pollard), No. 46, p. 54.
  • To the Tune of Spring Pervading the Garden ¨G¶é¬K (D. E. Pollard), No. 46, pp. 50-51.
  • To the Tune of The Immortal at the Magpie Bridge ÄN¥P (D. E. Pollard), No. 46, pp. 52-53.
  • West River Moon ¦è¦¿¤ë (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Books, p. 242-243.
  • West River Moon ¦è¦¿¤ë (Michael Farman), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 119.

    Xin Qi Shi ¨¯¨ä¤ó

  • Missing Person ´M¤H (D. E. Pollard), Nos. 29 & 30, pp. 125-131.
  • Missing Person ´M¤H (D. E. Pollard), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 185-193.
  • The Red Chequers Pub: excerpts ¬õ®æ¤l°s¾Q (Cathy Poon), Nos. 47 & 48, pp. 73-82.
  • Stuck in the Throat °©Åè (Don J. Cohn), Nos. 27 & 28, pp. 127-138.
  • Stuck in the Throat °©Åè (Don J. Cohn), Contemporary Women Writers: Hong Kong and Taiwan, Renditions Paperbacks, pp. 41-62.

    Xin Yu ¨¯Æ{

  • Crane-Zither Residence, My Old Home Åbµ^©~¦Ñ¦v (Andrew Parkin and Chu Chiyu), Nos. 35 & 36, p. 250.
  • Impromptu 1 and 2 ªö­·¨â«h (Chu Chiyu and Brian Holton), No. 61, pp. 59-60 .

    Xing Lin Zi §öªL¤l (Liu Hsia)

  • Live Well, Die Well ¦n¥Í¦n¦º (Caroline Mason), Nos. 35 & 36, pp. 42-48.

    Xing Qi ¦D©_

  • Climbing the mountain µn¤s (Song Xianlin and Gary Sigley), No. 50, p. 136.
  • First Cycle: Arrival on the Grasslands ¤@¡Bªì¨ì¯ó­ì (Song Xianlin and Gary Sigley), No. 50, p. 135.
  • Preface ÃD°O (Song Xianlin and Gary Sigley), No. 50, p. 134.
  • Second Cycle: Horse and Groom ¤G¡B°¨­¾»P°¨ (Song Xianlin and Gary Sigley), No. 50, p. 137.
  • The Shepherd in the blizzard ­·³·ªª¦Ï¤H (Song Xianlin and Gary Sigley), No. 50, p. 139.
  • Third Cycle:The Shepherd's Spring ¤T¡B¦Ï­¾¤§¬K (Song Xianlin and Gary Sigley), No. 50, p. 138.

    Xiong Hong åÀ¬õ

  • No Need for Poetry ¤£¥Î¼g¸Ö (Eva Hung), No. 61, p. 70.
  • The Mirror of Karma Ãè½t¸Ö (Ling Chung and Sean Golden), Nos. 27 & 28, pp. 86-87.
  • Written at Sunset ¼g¦b¶À©ü (Ling Chung and Sean Golden), Nos. 27 & 28, p. 88.

    Xu Deke ®}¼w¥i

  • Party Ending ¨pÅw (Graeme Wilson), No. 31, p. 90.

    Xu Deyin ®}¼w­µ

  • Passing Beyond the Border ¥X¶ë (Maureen Robertson), Nos. 59 & 60, pp. 124-125.

    Xu Diqiang ³\­}Ãò (Hui Tik Cheung)

  • Falling ¶^­Ë (Florence Li with Janice Wickeri), No. 66, pp. 97-98.

    Xu Fei ³\ÙÆ

  • Spring Song at the Three Terraces ¤T»O¬K¦± (Louise Ho), No. 10, p. 130.

    Xu Fu ®}­Á

  • Spring excursion on the lake ¬K´å´ò (A. C. Graham), No. 25, p. 109.

    Xu Hongzu ®}§»¯ª

  • Xu Xiake's Letter to Chen Jiru ­P³¯Ä~¾§®Ñ (Julian Ward), No. 61, pp. 19-26.

    Xu Huizhi ³\®¬¤§ (Hsu Hui-chih)

  • Remembrance in Emptiness ªÅµL°O (Mary M. Y. Fung), No. 61, p. 113.

    Xu Jiacun ³\¸µ§ø

  • Two Letters from the Autumn Floods Studio ¬î¤ô°a¤ØÃ| (Martha Cheung), Nos. 41 & 42, pp. 149-152.

    Xu Jianyin ®}«Ø±G

  • Selections from Notes on Travels in Europe ¼Ú´åÂø¿ý (Ian Bortholomew), Nos. 53 & 54, pp. 149-158.

    Xu Jieyu ³\ªã¬R (Hsu Kai-yu)

  • Colour and Light in the Canvases of Zao Wou-ki »¯µL·¥µe³ø¤WªºÃC¦â»P¥ú«G (Diana Yu), Nos. 19 & 20, pp. 13-22.

    Xu Jingya ®}·q¨È

  • A Volant Tribe of Bards ±U°_ªº¸Ö¸s—µû¤¤°ê·s¸Öªº²{¥N¶É¦V (Ng Mau-sang), Nos. 19 & 20, pp. 59-65.
  • Xu's Self-criticism ®É¨è¨c°OªÀ·|¥D¸qªº¤åÃÀ¤è¦V (Zhu Zhiyu), Nos. 19 & 20, pp. 65-68.

    Xu Jiyu ®}Ä~Ú®

  • Selections from A Concise World Geography ÃsÀô§Ó¸ô (Tam Pak Shan), Nos. 53 & 54, pp. 18-21.

    Xu Ning ®}¾®

  • Thoughts of Yangzhou ¾Ð´­¦{ (Mark Stevenson), No. 66, p. 48.

    Xu Shu ®}²Q

  • Letters Between Qin Jia and His Wife Xu Shu ®}²Qµª¯³¹Å®Ñ (Goran Malmqvist), Nos. 41 & 42, pp. 1-3.

    Xu Yu ®}°X (Hsu Yu)

  • Sister Tsui-ling ¨p©b (George Kao), No. 2, pp. 99-114.

    Xu Zaisi ³\¦A«ä (Hsu Tsai-ssu)

  • Unrequited Love ¬Û«ä ²M¦¿¤Þ(Gary G. Gach and C. H. Kwock), A Brotherhood in Song, Renditions Books, p. 218.
  • Unrequited Love ¬Û«ä ²M¦¿¤Þ(Gary G. Gach and C. H. Kwock), Nos. 21 & 22, p. 218.

    Xu Zhuodai ®}¨ô§b

  • The Fiction Material Wholesaler ¤p°O§÷®Æ§åµo©Ò (Christopher Rea), No. 67. pp. 46-62.

    Xu Zihua ®}¦ÛµØ

  • Written during the Yangtze Crossing on the 27th of the 11th Month to Attend to the Burial of My Friend Qiu Jin (two poems) ¤Q¤@¤ë¤G¤C¤é¬°Â{­ë¸®¨Æ­·³·´ç¦¿·P¦Ó§@ (Eva Hung), No. 64, p. 114.

    Xue Dan Á§¥¹

  • Zhaojun's Dream ¬L§g¹Ú (Mark Stevenson and Wu Cuncun), Nos. 59 & 60, pp. 154-180.

    Xue Fucheng Á§ºÖ¦¨

  • At a Parisian Oil Painting Exhibition Æ[¤Ú¾¤ªoµe°O (Eva Hung), Nos. 33 & 34, p. 213.
  • Reply to a Friend on the Banning of Opium Smoking µª¤Í¤H½×¸T¬v·Ï®Ñ (Chu Chiyu), Nos. 41 & 42, pp. 138-143.
  • Selections from Journal of Diplomatic Mission to Four European Countries ¥X¨Ï¥|°ê¤é°O (D.E. Pollard), Nos. 53 & 54, pp. 132-139.

    Xue Lundao Á§½×¹D (Hsueh Lun-tao)

  • Mad at the World ¼«¥@ (K. C. Leung), A Brotherhood in Song, Renditions Books, p. 231.
  • Mad at the World ¼«¥@ (K. C. Leung), Nos. 21 & 22, p. 231.
  • Mosquito °A (K. C. Leung), A Brotherhood in Song, Renditions Books, p. 235.
  • Mosquito °A (K. C. Leung), Nos. 21 & 22, p. 235.
  • Mr. Goody-goody ¦n¦n¥ý¥Í (K. C. Leung), A Brotherhood in Song, Renditions Books, pp. 232-233.
  • Mr. Goody-goody ¦n¦n¥ý¥Í (K. C. Leung), Nos. 21 & 22, pp. 232-233.
  • Surveying History Æ[¥v (K. C. Leung), A Brotherhood in Song, Renditions Books, p. 234.
  • Surveying History Æ[¥v (K. C. Leung), Nos. 21 & 22, p. 234.

    Xue Youfu Á§¦³ºÖ (Y.F. Sik)

  • Letter to an American School Friend ­P¬ü°ê¤Í¤H®Ñ, Nos. 53 & 54, pp. 185-188.

    Yan Ailin ÃC¦ãªL (Yen Ai-lin)

  • Apple in a Vase ²~¤¤Ä«ªG (Chu Chiyu and Brian Holton), No. 61, p. 115.

    Yan Chungou ÃC¯Â? (Ngan Shun Kau)

  • A Heart Eaten Out ³EªÅªº¤ßÆF (D. E. Pollard), Nos. 47 & 48, pp. 146-150.
  • The Censure of Heaven ¤ÑÄþ (Shin Yong Robson), No. 63, pp. 61-72.
  • The Censure of Heaven ¤ÑÄþ (Shin Yong Robson), To Pierce the Material Screen, Vol. I, Renditions Books, pp. 146-157.

    Yan Fu ÄY´_ (Yen Fu)

  • General Remarks on Translation ¤Ñºt½×Ķ¨Ò¨¥ (C. Y. Hsu), No. 1, pp. 4-6.

    Yan Guangmin ÃC¥ú±Ó

  • Song of Zhaojun ¬L§g¦± (Eva Hung), Nos. 59 & 60, pp. 112-113.

    Yan Jidao ®Ë´X¹D (Yen Chi-tao)

  • Jade Tower Spring ¥É¼Ó¬K (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 144-145.
  • Jade Tower Spring ¥É¼Ó¬K (Eva Hung), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 65.
  • Patridge Weather (No. 1) ÅÂÀl¤Ñ (¤@) (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 140-141.
  • Patridge Weather (No. 1) ÅÂÀl¤Ñ (¤@) (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 63.
  • Patridge Weather (No. 2) ÅÂÀl¤Ñ (¤G) (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 142-143.
  • Patridge Weather (No. 2) ÅÂÀl¤Ñ (¤G) (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 64.
  • To the Tune of che-ku t'ien ÅÂÀl¤Ñ (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 13.
  • To the Tune of che-ku t'ien ÅÂÀl¤Ñ (D. C. Lau), Nos. 11 & 12, p. 13.
  • To the Tune of Ts'ai-sang tzu ªö®á¤l (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 14.
  • To the Tune of Ts'ai-sang tzu ªö®á¤l (D. C. Lau), Nos. 11 & 12, p. 14.

    Yan Li ÄY¤O

  • Death ¦º¤` (Ling Chung), Nos. 19 & 20, p. 267.
  • Untitled µLÃD (Ling Chung), Nos. 19 & 20, p. 267.

    Yan Shu ®Ë®í (Yen Shu)

  • Mutability ÒF·Ë¯½ (John Turner), No. 1, p. 47.
  • Mutability ÒF·Ë¯½ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Books, pp. 224-225.
  • Mutability ÒF·Ë¯½ (John Turner), A Golden Treasury of Chinese Poetry, Renditions Paperbacks, p. 88.
  • The Sands at Silk-washing Creek ÒF·Ë¨F (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 98-99.
  • The Sands at Silk-washing Creek ÒF·Ë¨F (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 40.
  • To the Tune of Ta'so hsing ½ñ¨F¦æ (D. C. Lau), Song Without Music: Chinese Tz'u Poetry, Renditions Books, p. 8.
  • To the Tune of Ta'so hsing ½ñ¨F¦æ (D. C. Lau), Nos. 11 & 12, p. 8.
  • Willow by the Hillside Pavilion ¤s«F¬h (Stephen Owen), No. 58, pp. 16-17.
  • Willow by the Hillside Pavilion ¤s«F¬h (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Books, pp. 100-101.
  • Willow by the Hillside Pavilion ¤s«F¬h (Stephen Owen), A Silver Treasury of Chinese Lyrics, Renditions Paperbacks, p. 42.

    Yan Xiang µx­»

  • The Shirt ¦ç¸Ë (Martha P.Y. Cheung), No. 61, pp. 82-83.

    Yan Zhitui ÃC¤§±À (Yen Chih-t'ui)

  • Advice to My Sons ÃC¤ó®a°V (D. C. Lau), No. 1, pp. 94-98.
  • Yan's Family Instructions: excerpts (D. C. Lau), Nos. 33 & 34, pp. 58-62.

    Yang, Daniel S.P.

  • Black Dragon Residence—from Script to Stage Productions, No. 3, pp. 102-114.

    Yang Guo ᬻG

  • Lotus Song 1 ±Ä½¬ºq ¤@ (David Lunde), No. 56, pp. 14-15.
  • Lotus Song 2 ±Ä½¬ºq ¤G (David Lunde), No. 56, pp. 16-17.

    Yang Jiang ·¨µ¼ (Yang Chiang)

  • The Art of Listening Å¥¸ÜªºÃÀ³N (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 289-293.
  • Cloak of Invisibility Áô¨­¦ç (D. E. Pollard), The Chinese Essay, Renditions Books, pp. 293-298.
  • Six Chapters from My Life "Down-under" ·F®Õ¤»°O (Howard Goldblatt), No. 16, pp. 6-43.
  • Toward Oblivion: excerpts ±N¶¼¯ù (Daniel Ngai), No. 38, pp. 145-179.
  • Windswept Blossoms ­·µ¶ (Acts I and II) (Edward Gunn), No. 14, pp. 42-63.

    Yang Jiaxian ·¨¨Î¼_

  • Moth at Dusk ¶À©ü¤§¸¿ (Audrey Heijns and David Lunde), No. 61, p. 122.

    Yang Jifu ·¨¦N¨j

  • Fragments ¤ù¤ù (Goran D. Malmqvist), No. 16, pp. 66-67.
  • Pebbles ¥Û¤l (Goran D. Malmqvist), No. 16, pp. 62-65.

    Yang Kui ᬦf

  • Paperboy °e³ø¥í (Rosemary Haddon), No. 43, pp. 25-57.